American Literature Commons^™

Pim Pedagogy: Toward A Loosely Unified Model For Teaching And Studying Comics And Graphic Novels, James B. Carter

SANE journal: Sequential Art Narrative in Education

The article debuts and explains "PIM" pedagogy, a construct for teaching comics at the secondary- and post-secondary levels and for deep reading/studying comics. The PIM model for considering comics is actually based in major precepts of education studies, namely constructivist foundations of learning, and loosely unifies constructs inherent therein with other available frames and frameworks for studying comics. As such, the article fills a dire need in the scholarly literature on comics pedagogy and paves a way for those who seek to teach comics courses in the future but who need direction and for those who seek to study/read comics …

Of Sonnets And Archives: Robert Graves, Laura Riding, And The Erasure Of Modern Poetry, Margaret Konkol

English Faculty Publications

In the nearly eighty years since Laura Riding and Robert Graves ceased their collaborative endeavors there has been much speculation as to the nature and extent of their literary partnership. Graves retold the past to his biographers, constructing Laura Riding as a queen yogi figure wielding an almost sinister influence. In response to these accusations Riding returned fire with volley after volley of “corrective” letters which she sent to Graves’s biographers as well as any magazine or student that she found to be sympathizing with Grave’s account of the creative partnership. At the time of her death in 1991, Riding …

Mapping Memory In Tran’S Vietnamerica, Mary A. Goodwin

CLCWeb: Comparative Literature and Culture

In her article "Mapping Memory in Tran's Vietnamerica" Mary Goodwin explores the use of maps, landscape paintings, and other topographic images in Gia-Bao Tran's graphic memoir chronicling the "postmemory" of the US-American son of wartime refugees. Tran's family immigrated to the United States in 1975 following the fall of Saigon. Tran knew nothing of his parents' hardships and struggle to escape Vietnam until he returned for relatives' funerals in his 20s. Similar to Spiegelman's Maus, Vietnamerica is a mixed-media memoir containing photographs, maps, and comics in various styles. Following Hirsch's lead in demonstrating the special historical value of photographs …

Review Of Pioneer Girl, By Bich Minh Nguyen, Quan-Manh Ha

Asian American Literature: Discourses & Pedagogies

DNA

Fictional And Fragmented Truths In Korean Adoptee Life Writing, Jenny Heijun Wills

Asian American Literature: Discourses & Pedagogies

This article explores the ways that life writing allows transnational, transracial Asian adoptee authors to navigate their complex experiences of truth and authenticity. It also addresses the transformations adoptee authors make to the memoir genre in order to accommodate the particularities of their experiences. I analyze Jane Jeong Trenka’s foundational Asian adoption memoir, The Language of Blood, and Kim Sunée’s lesser-known text, Trail of Crumbs, paying attention to the ways that the authors’ hybridized and deliberately constructionist approaches to genre parallel some of the identity issues that are brought out in their respective books. I explore the significance …

“’Chinese Don’T Drink Coffee!’”: Coffee And Class Liminality In Elaine Mar’S Paper Daughter, Christian Aguiar

Asian American Literature: Discourses & Pedagogies

This article offers a reading of the foodservice spaces in Elaine Mar’s memoir Paper Daughter in order to suggest changes in the way we think about class liminality. It argues that by focusing not just on the way the socially-mobile narrator experiences liminality, but also on the ways her working-class parents and co-workers experience it, we can begin to consider some of the complexities and nuances the idea of the liminal offers. In so doing, the article suggests a slightly new approach to thinking about and teaching Paper Daughter.

From Raw To Cooked: Amy Tan’S “Fish Cheeks” Through A Lévi-Straussian Lens, Susan K. Kevra

Asian American Literature: Discourses & Pedagogies

In "Fish Cheeks" a scant 500 words short story, Amy Tan serves up a coming of age story about an Asian American teenage girl. Tan’s setting of Christmas for a traditional Chinese dinner, shared with the American boy on whom the protagonist, Amy, has a crush, emphasizes the girl’s dual identity as an Asian American, a reality she is confronting head on. Forced to see her family traditions through the eyes of a white, Christian boy, she finds those traditions distasteful. Rather than delighting in the dishes her mother has lovingly prepared, she is revolted by them, fixated instead on …

The Illegible Pan: Racial Formation, Hybridity, And Chinatown In Sui Sin Far’S “‘Its Wavering Image’”, Caroline Porter

Asian American Literature: Discourses & Pedagogies

Drawing upon Judith Butler’s theory of performativity, this article offers an interpretation of “‘Its Wavering Image’” that explains the biracial main character, Pan’s, process of racialization. The argument is two fold: first, the paper contends that in this story, Sui Sin Far theorizes that race is performative rather than biological. Race does not come from characters’ bodies, but is rather an incorporated performance of codes. Pan’s race, then, depends not on her parentage or her biology, but on the “codes” she internalizes and embodies, codes that are fleshed out throughout the article through historical contextualization of San Francisco and Chinatown. …

A “Monstress” Undertaking: An Interview With Lysley Tenorio, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Six: An Identity Rebus, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Volume 6 Cover, Mark P. Brada

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Afterword: Why Civil War Matters, Why This Book Matters, Marc Dipaolo

Faculty Books & Book Chapters

Afterword by Marc DiPaolo

Originally published in "Marvel Comics' Civil War and the Age of Terror: Critical Essays on the Comic Saga" ed. by Kevin Michael Scott.

