American Literature Commons^™

The Abandoned Woman In The Dramas Of Tennessee Williams, Judy H. Stewart

Morehead State Theses and Dissertations

A monograph presented to the faculty of the Department of English at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts, English by Judy H. Stewart in July of 1968.

Existential Process In The Novelistic Art Of Saul Bellow, Victor Venettozzi

Morehead State Theses and Dissertations

A monograph presented to the faculty of the Department of English at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by Victor Venettozzi in January of 1968.

The Basic Conceptions Of Love Presented In The Novels Of Thornton Wilder, Susan Annette Champlin

Masters Theses

No abstract provided.

Edward Taylor's Boxes, Locks, And Keys, Virginia L. Evans

Masters Theses

No abstract provided.

From Romance To Realism: A Study Of Sinclair Lewis's Early Novels Culminating In Main Street, Sylvia Walborn

Masters Theses

No abstract provided.

The Tragic Possibilities Of William Faulkner's Absalom, Absalom!, Carol R. Gray

Masters Theses

No abstract provided.

The Influence Of Economics Upon The Voice Of John Steinbeck: Some Evidence From Selected Readings, Bernard Earl Eagleton

Masters Theses

No abstract provided.

An Investigation Of The Validity Of The American School Intelligence Tests, Roger Alan Hofferth

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Francesca Da Rimini In Dramatic Literature, Bill Lattin

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Emily Dickinson's Approach To Poetry, Donald E. Thackrey

University Studies (University of Nebraska) (1888–1984)

One of the most fascinating aspects of any poet is his conception of his art. Many poets have written extensively on the theory of art around which they orient their poetry. Others have clearly revealed their theories by writing criticism of other authors. Emily Dickinson, however, left no critical essays, no elucidation of her artistic principles. It is quite probable, indeed, that she did not consciously concern herself to any extent with poetic theory. She may have written, and written in her unique way, through an instinctive need which would admit of no plodding deliberation or stylistic experimentation. Still, such …

Geographical Influences In Selected Writings Of Louis Bromfield, Esther D. Ross

Masters Theses

No abstract provided.

The Achievements Of The American Negro In The Present Era, Coleridge M. Churohill

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Portland Junior College Comments, Portland Junior College

PJC Comments (1937)

Currents of Comment -- These Names Made This News -- Log of P.J.C. Ski Gulls

An Anthology Of Holy Cross Verse, College Of The Holy Cross

Holy Cross Bookshelf

A collection of poetry compiled from The Holy Cross Purple, a literary publication produced by the students of the College of the Holy Cross. The selections included in this anthology appeared in The Holy Cross Purple between 1920 and 1937.

The volume's endpapers are an illustrated map of the college campus circa 1937.

Spine title: Anthology of Holy Cross Verse: 1920-1937

Present Status Of Teacher Training Courses In Industrial Arts In Teacher-Training Institutions Belonging To The American Association Of Teachers Colleges, G. E. Nicholson

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

A Survey Of Junior High School Literature Texts Based Upon An Evaluation Of Literary Characteristics, William R. Moore

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

The Negro In Literature, A. W. Arnaud

Electronic Theses and Dissertations

This thesis traces the development of the Negro in American literature from its origins in the spirituals through the flowering of the "New Negro" Renaissance of the early twentieth century. Arnaud opens by defining literature as the artistic record of a people's inner life and argues that Negro literary expression developed first through song, tracing the movement from oral spirituals through the early poetry of the enslaved and freed population toward increasingly sophisticated literary forms.

The thesis presents Paul Laurence Dunbar as the foremost early exponent of Negro poetry, examining his biography and his work in both classic English verse …

Some Aspects Of The Intellectual Poise Of George Robert Gissing, Glenn Orville Kelley

Department of English: Dissertations, Theses, and Student Research

Thls study, Some Aspects of the Intellectual Poise of George Robert Gising, had its inception in a course in The Novel, an Intepretation of Life, offered by Doctor Frederick A. Stuff in the summer session of the University of Nebraska in 1926. More narrowly, it began with that part of the course treating of the mode in literature known as realism. In one reference, Wilson Follett's The Modern Novel, was found the following statement relative to the novels of George Gissing, an author of whom the writer of this thesis had not previously heard.

