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Articles 31 - 60 of 95
Full-Text Articles in American Popular Culture
Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson
Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson
Electronic Theses and Dissertations
Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …
I Didn't Know Aiiieeeee, But It Knew Me, Adrienne Su
I Didn't Know Aiiieeeee, But It Knew Me, Adrienne Su
Asian American Literature: Discourses & Pedagogies
"I Didn't Know Aiiieeeee, But It Knew Me" is a poem that reflects on the influence of both the anthology and the word Aiiieeeee on the writer's development. It uses an adaptation of the ghazal to explore both the continuities and discontinuities of becoming a writer when Asian-American literature was mostly inaccessible.
Movement Upstream, Downstream: A Lyric Essay, Mong- Lan
Movement Upstream, Downstream: A Lyric Essay, Mong- Lan
Asian American Literature: Discourses & Pedagogies
Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.
Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.
Some Thoughts On Aiiieeeee! In 2019, Shawna Ryan
Some Thoughts On Aiiieeeee! In 2019, Shawna Ryan
Asian American Literature: Discourses & Pedagogies
A creative writer reflects on the legacy of Aiiieeeee!
Aiiieeeee!’S No! In Thunder, Leslie Bow
Aiiieeeee!’S No! In Thunder, Leslie Bow
Asian American Literature: Discourses & Pedagogies
This accessible, brief, first person essay evaluates the legacy and rhetoric of the 1974 Aiiieeeee!: An Anthology of Asian-American Writers. It examines the ways in which the anthology’s front matter fosters both inclusions and exclusions as it establishes foundational rubrics for Asian American literature and assesses the volume’s continuing value for scholars.
Mantos, Unmasked 曼托, Russell C. Leong
Mantos, Unmasked 曼托, Russell C. Leong
Asian American Literature: Discourses & Pedagogies
No abstract provided.
Zuihitsu: Teaching Aiiieeeee! As Intersectional Ecological Archive, Kenji C. Liu
Zuihitsu: Teaching Aiiieeeee! As Intersectional Ecological Archive, Kenji C. Liu
Asian American Literature: Discourses & Pedagogies
A response to the Aiiieeeee! anthology on its 45th anniversary, using the Japanese zuihitsu form to reflect on its intersectional and ecological complexities and relevance for today.
The Big Aiiieeeee! In Process, Patricia Y. Ikeda
The Big Aiiieeeee! In Process, Patricia Y. Ikeda
Asian American Literature: Discourses & Pedagogies
On its 45th publication anniversary, we can see the Aiiieeeee! anthology of Asian American literature in context of revolutionary process, a process of persistence that in the long run gains momentum as fruitful resistance to white, Eurocentric hegemony.
We Are Here, Susan K. Ito
We Are Here, Susan K. Ito
Asian American Literature: Discourses & Pedagogies
No abstract provided.
Aiiieeeee! And I, Bryan Thao Worra
Aiiieeeee! And I, Bryan Thao Worra
Asian American Literature: Discourses & Pedagogies
No abstract provided.
The Gift Of Aiiieeeee!, David Mura
The Gift Of Aiiieeeee!, David Mura
Asian American Literature: Discourses & Pedagogies
This article chronicles the influence of the groundbreaking Asian American anthology Aiiieeeee! on the work of Japanese American and Asian American author David Mura.
Propaganda And Media Portrayal: U.S. Imperialism And Cuban Independence From Spain And The United States, 1896-1903, Amarilys Sánchez
Propaganda And Media Portrayal: U.S. Imperialism And Cuban Independence From Spain And The United States, 1896-1903, Amarilys Sánchez
PANDION: The Osprey Journal of Research and Ideas
Cuba has been an object of U.S. fascination since the early nineteenth century and the acquisition of the Louisiana Purchase. When Cuba rose up in revolution against Spain, the United States purposefully portrayed the struggle to the American public as a situation necessitating a U.S. intervention. This involved the making of political cartoons and emotional appeals of war accounts from the perspective of an American journalist, Richard Harding Davis. Once the United States and Spain entered a war in 1898, the manipulation of the image of Cuba shifted to portray the question of U.S. acquisition and the imperial anxieties involved. …
On The Republication Of Aiiieeeee!, Garrett Hongo
On The Republication Of Aiiieeeee!, Garrett Hongo
Asian American Literature: Discourses & Pedagogies
A note on republication of AIIIEEEEE!
