American Literature Commons^™

“Beating Back The Past”: The Psychological Justifications Of Violence In Toni Morrison’S Fiction, Catherine Buhse

English Honors Theses

This thesis examines the traumatic experiences that consume characters’ lives and, in the absence of psychological healing efforts, manifest into violent actions in Toni Morrison’s three novels The Bluest Eye, Sula, and Beloved. I focus on the gendered experience of the female characters Pecola, Sula, Eva, and Sethe, except for the male character, Cholly in The Bluest Eye. Focusing on Morrison’s humanization of violent characters and her sharing of their full life stories, I establish the characters’ internal justifications for their violence to challenge the accepted depiction of all criminals as evil. The three chapters follow the manifestation of trauma …

When Language Fails: A Critical Analysis Essay Of Kathryn Stockett’S The Help:, Evan Mccreary

Black Album Mixtape

A critical analysis essay of Kathryn Stockett's New York Times Bestselling book, The Help, and it's subsequent film adaptation, and how in recent years, particularly following the murder of George Floyd, the story has been used as a classroom tool for teaching students about racism and its effects. Written by a Black student in a primarily white school community, this essay was written as an antithesis to the ideology that the book and movie exceed their intended intentions of being a beneficial teaching tool to youth.

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …

Her Precious White Body/Her Tender Black Flesh: The Gothic Link To Black Women's (Mis)Treatment In Real Life And On The Page, Madisty R. Thomas

English Theses & Dissertations

As a work in progress, this thesis explores the interplay between historical and contemporary devaluation of and violence against Black women, materially and discursively, including visual mediums and written text. Specifically, I focus on the gothic novel to illuminate the impact race-based inventions such as chattel slavery and human exhibitions, as well as the generic tropes of the Gothic, have had on Black women’s representation and lived experience via a wide-ranging introduction and close examination of Richard Marsh’s The Beetle. Additionally, the conclusion attempts to suggest how Black women and girls might survive in this antiblack world, thus escape …

‘The Master And The Man Must Change Places For A Season’: Untangling Historical Narratives Of Race And Loyalty In ‘The Spy,’, David N. Gellman

History Faculty publications

No abstract provided.

Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel

Theses and Dissertations--English

Race Youth in Twentieth-Century American Literature and Culture argues for the centrality of black youth, both real and literary, to the trajectories of African American literature and its repudiation of white supremacy. Drawing on research into the rise of the adolescent and teenager as distinct social categories, I argue that age-based subjectivity should inform how we read race-based subjectivity. My first chapter explores how early twentieth-century black periodicals push back against white supremacist theories of human development in an explicit appeal to what I call “race youth,” the children and adolescents who would take up the mantle of racial uplift. …

Movement Upstream, Downstream: A Lyric Essay, Mong- Lan

Asian American Literature: Discourses & Pedagogies

Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.

Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.

Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen

Master of Arts in English Plan II Graduate Projects

In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.

Cultivating Spaces For American Citizenship In Pauline Hopkins’S Contending Forces, Jonathan Puckett

Honors Theses

Rediscovered through archival recovery in the late 1970s, Pauline E. Hopkins (1859-1930) was an African American author, journalist, and activist at the beginning of the twentieth century. In Contending Forces: A Romance Illustrative of Negro Life North and South (1900), Hopkins’s African American characters craft spaces, both sacred and secular, where they can freely exercise their citizenship in the Jim Crow era. As Hopkins utilizes the sentimentalist genre to portray realistically life at the turn of the century, my thesis highlights the historical and literary significance of sacred spaces like Boston’s black Baptist churches. I also review two minor characters …

Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad, Margaret Konkol

English Faculty Publications

This chapter draws attention to the lack of parks and nature recreation amenities during the 1920s and 1930s in predominantly African American city neighborhoods through Langston Hughes’s political poetry, specifically his blues-inflected ballad “Park Bench,” as well as “Chicago’s Black Belt” “Restrictive Covenants,” and “One Way Ticket.” Through the figure of the tramp/vagrant/bum, “Park Bench” voices a protest against inequality mapped into city space. Asserting that access to nature should be a fundamental condition of a democratic society, the poem situates the park bench as a charged site for public dialogue. The chapter argues that this poem and other Hughes …

