American Studies Commons^™

"The Planet Is The Way It Is Because Of The Scheme Of Words": Sun Ra And The Performance Of Reckoning, Maryam Ivette Parhizkar

Dissertations, Theses, and Capstone Projects

This constellatory essay is a study of the African American sound experimentalist, thinker and self-proclaimed extraterrestrial Sun Ra (1914-1993) through samplings of his wide, interdisciplinary archive: photographs, film excerpts, selected recordings, and various interviews and anecdotes. In composing this essay, I particularly consider how these fragments resonate against each other, offering insight into how Ra radically subverts the restraints imposed upon him as a black man in the United States and thus transfigures his racial alienness into a liberatory, literally alien performance. This self-transfiguration allows Ra to transform such impossible restraints into a condition of possibility for reckoning. I …

Education As A Site For Ethical Transformation And Activism, Lindsay Sudeikis

Dissertations, Theses, and Capstone Projects

In adolescence, purpose, integrity, and wonder come to life. It is of paramount importance that ethics-in-action be taught in our high schools. There is a need for a broader vision of the purpose of education beyond instrumental uses, specifically beyond preparing young people only for the work force. In the twenty-first century, we are educating laborers, homo economicus, and not whole persons, homo sapiens. Does this mentality negate the heart, psyche, dignity, feelings, awe, and creativity of one's humanity? Likewise, does it negate one's ethical responsibility to their fellow human and to the natural world? Who has the …

On The Threshold: Breadwinning, Capitalism And The Absent/Present Father In The Works Of Three Late 20th-Century U.S. Novelists, Nancy J. Hoch

Dissertations, Theses, and Capstone Projects

As society industrialized in the nineteenth century and jobs moved outside the home, a figure which I call the absent/present father began to make his appearance in American literature. This figure, hovering physically or emotionally on the threshold of family life, never completely present but never completely absent either, has filled the pages of fiction from that time until recently when, as the U.S. becomes postindustrial, depictions of the absent/present father decline.

Bringing a socio-economic as opposed to the usual psychological perspective to my close readings of the fictional family, I explore the cultural work the absent/present father does in …

Leveraging Capacity: Technical Solutions To Hunger In The Era Of Neoliberalism, Elizabeth Perry Bullock

Dissertations, Theses, and Capstone Projects

Leveraging Capacity: Technical Solutions to Hunger in the Era of Neoliberalism takes the Global Seed Vault and the value of "global crop diversity" as a point of departure for raising questions about the influence of digital technology on the seed and about the solution to hunger known as "global food security." Discussions about food security among food studies scholars highlight either the failures of global public health advocates to regulate the food and beverage industry or they view food security, like earlier campaigns against global hunger, as an instrument for U.S. foreign policy. On either side of this debate, the …

New York City Street Theater: Gender, Performance, And The Urban From Plessy To Brown, Erin Nicholson Gale

Dissertations, Theses, and Capstone Projects

This dissertation investigates the ordinary, public performances of fictional female characters in novels set on the streets of Manhattan during the years of legal segregation in the United States. I examine a range of actions from bragging to racial passing, and I argue these ordinary performances are central to our ability to interpret race, gender, and class relations. I detect race, class, and gender-based impulses to segregate and exclude others that overlap with the motives guiding the national, legal edict to segregate people by race. These guiding inclinations, legible through the history of Manhattan's grid, zoning laws, and the city …

Performing (Non)Profit, Race, And American Identity In The Nation's Capital: Arena Stage, 1950-2010, Donatella Galella

Dissertations, Theses, and Capstone Projects

Theatre socially reproduces and contests economic, racial, and national hierarchies. There is a dearth of scholarship on U.S. regional theatre because of middlebrow anxiety and yet, for that very reason, regional theatre demands attention as a fitting example of the site of struggle over different forms of capital. Located in Washington, D.C., Arena Stage is the ideal case study for both the invention of viable non-profit theatre and the negotiation of race and national identity in the United States. Arguably the closest institution the U.S. has to a national theatre, the company was the first regional theatre to send a …

