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2016

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Articles 61 - 90 of 142

Full-Text Articles in American Literature

William Faulkner's Southern Landscape, Rachel V. Ford May 2016

William Faulkner's Southern Landscape, Rachel V. Ford

English Undergraduate Honors Theses

The American South is a region full of rich and complicated history, undergoing slavery, war, poverty, ecological devastation, and racial violence. One of the most famous and distinctly southern writers of the twentieth century is William Faulkner, whose works challenge the idealistic Lost Cause mentality of white supremacy and highlight major issues within southern society. Faulkner’s writings are set in Mississippi, grounded with a distinct sense of place. The southern landscape provides more than simply a backdrop to the stories, but plays an active role in plot and character development. This thesis examines three of Faulkner’s novels, discussing their historical …

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Robert Frost’S Ulteriority: Saying One Thing In Terms Of Another – The Inexpressible, Nicolette S. Stackhouse May 2016

Robert Frost’S Ulteriority: Saying One Thing In Terms Of Another – The Inexpressible, Nicolette S. Stackhouse

Honors Theses

Robert Frost’s poetry, which is famously rich in double meaning—saying one thing but meaning something else—is also concerned with pragmatism. Pragmatism implies that there is no one fundamental universal truth. I contend that Robert Frost’s poetry says that duplicity of meaning, or ulteriority, is something to be embraced. Frost wants the uncertainty of meaning to be understood by the reader as vital to life and the mind’s processes. The simple fact that so many readers search for the hidden meanings in his poetry justly proves this point. As a pragmatist, Frost was aware that the process of getting to a …

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Keats And America: Attitudes And Appropriations, Jessica Hall May 2016

Keats And America: Attitudes And Appropriations, Jessica Hall

Electronic Theses and Dissertations

While John Keats never traveled to America and only wrote a handful of admittedly hostile lines about it in his poetry, American writers and readers have consistently regarded Keats as one of the greatest and most influential poets of the past two centuries. His critical reputation in America has been stable since the 1840s, enduring throughout changing tastes and movements, and his biography and work have been utilized in manifold appropriations by American poets and writers. I examine Keats’s attitude toward the United States—which was in conflict with the general feeling regarding the country by his fellow Romantic poets—and briefly …

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New Appalachians Of The Twenty-First Century: Reinventing Metanarratives And Master-Images Of Southern Appalachian Literature, Kelsey Alannah Solomon May 2016

New Appalachians Of The Twenty-First Century: Reinventing Metanarratives And Master-Images Of Southern Appalachian Literature, Kelsey Alannah Solomon

Electronic Theses and Dissertations

The Appalachian studies tradition ascertains that Appalachian people politically, socially, and academically represent a heterogeneous minority group of our own. In post-capitalistic America, however, the Appalachian region serves as a hotspot for media misrepresentation and tourism that perpetuate through works of fiction, nonfiction, and scholarship both negative and positive stereotypes in the overall American consciousness. Twenty-first-century Appalachian authors, I contend, are reinventing Appalachia from its postmodern rubble through fictionalized reconceptualizations of our region’s history, shifts in our collective consciousness from anthropocentric to ecocentric, and subversions of the heteronormative discourse of our internal colony through explorations of the psychosexual. The contemporary …

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Beyond "Main Street": Small Towns In Post-"Revolt" American Literature, Rachael Price May 2016

Beyond "Main Street": Small Towns In Post-"Revolt" American Literature, Rachael Price

Graduate Theses and Dissertations

“Beyond Main Street” examines the impact and legacy of the literary movement that Carl Van Doren, in an infamous 1920 article from The Nation, referred to as the “revolt from the village.” This movement, which is widely acknowledged to encompass such writers as Edgar Lee Masters, Sherwood Anderson, and Sinclair Lewis, pushed back against the primacy of the heretofore-dominant pastoral tradition when it came to depictions of rural America. These authors sought to create a more accurate portrayal of the small town, one that, while not completely eschewing the pastoral, also exposed the more seedy side of village life. Critics …

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The Stories Of Junot Díaz: Genre And Narrative In Drown And This Is How You Lose Her, Luis Fernando Marin May 2016

The Stories Of Junot Díaz: Genre And Narrative In Drown And This Is How You Lose Her, Luis Fernando Marin

