American Literature Commons^™

Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman

SANE journal: Sequential Art Narrative in Education

Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …

Pim Pedagogy: Toward A Loosely Unified Model For Teaching And Studying Comics And Graphic Novels, James B. Carter

SANE journal: Sequential Art Narrative in Education

The article debuts and explains "PIM" pedagogy, a construct for teaching comics at the secondary- and post-secondary levels and for deep reading/studying comics. The PIM model for considering comics is actually based in major precepts of education studies, namely constructivist foundations of learning, and loosely unifies constructs inherent therein with other available frames and frameworks for studying comics. As such, the article fills a dire need in the scholarly literature on comics pedagogy and paves a way for those who seek to teach comics courses in the future but who need direction and for those who seek to study/read comics …

Mapping Memory In Tran’S Vietnamerica, Mary A. Goodwin

CLCWeb: Comparative Literature and Culture

In her article "Mapping Memory in Tran's Vietnamerica" Mary Goodwin explores the use of maps, landscape paintings, and other topographic images in Gia-Bao Tran's graphic memoir chronicling the "postmemory" of the US-American son of wartime refugees. Tran's family immigrated to the United States in 1975 following the fall of Saigon. Tran knew nothing of his parents' hardships and struggle to escape Vietnam until he returned for relatives' funerals in his 20s. Similar to Spiegelman's Maus, Vietnamerica is a mixed-media memoir containing photographs, maps, and comics in various styles. Following Hirsch's lead in demonstrating the special historical value of photographs …

The Binding Of Abraham: Inverting The Akedah In Fail-Safe And Wargames, Hunter B. Dukes

Journal of Religion & Film

This article draws upon Søren Kierkegaard's Fear and Trembling and Jacques Derrida's The Gift of Death to trace how two exemplars of atomic bomb cinema reinterpret the Binding of Isaac (Akedah). Released during the twin peaks of Cold War tension, Fail-Safe (1964) and WarGames (1983) invert the Akedah of Genesis 22. In both films, an act of sacrificial patricide accompanies or replaces the sacrifice of an Isaac-like son. When viewed in the context of Cold War cultural politics—events such as Norman Morrison’s Abrahamic self-immolation and Kent State’s rejection of George Segal’s sacrificial memorial— the inverted Akedah emerges as …

Representations Of Gatsby: Ninety Years Of Retrospective, Christine Anne Auger

USF Tampa Graduate Theses and Dissertations

Jay Gatsby, F. Scott Fitzgerald’s most famous character, has starred in a variety of stage and screen adaptations in the ninety years since he was first introduced in The Great Gatsby (1925). This dissertation explores the Gatsby character as depicted in six important adaptations of the novel, including two Broadway productions, Owen Davis’ 1926 drama and John Collins’ 2010s play, Gatz, and four major motion pictures: Herbert Brenon’s 1926 lost silent film (starring Warner Baxter); Elliott Nugent’s 1949 black and white film (starring Alan Ladd); Jack Clayton’s 1974 color film (starring Robert Redford); and Baz Luhrmann’s 2013 3-D film (starring …

Cumulative Index Of Clcweb: Comparative Literature And Culture (1999-), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Monsters In Common: Identity And Community In Postapocalyptic Science Fiction After 9/11, Jeremy J. Burns

Graduate Theses and Dissertations

In the aftermath 11 September, 2001, postapocalyptic science fiction has offered a way to make sense of the events of that day, as well as the years of social, cultural and political upheaval that have followed. In many ways, 9/11 began immediately to take on apocalyptic significance in the American national narrative, seemingly marking the end of one period and the beginning of another, entirely different one. To think of 9/11 as a kind of apocalyptic break with the past, however, does not tell the whole story. Moreover, such thinking denies key historical linkages between the American response to 9/11 …

Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova

disClosure: A Journal of Social Theory

This article addresses the impact urban space has on individuals through the use of Situationist International theory and psychogeography. Representations of homelessness in New York in Margaret Morton's photography are used to demonstrate the interconnectedness among space, people, and social issues. Social issues manifest themselves in urban decay, and the inhabitants react to this phenomenon emotionally and artistically. Some inhabitants demonstrate their relationship with space by responding with material production of housing and art, which they accomplish by building without exploiting the environment the way the manufacturing of commodities often does.

Magical Me: Self-Insertion Fanfiction As Literary Critique, Melody Strmel

Scripps Senior Theses

This thesis examines the traditions of textual interaction that impact the forms of reading engaged in with fanfiction. This thesis continues by exploring how self-insertion fanfiction functions as a medium through which authors express their reading of the text primary through the emotional impact of the text through wish fulfillment, and the interaction of their cultural moment and the text. Furthermore, it argues that self-insertion fanfiction is a mode of literary critique in which the author acknowledges the effect of a mediated world on their perception of self and reality. Through this recognition of a constructed self, the author rejects …

