Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of South Carolina (202)
- University of Mississippi (167)
- Western Kentucky University (155)
- Eastern Illinois University (87)
- City University of New York (CUNY) (84)
-
- Wright State University (62)
- Purdue University (43)
- University of Kentucky (32)
- University of Nevada, Las Vegas (27)
- University of Southern Maine (24)
- Southwestern Oklahoma State University (23)
- University of Texas at El Paso (22)
- Claremont Colleges (19)
- University of Nebraska - Lincoln (19)
- University of Arkansas, Fayetteville (16)
- University of Richmond (16)
- San Jose State University (15)
- Liberty University (12)
- SUNY College Cortland (12)
- Virginia Commonwealth University (12)
- Georgia Southern University (11)
- Indiana State University (11)
- Kutztown University (11)
- Illinois Math and Science Academy (10)
- Morehead State University (10)
- Brigham Young University (9)
- College of Saint Benedict and Saint John's University (9)
- East Tennessee State University (9)
- The University of Southern Mississippi (9)
- University of Louisville (9)
- Keyword
-
- Robert Penn Warren (129)
- Southern literature (128)
- American Poetry (126)
- Poetry (40)
- American literature (39)
-
- Literature (36)
- American Literature (27)
- Best Integrated Writing (23)
- Wright State University (23)
- BIW (22)
- Department of English Language and Literatures (22)
- Gender (21)
- Dunbar, Paul Laurence, 1872-1906 (19)
- Race (19)
- African American literature (15)
- Identity (15)
- 2014 (14)
- African American Literature (13)
- African Americans--Poetry (12)
- Slavery (12)
- Trauma (12)
- American poetry (11)
- Modernism (11)
- Ecocriticism (10)
- Feminism (10)
- Fiction (10)
- Novel (10)
- Postmodernism (10)
- 2015 (9)
- African American (9)
- Publication Year
- Publication
-
- The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English (197)
- Robert Penn Warren Studies (135)
- Faulkner Newsletter and Yoknapatawpha Review (87)
- Masters Theses (86)
- Dissertations, Theses, and Capstone Projects (61)
-
- Studies in English, New Series (53)
- Best Integrated Writing (43)
- CLCWeb Library (31)
- Theses and Dissertations--English (31)
- Theses and Dissertations (25)
- English Faculty Publications (24)
- Albert A. Howard Book History Collection (23)
- Open Access Theses & Dissertations (22)
- Studies in English (20)
- UNLV Theses, Dissertations, Professional Papers, and Capstones (20)
- Paul Laurence Dunbar Books (19)
- Electronic Theses and Dissertations (15)
- Publications and Research (15)
- Graduate Theses and Dissertations (14)
- Master's Theses (14)
- All-Inclusive List of Electronic Theses and Dissertations (11)
- College of Graduate Studies: Theses & Dissertations (11)
- English Department: Traveling American Modernism Posters (ENG 366, Fall 2018) (11)
- Faculty Books & Book Chapters (11)
- Morehead State Theses and Dissertations (10)
- Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature (10)
- Asian American Literature: Discourses & Pedagogies (9)
- Criterion: A Journal of Literary Criticism (9)
- Department of English: Dissertations, Theses, and Student Research (9)
- Scripps Faculty Publications and Research (8)
- Publication Type
- File Type
Articles 331 - 360 of 1441
Full-Text Articles in American Literature
"There Is Nothing Else Like It": The Innovative Personality Of Lowney Turner Handy, Nathan Crews
"There Is Nothing Else Like It": The Innovative Personality Of Lowney Turner Handy, Nathan Crews
Masters Theses
No abstract provided.
Race, American Enlightenment, And The End Times, Mark A. Mattes
Race, American Enlightenment, And The End Times, Mark A. Mattes
Faculty and Staff Scholarship
This chapter examines eighteenth- and early nineteenth-century visions of apocalypse regarding the future of black lives in the American body politic. It begins with readings of Jefferson’s fear of a black planet in Notes on the State of Virginia and Crèvecoeur’s depictions of racial terror in Letters from an American Farmer. The chapter then investigates the writing of an African American herald of the end times, Christopher MacPherson. The chapter reads the apocalyptic jeremiad of MacPherson’s pamphlet, Christ’s Millennium (1811), as a reparative response to the suppression of black voices and the annihilation of black lives.
Cuba Journals Volume I - Transcription, Laura Swarner
Cuba Journals Volume I - Transcription, Laura Swarner
Undergraduate Theses
The document is a transcribed version of volume I of the digital copy of the Cuba Journals which can be found online at the New York Public Library Archives. The Cuba Journals were written by Sophia Peabody Hawthorne during her time abroad in Cuba recovering from illness.
