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Articles 61 - 90 of 96

Full-Text Articles in American Literature

David Foster Wallace To The Rescue, James K.A. Smith Mar 2013

David Foster Wallace To The Rescue, James K.A. Smith

University Faculty Publications and Creative Works

No abstract provided.


Literary Know-How : Restructuring Creative Writing And Literary Studies, Jonas Casey-Williams Jan 2013

Literary Know-How : Restructuring Creative Writing And Literary Studies, Jonas Casey-Williams

Legacy Theses & Dissertations (2009 - 2024)

The emerging field of creative writing studies has provided new conceptions of creative writing's role within the English discipline. These conceptions focus on the relation of creative writing to composition studies, and there remains a need to reconsider creative writing's relation to literary studies.


Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff Jan 2012

Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff

Theses : Honours

This thesis examines the poetry of Lola Ridge as a form of alternative Modernism. Poet, editor, anarchist, Lola Ridge is largely an unknown identity in Modernist discourses. Primarily recognised as a social justice poet, her work has been viewed through a traditional Modernist lens and excluded to the periphery as ‘sentimental’. This thesis argues that Ridge personally and professionally exceeds these categories. She modelled a practice of engagement in her personal life by actively participating in rallies and protests against injustice, and living in poverty in solidarity with the poor, giving her work an authenticity worth investigating. Her poetry provides …


The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones Jan 2012

The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones

English Faculty Publications

In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …


Mormon Contributions To Young Adult Literature, Toni Pilcher Aug 2011

Mormon Contributions To Young Adult Literature, Toni Pilcher

Student Works

Mormon authors are making big splashes in the world of young adult (YA) literature, a relatively young genre that is targeted at readers from age 12 to age 18. Since 1967, when the American Library Association officially recognized YA literature as separate from children's books, writers and publishers have been trying to define the genre. It is, in a sense, coming of age. Generally, to be considered YA, a book has to have a teenage protagonist in situations with which a teenage reader can identify. Like literature for adults, there are a few limitations to subject and theme, but unlike …


Faulkner, Freud, And The Holy Family: The Portrayal Of The Joseph Figure In Light In August, Richard Boland May 2011

Faulkner, Freud, And The Holy Family: The Portrayal Of The Joseph Figure In Light In August, Richard Boland

Seton Hall University Dissertations and Theses (ETDs)

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Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames Jan 2011

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.


Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames Jan 2011

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.


Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert Jan 2011

Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert

English Faculty Publications

Surprisingly for a novel evidently invested in representations of contemporary Choctaw traditionalism as a viable alternative to settler society, LeAnne Howe’s 2001 Shell Shaker gives unrelenting play to the gruesomeness, horror even, of the traditional rituals it depicts, at the risk of reinforcing stereotypes of Indian savagery. And yet, these depictions of the repugnant, that is, of ancient practices now prohibited by law or found reprehensible by a public sense of ethics, allow Howe to escape the integrative thrust of contemporary multiculturalism by pre-emptying identification through difference, an interpretive logic according to which we are all the same because we …


Genre, Database, And The Anatomy Of The Digital Archive, Elizabeth J. Vincelette Apr 2010

Genre, Database, And The Anatomy Of The Digital Archive, Elizabeth J. Vincelette

English Theses & Dissertations

The purpose of this study was to define shared characteristics of literary digital archives, specifically to explore how conceptual and structural qualities of such archives express generic qualities. In order to describe digital media such as database or digital archives, scholars resort to metaphors, and this study offers the metaphor of anatomy as a generic inscription with historical and methodological implications. The definition of the anatomy genre draws from Northrop Frye's in Anatomy of Criticism, in which Frye describes how anatomies are characterized by proliferating lists, the mixing of prose and non-prose forms, and self-reflexivity--under the guise of knowledge …


True Crime, Laura Browder Jan 2010

True Crime, Laura Browder

English Faculty Publications

Whether or not Capote invented something called the “nonfiction novel,” he ushered in the serious, extensive, non-fiction treatment of murder. In the years since In Cold Blood appeared, the genre of true crime regularly appears on the bestseller list. It is related to crime fiction, certainly – but it might equally well be grouped with documentary or read alongside romance fiction. And while its readers have a deep engagement with the genre that is very different from the engagement of readers of crime fiction, its writers are often forced to occupy a position – in relation to victims, criminals and …


Macon State Showcases 'Lost' Literature Oct 2009

Macon State Showcases 'Lost' Literature

Georgia Library Quarterly

The article reviews the literature exhibit "Lost" at the Macon State College's library in Georgia.


