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Articles 181 - 210 of 4130
Full-Text Articles in Art and Design
An Introduction To East Asian Art: Tour Guide #2, The Year 1230, Victoria Weston
An Introduction To East Asian Art: Tour Guide #2, The Year 1230, Victoria Weston
OER Textbooks
Please Note: This is the second of three tour guides connected to Victoria Weston's Introduction to East Asian Art. For the full guidebook, visit https://scholarworks.umb.edu/oer_textbooks/3/
The remaining sections can be found at these links:
Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/
Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/
This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally …
An Introduction To East Asian Art In Three Journeys, Victoria Weston
An Introduction To East Asian Art In Three Journeys, Victoria Weston
OER Textbooks
Please Note: This is the full version of this record. For individual tour guides, visit the following links:
Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/
This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …
An Introduction To East Asian Art: Tour Guide #1, The Year 748, Victoria Weston
An Introduction To East Asian Art: Tour Guide #1, The Year 748, Victoria Weston
OER Textbooks
Please Note: This book is chapter one of Victoria Weston's Introduction to East Asian Art in Three Journeys, which can be found in full at https://scholarworks.umb.edu/oer_textbooks/3/
For the remaining chapters, visit:
Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/
Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/
This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. …
Artistic Embodiment: The Role Of Art-Based Research In Communicating Disability Experiences, Juliana Scheopner
Artistic Embodiment: The Role Of Art-Based Research In Communicating Disability Experiences, Juliana Scheopner
Theses/Capstones/Creative Projects
Visual art has immense potential to communicate complex experiences of disability. As a disabled artist, I am interested in how disability has been portrayed in artwork, particularly in how other disabled artists choose to represent their lived experiences. Through art-based research, this study explores how disabled artists have used portraiture to depict their disability. Selected art includes work from Frida Kahlo, Deborah Padfield, Persimmon Blackbridge, and the author. Following an analysis of literature, selected artworks, and salient disability scholarship, emergent themes were identified. The focus on the complexity of disability experiences demonstrated the importance of considering a wide range of …
Tarot - Reimagined: Monotype Tarot Landscapes, Eleanor B. Nelson
Tarot - Reimagined: Monotype Tarot Landscapes, Eleanor B. Nelson
Theses/Capstones/Creative Projects
Printmaking is a form of artmaking that utilizes transferring marks from the matrix to the final piece of paper, often through a press. These processes are able to create an edition of multiple identical prints. This is typically considered the highlight of using print processes; however, the process of making monotypes allows for one original piece. Through the process of researching and creating watercolor monotypes, I made a collection of ten original pieces, all depicting different landscapes throughout the Tarot deck. Each piece is 9” x 12” printed on a 13” x 17” piece of paper and created with watercolor, …
Tracings, Masie Sophia Love
Tracings, Masie Sophia Love
Theses and Dissertations
In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.
Memory Organs, Coco Ma
Memory Organs, Coco Ma
Theses and Dissertations
Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.
The Earth Holds What I Cannot, Satabdi Tripathy
The Earth Holds What I Cannot, Satabdi Tripathy
Theses and Dissertations
This thesis explores memory, landscape, identity, and gendered silence through painting, video and film. Inspired by glaciers, volcanoes, and Arctic landscapes, my work transforms personal memory into environmental memory and investigates silence, trauma, and renewal.
Notes On Rhythm, Maya Lee-Parritz
Notes On Rhythm, Maya Lee-Parritz
Theses and Dissertations
Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.
Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival, Celeste B. Newcomb
Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival, Celeste B. Newcomb
Theses and Dissertations
bugs, birds, blue is a multi-channel audiovisual installation that examines queer ecology as a framework for understanding transgender embodiment, kinship, and survival amid environmental crisis and ongoing political attacks on trans life (Mortimer-Sandilands and Erickson). Through sculpture, projection, sound, reflective surfaces, and biological imagery, the installation places human bodily matter alongside microbial and aquatic life forms to challenge narratives that frame trans existence as unnatural, recent, or isolated. Instead, the work proposes transness as relational, adaptive, and deeply entangled with broader ecological systems. The installation is composed of two interconnected environments. On one side of the space, three aquariums rest …
Lovepilled, Zhiliang Zhao
Lovepilled, Zhiliang Zhao
Theses and Dissertations
"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Theses and Dissertations
Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.
5010, Clare Hu
5010, Clare Hu
Theses and Dissertations
Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
Containment, Quin Mittelstead
Containment, Quin Mittelstead
Theses and Dissertations
This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …
Self-Fashioning In Contemporary Figurative Painting, Hal Hardin
Self-Fashioning In Contemporary Figurative Painting, Hal Hardin
School of Art Undergraduate Honors Theses
This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.