Errant Memory In African American Literature Of The Long Nineteenth Century, Tristan Alexander Striker

Dissertations, Theses, and Capstone Projects

In this dissertation, I trace the complex black literary trope of errant memory through American and African American literature. Authors of African descent are constantly subjected to what I call Africanity, or the paratextual historicizing elements provided by white interlocutors that seek to impose specific caricatures and stereotypes on them and their works to force them into the American historical narrative that depends on their dehumanized and commodified status. These caricatures and stereotypes are rooted in an Africa imagined by these white interlocutors, one that does not match any reality. Authors of African descent transcend this paratextual Africanity through what …

Modernity, Parallel Editing, And The Flâneuse: Examining The White Slave Narrative In Early And Contemporary American Cinema, Alex W. Bordino

Dissertations, Theses, and Capstone Projects

This thesis explores cinema and the conceptual presence of Charles Baudelaire's nineteenth century flâneur; in particular, it examines how this modernist notion relates to cinematic technique and issues associated with female spectatorship through an analysis of the white slave genre in both early and contemporary American cinema. Seven early films are examined: How They Do Things on the Bowery (Porter, 1903), The Boy Detective, or The Abductors Foiled (McCutcheon, 1908), The Fatal Hour (Griffith, 1908), The Miser's Heart (Griffith, 1911), The Muskateers of Pig Alley (Griffith, 1911), The Inside of the White Slave Traffic (Beal, 1913), and Traffic in Souls …

Ragtime Then And Now: Composers And Audiences From The Ragtime Era To The Ragtime Revival, William Martin Mcnally

Dissertations, Theses, and Capstone Projects

The works from ragtime's revival era, including those by William Albright, William Bolcom, Eugene Kurtz, George Rochberg, and more recently Carter Pann, stand as some of the finest examples of ragtime composition. Yet these works were not generative of the ragtime age, but followed a lengthy drought of compositional interest in the ragtime style. Instead, they were the result of the amalgamation of formal and idiomatic gestures common to the ragtime style and of serious and extensive training in classical styles. In an effort to determine what distinguishes these works by the classical composers of the ragtime revival from the …

Maude I. Kerns: Overlapping Interpretations Of Art And Pedagogy In The Northwest And Along The Pacific Coast, 1890–1932, Mary Helen Burnham

Dissertations, Theses, and Capstone Projects

Maude Irvine Kerns (1876-1965) was first active as an artist and educator during the early decades of the twentieth century in multiple locations along the Pacific Coast, including her home state of Oregon where she was primarily based. Limited considerations of her career have yet to examine the dynamic nature of the dual roles she assumed during these critical years and therefore fail to account for her significance to the later artistic and cultural growth of the region.

This first reading of the initial phase of Kerns's lengthy career centers on her activities between approximately 1890 and 1932. Through key …

Toward A Genealogy Of Americanist Expressionism, R. Arvo Carr

Publications and Research

No abstract provided.

“My Brain Database Doesn’T See Skin Color” Color-Blind Racism In The Technology Industry And In Theorizing The Web, Jessie Daniels

Publications and Research

In this article, I examine three interconnected notions about color-blind racism and the Internet. The first is the fantasy that the Internet as a technology is color-blind with regard to race; the second is the reality that color-blind racism operates in the tech industry. The third notion is the way color-blind racism shapes Internet studies of race and racism, in which race is contained as a “variable” or as an “identity” that inhere exclusively in people of color, but that leaves the way race is embedded in structures, industry, and the very idea of the Internet unexamined. To explore these …

Consuming Poverty: The Unexpected Politics Of Food Aid In An Era Of Austerity, Maggie Dickinson