Where Was I Going? What Was The Point? Archetypes, Frame, And Social Transgressions In Ovid And Twain, Jessica Bates
Where Was I Going? What Was The Point? Archetypes, Frame, And Social Transgressions In Ovid And Twain, Jessica Bates
Honors Theses
The sound of a narrator telling a story can be difficult to depict in written prose, and yet both Ovid and Twain capture the effect of an old man telling a story; Ovid through Nestor's Story in The Metamorphoses and Twain in "The Celebrated Jumping Frog of Calaveras County." They both use this framework to discuss the theme of social transgressions. I maintain that both Twain and Ovid use a variation on the wise-mentor archetype as a frame to discuss, through the use of satire, social transgressions which neither of their narrators condemn. I aim to explore Ovid and Twain's …
Photographic (Over) Exposures In The Nuclear Age In Joyce Carol Oates’S You Must Remember This, Sonia Weiner
Photographic (Over) Exposures In The Nuclear Age In Joyce Carol Oates’S You Must Remember This, Sonia Weiner
Bearing Witness: Joyce Carol Oates Studies
Joyce Carol Oates’s novel, You Must Remember This, examines themes of memory, time, and nostalgia through verbal descriptions of iconic and fictional photographs (such as Rocky Marciano, Holocaust Victims, Atomic Mushroom Clouds, Rita Hayworth). An analysis of the photographic imagery in the novel reveals discrepancies between surface appearances and embedded social and cultural ideological contexts within the work. Photographs are shown to undermine the overt conformity and conservatism of postwar America by exposing its underlying uncertainties and tensions. These tensions are explored through the perspective of a rebellious adolescent female, whose struggles highlight Oates’s critique of power, violence, and postwar …
H.P. Lovecraft: Selected Works, Critical Perspectives And Interviews On His Influence, Edited By Leverett Butts, Perry Neil Harrison
H.P. Lovecraft: Selected Works, Critical Perspectives And Interviews On His Influence, Edited By Leverett Butts, Perry Neil Harrison
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
No abstract provided.
The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred, Megan Behrent
The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred, Megan Behrent
Publications and Research
No abstract provided.
Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown
Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown
Dissertations, Theses, and Capstone Projects
This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …
Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev
Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev
Dissertations, Theses, and Capstone Projects
Across various academic fields and from a range of political orientations, scholars note that a pervasive rights discourse shapes the imaginable horizons of identity, politics, and social life in the United States. Many critiques of rights since the 1970s highlight a particular conundrum of this rights culture: existing rights law and ubiquitous rights invocations fail to guarantee equal conditions for thriving across racialized and gendered axes of identity. Words Are Found Responsible: Poetry’s Jurisdiction and the Transformation of Equal Rights emphasizes and complicates elements of these critiques by reading poetry of the 1970s and 1980s in relation to shifting rights …
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Dissertations, Theses, and Capstone Projects
This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
Dissertations, Theses, and Capstone Projects
With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …
The Meaning In The Music: Music And The Prose Of Chopin, Joyce, Baldwin And Egan, Colin Perry
The Meaning In The Music: Music And The Prose Of Chopin, Joyce, Baldwin And Egan, Colin Perry
Senior Theses
Kate Chopin, James Joyce, James Baldwin, and Jennifer Egan are collectively gifted in the art of prose, yet each author also experiments with music in their literary works. An analysis of Chopin's The Awakening, Joyce's "The Dead," Baldwin's "Sonny's Blues," and Egan's A Visit from the Goon Squad reveals a trend of authors utilizing music to enrich their texts and convey major themes.
Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet
Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet
The Journal of Purdue Undergraduate Research
This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …
A Sense Of Unending: Apocalypse And Post-Apocalypse In Novels Of Late Capitalism, Brent Linsley
A Sense Of Unending: Apocalypse And Post-Apocalypse In Novels Of Late Capitalism, Brent Linsley
Graduate Theses and Dissertations
From Frank Kermode to Norman Cohn to John Hall, scholars agree that apocalypse historically has represented times of radical change to social and political systems as older orders are wiped away and replaced by a realignment of respective norms. This paradigm is predicated upon an understanding of apocalypse that emphasizes the rebuilding of communities after catastrophe has occurred. However, in the last half-century, narratives that emphasize the destruction of human civilization without this restorative component have begun to overshadow the more historically popular post-apocalyptic models that were particularly abundant during the early days of the Cold War. In light of …
'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl
'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl
Faculty & Staff Scholarship
This article explores the tomboy trope in film and literature and the "taming" that characterizes it, framing both in relation to contemporary debates about gender and sexual identity as well as cultural anxieties around queer, trans, and nonbinary identity. Examining texts from Louisa May Alcott's Little Women to the 1980 film Little Darlings, the article argues that even while the term tomboy may be obsolete, tomboy narratives document processes of rebellion that hold continuing value.