In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …
Rooted Transformations, Ricardo D. Moctezuma
Rooted Transformations, Ricardo D. Moctezuma
Electronic Theses, Projects, and Dissertations
In my ventures through art I realized that I underwent an experience that was tailored to my process of release. As I struggled to share my emotions, I became distant and dissociated, I felt detached from others and even from myself. This process was something I visualized in my art from, the Tears, to Self Destruction, to the Release and onto the Garden. I’ve always felt myself in a state of Release, partly healed and partly damaged. All I knew was that the garden represented a new beginning for me, I just never knew what that Garden was. Time passes …
Heirlooms Of Virtu, Santos Nunez
Heirlooms Of Virtu, Santos Nunez
Electronic Theses, Projects, and Dissertations
Heirlooms of Virtu explores familial history as a mode of self-study. By examining childhood, the more possible it can be to navigate the contemporary. Research into the self becomes the bridge between two states of being, allowing for a better understanding and a more purposeful approach to the future.
As an artist working primarily in photography and video, I am recontextualizing key nostalgic concepts with technology through interactive sculptures and video installations. My research alludes to classic toys and technologies specific to my childhood in an effort to find and understand the self. Nostalgia as an idea not only exists …
Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse, Alison R. Gaddy
All Theses
This thesis explores how truth and dramatization intersect in digital storytelling by comparing realistic and stylized simulations of the Honey Creek bridge collapse within the context of the Kate Shelley animated short. At the core of storytelling lies a tension between factual accuracy and dramatic stylization. We investigate that tension by examining how narrative truth is conveyed, distorted, or enhanced through visual dramatization by focusing on the psychology of audience perception and the motivations behind creative embellishment. The practical contribution of this research is the development of two distinct digital scene setups depicting the same Honey Creek bridge collapse event. …
Desert Ghost, Jessica Downs
Desert Ghost, Jessica Downs
All Theses
This thesis explores the relationship between landscape, memory, and the body through handmade paper installations inspired by the deserts of southwestern Utah. Drawing from personal experience of place and the loss of a childhood home, the work considers how environments are internalized and persist as shifting, sensory impressions rather than fixed geographies. The desert becomes a generative site for examining presence, transformation, and the passage of time, both geologic and personal.
I use handmade paper and installation to translate my experience of place into physical form. Paper serves as both material and metaphor; its fibers, textures, and muted tones emulate …
Weaving Ideology: Textiles In Florentine And Venetian Painting Of The Cinquecento, Ruben Verità
Weaving Ideology: Textiles In Florentine And Venetian Painting Of The Cinquecento, Ruben Verità
Art and Art History Honors Projects
Renaissance art historical scholarship has largely ignored the political and cultural significance woven into the representation of textiles, as well as their communicative potential in paintings. In this study, I examine how textiles in their various forms carry the potential to go beyond their normative categorization as decoration. Through a comparative analysis of the paintings produced in two politically distinct polities—Florence and Venice—during the sixteenth century, I integrate Louis Althusser’s theory of ideology and Michael Baxandall’s period eye to elucidate how painted fabric was not the representation of a passive decorative ornament. Rather, it was an active and legible proxy …
Alternative, Ashlynn M. Stroud
Alternative, Ashlynn M. Stroud
Graduate Theses and Dissertations (2019 - present)
A series of illustrations, sculptures and comic book issues designed to introduce a series of stories and characters that represent the history and members of a fictional mythology depicting the cultural social group often referred to as the “alternative” community. Alternative takes place in a world that combines high fantasy and science fiction with elements of pop culture and music. This world uses iconography of the various genres of the alternative subculture and music, metal, post-punk, and the evolving scene of the underground with varying visuals from both gothic and industrial time periods. Viewers are encouraged to read and follow …
Volume 17, Christian O’Neill, Kyara Greene, Savva Sidorov, Laura Bisaillon, Luke Clemmer, Hannah Gordon, Kitt Benson, Taylor Blount, Rachel Danzitz, Nicholas Duellman, Chase Gionis, Hima Fernando, Seth Franzyshen, Onyx Gonzalez, Bryan Lin, Samantha Start, Ysabel Wells, Maggie Duncan
Volume 17, Christian O’Neill, Kyara Greene, Savva Sidorov, Laura Bisaillon, Luke Clemmer, Hannah Gordon, Kitt Benson, Taylor Blount, Rachel Danzitz, Nicholas Duellman, Chase Gionis, Hima Fernando, Seth Franzyshen, Onyx Gonzalez, Bryan Lin, Samantha Start, Ysabel Wells, Maggie Duncan
Incite: The Journal of Undergraduate Scholarship
Introduction Dr. Amorette Barber, Director, Office of Student Research
From the Editor Dr. Hannah Dudley-Shotwell
Cover Artist’s Statement Maggie Duncan
On Mentoring Dr. Yulia Uryadova
Ukrainian Resistance in the Face of Russification: Nestor Makhno and Anarchism
by Christian O’Neill
Life Vest by Kyara Greene
Isolation and 16S rRNA Identification of Bacteria from Fire Department Connection Pipe by Savva Sidorov
The Effectiveness of Planned Exercise in Reducing ADHD Symptoms in Children by Laura Bisaillon & Luke Clemmer
Linguistic Analysis on Confidence and Communication Strategies with Disparities Between Sign Fluency and Hearing Impairment by Hannah Gordon
Freedmen in Indian Territory by Kitt …
Meikyu, Diana D. Dyer
Meikyu, Diana D. Dyer
Graduate Theses and Dissertations (2019 - present)
This thesis explores the relationship between digital and physical practices through the integration of traditional glassworking techniques and digital media. The project combines glass fusing and glass blowing with woodworking, screen printing, vinyl cutting, animation, and augmented reality (AR) technologies to create dialogue between physical and digital forms. This thesis documents the full creative process, beginning with conceptual sketches and progressing through the fabrication and assembly of glass components into finished sculptural pieces. Digital technologies are then incorporated to augment and extend the physical artwork. Three-dimensional (3D) assets were created using Maya, a 3D modeling software, and implemented within Snapchat's …
Home: Transforming A Public Arts Grant Into A Community Project, Scarlett G. Baily
Home: Transforming A Public Arts Grant Into A Community Project, Scarlett G. Baily
The Transdisciplinary STEAM+ Journal
Home is a 2,535 ft² site-specific mural in San Diego’s Liberty Station that reconnects the site’s military history with Kumeyaay Indigenous heritage and maritime culture. Through depictions of native flora and fauna, the work foregrounds overlooked origin stories and ecological knowledge of Point Loma. Developed through deep community collaboration, including Kumeyaay advisors and over 100 local participants, the mural fosters shared authorship and cultural continuity. It invites viewers to engage with alternative histories while supporting language revitalization and environmental awareness.
Repatriasi Lukisan Pita Maha Dan Penguatan Historiografi Seni Rupa Modern Bali, Citra Smara Dewi, Sabila Duhita Drijono
Repatriasi Lukisan Pita Maha Dan Penguatan Historiografi Seni Rupa Modern Bali, Citra Smara Dewi, Sabila Duhita Drijono
Paradigma: Jurnal Kajian Budaya
This article examines the repatriation of Pita Maha paintings from the 1930s to 1940s, which were returned by the Government of the Netherlands to Indonesia in 2024. Pita Maha, an artistic movement established in Ubud, Bali in 1936, holds an important position in art historiography as a key contributor to the development of modern Balinese painting. The repatriation of these works provides an opportunity to reconsider and expand existing historical narratives. Accordingly, this study aims to contribute to the enrichment of the historiography of modern Balinese painting. The research employs a historical method —encompassing heuristics, source criticism, interpretation, and historiography— …
Sultan Mahmud Badaruddin Ii (Smb Ii): Kajian Sejarah Dan Arkeologi Islam Kesultanan Palembang Darussalam, Wahyu Rizky Andhifani, Nor Huda Ali Nha
Sultan Mahmud Badaruddin Ii (Smb Ii): Kajian Sejarah Dan Arkeologi Islam Kesultanan Palembang Darussalam, Wahyu Rizky Andhifani, Nor Huda Ali Nha
Paradigma: Jurnal Kajian Budaya
The intellectual, architectural, and artifactual heritage of the Palembang Darussalam Sultanate during the reign of Sultan Mahmud Badaruddin II (1767–1852) is examined in this study using a historical archaeological approach and textual analysis of manuscripts, buildings, and royal tombstones. This study assumes that Palembang functions as a political force and a centre of Islamic-Malay knowledge. The results show that the Palembang palace functioned as an epistemic space that combined religious understanding (tafaqquh fi al-dīn) and Islamic nobility, as evidenced by religious works such as the Syair Burung Nuri and legal documents (piyagêm) written in the Palembang script. The architecture of …
Timbangan Buku: Mendekolonisasi Komunikasi Politik Di Afrika - Menyusun Ulang Ontologi, Murliana Murliana
Timbangan Buku: Mendekolonisasi Komunikasi Politik Di Afrika - Menyusun Ulang Ontologi, Murliana Murliana
Paradigma: Jurnal Kajian Budaya
No abstract provided.
Foundations Of Art: Materials, Methods, And Meaning, Elizabeth Mellott
Foundations Of Art: Materials, Methods, And Meaning, Elizabeth Mellott
Art OERs
This course provides an introduction to the tools, materials, and processes used across a wide range of artistic media. The focus is on understanding how different materials shape the way art is created and experienced. Attention is given not only to what artists make, but also to why particular media are chosen to communicate specific ideas, emotions, or perspectives. The physical qualities of materials, the methods used, and the cultural meanings attached to them all influence artistic decision-making.
The course surveys several major categories of artistic media. Pigment-based practices include painting, drawing, and printmaking, where color and mark-making form the …
Weighted, I Drown Peacefully, Clarke P. Hamilton, Masaru Suzuki
Weighted, I Drown Peacefully, Clarke P. Hamilton, Masaru Suzuki
Honors Thesis
weighted, i drown peacefully is a call-and-response to my ancestral history and heritage as African American, and my physical experience at the door of no return on Goree Island off the coast of Dakar, Senegal.
Through ceramic face pots invoking the face jugs recovered from Edgefield, South Carolina, visual metaphors of the calla lily and cowrie shell, wood iris petals holding water, and a watercolor painting with Adinkra symbols Adwo & Sankofa, I mark the Atlantic Ocean as a resting place of my ancestors.
This piece is for those who have transitioned from this plane to the next. I carry …