Graduate Theses and Dissertations

This thesis examines how Junot Díaz creates and constructs his literary alter-ego and narrator, Yunior de las Casas, and examines the Social and cultural aspects, such as race, ethnicity, and gender, that condition or influence Yunior’s construction. I argue that Díaz uses the short story as a subversive genre and modernist narrative techniques, such as shifts in space-time and focalization, to reflect Yunior’s diasporic, fragmented subjectivity. My analysis includes narratological and generic readings of Drown and This Is How You Lose Her, with a brief look at The Brief Wondrous Life of Oscar Wao, paying particular attention to Yunior as …

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Divining The Southwest: Liminality, Pragmatism, And Regionalism In "Death Comes For The Archbishop", Alex C. Blomstedt May 2016

Divining The Southwest: Liminality, Pragmatism, And Regionalism In "Death Comes For The Archbishop", Alex C. Blomstedt

Graduate Theses and Dissertations

This work aims to explore the themes of pragmatism and liminality, particularly as they pertain to spirituality, in Willa Cather’s Death Comes for the Archbishop. By taking an interdisciplinary critical approach to the novel, I will synthesize its spiritual affect into a sensibility called “pragmatic liminality.” Finally, I will connect this sensibility to other works in the Southwestern literary canon and elucidate the foundational importance that pragmatic liminality has to the Southwestern “sense of place” and its role in the larger narratives of regionalism in American literature.

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“In The End We All Come To Be Cured Of Our Sentiments”: Violence And Cultural Anxiety In Cormac Mccarthy’S Border Trilogy, Stephen Michael Turner Apr 2016

“In The End We All Come To Be Cured Of Our Sentiments”: Violence And Cultural Anxiety In Cormac Mccarthy’S Border Trilogy, Stephen Michael Turner

Student Theses and Dissertations

Each of Cormac McCarthy’s works contain unflinching violence and gore. A majority of McCarthy critics agree that the presence of violence within his work remain disconnected from each novel's plot and theme. This examination of Cormac McCarthy's "Border Trilogy" illustrates the political and historical relationship between the United States and Mexico, as represented through various characters within the trilogy, and also explores the role that cultural anxiety plays as a primary motivator for violence. The loss of a certain way of life is a major concept found within McCarthy’s work, and the “Border Trilogy” serves as a meditation on this …

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Passing For Power: A Literary Look At Passing As A Means Of Determining Identity And Claiming Agency, Jeanna Leah Mason Apr 2016

Passing For Power: A Literary Look At Passing As A Means Of Determining Identity And Claiming Agency, Jeanna Leah Mason

Student Theses and Dissertations

Historically, passing has been associated with race, such as when a black man or woman with light-colored skin would assume a white identity for a specific purpose. In early incarnations, passing was generally temporary and was used as an escape from the degradations of slavery or the economic and legal restrictions under Jim Crow laws. In Pudd’nhead Wilson, Twain uses Tom Driscoll’s passing to illustrate identity formation and the illogic of using legal definitions to determine race. In Absalom, Absalom!, Faulkner uses the Bon family’s experiences to explore society’s influence on each one’s experience with passing. Finally, in Passing, Larsen …

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"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal Apr 2016

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

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Empathy In Its Entirety, Callie Reymann Apr 2016

Empathy In Its Entirety, Callie Reymann

Best Integrated Writing

Reymann critically analyzes three novels through the lens of empathy and then applies her critical analysis and observations to her experiences as a person diagnosed with Asperger’s Syndrome.

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Conflicting Cultural Identity And The Baz Benin In Edwidge Danticat’S Claire Of The Sea Light, Kellianne Rinearson Apr 2016

Conflicting Cultural Identity And The Baz Benin In Edwidge Danticat’S Claire Of The Sea Light, Kellianne Rinearson

Best Integrated Writing

Rinearson explores the connection between the gangs in Edwidge Danticat’s Claire of the Sea Light and mythological figures in Haitian folklore thus adding nuance to the discussion of Caribbean cultural identity.

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The Grimké Sisters: Radical Defenders Of Women’S Rights And Abolition, Megan Bailey Apr 2016

The Grimké Sisters: Radical Defenders Of Women’S Rights And Abolition, Megan Bailey

Best Integrated Writing

Bailey examines the intersection of gender and religion in the abolition movement of the American Civil War and argues that the Grimké sisters’ effectiveness in preaching against slavery was undermined by the perception that they were too radical.

