American Popular Culture Commons^™

Where Epistemology And Metaphysics Touch In Lois Lowry's The Giver, Seth Vannatta

Far West Popular Culture Association Annual Conference

In Lois Lowry’s dystopian young adult novel, The Giver, the veil of perception— the gap between appearance and reality— is woven into the community as a policy measure meant to establish Sameness—the effort to insure a world without conflict, inequality, difference, pain, or freedom of choice. But a question lingers in the premise of the novel’s community. Given that our options for bridging the gap amount to building a bridge of experience across it or digging a tunnel of existence under it, has the bridge been sabotaged to render perception spurious, or has the tunnel been blocked to alter reality …

Black Culture And Community In Good Times, Angela Nelson

Far West Popular Culture Association Annual Conference

The situation comedy Good Times broadcast on the CBS network from February 8, 1974 to August 1, 1979, is a television milestone because it was the first series to feature a recurring, intact Black two-parent nuclear family, the Evanses, on American primetime television. In the conventions of seventies “TV World,” the “intact Black nuclear family” is a married, heterosexual, two-parent African American family with children all living in a single dwelling at the same time. David Marc in Demographic Vistas notes the focus of American situation comedies up to 1974: “The sitcom is a representational form, and its subject is …

A Semiotic Analysis Of Community’S “Advanced Dungeons And Dragons”, Marci Mazzarotto

Far West Popular Culture Association Annual Conference

Unsurprisingly, the use of blackface rightfully remains a controversial topic situated within a remarkedly large sphere of popular culture (spanning nearly 200 years), as its roots stem directly from the systematic oppression of the African American community by silencing their voices and deleting their visibility. Such depictions turned people of color into grotesque and exaggerated caricatures that cemented deeply hurtful, incorrect, and negative stereotypes that continue to live and haunt our society and culture today.

This project addresses the controversial use of blackface in popular media, by briefly contextualizing its history and influence and then situating such context within a …

"Of Backstories And Epiphanies And Such: A Formalist's Analysis Of Dallas Jenkins' Youtube Series 'The Chosen.'", Richard Logsdon

Far West Popular Culture Association Annual Conference

Of Backstories and Epiphanies: A formalist’s analysis of Dallas Jenkin’s The Chosen

In this essay, I attempt a formalist’s analysis of YouTube sensation The Chosen, so far a two part, sixteen-episode series about Jesus. In taking a formalist’s approach to this series, I seek the unifying principle holding the episodes of The Chosen together and determining the selection and arrangement of parts.

Presented from perspective of Jesus’ followers, the series' episodes make use of backstories and epiphanies to convey the unifying message that Jesus Christ was God and man. Those who experiences the epiphanies, often occurring in backstories intended to …

When First We Practice To Deceive: The Semiotics Of The Chinese Tv Drama The First Half Of My Life, William M. Kirtley

Far West Popular Culture Association Annual Conference

Abstract

In the darkest days of the pandemic, an online streaming service offered escape in the form of a 42-episode Chinese dramatic TV series, The First Half of My Life (2017).

This paper provides a history of semiotic thought followed by an analysis of a woman’s professional life in the Peoples Republic of China. It uses, Canadian Sociologist Irving Goffman’s concept of dramaturgy and Austrian social psychologist Fritz Heider’s balance theory. This popular series is the story of the paradigmatic transformation of its female heroine, Luo Zijun, from dependent housewife to independent businessperson. Her ex-husband declares, “I never imagined …

A Visual Exploration Of Bias In Covid-19 Coverage, Elizabeth Zak

Far West Popular Culture Association Annual Conference

During the Covid-19 pandemic, news outlets used information visualizations to convey noteworthy data about different facets of the crisis in a short period of time. Despite claims of neutrality, an information visualization also conveys bias. Exploring bias in visualizations allows us to understand the bias that some news outlets hold. I chose to explore how news outlets conveyed political bias in a visualization. In this study, using the AllSides scale, I first identified ten news outlets of varying political bias. I then collected five Covid-19 visualizations from each news outlet. I analyzed each visualization’s use of information visualization techniques and …