To see more or purchase works by Marc DiPaolo, visit his Amazon page here: https://www.amazon.com/Marc-DiPaolo/e/B004LV7W6Y%3Fref=dbs_a_mng_rwt_scns_share

Arnow, Harriette Louisa (Simpson), 1908-1986 (Sc 2936), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding Aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 2936. Letter, 6 March 1964, of Harriette Simpson Arnow, Ann Arbor, Michigan, to “Mrs. Holland,” in response to a compliment for her novel Hunter’s Horn. Arnow briefly recalls her publications since The Dollmaker and notes “unenthusiastic” reviews in Kentucky of her most recent work. She also mentions an article about her in the previous fall’s Louisville Courier-Journal Magazine [8 December 1963].

Summers, Hollis Spurgeon, 1916-1987 (Sc 2935), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding Aid only for Manuscripts Small Collection 2935. Letter, 8 April 1953, of Hollis Summers, Lexington, Kentucky, to Frances Richards, a member of the WKU English faculty, expressing good wishes to her and her students after his recent visit to Bowling Green, Kentucky.

Protecting Dixie: Southern Girlhood In Children's Literature, 1852-1920, Laura Anne Hakala

Dissertations

Most scholarship about girlhood in children’s literature tends to rely on national models of girlhood. My project complicates those models by demonstrating how region shapes distinct forms of American girlhood. In particular, I examine representations of southern girlhood in children’s literature published between 1852 and 1920, drawing on the four types of literature that most featured southern girls during this time period: abolitionist literature, Confederate literature, postbellum plantation fiction, and family stories. Using a historicist methodology and spatial analysis, I place these texts in relation to information about the spatial arrangements and protocols of southern domestic sites. By viewing girlhood …

Ellen G. White's Understanding Of Indwelling Of The Holy Spirit: A Chronological Study, Cory Wetterlin

Andrews University Seminary Student Journal

Throughout history there have been two major understandings of the indwelling of the Holy Spirit. The first is the indwelling of the transcendent timeless God within the timeless soul of a body/soul, dualistic anthropology. The second is an allinclusive view in which either everything is God, pantheism, or everything is within God, panentheism. Adventism has traditionally rejected both of these understandings. Adventism teaches a monistic anthropology, denying the indwelling of the soul and a panentheistic point of view. How then is Adventism able to define the indwelling of the Holy Spirit? In order to begin to answer this question it …

A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe

Master's Theses

David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …

Murton, Jessie Wilmore (Jones), 1886-1973 (Mss 439), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid for Manuscripts Collection 439. Correspondence, writings, scrapbooks, and financial records of Kentucky native and poet Jessie Wilmore Murton. Although born and raised in Kentucky, she spent most of her adult life in Battle Creek, Michigan. Her poetry and prose was published in several solo books and anthologies and appeared extensively in religious publications of the mid-twentieth century. The contents of Box 9 Folder 7 related to the League for Sanity in Poetry has been scanned and can be accessed by clicking on "Additional Files" below.

Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard

English Faculty Publications

It took 28 years after Nathaniel Hawthorne published The Scarlet Letter in 1850 for Mary Hallock Foote to render drawings for one of the novel’s first illustrated editions, which was probably the first ever to be illustrated by a woman.(1) It took 130 years after the publication of Foote’s illustrated edition in 1878 for Project Gutenberg to digitize and disseminate Hawthorne’s novel with Foote’s illustrations.(2) It has taken seven years for Hawthorne scholarship to commence addressing and examining Foote’s edition, and theorize what her drawings suggest about the act of seeing, for the heroine’s audiences in the book, and for …

A Light In Darkness, Oscar Micheaux: Entrepreneur Intellectual Agitator, Airic Hughes

Graduate Theses and Dissertations

Oscar Micheaux was a luminary who served as an agent of racial uplift, with a unique message to share with the world on behalf of the culturally marginalized African Americans. He produced projects that conveyed the complexity of the true black experience with passion and creative courage. His films empowered black audiences and challenged conventional stereotypes of black culture and potential. The legacy of Oscar Micheaux is historically unparalleled among his contemporaries. He transcended traditionally held perspectives about what black people could accomplish. The consciousness within his work still heavily influences black entertainment today. This study seeks to add to …

Architectures For A Future South: Posthumanism And Ruin In The Novels Of Cormac Mccarthy, Joshua Ryan Jackson