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Best Integrated Writing 2016 - Complete Edition Apr 2016

Best Integrated Writing 2016 - Complete Edition

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. The journal is published annually by the Wright State University Department of English Language and Literatures.

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The Jungle Book Review, Cathleen Dionne Apr 2016

The Jungle Book Review, Cathleen Dionne

MBA Student Scholarship

No abstract provided.

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Watersheds In Life, Molly Morgan Apr 2016

Watersheds In Life, Molly Morgan

Robert Penn Warren Essay Contest

No abstract provided.

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Watershed, Matthew Doyle Apr 2016

Watershed, Matthew Doyle

Robert Penn Warren Essay Contest

No abstract provided.

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The Systems Of Life, Madeline Stephenson Apr 2016

The Systems Of Life, Madeline Stephenson

Robert Penn Warren Essay Contest

No abstract provided.

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Ernest Hemingway: The Modern Transcendentalist, Camryn Scott Apr 2016

Ernest Hemingway: The Modern Transcendentalist, Camryn Scott

Criterion: A Journal of Literary Criticism

When thinking about Transcendentalism, most of us look solely to the 19th Century writings of Ralph Waldo Emerson and Henry David Thoreau. In this paper I reject this static treatment of the movement by exploring Ernest Hemingway’s connection to nature both in his life and in his writings, and claim that he created a modern version of Transcendentalism in the early 20th Century.

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Flannery O'Connor's Protestant Grace, Emily Strong Apr 2016

Flannery O'Connor's Protestant Grace, Emily Strong

Criterion: A Journal of Literary Criticism

Flannery O’Connor has long been known for the didactic Catholic message in her literature. However, upon closer study we may find that there are Protestant themes in O’Connor’s portrayal of grace. This paper explores the differences between Catholic and Protestant grace, examines the Protestant themes that can be found in her texts “Greenleaf,” “Revelation,” and “The Lame Shall Enter First,” and offers possible explanations as to why these Protestant themes exist in her literature.

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Morality And Pleasure In Tim O'Brien's The Things They Carried, Sarah Bonney Apr 2016

Morality And Pleasure In Tim O'Brien's The Things They Carried, Sarah Bonney

Criterion: A Journal of Literary Criticism

In “Morality and Pleasure in Tim O’Brien’s The Things They Carried,” I examine how representations of pleasure in O’Brien’s novel indicate how the soldiers establish a new code of morality during their military service in Vietnam. Although civilians live with a binary understanding of acceptable and unacceptable behavior, the soldiers must commit immoral acts in order to serve honorably, thereby conflicting with this previous understanding. Western ideology asserts that pleasure accompanies moral behavior; because the soldiers perform violent acts, they must ascertain a new understanding of morality in order to continue to feel pleasure throughout and in spite of …

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The Art Of Death: Murder According To Poe, Hitchcock, And De Quincey, Jeanine Bee Apr 2016

The Art Of Death: Murder According To Poe, Hitchcock, And De Quincey, Jeanine Bee

Criterion: A Journal of Literary Criticism

This paper examines the works of both Edgar Allan Poe and Alfred Hitchcock in light of Thomas De Quincey’s series of essays entitled “On Murder Considered as One of the Fine Arts.” In his essays, De Quincey presents murder as an art form that can be criticized and appreciated just as any other fine art. While De Quincey’s essays faced some negative reaction when they were originally published, both Edgar Allan Poe and Alfred Hitchcock seem to have found something worthwhile in De Quincey’s ideas about the art of murder; Poe and Hitchcock both present murder as an art form …

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The Pastor's Theology Of Uncertainty In Lila, Ben Lehnardt Apr 2016

The Pastor's Theology Of Uncertainty In Lila, Ben Lehnardt

Criterion: A Journal of Literary Criticism

Marillynne Robinson’s most recent novel Lila depicts a preacher, John Ames, whose personal theology is studded with uncertainty. Rather than being a weakness to his faith, however, his insecurity is actually his greatest strength. This unusual theological trait becomes especially applicable when placed in the context of the philosophical struggle between scientific positivism and humanistic reasoning. This article explores the nuances of Ames’ theology of uncertainty and expands its philosophical importance in a greater context.