Dramatizing The Void: Crime Fiction's Journey To Forgetting, Kylene N. Cave
Dramatizing The Void: Crime Fiction's Journey To Forgetting, Kylene N. Cave
Andrews Research Conference
Scholars often cite the transition from the golden age to the hardboiled tradition in the 1920s and 1930s as the most radical shift in crime fiction. By 1945, crime stories regularly exhibited destabilized language, increased interest in psychology of the mind, and a blatant rejection of conclusive endings as a means of exploring the unreliable nature of memory and eye-witness testimony. Whereas the crime fiction narratives preceding 1945 embodied a clear sense of logic and order, and established hermeneutics and signifying practices as the keys to unlocking the mysteries behind human behavior; post-45 crime fiction not only rejects these notions, …
John Gardner’S Grendel: The Importance Of Community In Making Moral Art, Catherine C. Cooper
John Gardner’S Grendel: The Importance Of Community In Making Moral Art, Catherine C. Cooper
LSU New Orleans Theses and Dissertations
John Gardner’s Grendel examines the ways in which humans make meaning out of their lives. By changing the original Beowulf monster into a creature who constantly questions the conflicting narratives set before him, Gardner encourages us to confront these tensions also. However, his emphasis on Grendel’s alienation helps us realize that community is essential to creating meaning. Most obviously, community creates relationships that foster a sense of moral obligation between its members, even in the face of the type of uncertainty felt by Grendel. Moreover, community cannot exist without dialogue, which perpetually stimulates the imagination to respond to the tensions …
“To Be Men, Not Destroyers”: Developing Dabrowskian Personalities In Ezra Pound’S The Cantos And Neil Gaiman’S American Gods, Michelle A. Nicholson
“To Be Men, Not Destroyers”: Developing Dabrowskian Personalities In Ezra Pound’S The Cantos And Neil Gaiman’S American Gods, Michelle A. Nicholson
LSU New Orleans Theses and Dissertations
Kazimierz Dabrowski’s psychological theory of positive disintegration is a lesser known theory of personality development that offers an alternative critical perspective of literature. It provides a framework for the characterization of postmodern protagonists who move beyond heroic indoctrination to construct their own self-organized, autonomous identities. Ezra Pound’s The Cantos captures the speaker-poet’s extensive process of inner conflict, providing a unique opportunity to track the progress of the hero’s transformation into a personality, or a man. American Gods is a more fully realized portrayal of a character who undergoes the complete paradigmatic collapse of positive disintegration and deliberate self-derived self-revision …
The Color Of Invisibility, Bryan A. Vanmeter
The Color Of Invisibility, Bryan A. Vanmeter
LSU New Orleans Theses and Dissertations
This thesis is an analysis of Ralph Ellison’s use of color terminology in his novel, Invisible Man. By taking an in depth look at the circumstances in which Ellison uses specific color terms, the reader can ascertain the author’s thoughts on various historical events, as well as the differences between characters in the novel such as Ras, Dr. Bledsoe, and Rinehart.