The Divided Reception Of The Help, Suzanne W. Jones

English Faculty Publications

The reception of Kathryn Stockett’s The Help (2009) calls to mind the reception of two other novels about race relations by southern white writers: Margaret Mitchell’s Gone With the Wind (1936) and William Styron’s The Confessions of Nat Turner (1967). Like Gone With the Wind, The Help has been a pop culture phenomenon— prominent in bookstores and box offices, and the “darling of book clubs everywhere.” In January 2012 when I asked students in my Women in Modern Literature class what was the best book they had recently read by a woman, most named either The Help or The Hunger …

The Fall Of The Yellow Wallpaper, Rachel Payne

AWE (A Woman’s Experience)

Many have acknowledged the Gothic influence of Poe’s “The Fall of the House of Usher” on Gilman’s “The Yellow Wallpaper.” Critics often examine the opposition of genres in “The Yellow Wallpaper,” arguing it as either a feminist movement or Gothic tale. However, the Female Gothic genre centers the female role inside a Gothic tale. This genre typifies a criticism of oppressive patriarchies and support for female independence. Both “The Fall of the House of Usher” and “The Yellow Wallpaper” demonstrate women who overcome repressed voices by finding their expressions through writing.

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

Monsters In Our Midst: An Examination Of Human Monstrosity In Fiction And Film Of The United States, Michelle Kay Hansen

UNLV Theses, Dissertations, Professional Papers, and Capstones

The chapters within this dissertation concentrate on textual analysis of literature and film in which monsters appear in various forms, and particularly how those monsters still coincide with Noel Carroll's definition of "art-horror" in his book Philosophy of Horror, while proving that Carroll's definition of monster - and any others who may attempt to limit the definition of monstrosity - is incomplete and much too restrictive. I will be concentrating on monstrosity as it appears in gothic and horror fiction, film, and other elements of popular culture in order to explore the concept of "the monstrous" on multiple levels.

The …

"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig

Legacy Theses & Dissertations (2009 - 2024)

This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Inside And Outside Southern Whiteness: Film Viewing, The Frame, And The Racing Of Space In Yoknapatawpha, Peter Lurie

English Faculty Publications

Though neither film nor film viewing is ever named in As I Lay Dying, both the apparatus of cinema and what we might term its sociohistorical effects are evoked powerfully by and in the novel. These include the passing before the reader’s “gaze” of the discrete, separate “frames” of the various characters’ monologues, as well as, in particular section, a fascination with watching machinery that resembled the interest of early film biewers in the cinematic apparatus (see Doane 108).

If Vardaman and his family are not explicitly depicted as film viewers, they nevertheless show signs of what has been …

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

Jack Kerouac: Le Sel De La Semaine, Thomas A. Ipri

Library Faculty Research

In 1967, Jack Kerouac appeared on the French service of the Canadian Broadcasting Service on the program Le Sel de la a Semaine. This Icarus Films release takes a fascinating look at Kerouac’s connection to Quebec where his parents are from. This interview by Fernand Seguin took place just 2 years before Kerouac’s death, making the program all the more poignant.

Bibliography For Work In Travel Studies, Carlo Salzani, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Bibliography For The Study Of Cultural Discourse In Taiwan, Yu-Chun Chang, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Bibliography Of Work On Identity, Migration, And Displacement, Li-Wei Cheng, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

No abstract provided.

Rationale For Pride Of Baghdad, Crag Hill Ph.D.

SANE journal: Sequential Art Narrative in Education

A rationale for teaching the graphic novel Pride of Baghdad at the secondary level.

Sequential Art, Graphic Novels, And Comics, Brian Kelley

SANE journal: Sequential Art Narrative in Education

The first global distribution of a paper prepared for the Science Fiction, Fantasy, and Graphic Novels Special Interest Group of the International Reading Association,the Executive Board of the New Jersey Reading Association, and the Legislative and Professional Standards Committee of the NJRA.

Review Of Teaching Graphic Novels, By Katie Monnin, Susan Spangler

SANE journal: Sequential Art Narrative in Education

No abstract provided.

Rationale For Magneto: Testament, Brian Kelley

SANE journal: Sequential Art Narrative in Education

A rationale for teaching the graphic novel Magneto:Testament in secondary schools.

Comic Vision, Gale Acuff

SANE journal: Sequential Art Narrative in Education

A narrative, rhetorical poem

The Social Dimensions Of Fiction: On The Rhetoric And Function Of Prefacing Novels In The Nineteenth-Century Canadas, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. The Social Dimensions of Fiction: On the Rhetoric and Function of Prefacing Novels in the Nineteenth-Century Canadas. Wiesbaden: Westdeutscher (Friedr. Vieweg & Sohn), 1993. ISBN 3-528-07335-7 188 pages, bibliography, index. Data and analyses of nineteenth-century English- and French-Canadian prefaces to novels with theoretical and methodological frameworks for the study of rhetoric, the sociology of literature, audience research, and genre studies. Copyright of the book was released to Tötösy de Zepetnek by Westdeutscher Verlag in 2003.

Bibliography Of Works By And About Imre Kertész, Nobel Laureate In Literature 2002, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

The Study Of Literature And Culture Online (Theory And Application), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.