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Pengantar Dari Editor Vol. 16 No. 1 (April) 2026, Rahayu Surtiati

Paradigma: Jurnal Kajian Budaya

This edition of Paradigma: Jurnal Kajian Budaya Vol. 16 No. 1 (2026) presents a range of studies that affirm culture as a dynamic domain continuously shaped by processes of negotiation, transformation, and reinterpretation across diverse social, historical, and political contexts. The articles explore the creation and innovation of artistic practices as representations of collective identity, the dialectics between preservation and renewal of tradition, and the strategic role of culture in national development. In addition, issues of historiography and colonial legacy are examined through postcolonial perspectives that offer new readings of Indonesian art, while discussions on values and social structures address …

Resurrection In Gold, Samantha K. Kelley

Undergraduate Theses

The human experience consistently brings about themes of brokenness, oftentimes leading to feelings of loss, confusion, and a desire for repair. Guided by a metaphor found in kintsugi (a Japanese art form), this thesis aims to explore and illustrate both brokenness and repair, through a lens of Christian theology.

The beginning of this project focuses on brokenness, illustrating the brokenness that is found in life by destroying old artworks in various ways. The method of breaking each piece also aimed to connect to a way brokenness is commonly found in life, for example – society tearing us down, artworks being …

Exploring Innovative Display Of Painting Through Creating A Dual-Sided Suspended Piece, Erin K. Tichota

SACAD: Scholarly Activities

For this project, I aimed to expand upon my existent painting skills and learn new methods through unconventional techniques for display. My concept of this piece was to convey the sinking and stagnant feeling of being in a rut of depression. The ropes are meant to convey a web of thoughts that the subject is trapped in, while they are sinking deeper in their bed. The dual sided aspect of this project is meant to further emphasize the concept through creating a sense of  duality and permanence.

Back Cover, Michaela Velleno, Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Credits, Michaela Velleno, Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Artist Index, Sam Arrigoni

.RAW Journal of Art and Design

No abstract provided.

'Untitled (Works On Memory)', Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

'Between The Lupine' & 'The Clovers, Whitetailed Deer', Victoria Dai

.RAW Journal of Art and Design

No abstract provided.

'The Cycle Of Nature: Decay', Taz Fruhauf

.RAW Journal of Art and Design

No abstract provided.

'Last Voyage' & 'From Eden', Luke Gillon, Joshua Mahlow

.RAW Journal of Art and Design

No abstract provided.

'How To Dice An Onion' & 'Glacier', Theo Milner-Hansen, Alyssa Shavely

.RAW Journal of Art and Design

No abstract provided.

'Awake', Jordan Mendelevitch

.RAW Journal of Art and Design

No abstract provided.

'Outgrown' & 'Withered', Elle Gaspar, Maya Delaney

.RAW Journal of Art and Design

No abstract provided.

'Cause & Effect Of Beauty Standards'; 'Dissolution: Whale Fall'; & 'Enumeration And Ethical Hacking Iv', Zoé Shaikh, Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.

'Angels Die With U', Sofia Del Gatto

.RAW Journal of Art and Design

No abstract provided.

'Westward' & 'The Warning Sign', Ashley Fortes, Kaysen Erickson

.RAW Journal of Art and Design

No abstract provided.

'Sequel To The Dancing Man' & 'Entelechy (When I Was Born Perfect)', Cézar Gomez, Frank Cooke

.RAW Journal of Art and Design

No abstract provided.

'Degradation' & 'Midnight Snack', Jack Meyer, Addy Cota

.RAW Journal of Art and Design

No abstract provided.

'Joshua Tree, California', Colin Pope

.RAW Journal of Art and Design

No abstract provided.

Preface, Liliana Monge

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Maxwell Rice

.RAW Journal of Art and Design

No abstract provided.

Opening, Michaela Velleno, Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Cover, Connor Larson

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Michaela Velleno, Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Harriet Hosmer: Femininity And Stone, Savannah V. Parrish

Undergraduate Theses

Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …

Arrival Is Not Access, Emmanuel Asamoah

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis presents a group of sculptures and installations that explore how material, labor, and communication shape unequal access in diasporic life. It questions the common belief that movement, visibility, or relocation automatically leads to stability, care, or belonging. In my experience, arrival does not guarantee access. Using clay, steel and found materials, I create tension between softness and control. Many of these materials are worn and discarded. I cut and rebuild them, leaving marks of strain and repair visible rather than hiding them.

Repetition appears through rows of cast faces and a collection of telephones. These forms suggest shared …

If Life Were Only As Our First Encounter, Yixiao Zhang

MFA in Visual Art

This thesis examines how contemporary portrait painting extends beyond the representation of physical appearance toward the construction of collective memory, history, cultural identity, and mechanisms of seeing. Using staged, photo-based portraits as a point of departure, my work engages both Eastern and Western traditions to produce new autoethnographic narratives. Rethinking the significance of portraiture today, this paper considers what persists and what has shifted over time. It argues that portrait painting is no longer merely a representation of an individual; rather, like a literary text, it functions as a signifier shaped by both the moment of its production and the …

From Exhibition To Engagement: The Development Of A Community Engagement Ecosystem At The Marjorie Barrick Museum Of Art, Zida Wang

Community Engagement Expo Research Posters

This poster examines how the Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas has developed a community engagement ecosystem through exhibitions, public programming, partnerships, and educational initiatives. Using the Living Here exhibition as a case study, the project demonstrates how university museums can function as community-centered spaces that foster dialogue, belonging, and civic participation. The poster highlights collaborative partnerships, oral history initiatives, student learning opportunities, K–12 engagement programs, and the future expansion of Living Here as a national traveling exhibition. The model positions community engagement as an ongoing process that extends beyond individual exhibitions and supports …

Subterranean Echoes, Daniel E. Garcia

School of Art, Art History, and Design: Theses and Student Creative Work

Subterranean Echoes is an immersive exhibition that explores themes of spirituality, geology, growth, and decay. Depictions of earthly entities, sacred architecture, crystalline portals, reliquary and geological forms are what drive my narratives of ancestral beginnings in-between states of physical and metaphysical realms.

I rekindle and reimagine what it means to stay connected to the land and ancient people of the past. With ceramic materials, I channel divine energy through a primordial process involving earth, water, air, and fire that allows me to reconnect with the land and our predecessors. I create adaptations of spirituality that reflect my own philosophies, experiences, …

The Space Between Seams, Rachel M. Clarke

School of Art, Art History, and Design: Theses and Student Creative Work

Through the use of form, softly muted colors, and play with transparent materials, I create ethereal drawings and immersive installation experiences. I work with the softness in fabric and the controlled detail in drawing. In doing so, I am enveloping myself in the drive to create, pushing the viewer to be spatially aware of their bodies existing in space.

This body of work exists as I am processing the state of my own body. We engage and perceive the world through our bodies. The fabric panels I create call to the porosity and permeability of human skin. The skin contains …