Secret Selves: Surveillance And Twentieth-Century African American Literature, Kelsey Kiser
Secret Selves: Surveillance And Twentieth-Century African American Literature, Kelsey Kiser
English Theses and Dissertations
Black writers, thinkers, and artists found themselves on the Federal Bureau of Investigation’s watch list for radicalism and sedition as early as 1919. Secret Selves explores how twentieth-century African American writers, namely Claude McKay, Richard Wright, Lorraine Hansberry, Alice Childress, Ishmael Reed, and Gloria Naylor responded to a surveillance state that monitored their lives and works for radicalism and sedition. By recrafting the African American künstlerroman—a genre that birthed the African American literary tradition—these writers embedded codes into their works that concealed personal details from Bureau agents and simultaneously articulated a new narrative: that to be black and to …
Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon
Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon
English (MA) Theses
Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz
Theses and Dissertations
This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …
“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez
“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez
Master's Theses
Science fiction (sf) texts conversant with the temporal play between past, present, and future push readers to imagine the extremes of human and environmental existence, interaction, and potential. Simultaneously, despite the sf genre’s tendency to traffic in extremes, these texts provoke readers to consider the ways in which these imagined worlds are grounded in history as well as in the contemporary social moment. As Donna Haraway has argued, “the boundary between science fiction and social reality is an optical illusion” (306). This illusory boundary must continue to be traversed in order to consider how sf literatures, particularly those which imagine …
Posthuman And Alien Breeding: The Implications Of Cybersex In Octavia Butler’S Dawn 2019., Elizabeth Rutkowski
Posthuman And Alien Breeding: The Implications Of Cybersex In Octavia Butler’S Dawn 2019., Elizabeth Rutkowski
Master's Theses
Speculative science fiction affords new ways for authors to represent social problems of the modern day in an apocalyptic manner. Authors such as Octavia Butler use science fiction to analyze social injustices revolving around race, gender, and sexuality. Throughout her novel Dawn, Butler uses the posthuman to represent minority groups in the late twentieth century. The posthuman represents those who have moved from humanity towards a new opportunity that is mixed with the potential for struggle. 1 As demonstrated through Butler’s work posthumanism blurs the lines between binaries such as male / female, straight / gay, and consensual / nonconsensual …
MōNstrum Ex Machina : Reading The Artificial Life As Monster In Three Contemporary Western Narratives, Constance Lynnette Humphrey
MōNstrum Ex Machina : Reading The Artificial Life As Monster In Three Contemporary Western Narratives, Constance Lynnette Humphrey
Theses, Dissertations and Culminating Projects
Using Jeffrey Jerome Cohen’s “Monster Theory (Seven Theses)” as a template for the monstrous and D. Felton’s article “Rejecting and Embracing the Monstrous in Ancient Greece and Rome,” this project seeks to investigate the presentation of artificial life as monsters using three science fiction narratives from the late 20th and early 21st centuries. The narratives include Philip K. Dick’s novel Do Androids Dream of Electric Sheep (1968), five episodes of the Ronald D. Moore developed reimagining of Battlestar Galactica television series (2004-2006), Moore’s Battlestar Galactica: The Miniseries (2003), and Alex Garland’s film Ex Machina (2015). Analysis of these narratives will …
Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick
Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick
Electronic Theses and Dissertations
Gonzo journalism is notoriously difficult to define because of its ambiguous nature. To date, scholarly definitions focus on historical interpretations of Gonzo’s content, its connection to social and political contexts, or the biography of Hunter S. Thompson. These definitional attempts neglect the formal devices of the composition. This thesis aims to redefine Gonzo as its own genre by using the nearly forgotten methods of Russian formalism—specifically the works of Victor Shklovsky, Vladimir Propp, and Boris Tomashevsky—to analyze the formal devices and components of its form. The results are twofold; first, it acts to rejuvenate an unpopular literary theory by illustrating …
Non/Human: (Re)Seeing The “Animal” In Nineteenth-Century American Literature, Matthew Guzman
Non/Human: (Re)Seeing The “Animal” In Nineteenth-Century American Literature, Matthew Guzman
Department of English: Dissertations, Theses, and Student Research
Non/human: (Re)seeing the “Animal” in Nineteenth-Century American Literature uses canonical literary texts as specific anchor points for charting the unstable relations between human and nonhuman animals throughout the century. I argue that throughout the nineteenth century, there are distinct shifts in the way(s) humans think about, discuss, and represent nonhuman animals, and understanding these shifts can change the way we interpret the literature and the culture(s). Moreover, I supplement and integrate those literary anchors, when appropriate, with texts from contemporaneous science, law, art, and other primary and secondary source materials. For example, the first chapter, “Cooper’s Animal Movements: Across Land, …
The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest
The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest
Dissertations, Theses, and Capstone Projects
Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …
Imagining The Archive: Speculation As A Tool Of Archival Reconstruction, Marieclaire Graham
Imagining The Archive: Speculation As A Tool Of Archival Reconstruction, Marieclaire Graham
Dissertations, Theses, and Capstone Projects
This thesis examines a speculative methodological approach towards restoring silenced Black voices in the archive. First, I will discuss the reasons why this work is necessary, exploring the various patterns of muting, distortion, erasure, and disenfranchisement that Black communities experience within the United States in both physical and written forms. The use of speculation specifically addresses the dehumanization that has followed the Black experience in the United States from the earliest violent incarnation of slavery, and creating the foundation of this kind of silencing allows us to understand why speculation, as opposed to other methodological models for archive restoration, is …
Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer
Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer
Dissertations, Theses, and Capstone Projects
This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …