American Literature Commons^™

The Akron Offering: A Ladies' Literary Magazine, 1849-1850, Jon Miller

University of Akron Press Publications

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From 1849 to 1850, Calista Cummings edited and published Akron's first literary magazine, The Akron Offering. At the time, Akron was a booming canal town on the verge of even greater prosperity. By turns religious, comic, romantic, and political, this extraordinary collection of early midwestern creative literature expresses a wide range of sometimes contradictory opinions on both the important questions of its day and the important questions of today: historical events such as the California Gold Rush of 1849 and the 1848 revolutions in Europe are considered alongside more timeless contemplations on truth, justice, and …

A Familiar Strangeness: American Fiction And The Language Of Photography, 1939–1945 By Stuart Burrows (Review), Peter Lurie

English Faculty Publications

Stuart Burrows's book makes a strangely familiar claim. Its premise traces an arc in literary history and understandings of vision and epistemology that we think we know but which, in Burrows' hands, in fact turns toward a different idea about American prose realism than one with which we're familiar (that is, that writers responded to the daguerreotype by emulating its representational fidelity). Realist writers like Hawthorne, Stephen Crane, and the early James, Burrows shows, were hardly naïve about the changes in perception wrought by a then-new technology of vision like photography. For their realism is not a version of fiction …

Seen, Not Heard: William Faulkner’S Narrative Style In The Creation Of African American Characters, Dixon Speaker

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig

Legacy Theses & Dissertations (2009 - 2024)

This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …

Sylvia Plath At Yaddo : A Poet Finds Her Voice, Sarah Elizabeth Morse

Legacy Theses & Dissertations (2009 - 2024)

Since Sylvia Plath's death in 1963 critics have not stopped trying to piece together her life and work. Most of their focus lies on her last collection, Ariel, widely considered her best work. This thesis looks at a lesser-known time, before Plath had even published her first book of poetry named "The Colossus." In 1959 Plath spends eleven weeks at a writer's residence in Saratoga Springs, New York called Yaddo. While there she produces some of her most mature work to date, dealing with difficult topics for the first time such as suicide and issues with her deceased father and …

William Faulkner, William James, And The American Pragmatic Tradition (Review), Peter Lurie

English Faculty Publications

In his book's final sentence, David Evans is concerned that we "assure a future for Faulkner, and a Faulkner for the future" (236). Taken at a glance, this concern might imply a need to safeguard Faulkner's continuing relevance: pointing to the future and Faulkner together suggests that their mutuality is not, in fact, certain. And in light of shifting critical approaches to this canonical writer, not to mention the diminishing importance of author studies as well as scholarly genres like the monograph, Evans's caution makes a certain critical sense.

Yet the statement's fuller meaning within the context of this new …

"You Are Safe": Black Maternal Politics Of Resistance And The Question Of Community Consensus In African American Women's Literature, Daniela Marinova Koleva

Theses and Dissertations

The study focuses on a number of African American women's literary texts that employ the figure of the black mother and the motif of infanticide to engage in critical statements about system arrangements, repressive practices, and theory designs with direct effect upon black people's choices for organizing their lives and existence. Such critical statements are inevitably political and their construction is offered in a most provocative and startling way given the choice of maternal infanticide to make the claims.

Angelina Weld Grimke's "The Closing Door" (1919), Georgia Douglas Johnson's Safe (c.1929), Shirley Graham's It's Morning (c. 1938-1940), and Toni Morrison's …

"Undone By Murmurs Of Love": Traumatic Legacies And The Struggle For Personal And Communal Identity Formation In Toni Morrison's Trilogy, Fida Yasin

All Student Theses and Dissertations

Implications of racial oppression on personal and collective African American identity formation in Toni Morrison’s trilogy are explored in this thesis. Morrison reconstructs African American history in her trilogy, but she also enacts a cultural healing through content and form. Impossible choices are made by characters in Beloved, Jazz, and Paradise who are influenced by the racial trauma they experience and inherit. The legacies of oppression--traumatic memories, fragmentation, stereotypes and negative associations—distort the way these characters view themselves and one another. They are disoriented, isolated, and displaced. Characters recover from their past trauma— together—when they share their stories. …

Caribbean Hauntings And Transnational Regionalism In Nineteenth- And Twentieth-Century American Literature, Bethany Aery Clerico

Legacy Theses & Dissertations (2009 - 2024)

