American Literature Commons^™

The Study Of Free Will In The East And The West, Nicholas J. Colecio

Honors Undergraduate Theses

The purpose of this thesis is to understand the origins of the enduring differences between the Eastern and Western interpretations of free will and determinism. In my piece, I work to determine the roots of these differences and to what degree these differences have been challenged and disrupted in the 20^th century. In this pursuit, I analyze the different philosophies of free will in the East and West and then apply these philosophies to the literature of both regions. For the eastern scholarship, I am using Yukio Mishima's The Sailor Who Fell from Grace with the Sea and Motojirō …

Spiteful Houses, Sweet Homes: Analyzing Denver's Traumatic Space In Beloved, Tyler Dick

Honors Undergraduate Theses

This thesis aims to explore and evaluate the traumatic space of Denver in Toni Morrison's Beloved. Currently, a lack of critical discourse exists to link together Denver, trauma, and theories of spatiality. This thesis evaluates three types of trauma that inform and develop Denver's traumatic space: direct, indirect, and insidious trauma. Paired with spatial theories, the origins of Denver's trauma are mapped throughout the various places of the novel. The result of this analysis reveals a complex and layered traumatic space, with lasting ramifications on Denver's sense of safety, identity, and stability in a post-slavery United States.

A Deconstruction Of Puritan Ideology Through The Works Of John Winthrop, Anne Bradstreet, And Mary Rowlandson, Rocco S. Fazzalari

Honors Undergraduate Theses

Originated by Jacques Derrida, deconstruction analyzes the relationship between text and meaning. This thesis applies Derrida's theory of deconstruction to three early American Puritan figures: John Winthrop, Mary Rowlandson, and Anne Bradstreet. By questioning the conceptual distinctions known as oppositions in Puritan ideology through the works of these aforementioned individuals, this thesis questions and corrupts the binaries within each text used. The emergence of new meaning through a deconstruction of Puritan ideology establishes a valid site from which to explore radical, repressed, historical, cultural, and theological narratives of religious prosperity. By enforcing narratives from Derrida's Of Grammatology, post-structuralist ideology will …

Wallaceward The American Literature Survey Course Takes Its Way, Ralph Clare

English Literature Faculty Publications and Presentations

Finding a comfortable fit for David Foster Wallace's work in the American literature survey is a challenge that raises a host of questions regarding Wallace and American literature itself. Wallace criticism has tended to situate his oeuvre in relation to postmodernism in general and, more specifically, to postmodern metafiction. This is an important critical task, to be sure. Like many, I have taught Wallace's stories, essays, and novels in an array of courses, including twentieth-century American literature, postmodernist literature, and the single author course, all formats in which I had a luxurious amount of time to get students acquainted with …

Reanimation (Afterlife Rebellion Book 1), Nicole A. White

Open Access Theses & Dissertations

Reanimation (Afterlife Rebellion Book 1) is the first book in a young adult science fiction and fantasy duology about a group of ghosts and a teenage necromancer who must come to terms with a corrupted afterlife. The overarching goal was to craft an accessible fantasy, with its characters being unfamiliar with genre conventions so that readers who were as well could have an entry point into the category, and familiar readers could enjoy new interpretations of the canon. Traditional character archetypes and stereotypes that have been proven to impede representation in the genre and deter new readership are subverted or …

All That You Say Is Beautiful: Stories, Omaria Sanchez Pratt

Theses and Dissertations--English

From the city of High Point to New York City, this collection portrays a certain black experience. Through a sociological lens, the stories in All That You Say is Beautiful study intersections of class, race, family, and sexuality by bending forms, expectations, and seeks to understand what it means to be human when your experience is not that of mainstream American culture.

"Could I Annoy You For A Drink?" : Social Management And Alcoholism In Fitzgerald's The Great Gatsby And Tender Is The Night, Lucy Anderson Granroth

EWU Masters Thesis Collection

No abstract provided.