Graduate Theses and Dissertations

This thesis reads the novels of Cormac McCarthy as posthuman southern literature to explain why fiction from the South after World War II could no longer convey a sense of place during postmodernity: that is, because the region's culture and economy were transitioning from predominantly humanistic thinking (i.e., believing that humans [and especially southern humans] are supreme beings) to predominantly posthumanistic thinking (i.e., believing that humans are not as supreme as they think they are). It argues that we can trace this ideological change over time via structural shifts in the South’s architectural record, which we see in the ruins …

Past Traumas, Present Griefs: Exploring The Effects Of Colonialism, Microaggressions, And Stereotyping From Wild West Shows To Indigenous Literature, Kimberly Dawn Allen

Graduate Theses and Dissertations

Native Americans have long been, and continue to be, victims of racism, microaggression, and stereotyping. This continued exposure to violence, degradation, belittling, and discrimination work in the forefront to historical trauma and unresolved grief which has led to an increase in the numbers of individuals suffering from mental illness within the Indigenous population. Colonization created a long history of trauma and genocide that effects generations of Native American people, not just the individuals on which the horrific sins were committed. Using the lens of disability studies, this project will examine the ways in which portrayals of Native American people in …

Immigrant Cosmopolitanism: Jewish-American Immigrant Narratives And Modernist Cosmopolitan Aesthetics, Mindy Renee Trenary

Graduate Theses and Dissertations

I propose to show in this study how Jewish-American authors of mass media immigrant works from the first three decades of the 20th century utilize a form of modernist cosmopolitan aesthetics to challenge notions that these works are unworthy of study and appreciation. These authors, not happy with the classifications and aesthetics available to them as immigrant authors, borrow from other ideologies and aesthetic schools to create an aesthetic system meeting the needs of immigrant individuals. In theory, this system, which I have termed 'immigrant cosmopolitanism,' meets the needs of these individuals and capitalizes on the authors' diverse backgrounds and …

The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat

Graduate Theses and Dissertations

Orphan iconography has always been deployed in American literature and culture, but nineteenth-century American literature, fiction in particular, abounds in orphans, both real and imaginary. The orphan’s amphibious nature is hailed and demonized as the epitome of individualism and unbridled freedom, and also as the location of society’s anxiety. This complicated and conflicted construction of orphans animates the Social and cultural realm in postbellum America, foregrounding issues of class, race, and gender.

Law Library Blog (July 2015): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

“Maybe It Was You”: The Implications Of Southern Gothic Elements Of Criminality, Sexuality, And Race In Truman Capote’S In Cold Blood, Shirley Ellen Rash

Graduate Theses and Dissertations

Truman Capote’s In Cold Blood is frequently the subject of critical analysis of its genre, its factual accuracy, and its style. Previous critical examinations of the text often briefly acknowledged the thematic connections between this text and Capote’s previous southern gothic work but do so without substantially delving into these similarities. For many, the text’s Kansas setting prevents the book from properly being considered southern gothic because Kansas is commonly perceived as the most quintessentially wholesome and American of states while the U.S. South is frequently deemed the site of taboo and undesirable activity. This thesis questions this dichotomy and …

There Will Be Violence: A Critical Analysis Of Violence In The Works Of Cormac Mccarthy, Matthew L. Robinson

Honors Projects

This discussion of McCarthy’s use of violence in his western novels will focus primarily on the books Blood Meridian or the Evening Redness in the West and No Country for Old Men.

Both novels feature antagonists who use war and violence to impose a new societal order. They fail in the end – they cannot succeed so long as there are individuals who refuse to conform to a widespread acceptance of violence that follows Judge Holden’s doctrine of war. In McCarthy’s novels, violence is used to impose a new order of existence. The opposition of individuals cause these imposed …

Hochstrasser, Maud Adelaide, 1900-1994 (Mss 555), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 555. Correspondence, clippings, photographs and other papers of WKU English instructor “Addie” Hochstrasser, relating almost exclusively to her friendship with and interest in author Jesse Stuart. Includes letters, cards and a holographic poem by Stuart, as well as photographs of Stuart and his home in Greenup, Kentucky.

Stuart, Jesse Hilton, 1907-1984 (Sc 2911), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2911. Correspondence of author Jesse Stuart and David Helm, manager of Books & Records, Inc., Bowling Green, Kentucky. They discuss a book signing event and supplies of books for sale at the store.

Stuart, Jesse Hilton, 1907-1984 (Sc 2910), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2910. Correspondence of author Jesse Stuart and Western Kentucky University administrators and librarians, mostly regarding speaking engagements on campus and the acquisition of his books for the University’s collection. Includes some Stuart family Christmas cards, data regarding foreign language reprints of his books, and Stuart’s letter to WKU President Paul Garrett describing his farm work in the wake of the World War II manpower shortage.