Dissertations, Theses, and Capstone Projects

This dissertation tracks the remarkable growth of food assistance in the U.S. over the past fifteen years and asks what this expansion of food aid means for poor people living in New York City. Much of the scholarly literature on welfare policy in the U.S argues that social programs have become more stingy and punitive, particularly since the passage of welfare reform in 1996. On the surface, this does not seem to be the case for the food stamp program or for emergency food providers like soup kitchens and food pantries. Since 2001 food stamp rolls have risen 120% in …

The Literary Legacy Of The Federal Writers' Project, Sara Rendene Rutkowski

Dissertations, Theses, and Capstone Projects

Established by President Roosevelt in 1935 as part of the New Deal, the Federal Writers' Project (FWP) put thousands of unemployed professionals to work documenting American life during the Depression. Federal writers--many of whom would become famous, including Ralph Ellison, Nelson Algren, Saul Bellow, Zora Neale Hurston, Richard Wright, Margaret Walker, and Dorothy West--collected reams of oral histories and folklore, and produced hundreds of guides to cities and states across the country. Yet, despite both the Project's extraordinary volume of writing and its unprecedented support for writers, few critics have examined it from a literary perspective. Instead, the FWP has …

The American Aspasia: The Woman Lecturer In American Women's Rights Fiction, 1839-1915, Angela Ridinger-Dotterman

Dissertations, Theses, and Capstone Projects

This dissertation is the first comprehensive study of the figure of the woman lecturer/speaker that appeared in American women's rights fiction in the period between 1839 and 1915. I argue that examining the figure of the woman lecturer/ speaker in a wide variety of texts and over an extended period of history reveals that the figure served as a dynamic vehicle for women writers to advance a broad range of social and political interests; writing in a social and historical context that discouraged women's participation in public speech, women authors used fiction as a rhetorical space to articulate different visions …

St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki

Dissertations, Theses, and Capstone Projects

In November 1873, St. Nicholas Magazine: Scribner's Illustrated Magazine for Girls and Boys made its publishing debut. While it was intended to be a literary magazine, visual imagery was an important component of the monthly. Illustrations and reproductions of fine art and architecture from Antiquity, the Old Masters, and contemporary academic artists illustrated fictional serials, accompanied art historical information, and stood alone as art work for the reader to visually consider. Innovative page layouts took their inspiration from the aesthetic theories and art styles popular among those associated with the American genteel tradition. By choosing certain styles for illustration and …

Dark Matter: Susan Howe, Muriel Rukeyser, And The Scholar's Art, Stefania Heim

Dissertations, Theses, and Capstone Projects

Instead of describing poetry as a set of constraints or history of practices, Muriel Rukeyser calls it "one kind of knowledge." Dark Matter heeds Rukeyser's call, theorizing a poetics of the "scholar's art," in which documentary investigation, autobiographical exploration, and formal innovation are mutual, interwoven concerns. The dissertation pairs American poets Susan Howe (b. 1937) and Muriel Rukeyser (1913-1980), reading their hybrid works not through the received categories of American poetry, or through common generic and disciplinary divisions, but using an inductive methodology that takes its lead from the poets. Understanding Howe and Rukeyser's literary experiments as serious interventions in …

Loosening The Critical Corset: New Approaches To The Short Fiction Of Kate Chopin And Ruth Stuart, Kathryn Erin O'Donoghue

Dissertations, Theses, and Capstone Projects

My dissertation uses the works and lives of two popular late-nineteenth-century writers, Ruth McEnery Stuart and Kate Chopin, as a heuristic to solve the literary mystery of how "fiction by women" became "women's fiction." While feminist scholars resuscitated Chopin, Stuart remains ignored. The realism and irony of Chopin's novel The Awakening resonate with modern readers, but the sentimental aspects of Stuart's work and Chopin's short fiction remain problematic. The aesthetic movements of realism and naturalism influenced literary taste to the extent that sentimentalism is anathema to contemporary critics. I participate in recent scholarship that explores how sentimentalism has been used …

"The Problem Of Locomotion": Infrastructure And Automobility In Three Postcolonial Urban Nigerian Novels, Danica B. Savonick

