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Articles 601 - 630 of 680
Full-Text Articles in Art and Design
Windhorse, Sara W. Tower
Paul, Rachel E. Rakoff
Capricorn, Kristine M. Kopia
Stories Of Nepal, Sara W. Tower
Ascent, Andrew P. Maturo
Children Of The Occupation, Preston G. Hartwick
Stranger Than Fiction, Andrew P. Maturo
Chullo, Josiah B. Adlon
Flight, Hannah J. Sawyer
Mont Tremblant, Meredith Maclauchlan
See Through, Sara P. Levin
Everything Falls Apart, Preston G. Hartwick
A Venus Of Wild Nights: The Female Nude In Paintings By Judith Linhares, Shannon Egan
A Venus Of Wild Nights: The Female Nude In Paintings By Judith Linhares, Shannon Egan
Art and Art History Faculty Publications
A nude woman sits on a pyramidal assemblage of logs in a pose reminiscent of Auguste Rodin’s The Thinker (1902) in Judith Linhares’s painting Up There (2003). With a delineated but transparent form, an absurdly large bumblebee feeds on enormous flowers at the base of the structure. The female figure oversees the fantastical scene like a queen bee atop a beehive. Linhares revisits the subject of a monumental female nude in her paintings (a traditional subject in the history of painting), and as such, these ‘‘queen bees’’ populate a whimsical but historical world. Her paintings are large, and even in …
Concord, Ma, Rachel E. Rakoff
Cinque Terre, Storrey E.C. Morrison
Discovering Eyes, Dinesh Manandhar
The Warrior Within, Dinesh Manandhar
Teaset, Preston G. Hartwick
Light Shade And Emotions, Anukul Gurung
Childhood Revolutions, Marisa E. Trettel
Beg, Lauren A. Javins
Untitled, Chelsea R. Kasten
Chinese Mailbox, Preston G. Hartwick
Offerings, Jennifer A. Carrington
Autumn In Wanaka, New Zealand, Christine L. Heerwagen
Autumn In Wanaka, New Zealand, Christine L. Heerwagen
The Mercury
No abstract provided.
Viridian Apparatus, Kristen E. Rivoli
Fix, Andrew P. Maturo
Frozen Trail, Arches National Park, Anukul Gurung
Mark Greenwold’S Excited Self, Shannon Egan
Mark Greenwold’S Excited Self, Shannon Egan
Art and Art History Faculty Publications
In a recent exhibition catalog of painter Mark Greenwold at New York’s DC Moore Gallery, the artist, in lieu of a conventional statement about his work, conducted a self-interview. To his question, ‘‘Why?’’ Greenwold responded:
"I thought that I could possibly get at things that another person might find too daunting or too polite to ask—very obvious questions by the way, that I’d probably be too thin-skinned or reactive to give an honest response to if another person asked the question." [excerpt]