Caribbean Hauntings and Transnational Regionalism in Nineteenth- and Twentieth-Century American Literature offers a new literary map of U.S. history that is routed through the Caribbean and that intervenes in certain historiographic problems that exceptionalism creates for national literary studies. In the literature of Harriet Beecher Stowe, Martin R. Delany, Charles Chesnutt, William Faulkner, and Toni Morrison, I tease out references to the Caribbean that other critics have overlooked as a result of strictly national frames of analysis. These references evidence that each text is haunted by a Caribbean presence, a phrase that signifies both a "real" Caribbean, a political and …

Speaking Through Self-Effacement : The Sermonic Influence In Melville, Dickinson, And Thoreau, Katsuya Izumi

Legacy Theses & Dissertations (2009 - 2024)

This dissertation focuses on how some of the major literary authors of nineteenth-century America attempt to speak through self-effacement by adopting the preaching styles and effects of early Protestant sermons, as well as their purposes for doing so. There is the evanescence of characters in Herman Melville's novels such as Moby-Dick (1851) and Pierre (1852), of the speaker in Emily Dickinson's poems, and of the narrator in Henry David Thoreau's A Week on the Concord and Merrimack Rivers (1849) and Walden (1854). In their works there is a certain type of abhorrence toward the self, and they constantly try to …

Poe As Magazinist, Kay Ellen Mckamy

USF Tampa Graduate Theses and Dissertations

Edgar Allan Poe has long been recognized as one of American literature's most intriguing authors, usually for reasons other than his writing. Most literary studies examine one or two of his tales and perhaps one or two comments he made about the short tale. This dissertation will instead look at the work Poe did while involved in the world of early-American magazines for the last seventeen years of his life. It will explore how the magazine world affected his writing and his theories, especially his theories on the genre of the short story, a genre that Poe essentially described and …

The Willa Cather Archive In The Classroom, Andrew Jewell

University of Nebraska-Lincoln Libraries: Faculty Publications

This essay discusses many of the opportunities for teachers I believe are present in the Willa Cather Archive (http://cather.unl.edu), particularly in the way the Archive makes new materials available or older materials available in a new way. Additionally, this essay suggests some of the implications of the Archive’s digital presentation of resources. However, the place of digital scholarship in academic life is still evolving, and students and teachers are just getting accustomed to using the form. Given this circumstance, many of my thoughts are inconclusive, observations based upon preliminary understandings into how this resource affects our classrooms. I avoid confident …

Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones

English Faculty Publications

During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."

Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton

Teaching & Learning Faculty Publications

No abstract provided.

Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones

English Faculty Publications

Twentieth-century African-American writers have shared with their white American counterparts the expectation that in Paris they would find an community of writers and artists. And to varying degrees each did. Much like Edith Wharton, African-American writers viewed the French as a people who value art and creativity, the aesthete and the intellectual. And much like American writers from Hawthorne to Henry Miller, African-American expatriates viewed Paris as an "outlet for repressed sexuality," an unpuritanical place, which would allow, even encourage, people to live and love and create as the pleased. In Black Girl in Paris (2000) these are certainly the …

Ideological Transference In The Barbary Captivity Literature Of Post-Revolutionary America, Jason Scott Cooke

English Theses & Dissertations

The outbreak of Barbary captivity in the post-revolutionary period was one of the first significant challenges to American statehood and, more importantly, the rhetoric of liberty that had initially unified and galvanized the otherwise fractioned colonies. The Barbary nations, through politically hostile acts such as piracy and seizure, thus ironically participated in the rendering of abstract democratic principles, embodied by America' military victory over England, into the pragmatic functioning of a new republic. However, the process by which Barbary captivity assisted in the public enunciation of an idealized rhetoric of liberty or language of rights owes more to the cultural …

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett

Publications and Research

This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …

Sins Of The Father: Patriarchy And The Old South In The Early Works Of William Faulkner, John Easterbrook

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller

English Faculty Publications

In her article, "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture," Dana Heller identifies and analyzes characteristics of the holy fool figure in American literature and culture. Heller defines the holy fool, or divine idiot, as a figure central to U.S. myths of nation. One encounters such figures in American literature as well as in American folklore, popular culture, and mass media. In American culture, the Divine Idiot is a hybrid form which grows out of the crossings of numerous literary and historical currents, both secular and non-secular. This unwieldy hybridity -- the fact that …

Bakhtin And The Rhetoric Of The Modern Western Novel, Douglas J. Massey

English Theses & Dissertations

This thesis uses examples of temporal and spatial intersections (chronotope) provided by noted rhetorician, Mikhail Bakhtin, applying them to a modem Western novel. Bakhtin identifies three primary types of historical chronotope: Ancient Greek Romance, Chivalric Romance, and Rabelasian. The Ancient Greek Romance has three basic types: the adventure novel of ordeal, the adventure novel of everyday life, and ancient biography and autobiography. Certain elements of these three basic types are distinct characteristics that are readily identifiable and, according to Mikhail Bakhtin, "have a direct and unmediated relationship to time,'* (86) which is the dominant principle in the chronotope.