"Ain't You Heard"?: The Jazz Poetry Of Langston Hughes, Kristin Taylor Jan 2009

"Ain't You Heard"?: The Jazz Poetry Of Langston Hughes, Kristin Taylor

Theses and Dissertations

It all began with a piano bench. At the age of four, I sat next to my first piano teacher, as she told me the names of the keys. 'This is C, D, E . . . ," she said, her finger touching each key. moving through the entirety of a C-major scale. Afterward she asked, "Now. which one is F?" Though I touched the incorrect key, A instead of F, I remember being fascinated by the realization that I could create music by depressing those keys, making little wooden hammers strike strings in the piano's hidden belly. That fascination …


A Natural History Of The Mind : Edwards, Emerson, Thoreau, Melville, Michael Edmund Jonik Jan 2009

A Natural History Of The Mind : Edwards, Emerson, Thoreau, Melville, Michael Edmund Jonik

Legacy Theses & Dissertations (2009 - 2024)

This project examines how eighteenth- and nineteenth-century American writers drew on European natural science and philosophy - specifically in terms of concepts of form, perception, and experience - to open new possibilities for thinking the relationship between the mind and the physical world. In each of the moments of American intellectual history here considered - the natural theology of Calvinism, the idealistic natural history of Transcendentalism, and the movement towards an evolutionary process-philosophy of Pragmatism - "place" becomes not only geographical location, but a dynamic field of interactions of natural historical, literary, theological, and philosophical knowledge. I trace this through …


Elizabeth Bishop And Her Women:Countering Loss, Love, And Language Through Bishop's Homosocial Continuum, Donna Rogers Jan 2008

Elizabeth Bishop And Her Women:Countering Loss, Love, And Language Through Bishop's Homosocial Continuum, Donna Rogers

Electronic Theses and Dissertations

This thesis examines Elizabeth Bishop's seemingly understated and yet nuanced poetry with a specific focus on loss, love, and language through domesticity to create a poetic home. In this sense, home offers security for a displaced orphan and lesbian, moving from filial to amorous love, as well as the literary home for a poet who struggled for critical recognition. Further, juxtaposing the familiar with the strange, Bishop situates her speaker in a construction of artificial and natural boundaries that break down across her topography and represent loss through the multiple female figures that permeate her poems to convey the uncertainty …


American Fantasies Of Masculine, Physical Labor And The Dangerous Bodies Of Pacific Island Whalemen In Roger Starbuck's The Golden Harpoon And Herman Melville's Moby-Dick, Jennifer Schell Jan 2007

American Fantasies Of Masculine, Physical Labor And The Dangerous Bodies Of Pacific Island Whalemen In Roger Starbuck's The Golden Harpoon And Herman Melville's Moby-Dick, Jennifer Schell

Reconstruction: Studies in Contemporary Culture

Throughout the nineteenth-century, writers, such as James Fenimore Cooper and Joseph C. Hart, fairly consistently appropriated the New England whaling industry for national purposes. They claimed the economic successes of the industry as American successes, and they positioned the whalemen as exemplary American workers. However, not all American whalemen were native-born Americans; some were foreign-born laborers. The presence of Polynesian workers and their racialized laboring bodies - often described as monstrous, grotesque, and repulsive - disrupted nationalistic appropriations of the whaling industry and its workers. What was so dangerous about these men was not just that were reputed to be …


Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones Jan 2007

Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

English Faculty Publications

Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …


The French Faulkner: Vision, Instrumentality, And Sanctuary's 'Lake Of Ink', Peter Lurie Jan 2007

The French Faulkner: Vision, Instrumentality, And Sanctuary's 'Lake Of Ink', Peter Lurie