The Legacy Of Uncle Tom : The Transformation Of Black Masculinity And Racial Politics, Lauren R. Weeks

Legacy Theses & Dissertations (2009 - 2024)

The main aim of this thesis is to reveal the immense effect that literature can have on society spanning generations. It explores the restriction of black men’s political possibilities due to their perceived relationship with the character Uncle Tom, which not only causes harm to black activist projects by inciting disunity, but also becomes a source of inner turmoil for black men who struggle to be identified in society. This project offers to call these harmful standards that black men are judged by, due to the creation of Uncle Tom, as the binary of black masculinity. By analyzing how this …

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

All That You Say Is Beautiful: Stories, Omaria Sanchez Pratt

Theses and Dissertations--English

From the city of High Point to New York City, this collection portrays a certain black experience. Through a sociological lens, the stories in All That You Say is Beautiful study intersections of class, race, family, and sexuality by bending forms, expectations, and seeks to understand what it means to be human when your experience is not that of mainstream American culture.

"A Dark, Abiding, Signing Africanist Presence" In Walker Percy’S Dr. Tom More Novels, David Withun

The Coastal Review: An Online Peer-reviewed Journal

Many of the tropes, commonplaces, symbols, and values used and reflected by American literary works written by white authors, as Toni Morrison writes, are “in fact responses to a dark, abiding, signing Africanist presence.” The black/white racial binary and racial différance that mark this presence inform the use of racialized characters as signifiers in the novels of Walker Percy. In the Dr. Tom More novels Love in the Ruins and The Thanatos Syndrome, Percy adopts racial symbolism as a means toward his critique of the American notion of “the pursuit of happiness.” In Love in the Ruins, Percy …

In Another Person’S Skin: Adaptations Of To Kill A Mockingbird And The Characterization Of Scout Finch, Eric A. Pitz

Conspectus Borealis

No abstract provided.

Racial Constructions And Activism Within Graphic Literature. An Analysis Of Hank Mccoy, The Beast, Juan D. Alfonso

FIU Electronic Theses and Dissertations

Through a post-modern lens, I will primarily focus on comics books published by Marvel Comics to demonstrate the myriad of ways in which graphic literature is used as a subversive tool of sociopolitical discourse. I will demonstrate this by deconstructing and redefining the role of myth as a means of transferring ethical practices through societies and the ways in which graphic literature serves this function within the space of a modern and increasingly atheistic society. The thesis first demonstrates how the American Civil Rights Movement was metaphorically translated and depicted to the pages of Marvel’s X-Men comics to expose its …

Tailoring Landscapes: Multivalent Terrain And The Politics Of Black Geography In Nineteenth-Century African American Literature, Cara Fitzgerald

Theses and Dissertations

This thesis foregrounds the import of national geography in nineteenth-century African American literature. Authors like Elizabeth Keckley and Martin Delany confront problems of national geography by interrogating illusion, rewriting geographic space, and constructing themselves within both the physical and conceptual geography of the nation. In so doing, they challenge the fallacy of a uniform national geography and attend to the myriad historical conditions that exist within geographic spaces.

Dis/Inheritance : Love, Grief, And Genealogy In Faulkner, Daisuke Kiriyama

Legacy Theses & Dissertations (2009 - 2024)

This dissertation is devoted to the close examination of two novels of William Faulkner, Absalom, Absalom! and Go Down, Moses. I find in them the repression and return of prohibited emotions and a consistent pattern of “the race between the pursuing white man and the fleeing black man.” I explore how these are related to the Faulknerian conception of time and the establishment and disruption of the conventional Southern notions of race, class, gender, and sexuality. The white man’s pursuit, performed in various forms, ultimately aims to prove his mastery and masculinity, racial superiority, or everything that whiteness means to …