"Hardly any parallel could show …

Joggin' Erlong, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Joggin’ Erlong was the final collection of Dunbar’s poetry published during his lifetime. His health continued to decline after his diagnosis with tuberculosis. Separated from his wife in 1902, Dunbar eventually returned home to Dayton to live with his mother, Matilda. Much of his later work between 1902-1906 reflects his increasingly ill health.

Lyrics Of Sunshine And Shadow, Paul Laurence Dunbar

Paul Laurence Dunbar Books

This book is a collection of previously published poems by Dunbar, containing works both in dialect and in standard English.

Howdy Honey Howdy, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Illustrated with photographs by Leigh Richmond Miner, Howdy Honey Howdy contains many previously published poems by Dunbar. One difference from previous covers is the photograph of a woman in a doorway, hand extended, as if welcoming the reader and inviting one to enter.

The Heart Of Happy Hollow, Paul Laurence Dunbar

Paul Laurence Dunbar Books

In his final collection of short stories, Dunbar’s focus remained on life in America for African-Americans, but rather than a singular focus on plantation society, this set of stories presented a variety of perspectives. One story, which grew in favor during the 20th century, focused on the immorality, or what he called the "folly," of lynching.

Li'l' Gal, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Illustrated with photographs and decorations, the majority of poems in this book had been previously published. However, Dunbar did include four new poems: "The Plantation Child's Lullaby," "Blue," "Charity," and "Curiosity." The title poem, "Li'L' Gal," was later recorded as a vocal performance by internationally known concert singer, Paul Robeson.

Lyrics Of Love And Laughter, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Lyrics of Love and Laughter was crafted following another severe round of pneumonia. With this work, however, Dunbar secured his reputation as the premier African-American poet in the United States at the time. Like earlier volumes, this book contained poems in both dialect and standard English, reflecting its mix of both sentimental and realistic depictions of African-American life. The book included eleven poems not previously collected within a book.

In Old Plantation Days, Paul Laurence Dunbar

Paul Laurence Dunbar Books

With this collection of short stories, Dunbar sought to draw on the success of his dialect poems by recreating and portraying the southern plantation during slavery. The stories focus on the stereotypical portrait of slaves as obedient workers happy to spend their lives in service of their benevolent owner. His attempt to find success was only partially realized, as his stories drew not only criticism but, in some cases, anger at their very stereotypical nature. The book itself, however, proved to be more lucrative than previous fiction works had been for the author.

When Malindy Sings, Paul Laurence Dunbar

Paul Laurence Dunbar Books

When Malindy Sings is illustrated with photographs taken by the Hampton Institute Camera Club, and also features decorations created by Margaret Armstrong. The title for this book comes from one of Dunbar's most well-known dialect poems, one which emphasizes the more soulful aspects and the heartfelt, impromptu music of many of his poems. The poem was inspired by his mother Matilda's habit of singing in the kitchen and was first published in 1896.

The Sport Of The Gods, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Perhaps a reflection of the turmoil Dunbar faced personally as his health continued to decline and his marriage ended, Dunbar's fourth and final novel, The Sport of the Gods, is considered a protest novel. Received far better by critics than any previous novel, the book tells the story of Berry Hamilton, a black butler charged with theft by his white employers. The story follows the family through the hardships they encounter as a result of this experience.

Candle-Lightin' Time, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Candle-Lightin' Time is another illustrated publication, containing photographs taken by Leigh Richmond Miner of the Hampton Institute Camera Club. Further decorations were created by Margaret Armstrong.

The Love Of Landry, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Recovering from a strong bout with pneumonia, Dunbar spent time in Colorado attempting to recoup his health. One result of his time there was his second novel, The Love of Landry. The heroine, much like Dunbar, is in Colorado to recuperate and falls in love with a cowboy. Like his previous novel, his second attempt did not find favor with critics, and many focused on what they considered a weak presentation of characters.

The Strength Of Gideon, Paul Laurence Dunbar

Paul Laurence Dunbar Books

Dunbar's second collection of short stories echoed his works of poetry in that it was a combination of works full of sentimental humor and works that told of the harsher sides of the African-American experience, both before and after emancipation. Critics tended to promote the sentimental stories at the expense of his harsher accounts of that experience. Later critics, however, suggest these stories demonstrate Dunbar's criticism of racial inequality in American society.