American Literature Commons^™

"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett

Publications and Research

Alcott’s first adult novel, Moods, initially published in 1864, presents oral promises between women as extralegal alternatives to standard legal contracts between men and women. In the 1864 edition of Moods, Alcott's protagonist, Sylvia Yule, fails to understand the constraints of marriage as a type of contract, and the results are dramatic. In fact, Alcott undermines the idealized marriage plot so crucial to her later, wildly popular works like Little Women (1868-69). In the 1864 Moods, Alcott boldly questions both legal contracts and oral promises characteristic of nineteenth-century conceptions of romantic love and heterosexual friendship.

Review: When Light Breaks, Sarah Trowbridge

Georgia Library Quarterly

Review of the novel "When Light Breaks," by Patti Callahan Henry.

American Fantasies Of Masculine, Physical Labor And The Dangerous Bodies Of Pacific Island Whalemen In Roger Starbuck's The Golden Harpoon And Herman Melville's Moby-Dick, Jennifer Schell

Reconstruction: Studies in Contemporary Culture

Throughout the nineteenth-century, writers, such as James Fenimore Cooper and Joseph C. Hart, fairly consistently appropriated the New England whaling industry for national purposes. They claimed the economic successes of the industry as American successes, and they positioned the whalemen as exemplary American workers. However, not all American whalemen were native-born Americans; some were foreign-born laborers. The presence of Polynesian workers and their racialized laboring bodies - often described as monstrous, grotesque, and repulsive - disrupted nationalistic appropriations of the whaling industry and its workers. What was so dangerous about these men was not just that were reputed to be …

Review Of Cursed From Birth: The Short, Unhappy Life Of William S. Burroughs Jr., By William S. Burroughs, Jr., Alan Clinton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

William S. Burroughs Jr. was the son of the author of Naked Lunch and Joan Vollmer, whom his father accidentally (at least consciously speaking) shot in a "William Tell act" in Mexico City. He was also, in his own words, "the author of two novels [Speed and Kentucky Ham] published in seven languages, and numerous articles in national magazines." The title of this latest incarnation from Soft Skull Press casts Burroughs Jr. in the tradition of the poètes maudites and, interestingly, in relation to a short story by Ernest Hemingway about a woman who "accidentally" shoots …

Private Fleming At Chancellorsville: "The Red Badge Of Courage" And The Civil War, Cara Erdheim

English Faculty Publications

Book review by Cara Erdheim:

Lentz, Perry. Private Fleming at Chancellorsville: The Red Badge of Courage and the Civil War. Columbia: University of Missouri Press, 2006.

Using The Novel To Teach Multiculturalism, Michelle Loris

English Faculty Publications

Description of a fourteen week course taught by Michelle Loris, professor of English at Sacred Heart University. The course, titled Recent Ethnic American Fictions, introduced students to several concepts from contemporary literary theory. The theories included New Criticism, Deconstruction, Cultural Studies, New Historicism, and Feminist Theory. The assumption was that these concepts would give students the tools to become critical readers, which would then provide them with a deeper understanding of these multicultural novels and their particular cultural contexts.

For a semester, reading and thinking about these multicultural novels engaged and challenged the students' assumptions about themselves and the …

Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

English Faculty Publications

Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …

The French Faulkner: Vision, Instrumentality, And Sanctuary's 'Lake Of Ink', Peter Lurie

English Faculty Publications

Like Edgar Allan Poe and the American film noir, William Faulkner enjoyed a critical reception in France that anticipated his American audience by several years. While not the first critics to admire Faulkner’s writing, readers like Maurice Coindreau, Andre Malraux, and Jean-Paul Sartre were among the earliest readers to recognize a particular quality to his fiction, one that, especially in the case of certain novels, evaded Faulkner’s contemporary American readers. As certain examples of this cross-cultural acceptance demonstrate, such as Baudelair’s translation of Poe in the nineteenth century and his exalting of Poe as a poetic genius, or Raymond …

Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance

English Faculty Publications

Using second generation Americans Harry Belafonte, Paule Marshall, Audre Lorde, Piri Thomas, and the meringue hip hop group Proyecto Uno, Lisa D. McGill considers in Constructing Black Selves: Caribbean American Narratives and the Second Generation the issues of identity formation of those whose heritage ultimately includes Africa, the Caribbean, and the United States, most often New York City. Though her subjects come from different national, racial, and language backgrounds; though they have made their names in different media; and though they have different views of race, identity, and culture, she convincingly makes the argument that "African America becomes powerful site …

Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett

Publications and Research

This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 9 Fall 2007

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

A Call To Climb, A Call For Consumption: The Role Of Place In Tim Gautreaux’S The Clearing, Heidi Martin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Exploring The Nature Of Individual Identity In Faulkner’S As I Lay Dying And Ware’S Jimmy Corrigan: The Smartest Kid On Earth, Elizabeth Spavento

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Review: We Are All Welcome Here, Teresa Pacheco

Georgia Library Quarterly

Review of the novel "We Are All Welcome Here," by Elizabeth Berg.

Review: Reading Faulkner: Introductions To The First Thirteen Novels, John Mcconnell

Georgia Library Quarterly

Review of the non-fiction book "Reading Faulkner: Introductions to the First Thirteen Novels." Content by Richard Marius, compiled and edited by Nancy Grisham Anderson.

Review: Hitched, Christina Hodgens

Georgia Library Quarterly

Review of the novel "Hitched," by Carol Higgins Clark.

Engaging The Eighties: Ethics, Objects, Periods, Kevin L. Ferguson

Dissertations, Theses, and Capstone Projects

This dissertation examines a recent decade in American history whose unique notion of self-periodization generated important questions of ethical engagement and withdrawal. Situated during a time of an increasingly complex relationship between literature and theory, thinkers in the 80s self-consciously shifted towards making claims about their present moment which were based on the logic of rupture, and which thus created an either-or logic of pessimism or optimism in response to this rupture. These kinds of self-periodizing notions generally are collected under the rubric "postmodernism" and the first chapter deals with a transatlantic movement between theorists such as Fredric Jameson and …