American Literature Commons^™

Review Of Writing The Environment In Nineteenth-Century American Literature: The Ecological Awareness Of Early Scribes Of Nature, Edited By Steven Petersheim And Madison P. Jones Iv, Matthew Guzman

Department of English: Dissertations, Theses, and Student Research

As editors Steven Petersheim and Madison Jones acknowledge in their Introduction, the field of ecocriticism owes much to the work of scholars such as Lawrence Buell, Cheryll Glotfelty, and Leo Marx. Petersheim and Jones’s intention for Writing the Environment in Nineteenth-Century American Literature is to extend the conversation about American writers of nature in a similar vein as Karla Armbruster and Kathleen Wallace’s Beyond Nature Writing (2001). One would expect names such as Thoreau, Emerson, Whitman, and Melville to be included in a conversation about nineteenth-century American “nature” or “environmental” writing. Although these canonical names do indeed crop up throughout …

Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar

Theses and Dissertations--English

While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …

Proto-Postmodernism: Constructing Postmodern Ethics Through Cold War Literature And Theory, Rock Lamanna

Departmental Honors Projects

While postmodern theory and literature is typically viewed as either “anti-humanist” or a rejection of Humanism, this essay reconsiders these assumptions by exploring ethical questions in early postmodern novels and theory, referred to as “proto-postmodernism.” For proto-postmodernists such as Hannah Arendt, Albert Camus, Ralph Ellison, Joseph Heller, and Kurt Vonnegut, Humanism—the ethical framework that asserts a centered “self” and a collective “metanarrative” of human progress—causes and legitimates violence, yet in their theories and literature, they promote the humanist value of dignity in their critiques of modern ethics and politics. To examine this hybrid stance toward Humanism, the first section situates …

Read Me: The Emergence Of Female Voice In American Epistolary Fiction, Allison Melissa Ramsey

Honors Theses

The objective of the thesis was to study how the letter, as a narrative device provided by the epistolary genre, supplies unheard female characters with an avenue to speak when their worlds do not allow it. In the novels, the letters not only permit a female character to practice building a voice, but also provide a self-reflection and identification experience, which enables the woman to see where she is, rewrite her role, and control where she wants to go. Through reading Hannah Webster Foster's The Coquette, Alice Walker's The Color Purple, Lee Smith's Fair and Tender Ladies, and Maria Semple's …

Arts: Fiction And Fiction Writers: The Americas, Rachel Norman

Faculty Publications

This essay by Rachel Norman, which originally appeared in the Encyclopedia of Women & Islamic Cultures, discusses contemporary Muslim fiction published in the United States with a particular focus on three novels: Mojha Kahf's The Girl in the Tangerine Scarf, Laila Halaby's Once in a Promised Land, and Randa Jarrar's A Map of Home.

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven

Theses and Dissertations--English

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …

Time In American High Modernism: Reading Fitzgerald, Hemingway, And Faulkner, Masahiko Seki

Wayne State University Dissertations

There were important changes about understanding of time in the early 20th century. Newtonian view of time that supports linearity and irreversibility of time was challenged in various fields. This trend promoted high modernists to seek new representations of time.

On the whole, high modernists denied Newtonian view of time and tried to describe merging of the past, the present, and the future. They often envisioned a romantic moment, in which this merging is perfectly achieved. But unlike European high modernists, American high modernists were more attracted to a traditional understanding of time that emphasizes a decisive difference between the …

The Radical South: Grassroots Activism, Ethnicity, And Literary Form, 1960-1980, Elizabeth Fielder

Electronic Theses and Dissertations

“The Radical South” examines the art and writings of Civil-Rights-era social movements and locates U.S. based political structures in a hemispheric and global network. I reveal that the Civil Rights Movement, ethnic nationalism, and second-wave feminism were not separate entities; rather, the cultural work of activists was an intersectional effort that defied national strategies, such as non-violent protest and race-based separatism, that were often determined by their urban counterparts. Thus, I argue that new political aesthetics emerged from grassroots activism and set in motion ethnic and racial cultural expressions that embraced multiple, even conflicting, identities. As much as this art …

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …

Echoes From Heaven, Flora B. Foster

Heritage Material

No abstract provided.

Novelistic Intimacies: Reading And Writing In The Late Age Of Print, Vincent Michael Haddad

Wayne State University Dissertations

In Novelistic Intimacies, I consider the political and aesthetic structure of intimacy in a diverse set of narrative forms produced in the so-called digital age, or the late age of print—from encyclopedic and metafictional novels to graphic storytelling and Afrofuturist fantasy. As an organizing principle, intimacy forces us to consider, at once, how novelists have attempted to restore language and narrative with personal meaning after postmodernism—often termed New Sincerity or post-irony. At the same time, intimacy allows us to see how novelists have experimented on the materiality of the book and the eroticism of language to invent new, impersonal modes …

Economic Enchantment In Eudora Welty's A Curtain Of Green, Elizabeth Moore

Honors Theses

This thesis analyzes Eudora Welty's short story collection, A Curtain of Green, and the interactions between its characters and the Mississippi economy. The paper takes into account Eudora Welty's work with the WPA during the Great Depression and her experiences photographing Mississippians throughout the state. Additionally, this thesis uses Welty's terminology when describing her experience of shopping as a child, specifically the enchantment of goods. This material is used to argue that Eudora Welty does address economic elements in her early short stories. Furthermore, this collection demonstrates a difference between gender participation in the economy, particularly among salesmen and female …

Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato

Masters Theses

The anti-hero character has steadily become more popular in contemporary literature, film, and television. Part of this popularity is due to the character's appeal to the audience. This character type often commits acts that challenge the regulations of society. These acts, however, can become wish fulfillment for some audience members, making the acts of the character a vicarious experience as well as making the character more relatable because of the character's flawed nature.

