American Literature Commons^™

In Our Very Bones: Poems By Twyla Hansen, Twyla Hansen

Nebraskiana Publications: Resources and Materials on the 37th State

DISTANCES

1 Midwestern Autumn, 2 Going to the Graves, 3 Memorial Day, 4 On the Screen Porch, 5 Gophers, 6 Lilac Tripping, 7 The Separator, 9 Conspiracy, 11 My Neighbor's Daughter Learning To Drive, 12 Platte River State Park, Late January, 13 Spring Equinox, 14 When You Leave, 15 My Husband Snoring, 16 Full Moon, Total Eclipse, 17 My Father's Miniatures, 18 Wind, 20 If My Father Were Still Alive

ON THE PRAIRIE

23 Song of the Pasque Flower, 24 Blue Moon, 25 Crane River, 26 Nine-Mile Prairie, 27 Late May, 29 Prairie Trout, 30 Vines, 31 Building a Bat …

Hunger Unpublished, Mark Axelrod

English Faculty Articles and Research

How Mark Axelrod lined up some of the world’s finest writers on one of the world’s biggest issues – and still couldn’t get them into print.

Ua35/11 Student Honors Research Bulletin, Wku Honors Program

WKU Administration Documents

The WKU Student Honors Research Bulletin is dedicated to scholarly involvement and student research. These papers are representative of work done by students from throughout the university.

• Allen, Melody. Women in Control of Courtship in As You Like It, The Merchant of Venice and All's Well That Ends Well
• Amlani, Islamshah. Electron Stimulated Desorption of Alkali Halides
• Brillhart, Kelly. Women Without Men: Hemingway's Female Characters
• Burton, Lori. Financial Statements with Environmental Concerns: An Exploratory Study of the Impact on the Auditor's Role and Responsibilities
• Combs, Vicki. Dancing the Descent: Energy and Entrophy in William Carlos Williams
• Davis, Julie. Prelude to …

Robert Frost And Maya Angelou: Poet-As-Rhetor In The Presidential Inauguration: Textual Symbols And The Symbol Of Enactment, Donna M. Witmer

Masters Theses

This criticism uses an organic approach to examine the rhetorical properties of Frost's and Angelou's inaugural poems and their individual enactments respective of the constraints and exigencies in the Presidential inaugurations of Kennedy and Clinton. Apparently responding to the constraints of television's sound bite as well as to exigencies of the traditional inauguration and the need to serve a new generation and a culturally diverse population, the Clinton Administration combined the poetic form, used to heighten an emotional response, with an enactment as a synecdochic symbol, used to assert sociopolitical ideology.

San José Studies, Fall 1993, San José State University Foundation

San José Studies, 1990s

Volume 19, Issue 3

How To Live In The Heartland, Twyla Hansen

Nebraskiana Publications: Resources and Materials on the 37th State

Foreword by William Kloefkorn -7, How to Live in the Heartland -11, Airing Out -12, Country Girl -13, January Thaw -14, Making Lard -15, Headlines: Hometown Weekly -16, Nuance -17, My Brother Randall Teaches Me to Ride a Bicycle -18, Seamstress -19, Eddie -20, Nine-Mile Prairie, Mid-May -22, The Pine Grove -23, Kissing Cousins -24, Scars -25, Trumpetcreeper Vine -26, 1964 -27, Friday Night at the Plaza -28, After the Farm Sale -30, Highway -31, Night Shift at the Old Hospital, 1968 -32, Fantasy -34, Eyewash -35, Navigating the North Platte from Lingle to Torrington -36, When the Prairie Speaks …

Marge Piercy's Small Changes: Welcome To The Sexual Revolution, Nancy Topping Bazin

English Faculty Publications

Marge Piercy's novel Small Changes is encyclopedic in its incredibly detailed, all-encompassing feminist analysis of female and male behavior in the late 60's and early 70's. The behavior of the younger generation is compared and contrasted with that of their parents. The overall impression given by the novel is that, despite the very different life-styles of the two generations, very little change has, in fact, occurred. At the end of the novel, sexism prevails and no significant threat to male control of the power structure has developed. From examination of the title, Piercy seems to place her emphasis not upon …