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

Gender, Race, And Violence: A Critical Examination Of Trauma In The Color Purple, Jessica Lewis

Sacred Heart University Scholar

The purpose of this article is to analyze the roles gender and race play in relation to trauma in Alice Walker’s novel, The Color Purple. Specifically, the article argues that gender and race are the underlying causes of the violence and trauma experienced by Walker’s female characters, Celie, Sophia, and Squeak. While violence does not always lead to internal conflict, this critical examination looks chiefly at trauma that is derived from violence. As a catalyst for targeted violence, identity categories, in particular female and African American are explored and their roles in oppression are investigated. In doing so, the …

Harriet Jacobs And Toni Morrison: A Tradition Of Narrative Resistance, Allyson L. Molloy

Theses and Dissertations

This article considers historical constructions of power and the narrative as a mode of resistance. Working in different centuries, under extremely disparate circumstances, Harriet Jacobs in Incidents in the Life of a Slave Girl and Toni Morrison in her novel The Bluest Eye, utilize specific narrative strategies to challenge and question institutionalized power which is evidenced through their deliberate employment of narrative strategies not only to challenge the institution of slavery or the hegemonic ideal, but also to question the racial and gender oppression systemic to those institutions of power.

All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner

English Class Publications

From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African Americans being Ruby Turpin’s ultimate …

Race, Place And Young Adulting In Southern And Adolescent Literature, Karly Eaton

Graduate Theses and Dissertations

This thesis applies southern literary theory to contemporary young adult literature (YAL) in order to analyze constructions and representations of the South and adolescence(ts) in the texts discussed. Arguing that Harper Lee’s To Kill a Mockingbird acts a master narrative for popular conceptions of southern adolescent identity, this project proposes that Lee’s 2015 novel Go Set a Watchman along with contemporary publications in YAL disrupts the master narrative Mockingbird and Scout Finch present readers. Though analyzing how representations of adolescence(ts) act as a construct used to establish a white-normative narrative about childhood, the second and third chapters discuss how this …

Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong

Faculty Journal Articles

This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …

Huck Finn And The Tragedy Of Being Banned, Peyton Harris

English Class Publications

Mark Twain once said, "I am perfectly astonished--a-s-t-o-n-i-s-h-e-d--ladies and gentlemen--astonished at the way history repeats itself." This opening line of Twain's speech at the Papyrus Club in Boston of February 24, 1881 is proof of his fascination with the patterns of humanity. As the already famous author of The Adventures of Tom Sawyer, Twain's commentary on social hypocrisy and moral social maturation was well known. After writing this novel and confessing his interest in humanity, it is no surprise that Twain chose to once again delve into the world of fiction and produce what would become an instant classic …

Ideal Objects: The Dehumanization And Consumption Of Racial Minorities In Joyce Carol Oates's Zombie, April D. Pitts

Bearing Witness: Joyce Carol Oates Studies

This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oates's novel, Zombie (1995). It argues that in Zombie, white social status is depicted as dependent upon the dehumanization and consumption of racial minorities.

Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven

Theses and Dissertations--English

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …

The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat

Graduate Theses and Dissertations

Orphan iconography has always been deployed in American literature and culture, but nineteenth-century American literature, fiction in particular, abounds in orphans, both real and imaginary. The orphan’s amphibious nature is hailed and demonized as the epitome of individualism and unbridled freedom, and also as the location of society’s anxiety. This complicated and conflicted construction of orphans animates the Social and cultural realm in postbellum America, foregrounding issues of class, race, and gender.

The City Is Full Of Bugs, Michael Stanley

Michael A Stanley

This essay explores the use of symbolism and metaphor in Ralph Ellison’s Invisible Man, focusing on a particular scene inside Mary Rambo’s apartment in the middle of the novel. The use of symbolism in the novel is extensive, and many objects and characters serve as metaphors for social classes and groups, and often these representations also function as direct satire for various political groups, folkways, and the expectations or prejudices of the time period in which the novel is set. The objects and events that take place in Mary Rambo’s apartment go beyond symbolism to include a forecast of future …