This study will trace some of the evolution of the female anti-hero by discussing an ancestral character of the female anti-hero—Hester Prynne the protagonist of Nathanial Hawthorne's …

Representation Of The American South In Marvel Comics, 1963-2016, Katherine Gill

Electronic Theses and Dissertations

My work tracks the role of the American South and Southern characters in Marvel Comics, from 1963 to 2016. This thesis spring from a simple question: how stereotypical does this Northern industry portray the American South? To achieve this goal, I read a lot of comics, applying literary theory (such as Patricia Yeager and Tara McPherson) as well as American cultural studies (1980s televangelism and the history of human trafficking in America) to my findings. After reading multiple comic books from multiple sources, I settled on four different texts, each with a unique approach to portraying the South: the portrayal …

The Mockingjay Phenomena: A Study On The Position Of Young Adult Women In Dystopia, Hannah Hultman

Honors Theses

The purpose of this research is to explore the messages and impact of three young adult dystopian trilogies, The Hunger Games, Divergent and The Uglies. In particular, the role of the American female teenager in political, economic and social spheres is discussed through examining the three female teenaged protagonists of these novels. For comparative purposes, George Orwell's 1984 and Aldous Huxley's Brave New World function as counterpoints to the young adult novels; the analysis of these different novels will prove that young adult dystopian novels show young adult women that their choices and actions can be integral to their societies …

Sherwood Anderson’S "Shadowy Figure": Rural Masculinity In The Modernizing Midwest, Andy Oler

Publications

No abstract provided.

The Cultural And Rhetorical Elements Of American Picaresque, Cory James Dahlstrom

Dissertations and Theses @ UNI

The picaresque is a literary genre with a long and rich history. Although protean in nature, it is essentially the fictional autobiography of a likeable delinquent or rogue, who survives a series of adventures and a life of hardships by his or her wits and affinity for trickery. Stemming from a long line of tropes dating back to Greek mythology, the picaresque comes into its own fruition towards the end of the Spanish Golden Age with the anonymous publication of Lazarillo de Tormes (1554). Since then, the antihero of the picaresque, the picaro, has become a literary figure across a …

Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen

Graduate Student Theses, Dissertations, & Professional Papers

What is the significance of the oil encounter in the lives of men living and working in the modern oilfields of the United States? Engaging with both literary examples of the lives of men in the Interior West and the personal experiences and reflections of the author, this essay seeks to examine the connections between ideology and place as it works to shape the identity and affect of men in America's oilfields, ultimately ending in them identifying with the very resources their activities seek to exploit and exhaust. Utilizing Theodore Adorno's Minima Moralia as its moral touchstone, this essay works …

Orbic Bards: Religious Liberalism And The Problems Of Representation In The Postbellum Works Of Walt Whitman And Herman Melville, Anthony Gus Cohen

Open Access Theses & Dissertations

In an attempt to reconcile the critical camps that attempt either to christianize or otherwise, "scripturize" nineteenth century literary texts with the converse, which attempts to paint them cynically as "infidel countertexts" this project seeks to find a middle ground. The works of Herman Melvile and Walt Whitman steeped in the increasingly liberal religious atmosphere of New York City following the Civil War, both strive to offer up an impressively accurate historical and poetical record, free from the problems of hearsay that nagged the deists and transcendentalists, and instead attempted to offer something that instead was nearer to reason, and …

The Transition From The Psychical To The Psychological: An Examination Of William James’ Influence On Henry James’ “The Turn Of The Screw”, Harry A. Jones Iv

Theses and Dissertations

This thesis will show that, in its original form, “The Turn of the Screw” acted as a monument to the intellectual unity shared between Henry James and his brother William. Through evaluating James’ biography, memoirs, and letters with William, this thesis will illustrate the subtle collaborative inspirations that initially helped James write the first twelve-part serial edition of “The Turn of the Screw” for Collier’s Weekly, which ran from January 27, 1898 until April 16, 1898. I will also demonstrate the effect of William’s philosophy and his death on the revisions James’ made to his story as published in the …

“‘It’S A Cu’Ous Thing Ter Me, Suh’: The Distinctive Narrative Innovation Of Literary Dialect In Late-Nineteenth Century American Literature”, Kym M. Goering

Theses and Dissertations

American literature and verse advanced in dialectal writing during the late-nineteenth century. Charles Chesnutt’s “The Goophered Grapevine” (1887), “Po’ Sandy” (1888), and “Hot-Foot Hannibal” (1899); Joel Chandler Harris’ Uncle Remus: His Songs and His Sayings (1881); Thomas Nelson Page’s “Marse Chan” (1884); and Mark Twain’s “Sociable Jimmy” (1874) and “A True Story, Repeated Word for Word as I Heard It” (1874) provided diverse dialect representations. Dialect expanded into poetry with

James Whitcomb Riley’s “She ‘Displains’ It” (1888), “When the Frost is on the Punkin” (1882), and “My Philosofy” (1882) and Paul Laurence Dunbar’s “The Spellin’ Bee” (1895), “An Ante-Bellum Sermon” …