Dresses And Dollars: Domesticity And Economy In Little Women And The Morgesons, Tess Walsh

Senior Theses

Although popular discourse in 19th century America sought to divide public and private life into masculine and feminine spheres, a textual analysis of Little Women by Louisa May Alcott and The Morgesons by Elizabeth Drew Stoddard, which were both written in the later half of the 19th century by New England women writers, demonstrates that domesticity was informed and shaped by economic forces. Details of characters' clothing, homes, dining habits, and social relationships all reveal that far from being a separate sphere, the American home at this time was perhaps the space in which financial status and economic forces were …

A Repurposed Narrative: Mary Rowlandson’S Narrative And Pre-Revolutionary Sentiment, Steven F. Thomas

Theses and Dissertations--English

Leading into the American Revolution, Puritan captivity narratives gained a resurgent popularity as nationalized sentiment burned towards political upheaval. Mary Rowlandson’s Narrative (1682) was reprinted six times between 1770-1776, signifying an incredible interest in Puritan stories that seemed to antithetically inspire a progressive and radical revolution against England. The Sovereignty and Goodness of God or A True History of the Captivity and Restoration of Mrs. Mary Rowlandson enhanced an already fervent revolutionary sentiment, transforming a seemingly straightforward captivity narrative into a totem meant to represent the oppressive struggle between England and her most coveted colony.

Such a literary revival taps …

“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch

Theses and Dissertations--English

My dissertation, titled “I’ve Known Rivers”: Representations of the Mississippi River in African American Literature and Culture, uncovers the impact of the Mississippi River as a powerful, recurring geographical feature in twentieth-century African American literature that conveys the consequences of capitalist expansion on the individual and communal lives of Black Americans. Recent scholarship on the Mississippi River theorizes the relationship between capitalism, geography, and slavery. Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, Sven Beckert’s Empire of Cotton: A Global History, and Edward Baptist’s The Half Has Never Been Told: Slavery and the …

Modern Charity: Morality, Politics, And Mid-Twentieth Century Us Writing, Matt Bryant Cheney

Theses and Dissertations--English

Scholars over the past two decades (Denning, Szalay, Edmunds, Robbins) have theorized the different ways literature of the Mid-Twentieth Century reflects the dawn of the liberal US welfare state. While these studies elaborate on the effect rapidly expanding public aid had on literary production of the period, many have tended to undervalue the lingering influence on midcentury storytelling of private charity and philanthropy, those traditional aid institutions fundamentally challenged by the Great Depression and historically championed by conservatives. If the welfare state had an indelible impact on US literatures, so did the moral complexity of the systems of charity and …

But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr

Theses and Dissertations--English

“But What Has Helga Crane to Do with the West Indies? Plantation Afterlives in the Black Atlantic” situates the emergence of the southern gothic in modernist American and Caribbean works as a response to the shifting cultural narrative of the plantation in the twentieth century. In this project, I argue that the plantation seeps out of its place and time to haunt landscapes it may never have touched and times in which slavery is long over. While the plantation system is broadly recognized as a literary, political, and cultural force in nineteenth-century literary studies, I conceive it is also a …

Cosmic Consciousness And Rawlings’S The Sojourner, Ashley Q. Lear

Publications

The epigraph for Rawlings’s The Sojourner quotes I Chronicles 29:15, “For we are strangers before thee, and sojourners, as were our fathers: our days on the earth are as a shadow, and there is none abiding.” This opening image is one of many hints to the cosmic consciousness that Rawlings writes into her narratives.

Paintings Inspired By African American Literature, Erinn Dady

A with Honors Projects

For this honors project, the student created 5 paintings inspired by the coursework assigned from The Norton Anthology of African American Literature Third Edition Volume 1, with the goal of encouraging new readers to explore this genre and diverse points of view.