The Zen Of Stevens, Rebecca Dickens

Masters Theses

Using comparative studies as background, I develop a Zen model for reading Stevens, arguing that his poetry works in the manner of Zen anecdotes and that it can be understood better by understanding Zen. Three critical studies of Wallace Stevens and Zen assert the Zen-like qualities of Stevens' poetry. Stevens has affinities with Zen writers in three areas: use of language, explorations into the nature of thought, and the structure of anecdotes and poems.

I develop a terminology in order to construct my model, giving attention to the definitions and interrelations of terms such as logical thought, figurative thought, paradox, …

"A Terror And A Dream": Domestic Imagery In The Poetry Of Anne Sexton, Frances S. Waters

English Theses & Dissertations

Women writers often experience a conflict between traditional feminine roles and the less traditional role of the female writer. And for those writers, like Anne Sexton, who choose not to choose between roles, the result is conflict. This conflict, recognized by previous critics and evident in Sexton's biography and poetry, results in a domestic imagery expressing this vacillation. In this study, submitted in partial fulfillment for the M. A. degree in English, I provide an in-depth study of Sexton's domestic imagery. I concern myself with two imagery patterns: one, in which the symbolic image's meaning changes randomly with no controlling …

Charles Simic: Trends Toward An International Poetry, Denise Clark

Masters Theses

In his article "Wrong Turning in American Poetry," Robert Bly believes that American poetry has been lead astray by the likes of Eliot, Pound, Moore, and Williams. He feels that the main failing of American poetry is its lack of inward, spiritual life. It is the Spanish speaking poets that Bly looks to as the true path-finders of spiritual poetry. If Bly believes that poets like Eliot and Williams were responsible for steering American poetry down the wrong path, it is a foreigner, Charles Simic, who will give American poetry the right turn it needs.

What Simic has been able …

The Endlessly Elaborating Poem: A Comparative Study Of Walt Whitman, Wallace Stevens, And The American Experimental, Long Narrative Poem, Paul Freidinger

Masters Theses

Up to the middle of the nineteenth century, British and American poetry was expected to employ rigid metrical and rhythmical patterns. Any verse that did not conform was considered devoid of aesthetic merit. In addition, some critics, Edgar Allan Poe being one of those, argued that there was no place for a long poem in poetry. Walt Whitman and Wallace Stevens, two proponents of the long narrative poem, both wrote in free verse and, thus, directly confronted these traditional theories.

This study demonstrates that the verse of Whitman and Stevens constitutes a new approach to poetic style and structure. A …

The Whole Of Harmonium Music In Relation To The Poetry Of Wallace Stevens, Mary Alice Hollowell

Masters Theses

No abstract provided.

The Intensification Of American Confessional Poetry In The 'Sixties: Robert Lowell And Some Leading Questions, H. C. Nash

English Theses & Dissertations

No abstract.

Emily Dickinson's Poetics, Edith Lodge

English Theses & Dissertations

No abstract.

"Poetry Reading With Allen Ginsberg And Others", Allen Ginsberg, Robert Bly, Robert Sund, Jon Anderson

Special Collections: Oregon Public Speakers

Sponsored by Students for a Democratic Society and the New University Conference.

Whitman's View Of The Nature And Function Of His Poetry, Claudia M. Storminger

English Theses & Dissertations

No abstract.

The Crystal Prison Of Elinor Wylie: The Conflicts Of Her Life In Her Poetry, Frances F. Carney

English Theses & Dissertations

No abstract.

Writings: Miscellaneous, 1963, Edna Louise Saffy

Saffy Collection - All Textual Materials

Various handwritten pages dated October 7– November 5, 1963.

Maine: Poets' Corner Of America, Carl Jefferson Weber

Maine Collection

Maine: Poets' Corner of America

Compiled by Carl Jefferson Weber (1894-1966), formerly Professor of English, Colby College. 1957?