Nubians Of Plutonia: Black Women In Modern Post-Apocalyptic And Dystopian Graphic Literature, Marthia D. Fuller
Nubians Of Plutonia: Black Women In Modern Post-Apocalyptic And Dystopian Graphic Literature, Marthia D. Fuller
American Studies ETDs
This dissertation explores the deployment of race and gender in comic books and graphic novels, paying close attention to how Black womanhood and girlhood operates in the speculative future. This project suggests that the framing of black womanhood and girlhood in post-apocalyptic/dystopian spaces provide a counter to the normative notions of both while simultaneously using normative tropes of Black womanhood and girlhood to produce new ways of understanding Black femininity in the future. Nubians of Plutonia use Black feminist cultural criticisms, Black popular culture, and visual culture to ask: does graphic literature present new, more dynamic understandings of race and …
Desegregation Through Entertainment: Rodgers And Hammerstein’S South Pacific As An Instrument Of Military Policy, Leana Sottile
Desegregation Through Entertainment: Rodgers And Hammerstein’S South Pacific As An Instrument Of Military Policy, Leana Sottile
Voces Novae
In the aftermath of the Second World War, the 1949 Rodgers and Hammerstein musical South Pacific became a staple of mainstream popular culture. However, the musical also served a specific function within the American military where its usage by the United Service Organizations and Department of Defense was widespread. This case study examines how South Pacific arguably served a way to ease the blow of desegregation on the military by other means, in this case, entertainment. This was achieved by combining the show’s progressive views on racial tolerance with the prevalent wartime nostalgia and romanticism in the piece. All of …
¿Dios Bendiga Whose América? Resisting The Ritual Theologizing Of Nation, Carmen M. Nanko-Fernández
¿Dios Bendiga Whose América? Resisting The Ritual Theologizing Of Nation, Carmen M. Nanko-Fernández
Journal of Hispanic / Latino Theology
No abstract provided.
Dear Black Child: A Discussion On The Formation Of Identity For African Diasporic Adolescents In The U.S., Sokhnagade B. Ndiaye
Dear Black Child: A Discussion On The Formation Of Identity For African Diasporic Adolescents In The U.S., Sokhnagade B. Ndiaye
Dissertations, Theses, and Capstone Projects
In this capstone project, I am using art, photography, and music to depict the experiences of African diasporic youth in the United States. I will explore the white supremacist systems that contribute to the anxiety that comes with being a black child in America. In this project, I plan to discuss the ways in which African diasporic adolescents develop their identity and consciousness and the ways in which living in American society helps and/or hinders the development of this identity and consciousness. I argue that living in the United States forces black youth to form double and triple consciousnesses, which …
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore
Dissertations, Theses, and Capstone Projects
This thesis will argue that New Deal legislation accounted for increased importance placed on consumers and the articulation of consumer citizenship as female during the Great Depression. Once New Deal programs and legislation determined and legitimized the consumer citizen, the consumer citizen exercised influence though purchasing power. Analyzing the ways the federal government defined women as consumer citizens through programs like the National Recovery Administration’s Blue Eagle Campaign offers important insight into who was considered to have a voice. Notions of citizenship define groups by who has the necessary attributes and qualifications—in this case the means to purchase goods—to be …
Fair World 64: A Text-Based Game Of The 1964–1965 World's Fair, Christofer R. Gass
Fair World 64: A Text-Based Game Of The 1964–1965 World's Fair, Christofer R. Gass
Dissertations, Theses, and Capstone Projects
The project is a text-based game of a typical day during the first season of the 1964 World’s Fair in what is now Flushing Meadows-Corona Park. The 1964-1965 World’s Fair, that Robert Moses presided over as president, was one of the largest and most expensive fairs ever created, but only days after the last fairgoer left through the turnstile most of the many pavilions that brought education, entertainment, and joy to so many people were destroyed to leave a vast open space that is relatively empty to this day. Although most of the pavilions were either relocated or demolished, there …
The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani
The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani
Dissertations, Theses, and Capstone Projects
In recent decades salsa dancing has become a global phenomenon, spawning a variety of styles and levels. Although formerly passed from person to person through Latinx family and community networks, salsa dance has long been practiced in a more codified way. Today, salsa is largely reproduced in dance studio classes, congresses, and competitions collectively referred to as “the salsa scene”. In New York City, the salsa scene retains vestiges of Nuyorican and Afro-Caribbean identity, though it is practiced by people of all racial and ethnic backgrounds and marketed to a global base. Building on long term participation observation and nearly …
Revisioning Popular Narratives Of Trans Lives, 1952–1976, Melina A. Moore
Revisioning Popular Narratives Of Trans Lives, 1952–1976, Melina A. Moore
Dissertations, Theses, and Capstone Projects
This dissertation calls for a reconsideration of popular narratives and visual media created by or written about trans people in the United States prior to Stonewall. Grounded in research conducted at the Transgender Archives at the University of Victoria, the ONE Archives at the University of Southern California, the Jean-Nickolaus Tretter Collection in GLBT Studies at the University of Minnesota, and the Transgender Collection at Yale University, “Revisioning” argues that the texts that trans readers collected, exchanged within communities, and engaged with in their own writing and scrapbooking are essential to the historicization of trans identity at midcentury. By extending …
“Because Like – And So I Don’T – So I Think It’S Maybe, I Don’T Know”: Performing Traumatic Effects While Reading Lynda Barry’S The Freddie Stories, David Lewkowich, Michelle Miller Stafford
“Because Like – And So I Don’T – So I Think It’S Maybe, I Don’T Know”: Performing Traumatic Effects While Reading Lynda Barry’S The Freddie Stories, David Lewkowich, Michelle Miller Stafford
SANE journal: Sequential Art Narrative in Education
As a picture of childhood composed from the point of view of a young boy named Freddie, who suffers the effects of repeated and ongoing trauma, the experience of reading The Freddie Stories presents a number of interpretive challenges: its main character is often split and in various states of disassociation, the difference between dreaming and waking life is not always obvious, multiple monsters appear in different and changeable forms, and as Freddie experiences repeated difficulties with language and cognitive function, his traumatic past enfolds upon the time in which the story is set. In this paper, we analyze how …
"The Jeep Is Here To Stay!" Projections Of America And Franco-American Relations During World War Ii, Connie L. Gentry
"The Jeep Is Here To Stay!" Projections Of America And Franco-American Relations During World War Ii, Connie L. Gentry
LSU New Orleans Theses and Dissertations
During World War II, the Office of War Information produced American and Allied propaganda that was used at home and abroad. Robert Riskin, head of the Bureau of Motion Pictures Overseas Branch, was responsible for creating Projections of America, a documentary film series made to introduce foreigners to America whilst combating negative impressions of Americans that arose in the interwar years. Films from Projections of America contained themes of American culture, ideology, industry and technology, and democracy. In France, these films were used to sway French opinion of Americans while promoting friendship and appreciation for American culture. Ultimately, the …
Country Fun: A Cultural History Of Opryland Usa, Nashville, And The Suburban South, William C. Nieman
Country Fun: A Cultural History Of Opryland Usa, Nashville, And The Suburban South, William C. Nieman
Honors Theses
This thesis centers around the history of Opryland USA, a theme park and “musical showplace” that existed from 1972 to 1997 in the suburbs of Nashville, Tennessee. Using a variety of primary sources including park ephemera, newspaper articles, and songs, I show how, over its twenty-five years, Opryland became a country music theme park after initially presenting a seemingly diverse picture of American popular music. I reveal that, despite local businessowners’ and musicians’ reluctance to embrace Opryland at first, the park was accepted by many Nashvillians to the point where it is now nostalgically mourned. Then, putting those primary materials …
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Master of Arts in English Plan II Graduate Projects
In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.