Adoption Communication In The Media, Samantha Schaffer

Far West Popular Culture Association Annual Conference

Adoption communication is a vital part of developing healthy family relationships in families formed through adoption. The media has recently begun depicting more of the difficulties that adoptees experience. Three key television shows are Charmed, A Million Little Things, and This Is Us, which depict communication about adoption. These television shows offer the opportunity to analyze master narratives, family communication patterns, and information regulation through popular culture. By illustrating the difficulties experienced by adoptees, these shows provide adoptive families with the occasion to begin difficult yet necessary conversations. These television shows not only exemplify adoption communication they also …

Delicacy Of Taste And Passion In The Use Of Mobile Phone Social Trading Apps, Christopher M. Innes

Far West Popular Culture Association Annual Conference

No abstract provided.

West Texas Ghost Story, Clayton Bradshaw

Far West Popular Culture Association Annual Conference

"West Texas Ghost Story" explores the negative impacts of capitalism and patriarchal society on the well-being of individuals and the ability of families to remain intact under duress of such oppressive regimes. It follows the story of a young man growing up around the oil fields of West Texas in the 1990s as his father begins to hollow out and become a ghostly figure. The young man turns to art as a therapeutic outlet for this loss, eventually making his way to Marfa. The ghost story in question becomes one of metaphorical and perceived experience for the young man.

"Shakedown Street: The Grateful Dead And The Commodification Of Hippie Culture", Zachary A. Graham

Honors College Theses

The Grateful Dead were one of the most successful and enduring bands to come out of the original hippie counterculture of the late 1960’s. Beginning as a small, experimental blues-rock group with no desire to pursue commercial success, fame and fortune nonetheless found the Dead over the course of their three decades on the road. Through constant touring, a consistent level of apathy towards business and making money, and with the help of arguably the most dedicated fanbase in music history, the Grateful Dead became more than just a band, they were the face of a new cultural phenomenon that …

Rodcon, Flier, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Rodcon
Saturday April 9, 2022
10 a.m.-4 p.m.
Free and open to the public

Flier used in promotion of the event.

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

Monuments Of Folly: The Persistence Of He Lost Cause At The University Of South Carolina, Sean Dedmon

Senior Theses

The recent controversies surrounding the Confederate flag and Confederate monuments has sparked increased interest understanding why many people, particularly in the South, celebrate the Confederate States of America. This thesis seeks to better understand the motivations and emotions behind the persistence of the Lost Cause among students at the University of South Carolina. This study utilizes both deep textual readings and sentiment analysis to analyze student-published newspaper articles printed in The Gamecock from 1960-2006 and survey responses from current University of South Carolina students to capture the scope and history of belief in the Lost Cause at the University of …

Nothing Compares, John C. Lyden

Journal of Religion & Film

This is a film review of Nothing Compares (2022), directed by Kathryn Ferguson.

Alice, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Alice (2022), directed by Krystin Ver Linden.

The 1980 Moscow Olympic Boycott: Politics And The Public, Jonathan White

Global Tides

The paper examines the role President Carter played in forcing a boycott of the 1980 Moscow Olympic Games by drawing support from a politically charged public. The Cold War altered not only American perceptions of the U.S.S.R. but also the Olympic Games. While the games were meant to serve as an apolitical arena meant only to celebrate athletic achievement, both sides of the Cold War used the games for political statements in favor of their own systems. President Carter was able to use the belief many Americans held that the U.S.S.R. was to be defeated and delegeitimized at every step …

Review Of Fang Tang's Literary Fantasy In Contemporary Chinese Diasporic Women’S Literature: Imagining Home, Lilly Chen

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Orientalism Restated In The Era Of Covid-19, Joey Kim