The Chivalric …

The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley

Publications and Research

No abstract provided.

American Indian-White Miscegenation In Early Nineteenth Century American Literature, Elisabeth Michaelis Simmons

English Theses & Dissertations

The mixing of races has been a controversial issue ever since the first European settlers came to North America. This paper focuses on Native Americans and whites and examines how these two races are represented in early nineteenth century American literature. Specifically, it seeks to trace American authors' motivations and goals in their use of Indian-white miscegenation.

This thesis discusses novels, short stories, and plays by James Nelson Barker, Charlotte Barnes, Lydia Maria Child, James Fenimore Cooper, Catharine Maria Sedgwick, and Ann Sophia Stephens. All analyzed texts were published between 1808 and 1844 and were written by white authors for …

Why Are Those Women So Angry? (Alienating People Of Good Will), Janet Bing

English Faculty Publications

(First paragraph) Until quite recently, I dismissed criticisms of "angry feminists" as a sexist stereotype. I was tired of hearing people say, "I believe in equal pay for equal work, but I dislike those bra-burning feminists!" Perhaps I'm too young, but almost all of my friends are feminists, and I have yet to meet anyone who has burned her bra, so this comment always strikes me as bizarre. However, recently I have begun to think seriously about the power of stereotypes and the ability of people to disregard messages they do not want to hear. I now realize that feminists …

The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin

English Faculty Publications

No abstract provided.

Refighting Old Wars: Race Relations And Masculine Conventions In Fiction By Larry Brown And Madison Smartt Bell, Suzanne W. Jones

English Faculty Publications

Since the Civil War white male writers of the American South have created fond fictions about childhood friendships that crossed the color line. For example, much of the poignancy of Faulkner's The Unvanquished (1938) comes from Bayard Sartoris's description of the close relationship he had with a black servant boy Ringo in the Mississippi small town that will separate them as they grow older and that from the beginning marked them as different, based on race. After their boyhood games and real Civil War adventures together, Bayard and Ringo grow up to be, not close friends, but master and faithful …

Reading Elizabeth Bishop As A Religious Poet, Cheryl Walker

Scripps Faculty Publications and Research

Elizabeth Bishop is usually described as a modernist poet with a skeptical mind. This essay contests the critical tendency to dismiss religion as a serious concern in her poetry, by first challenging the widespread dismissal in the United States of all religious approaches to modern poetry and then challenging the tendency to disclaim attempts to read Elizabeth Bishop in religious terms. The essay includes a close reading of “The End of March” as a text which invites intertextual commentary from a Christian perspective.

Edith Wharton's "Secret Sensitiveness" The Decoration Of Houses, And Her Fiction, Suzanne W. Jones

English Faculty Publications

Surely one of the reasons that Edith Wharton lived most of her life in France was that she greatly admired the way the French "instinctively applies to living the same rules that they applies to artistic creation." Wharton believed that the French had an eye for beauty, or what she called "the seeing eye," in contrast to Americans whose sight had been dimmed by the puritanism of their Anglo-Saxon heritage. However, in her last and unfinished novel, The Buccaneers (1938), Wharton suggests through her American protagonist's relationship with her European governess, Laura Testvalley, that the art of seeing can be …

The Creation And Destruction Of Surrogate Worlds In Montana Literature, Julie Lyn Mcmurray

English Theses & Dissertations

Montana writers create surrogate worlds where their characters escape the oppressiveness of the real world. The vast and varied landscape of Montana is more than a setting for many of these authors. It becomes symbolic of a national mind set that the open land will offer redemption or inner peace. Therefore, many characters become one with their natural environment. However, the writers destroy their alternative worlds by introducing emotion or real world problems into it.

Four Montana writers will be examined in detail. In Chapter II, I discuss Myron Brinig's Wide Open Town and his use of surrogate worlds. Brinig …