American Literature Commons^™

Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz

Publications and Research

This article is an edit of the opening remarks for the event held on May 22nd, 2014 at the Schomburg Center for Research in Black Culture as part of the In The Life Series supplying Black LGBT programming coordinated by Steven Fullwood. Outing Lorraine included panelists: Alexis DeVeaux, Joi Gresham, and Steven Fullwood and was moderated by Shawn(ta) Smith-Cruz. Opening remarks provide a biographical description of Lorraine Hansberry's life, prepare the audience for a conversation on the implications for "outing" a black iconic figure, details the purpose for use of primary and secondary sources when, and provides a bibliography for …

Common Knowledge: The Epistemology Of American Realism, Mark Sussman

Dissertations, Theses, and Capstone Projects

My dissertation, Common Knowledge: The Epistemology of American Realism, focuses on realist fiction (primarily the novel) at the end of the nineteenth century. Its motivating claim is that the central descriptive and thematic imperative of realism--to depict life "as it is" rather than in some idealized form--emerged in response to crises in the status of knowledge that resulted from an attempt by writers and readers to come to a common understanding of the relationship between private experience and an increasingly fragmented social world. While William Dean Howells's definition of realism as a form of writing that displays "fidelity to experience …

Space & Distance As I Require: The Journals And Prose Fragments Of Philip Whalen 1950-1966, Brian Unger

Dissertations, Theses, and Capstone Projects

Space & Distance As I Require: The Journals & Prose Fragments of Philip Whalen 1950 - 1966 presents the early journals, prose fragments, and a few unpublished poems and essays by San Francisco Renaissance and Beat Generation poet Philip Whalen (1923-2002). This work includes a scholarly apparatus with both general literary and textual introductions, a critical bibliography that reflects my literary-historical concerns, brief section introductions, annotations, and an informal concordance with Whalen's poetry utilizing The Collected Poems of Philip Whalen (ed. Rothenberg, 2007) as a reference work.

Philip Whalen was an Irish-American writer with roots in small town Oregon, a …

Clue, Code, Conjure: The Epistemology Of American Detective Fiction, 1841-1914, Jennifer Weiss

Dissertations, Theses, and Capstone Projects

This dissertation posits American detective fiction between 1841 and 1914 as a meaningful category and interrogates forms of knowledge used in this genre. The conventional wisdom on detective fiction creates a dichotomy of British and American production, with British detective fiction in a rational style dominating in importance into the 1920s, and American detective fiction dominating in importance with the "hard-boiled" style of the 1930s and '40s (as described by Raymond Chandler). This dissertation argues that American detective fiction is a meaningful category before and beyond the hard-boiled style.

Abductive reasoning, a form of logic based on observation, hypothesis, and …

Italian-American Literature And Working-Class Culture, Fred L. Gardaphé

Publications and Research

No abstract provided.

Isabel Archer's "Delicious Pain": Charting Lacanian Desire In The Portrait Of A Lady, Phyllis E. Vanslyck

Publications and Research

This essay offers a reading of Henry James's Portrait of a Lady that examines Isabel Archer's choices through a Lacanian lens. This reading traces Isabel's consistent turning away from, even against, the very postulates she claims to live by. Isabel’s discovery of love through the ideal image of herself she finds mirrored in Gilbert Osmond’s gaze leads to a reversal of her most noble impulses. Her choice of a suitor also points to something that would seem the opposite of desire, but which is, in fact, its foundation. In choosing Gilbert Osmond, Isabel seeks to experience, however unconsciously, what Jacques …

Forget Burial: Illness, Narrative, And The Reclamation Of Disease, Marty Melissa Fink

Dissertations, Theses, and Capstone Projects

Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that the AIDS crisis is not an isolated incident that is now "over," but a striking culmination of a long history of understanding illness through narratives of queer sexual decline and national outsiderhood. Literary representations of HIV/AIDS can be read as a means of resistance to the stigmatization of people of color, women, immigrants, and queers, debunking the narratives that vilify these subjects as threats to national security and health. In drawing connections between illness, history, and the African diaspora, my work adopts a queer theoretical approach to …

Dystopian Surface, Utopian Dream: Wittman Ah Sing Foresees Postethnic Humanity, Seo-Young J. Chu

Publications and Research

"Dystopian Surface, Utopian Dream" examines the postethnic and the posthuman in fiction by Maxine Hong Kingston, Octavia Butler, and Isaac Asimov.

Visual Aid: Teaching H.D.'S Imagist Poetry With The Assistance Of Henri Matisse, Christa Baiada

Publications and Research

No abstract provided.

Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett

Publications and Research

This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …

"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett

Publications and Research

Alcott’s first adult novel, Moods, initially published in 1864, presents oral promises between women as extralegal alternatives to standard legal contracts between men and women. In the 1864 edition of Moods, Alcott's protagonist, Sylvia Yule, fails to understand the constraints of marriage as a type of contract, and the results are dramatic. In fact, Alcott undermines the idealized marriage plot so crucial to her later, wildly popular works like Little Women (1868-69). In the 1864 Moods, Alcott boldly questions both legal contracts and oral promises characteristic of nineteenth-century conceptions of romantic love and heterosexual friendship.

Engaging The Eighties: Ethics, Objects, Periods, Kevin L. Ferguson

Dissertations, Theses, and Capstone Projects

This dissertation examines a recent decade in American history whose unique notion of self-periodization generated important questions of ethical engagement and withdrawal. Situated during a time of an increasingly complex relationship between literature and theory, thinkers in the 80s self-consciously shifted towards making claims about their present moment which were based on the logic of rupture, and which thus created an either-or logic of pessimism or optimism in response to this rupture. These kinds of self-periodizing notions generally are collected under the rubric "postmodernism" and the first chapter deals with a transatlantic movement between theorists such as Fredric Jameson and …

Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim

Publications and Research

"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …

Female Iconography In Invisible Man, Shelly J. Eversley

Publications and Research

Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.

Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé

Publications and Research

No abstract provided.

The Source Of Hip, Shelly J. Eversley

Publications and Research

This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.

We Weren’T Always White: Race And Ethnicity In Italian/American Literature, Fred L. Gardaphé

Publications and Research

No abstract provided.

The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley

Publications and Research

No abstract provided.

Double Margins: Yolanda Martines-San Miguel Discusses Lgbtq Hispanic Caribbean Lit, Lawrence La Fountain-Stokes

Center for LGBTQ Studies (CLAGS)

In her talk, "Families of Desire: Migration and Sexuality in New York's Caribbean Enclaves," Yolanda Martinez-San Miguel explored the representation of same-sex affective and sexual relationships in the works of one lesbian and two gay Hispanic Caribbean authors, all of whom migrated to New York from their island of origin and who portray this Diasporic experience in their writing. Her presentation forms part of a broader, book-length project on cultural representations of migration among Cuba, Puerto Rico, the Dominican Republic, and New York, including literature, popular music, graffiti, and photography.

One Against All: The New England Past And Present Responsibilities In The Devil And Daniel Webster, Robert Singer

Publications and Research

No abstract provided.