"Maine has always been a fertile seedbed for authors. The following pages will help you to visit the scenes, houses, and regions which these authors have made famous."

Published and distributed by the Department of Economic Development under Appropriation No. 3920.

An Anthology Of Holy Cross Verse, College Of The Holy Cross

Holy Cross Bookshelf

A collection of poetry compiled from The Holy Cross Purple, a literary publication produced by the students of the College of the Holy Cross. The selections included in this anthology appeared in The Holy Cross Purple between 1920 and 1937.

The volume's endpapers are an illustrated map of the college campus circa 1937.

Spine title: Anthology of Holy Cross Verse: 1920-1937

Alan Seeger Letter From Paris, 1913, Alan Seeger

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Alan Seeger, 1888–1916, American poet, b. New York City, grad. Harvard, 1910. During World War I he served in the French Foreign Legion and was killed in battle in 1916. He is famous for his war poem, “I Have a Rendezvous with Death.” Classmate of T.S. Eliot. In this letter, Seeger talks about his arrival (in September, 1912) and accommodations in Paris, and comments upon the current political and spiritual culture of France.

Joggin' Erlong, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Joggin’ Erlong was the final collection of Dunbar’s poetry published during his lifetime. His health continued to decline after his diagnosis with tuberculosis. Separated from his wife in 1902, Dunbar eventually returned home to Dayton to live with his mother, Matilda. Much of his later work between 1902-1906 reflects his increasingly ill health.

Lyrics Of Sunshine And Shadow, Paul Laurence Dunbar

Paul Laurence Dunbar Books

This book is a collection of previously published poems by Dunbar, containing works both in dialect and in standard English.

Howdy Honey Howdy, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Illustrated with photographs by Leigh Richmond Miner, Howdy Honey Howdy contains many previously published poems by Dunbar. One difference from previous covers is the photograph of a woman in a doorway, hand extended, as if welcoming the reader and inviting one to enter.

Li'l' Gal, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Illustrated with photographs and decorations, the majority of poems in this book had been previously published. However, Dunbar did include four new poems: "The Plantation Child's Lullaby," "Blue," "Charity," and "Curiosity." The title poem, "Li'L' Gal," was later recorded as a vocal performance by internationally known concert singer, Paul Robeson.

Lyrics Of Love And Laughter, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Lyrics of Love and Laughter was crafted following another severe round of pneumonia. With this work, however, Dunbar secured his reputation as the premier African-American poet in the United States at the time. Like earlier volumes, this book contained poems in both dialect and standard English, reflecting its mix of both sentimental and realistic depictions of African-American life. The book included eleven poems not previously collected within a book.

When Malindy Sings, Paul Laurence Dunbar

Paul Laurence Dunbar Books

When Malindy Sings is illustrated with photographs taken by the Hampton Institute Camera Club, and also features decorations created by Margaret Armstrong. The title for this book comes from one of Dunbar's most well-known dialect poems, one which emphasizes the more soulful aspects and the heartfelt, impromptu music of many of his poems. The poem was inspired by his mother Matilda's habit of singing in the kitchen and was first published in 1896.

Candle-Lightin' Time, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Candle-Lightin' Time is another illustrated publication, containing photographs taken by Leigh Richmond Miner of the Hampton Institute Camera Club. Further decorations were created by Margaret Armstrong.

Lyrics Of The Hearthside, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Several of the poems in Lyrics of the Hearthside had appeared previously in magazines such as The Ladies' Home Journal, The Century Magazine, and Cosmopolitan Magazine. The book also contains one of Dunbar's most famous poems, "Sympathy," which later inspired the title to Maya Angelou's autobiography, I Know Why The Caged Bird Sings. Many of the covers of Dunbar's published works reflect the tone of the works inside. Here, for example, the cover design incorporates cotton, connecting with Dunbar's descriptions of plantation agriculture and life.

Poems Of Cabin And Field, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Illustrated with Photographs by the Hampton Institute Camera Club and Decorations by Alice Morse.