When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler
When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler
Dignity: A Journal of Analysis of Exploitation and Violence
In 1967 Valerie Solanas published the Society for Cutting Up Men (the SCUM) Manifesto. She shot artist Andy Warhol in 1968. Her Manifesto raises issues about whether a revolution can be fought or won without using violence. “Nice” girls were of no use to her Radical feminists, especially Ti-Grace Atkinson and Flo Kennedy, saw Solanas as a symbol of a feminist fighting back and rushed to her side. They found a smart, very paranoid woman who was a decided loner. Ultimately, Solanas would not work with Atkinson and Kennedy; she refused to allow them to help her or explain …
Lexical Complexities In The St. Louis Dialect Island, Larry Lafond, Kenneth Moffett
Lexical Complexities In The St. Louis Dialect Island, Larry Lafond, Kenneth Moffett
SIUE Faculty Research, Scholarship, and Creative Activity
The Greater St. Louis “dialect island” poses interesting problems for dialect documentation, partly because Greater St. Louis is a transitional area where many overlapping linguistic influences have left their mark, and also because is an area with new immigrant communities, racial divides, and an aging population.Using a sample from survey and interview data from 815 participants over a seven-year period, we examine lexical diversity in Greater St. Louis, comprising counties both in Missouri and Illinois. We discover that both age and place are robust indicators of lexical selection in Southern Illinois and St. Louis. Our findings provide a concurring rationale …
The First Cut Is The Deepest: George H.W. Bush And Chirep At The U.N. 1970-1971, James W. Weber Jr.
The First Cut Is The Deepest: George H.W. Bush And Chirep At The U.N. 1970-1971, James W. Weber Jr.
LSU New Orleans Theses and Dissertations
Scholarship on George H.W. Bush tends to regard his career with the State Department in the context of traditional presidential biography. His tenure as Ambassador to the United Nations thus becomes a line-item on a presidential resume with little significance beyond its usefulness as a political credential. This paper situates Bush’s voice as it appears in his personal diary into one of the widescreen events of Sino-American rapprochement, the conclusion in 1971 of the long-simmering conflict over Chinese representation at the U.N. (CHIREP) between the People’s Republic of China (PRC) and the American-backed Republic of China (ROC). As chief of …
Afrosonic Noise: A Transnational Black Feminist Musicological Study Of Global Black Joy In Black North American Rock Music And Afro Argentinian Music Performance., Jerika M Jones
Electronic Theses and Dissertations
I have decided that my academic mission, at this juncture at least, is to find common links between 2 groups of people that have come to know themselves through paralleling but colonially different environments. Perhaps it is wise for me to explore the similarities between Afro Argentine Black Music and African North American Music in closer ethnomusicological detail using feminist praxis—after all both communities are part of the African Diaspora and producing Black music. I do this by reconstructing a very limited genealogy of Black Femme’s and their contribution to their respective musical communities. I draw parallels between the global …
Dixieland Crusaders: Mass Media, The Ku Klux Klan, And The Optics Of Populism, 1970-1979., Olivia E. Raymond
Dixieland Crusaders: Mass Media, The Ku Klux Klan, And The Optics Of Populism, 1970-1979., Olivia E. Raymond
Electronic Theses and Dissertations
The 1970s in the United States of America ushered in transformative policies that reshaped the nation. In her landmark essay, “The Long Civil Rights Movement and the Political Uses of the Past” (2005), Dr. Jacquelyn Dowd Hall reveals how Black activists inspired “a long movement of movements.” However, often forgotten in narratives of new activism from this era is the resurgence of white reactionary social movements. This thesis argues that mass media is central to mainstreaming radical far-right ideology to a national audience. It explores the political ramifications of sensationalist coverage of the Ku Klux Klan in mass media, specifically …