Asian American Literature: Discourses & Pedagogies

This essay bridges a gap between an analysis of anti-Asian targeting and an analysis of Orientalism. Because histories of Orientalism and anti-Asian targeting pre-date the current moment, I demonstrate the centrality of Orientalism to the evolution of xenophobic language and sentiment in U.S.-foreign historical relations. I recount instances of anti-Asian, xenophobic, and “Yellow-Peril” rhetoric in the wake of the global COVID-19 pandemic. In doing so, I examine the racialization of COVID-19 as a trope of orientalism. This racialization, I argue, places the Asian-presenting body in a state of heightened visibility, precarity, and susceptibility to plunder. The newfound precarity of the …

Trusting In Narrative: An Interview With Susan Choi, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Eleven: Reading, Writing, And Teaching In The Whirlwind, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Cover Of Volume 11, Emily Chan

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Cartoons (Mss 725), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid for Manuscripts Collection 725. Editorial and other cartoons and illustrations drawn by various artists for American newspapers and other publications.

Voice Of The Villains: The Attraction Of And Response To Villain Retellings (Part 2), Lydia Jayaputra

Student Work

"While villain retellings show that perspective does indeed change our moral boundaries, theology begs us to remember that God’s perspective, being all-encompassing, cannot be wrong."

Posting about movie villains and their appeal from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/voice-of-the-villains-the-attraction-of-and-response-to-villain-retellings-part-2/

Voice Of The Villains: The Attraction Of And Response To Villain Retellings (Part 1), Lydia Jayaputra

Student Work

"Every story needs characters to root for and characters to root against."

Posting about ­­­­­­­­movie villains and their appeal from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/the-attraction-of-and-response-to-villain-retellings-part-1/

Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang

CLCWeb: Comparative Literature and Culture

Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …

An Analysis Of The Experiences Of Mid-Range Black Soul And R&B Musicians During The 1960s, Hope R. Mcalee

Student Theses and Dissertations

Little scholarly historical information is available about the experiences of Black musicians in the Soul and R&B genres aside from information pertaining to a few specific musicians who are most popularly discussed. This thesis investigated the experiences of mid-range Black, Soul, and R&B musicians from the Delta who were successful in the 1960s but are currently less popularly discussed through a qualitative content analysis of print media articles. Given that there appears to be a gap in literature, this thesis sought to discover the experiences of these musicians to give a more holistic view of the musicians behind genres that …

Committed To The Fragment: Feminist Literature And The Promise Of Wellness, Lynne Beckenstein

Dissertations, Theses, and Capstone Projects

“I have never been able to blind myself” to the cruelty of a world that “destroys its own young in passing…out of not noticing or caring about the destruction,” Audre Lorde tells us in her 1980 “mythobiography” Zami: A New Spelling of My Name. This quality, Lorde says, “according to one popular definition of mental health, makes me mentally unhealthy.” In rejecting psychological self-possession as a sign of wellness, this passage also rejects it as one of sovereignty’s conditions. At the time of Lorde’s writing, this version of sovereignty already dominated the landscape of therapeutic culture in the United States, …

Hudson Yards: Hybrid Capital's New Home, Massimo D. Scoditti

Dissertations, Theses, and Capstone Projects

This thesis focuses on the material and metaphysical aspects of the Hudson Yards, the largest private development in US History. With its roots in the administration of Michael Bloomberg, the site is representative of neoliberal ideology. It is also one in which cultural production is central. This is in terms of the rationalization and mythos of the building of the space itself and the dreamworlds created to obscure the mechanisms of extraction and accumulation that make such a complex possible. The Hudson Yards is particularly interesting because, as Cindi Katz might suggest, topography lines connect it to transnational capital. And …

Elgin's "Native Tongue": A "Me Too" Universe?, Amir Barati

Tête à Tête: Journal of Francophone Studies

Suzette Haden Elgin’s novel Native Tongue (1984) provides a fascinating critique of the ideologies inscribed into patriarchal language and evokes an extremely valuable linguistic and political awareness. This article will examine the liability of the ways the novel revolts against the patriarchal society via the introduction of a gynocentric linguistic intervention. I claim, Elgin’s novel showcases an invaluable instance of how it is possible for women to revolt against the pillars of patriarchy through manipulations at the gestalt and schematic level of language and most specifically, the bodily metaphoric quality of the English. This proposed transformation of the schematic and …