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Writing Resistance: Agency And Politics In The Postmodern And Contemporary Novel, Bradley Michael Poling Mar 2016

Writing Resistance: Agency And Politics In The Postmodern And Contemporary Novel, Bradley Michael Poling

Theses and Dissertations

This project seeks to substantiate a key ambivalence at the heart of contemporary literature: what does it mean to "return" to politics? Critics of contemporary literature have outlined the new literary aesthetic, using social and political engagement as a key component in distinguishing the contemporary novel from its postmodern predecessor. This project, in response to this claim, will examine both the discursive and representation politics of two landmark postmodern novels, Thomas Pynchon's Gravity's Rainbow and Don DeLillo's Libra, while examining Jennifer Eganâ??s A Visit from the Goon Squad as a descendent of this literary lineage. This project argues that the …

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Warren, Robert Penn, 1905-1989 (Sc 2988), Manuscripts & Folklife Archives Mar 2016

Warren, Robert Penn, 1905-1989 (Sc 2988), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 2988. Letter, 20 March 1952, of Robert Penn Warren, New Haven, Connecticut, to Mrs. Carl P. Rollins. He refers to his “wandering loquacity about the sadistic Lewises” (an apparent reference to his poem Brother to Dragons) being included in certain minutes, but observes that the entry will be “much shorter” than the poem itself.

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Warren, Robert Penn, 1905-1989 (Sc 2977), Manuscripts & Folklife Archives Feb 2016

Warren, Robert Penn, 1905-1989 (Sc 2977), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2977. Newspaper and magazine clippings, programs and correspondence relating to the 80th anniversary of the Rhodes Scholars program at Oxford University. Robert Penn Warren participated in these festivities as a program alumnus. Includes a brief correspondence between Warren and fellow Rhodes alumnus Don Price.

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Unhealed Cultural Memories: Styron’S Nat Turner, Shaun O'Connell Feb 2016

Unhealed Cultural Memories: Styron’S Nat Turner, Shaun O'Connell

New England Journal of Public Policy

William Styron’s The Confessions of Nat Turner, a novel about the leader of a slave rebellion in Virginia in 1831, was highly praised after its publication in 1967. Then African American essayists in William Styron’s Nat Turner: Ten Black Writers Respond took issue with the novel and rejected Styron’s asserted right to reimagine Nat Turner’s life and to assume his voice, claiming their rights of racial heritage and historical accuracy to castigate Styron for his offensive presumption. That distant argument of unshared assumptions and crossed purposes between high-minded and hypersensitive artists and intellectuals of another day may throw refracted …

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City Poems And Urban Crisis, 1945 - Present, Jeffrey Nathan Mickelson Feb 2016

City Poems And Urban Crisis, 1945 - Present, Jeffrey Nathan Mickelson

Dissertations, Theses, and Capstone Projects

City Poems proposes that twentieth-century American city poets hold important concerns, commitments, and strategies in common with urban theorists and city planners. The study situates canonical and lesser-read city poetry, including work by William Carlos Williams, Charles Olson, Allen Ginsberg, George Oppen, Gwendolyn Brooks, and Wanda Coleman, among others, in relation to discourses of urban crisis. Following Raymond Williams, Henri Lefebvre, and James Scully, it approaches city poetry as a form of social action that holds particular value for practitioners of progressive city planning. Because poetic representations of cities influence public perceptions, City Poems suggests, they have the potential to …

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The Fictions Of Whiteness: Transatlantic Race Science, Gender, Nationalism, And The Construction Of Race In Nineteenth-Century American Fiction (1823-1867), Philip E. Kadish Feb 2016

The Fictions Of Whiteness: Transatlantic Race Science, Gender, Nationalism, And The Construction Of Race In Nineteenth-Century American Fiction (1823-1867), Philip E. Kadish

Dissertations, Theses, and Capstone Projects

Fictions of Whiteness argues that political beliefs preceded and determined the race science theories which nineteenth century American white novelists applied or invoked in their work, the inverse of the current critical consensus. For issues ranging from Indian removal to slavery and Reconstruction, and utilizing theories from of Condorcet, Buffon, Camper, Louis Agassiz, James Pritchard, Johannes Blumenbach, and George Borrow these authors shifted allegiances to divergent race theories between and within works, applied those theories selectively to white, black, and Indians characters, and applied the same scientific race theories to politically divergent rhetorical ends. By analyzing shifting application of different …

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The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith Feb 2016

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

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