Open Access. Powered by Scholars. Published by Universities.®

American Popular Culture Commons™

Open Access. Powered by Scholars. Published by Universities.®

2020

Discipline
Institution
Keyword
Publication
Publication Type
File Type

Articles 91 - 95 of 95

Full-Text Articles in American Popular Culture

The Mothman And Other Strange Tales: Shaping Queer Appalachia Through Folkloric Discourse In Online Social Media Communities, Brenton Watts Jan 2020

The Mothman And Other Strange Tales: Shaping Queer Appalachia Through Folkloric Discourse In Online Social Media Communities, Brenton Watts

Theses and Dissertations--Linguistics

Little work has been conducted on the intersections of queer and Appalachian identities, in part because these two identities are viewed as incompatible (Mann 2016). This study uses a multimodal critical discourse analytic approach to examine the Instagram posts of the Queer Appalachia Project, which represent a substantial body of discourse created by and for queer Appalachians. Of specific interest to this analysis are those posts which employ folkloric figures, such as West Virginia’s Mothman, to do identity work that is queer, Appalachian, and queer-Appalachian. Often, this act is accomplished through juxtaposition with Appalachian imagery and the reclamation of homophobic …

Go to article

Tap For The Times: A Study Of Contemporary Tap Dance, Elise Wilham Jan 2020

Tap For The Times: A Study Of Contemporary Tap Dance, Elise Wilham

Mahurin Honors College Capstone Experience/Thesis Projects

Tap dance is an American art form that began with the blending of traditional dance styles from English and Irish immigrants and African slaves. Throughout the 20th century, tap dance developed many styles in response to cultural changes that took place. Contemporary tap dance emerged in the latter half of that century and continues developing today with the fusion of other dance genres and new technologies. This research examines tap dance history to create an understanding of how it developed through a historical lens and analyzes the current approaches applied to the artform along with the characteristics and creative processes …

Go to article

The Cultivation Theory And Reality Television: An Old Theory With A Modern Twist, Jeffrey Weiss Jan 2020

The Cultivation Theory And Reality Television: An Old Theory With A Modern Twist, Jeffrey Weiss

Capstone Showcase

George Gerbner, a Hungarian-born professor of communication, founded the cultivation theory, one of the most popular and regarded theories in the communications world. Developed in the mid 20th century, the theory focus on the long-term effects of television on people. Longer exposure to signs, images and people on television cultivates their perception of reality in the real world. The television became a household staple during this time. Families often spent time together watching programming together, however, it played out different effects for each person. Television's constant visual and auditory stimulation on a person made it easier to cultivate certain messages, …

Go to article

Whitewashing Who We Worship: Amelioration And Cultural Imperatives In Neil Gaiman’S American Gods, Samantha Bauer Jan 2020

Whitewashing Who We Worship: Amelioration And Cultural Imperatives In Neil Gaiman’S American Gods, Samantha Bauer

College of Graduate Studies: Theses & Dissertations

Neil Gaiman’s novel American Gods creates a penetrating and sharp commentary on the state of essentially, every aspect of contemporary American society by populating it with myths that arrives on American shores over countless generations. From the characters to the settings, Gaiman utilizes the often-overlooked fact that myths can be found in every aspect of life. In many ways, Gaiman is building, or perhaps evolving, Joseph Campbell’s The Hero With A Thousand Faces and Roland Barthes’ Mythologies to discuss the unique nature of contemporary myths and how ancient myths still play a role in our society. I contend that in …

Go to article

“You Don’T Need People’S Opinions On A Fact!”: Satirical Comedy Corrects Climate Change Disinformation, Shelly A. Galliah Jan 2020

“You Don’T Need People’S Opinions On A Fact!”: Satirical Comedy Corrects Climate Change Disinformation, Shelly A. Galliah

Dissertations, Master's Theses and Master's Reports

Satirical comedy has often been recognized as a corrective to, if not alternative for, commercial news as well as a source of accurate science information (Brewer & McKnight, 2015). In this dissertation, I analyze how satirical comedy debunks climate change myths, delivers accurate information, and promotes scientific expertise. Five interconnected assumptions guide the context and methodology of this interdisciplinary study: 1) that various actors have transformed climate change into a “manufactured scientific controversy” (Ceccarelli, 2011); 2) that satire, as a method, both assails targets and aggregates people (Hutcheon,1994); 3) that celebrity activism is impactful but problematic (Collins, 2007; Boykoff & …

Go to article

First Prev