"A Dark, Abiding, Signing Africanist Presence" In Walker Percy’S Dr. Tom More Novels, David Withun

The Coastal Review

Many of the tropes, commonplaces, symbols, and values used and reflected by American literary works written by white authors, as Toni Morrison writes, are “in fact responses to a dark, abiding, signing Africanist presence.” The black/white racial binary and racial différance that mark this presence inform the use of racialized characters as signifiers in the novels of Walker Percy. In the Dr. Tom More novels Love in the Ruins and The Thanatos Syndrome, Percy adopts racial symbolism as a means toward his critique of the American notion of “the pursuit of happiness.” In Love in the Ruins, Percy …

Ghosts Of Madmen: A Generational Tale, Kristen Leigh Olin

Open Access Theses & Dissertations

A family story depicting an immigrant family that must deal with the horrors of the past while delving through the psyche of the present. One woman's look into the deepest reaches of her American family and their generations of alcoholism and abuse and her resolution to the ghosts that haunt the family's women.

Alaska And The Arctic In The U.S. Imaginary, Ryan Charlton

Electronic Theses and Dissertations

Popular narratives of Alaska have long relied on the region’s mythical status as the “last frontier” a perception which enfolds Alaska into a continental narrative of U.S. expansion. This frontier image has foreclosed our ability to appreciate the profound instability which the 1867 Alaska Purchase brought into U.S. national discourse at a time when Americans were eager to adopt a fixed national identity. In the three decades following the purchase Alaska would resist incorporation into the national imaginary challenging the coherence of U.S. national identity and calling into question foundational myths of the United States as a continental and agrarian …

Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Illegitimacy And The Power Of The Mother In The Lais Of Marie De France, Claudia Mccarron

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Reflecting Identity Through Glass Windows In Charles Dickens’S Tom Tiddler’S Ground, Ryder Seamons

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Earth And The Portrait: A Comparison Of Dostoevsky’S Alyosha Karamazov And Prince Myshkin, Callaghan Mcdonough

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

When Life Imitates Art: Aestheticism In The Importance Of Being Earnest, Drake Deornellis

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Looking Through, At, And Beyond In Thelma And Louise, Mercer Greenwald

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 21 Fall 2019, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop

Williams Honors College, Honors Research Projects

During World War II women joined the workforce in droves due to propaganda such as Rosie the Riveter. When Soldiers began returning from the war they wanted stability and normalcy. They wanted to return to the America they left where women ran the household and men went to work. Women, however, experienced a new sense of freedom from working and wanted to continue their liberation. It was during this time that femme fatales, the sultry women of film noir became popular. They represented the liberated women of the 1940s. The film industry saw an opportunity to use these women found …

Under The Sign Of Suicide, Theodore Emmanuel Prassinos

Wayne State University Dissertations

“Under the Sign of Suicide,” examines modernist writers’ intense and sustained preoccupation with and representations of suicide. Beyond numerous essays on the topic, we also find many fictional characters such as Fyodor Dostoevsky’s Svidrigailov and Kirilov both taken by gunshot, Stavrogin and Smerdyakov both by hanging. We also find Franz Kafka’s George Bendemann who takes his life by drowning, and Virginia Woolf’s Septimus Smith by impaling, Her character, Rhoda, dies off a cliff. In American literature, we find Edna Pontellier, Quentin Compson, Clare Kendry, Semour Glass, Teddy McArdle, Willy Loman, Tod Clifton, and on and on. This list is surely …

The Center Of All Beauty: Radical Democracy, Materiality, And The Poetic Subject In Twentieth-Century American Poetry, Marcus Merritt

Wayne State University Dissertations

In The Center of All Beauty, I trace a strain of poetics in twentieth-century American poetry from William Carlos Williams through Frank O’Hara, Alice Notley, and Amiri Baraka. This poetics is founded in a radically democratic conception of the poetic subject and in the use of poetry as a tool for developing critical knowledge about the material conditions within which the poetic subject is constituted. In Spring and All and The Embodiment of Knowledge, Williams articulates a poetics that denies the authority of any grounds upon which any poetic subject would be considered inadequate to poetic speech and outlines a …