English Faculty Publications

Like Edgar Allan Poe and the American film noir, William Faulkner enjoyed a critical reception in France that anticipated his American audience by several years. While not the first critics to admire Faulkner’s writing, readers like Maurice Coindreau, Andre Malraux, and Jean-Paul Sartre were among the earliest readers to recognize a particular quality to his fiction, one that, especially in the case of certain novels, evaded Faulkner’s contemporary American readers. As certain examples of this cross-cultural acceptance demonstrate, such as Baudelair’s translation of Poe in the nineteenth century and his exalting of Poe as a poetic genius, or Raymond …


Who Is A Southern Writer?, Suzanne W. Jones Dec 2006

Who Is A Southern Writer?, Suzanne W. Jones

English Faculty Publications

Richard Ford’s response to a questioner at the University of Mississippi symposium—that he is a “southerner” but not a “southern writer”—makes him only the latest in a long line of distinguished writers who grew up in the South, but have refused to be corralled into a regional stall. Other contemporary writers from the South, feeling “left out” of a potentially profitable niche market, have sought to broaden the definition of “southern literature.” Instead of worrying about who qualifies as a “southern writer” or rigidly delimiting “southern literature,” we might more fruitfully ask questions about who is writing about the U.S. …


Boston And New York: The City Upon A Hill And Gotham, Shaun O'Connell Oct 2006

Boston And New York: The City Upon A Hill And Gotham, Shaun O'Connell

New England Journal of Public Policy

This article is about the author's experience with visiting New York during it's rebirth after 9/11. He speaks about the history of both cities and how they have each grown into their own to become places of future enterprise and cultural cohesiveness.


Vampires In Literature: A Postmodern Study Of Bram Stoker And Anne Rice, Christina Marie Link Dec 2005

Vampires In Literature: A Postmodern Study Of Bram Stoker And Anne Rice, Christina Marie Link

Theses & Dissertations

M. H. Abrams explains that postmodern authors "blend literary genres, cultural and stylistic levels, the serious and the playful, [and] that they resist classification according to traditional literary rubrics". Bram Stoker and Anne Rice both fall into this category of postmodernism. Bram Stoker puts his own spin on the literary vampire, changing the vampire from an aristocratic figure into a monster and adding such features as shape-shifting. He also utilizes various styles throughout the novel under the pretense of several different narrators and narration sources, since Dracula is an epistolary novel that combines the different characters' journals, letters, and even …


Sabbatical Report, Neil Archer Feb 2005

Sabbatical Report, Neil Archer

Sabbaticals

In the fall of 2002, I was awarded a sabbatical leave for the spring of 2004 to study early American history and literature. I chose this topic out of personal interest, but also to prepare myself to teach my department’s early American literature course, an area of study in which I had little previous experience.

My project proposal consisted of two main parts. One was simply to read a selection of historical and literary works that are ordinarily taught in or used as background for that literature course. The other was to pursue original research into a family legend—my family—and …


[Introduction To] Growing Up In The South: An Anthology Of Modern Southern Literature, Suzanne W. Jones Jan 2003

[Introduction To] Growing Up In The South: An Anthology Of Modern Southern Literature, Suzanne W. Jones

Bookshelf

Something about the South has inspired the imaginations of an extraordinary number of America’s best storytellers—and greatest writers. That quality may be a rich, unequivocal sense of place, a living connection with the past, or the contradictions and passions that endow this region with awesome beauty and equally awesome tragedy. The stories in this superb collection of modern Southern writing are about childhood, adolescence, and young adulthood—in other words, about growing up in the South. Flannery O’Connor’s “Everything That Rises Must Converge,” set in a South that remains segregated even after segregation is declared illegal, is the story of a …


"The Future Good And Great Of Our Land": Republican Mothers, Female Authors, And Domesticated Literacy In Antebellum New England, Sarah Robbins Dec 2002

"The Future Good And Great Of Our Land": Republican Mothers, Female Authors, And Domesticated Literacy In Antebellum New England, Sarah Robbins

Faculty Articles

In an 1830s review of Lydia Maria Child's Good Wives published in Sarah Hale's Ladies' Magazine, the enthusiastic commentator quoted above sets Child's latest book within a thriving literary culture that values didactic literature. Acknowledging the importance of a genre I call the domestic literacy narrative, the reviewer confidently asserts that "the prevalent rage for reading" promises to promote not only familial but national well-being-promises, that is, if more books like Child's are regularly published to help train women to direct their family's reading and extract from it principles and behaviors consonant with their country's "future good."


Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine Jan 2001

Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine

Classical Studies Faculty Publications

As the recently published epistolary collection reveals, Ralph Ellison was an unabashed Americanist, for better and for worse. Ellison's faith in American identity and the democratic process, which is evident at the end of Invisible Man in the protagonist's determination to "affirm the principle on which the country was built [and not the men who did the violence]" (574), is again manifest in the posthumous novel, Juneteenth. According to John F. Callahan, Ellison's litearary executor, the novel celebrates "the indivisibility of the American experience" (Juneteeth xvi). James Alan McPherson (the African-American writer to whom Ellison showed a portion …


New Narratives Of Southern Manhood: Race, Masculinity, And Closure In Ernest Gaines's Fiction, Suzanne W. Jones Jan 1997

New Narratives Of Southern Manhood: Race, Masculinity, And Closure In Ernest Gaines's Fiction, Suzanne W. Jones

English Faculty Publications

In his fiction Ernest Gaines is interested not only in deconstructing stereotypes but also in presenting new models of southern manhood, for both black and white men. While Gaines has employed traditional definitions of manhood in his fiction, the vision he presents in his most recent novel, A Lesson Before Dying, is similar to that of Cooper Thompson and other contemporary theorists of masculinity, who believe that young men must learn 'traditional masculinity is life threatening' and that being men in a modern world means accepting their vulnerability, expressing a range of emotions, asking for help and support, learning non-violent …


Whirling Darkness: Witchery's Ascent In The Writings Of Leslie Marmon Silko, Kristin Monahan May 1993

Whirling Darkness: Witchery's Ascent In The Writings Of Leslie Marmon Silko, Kristin Monahan

Theses & Dissertations

Apocalyptic imagery spirals throughout Leslie Marmon Silko's works. The destruction of individuals, cultures, and eventually the Earth are purported by the grand plan of witchery. Evil has existed among Native American's in the form of witchery since time began. Its forces reside within all things. Yet with the tools provided by the spirits, namely the oral tradition and ceremonies, witchery can be controlled: the stories explain its origin and its power, showing how witchery has been overcome in the past, while the ceremonies provide a means of healing those who have been afflicted. By maintaining connections to the universe, past, …


The Constitution As Literature, James Boyd White Jan 1992

The Constitution As Literature, James Boyd White

Book Chapters

Although presumably no one would say that the Constitution offers its readers an experience that cannot be distinguished from reading a poem or a novel, there is nonetheless a sense in which it is a kind of highly imaginative literature in its own right (indeed its nature as law requires that this be so), the reading of which may be informed by our experience of other literary forms. But to say this may be controversial, and the first step toward understanding how such a claim can be made may be to ask what it is we think characterizes imaginative literature …


Representative Men, Shaun O'Connell Sep 1991

Representative Men, Shaun O'Connell

New England Journal of Public Policy

"Representativeness" is the theme of Shaun O'Connell's essay, "Representative Men." Reviewing six books, one about an actual man and five about fictional men, O'Connell sees them as attempts to define "representative men" of the 1980s, "an era," he observes, "when the worst were full of passionate intensities, particularly among men." Each antiheroic man in these books, he concludes, was "selfish, domineering, dangerous to women, and deceitful, yet each man was also committed to a system of values and ideas that made him an interesting case history — values which, in some instances, redeemed his failings."

As usual, O'Connell, in his …


The Radiant Core: Family, Village, Neighborhood, And Region In Literature, Eugene P. Nassar Sep 1988

The Radiant Core: Family, Village, Neighborhood, And Region In Literature, Eugene P. Nassar

Syracuse Scholar (1979-1991)

No abstract provided.