Graduate Student Publications and Research

This essay analyzes automobility in three postcolonial urban Nigerian novels: the fantasy of self-propulsion that subtends a colonial modernity materialized through the erection of urban infrastructure. Tracing the disjuncture between automobility and infrastructure—the “problem of locomotion” (Achebe)—reveals the inextricability of mobility, modernity, urbanism, and colonial violence even into Nigeria’s formally postcolonial period. By exploring how characters both invest in and move beyond inherited colonial narratives, these novels challenge top-down images of Lagos, instead depicting it as a city “otherwise fashioned” (Abani) from their characters’ perspectives on what it feels like to dwell and sell on the streets.

Las Casas Remembered:The 500th Anniversary Of The Struggle For The Human Rights Of The Native Peoples Of America, David M. Traboulay

Publications and Research

At first a part of the colonial system as an encomendero, he later dedicated his life to the struggle for justice and human rights of the indigenous peoples of America. At the grand debate of 1551 between Dr. Sepulveda and Las Casas, Las Casas presented a very modern view of human rights that is one of the useful models of human rights for the contemporary world.

Middle Eastern-American Literature: A Contemporary Turn In Emerson Studies, Roger Sedarat

Publications and Research

No abstract provided.

The New Deal In Puerto Rico: Public Works, Public Health, And The Puerto Rico Reconstruction Administration, 1935-1955, Geoff G. Burrows

Dissertations, Theses, and Capstone Projects

During the 1930s, Puerto Rico experienced acute infrastructural and public health crises caused by the economic contraction of the Great Depression, the devastating San Felipe and San Ciprián hurricanes of 1928 and 1932, and the limitations of the local political structure. Signed into law by Franklin D. Roosevelt in 1935, the Puerto Rico Reconstruction Administration (PRRA) replaced all other New Deal activity on the island. As a locally-run federal agency, the PRRA was very unique and yet very representative of the "Second" New Deal in the United States--which attempted to move beyond finding immediate solutions to the most critical problems …

Millennial Libertarians: The Rebirth Of A Movement And The Transformation Of U.S. Political Culture, Kaja Tretjak

Dissertations, Theses, and Capstone Projects

This dissertation examines the contemporary resurgence of libertarianism in the U.S., exploring a rapidly expanding, transnational network of hundreds of thousands liberty movement participants connected through student groups, community organizations, and established institutions, as well as through social media and a vast array of online forums. Grounded in 32 months of ethnographic fieldwork and over 200 interviews, it documents the rise of a profound disenchantment, particularly among millennials, with state-based solutions to pressing contemporary problems and, more broadly, with the nation-state project itself. Drawing on first-hand accounts ranging from elite boardrooms and think tank conference rooms, to political demonstrations and …

Jean Sénac, Poet Of The Algerian Revolution, Kai G. Krienke

Dissertations, Theses, and Capstone Projects

The work presented here is an exploration of the poetry and life of Jean Sénac, and through Sénac, of the larger role of poetry in the political and social movements of the 50s, 60s, and early 70s, mainly in Algeria and America. While Sénac was part of the European community in Algeria, his position regarding French rule changed dramatically over the course of the Algerian War, (between 1954 and 1962) and upon independence, he became one the rare French to return to his adopted homeland. I will argue, sometimes polemically, that Sénac was and should be considered a properly Algerian …

Different Placements Of Spirit: African American Musicians Historicizing In Sound, Casey Hale

Dissertations, Theses, and Capstone Projects

This dissertation examines two recent projects by African American musicians that enact critical and historiographic agency by reconstructing the music of the past: William Parker's project The Inside Songs of Curtis Mayfield, dedicated to re-imagining the works of the soul music icon with an ensemble featuring the poetic recitation of Amiri Baraka; and Marcus Roberts's reinvention of the Jazz Age rhapsodies of George Gershwin and James P. Johnson, Rhapsody in Blue and Yamekraw: A Negro Rhapsody. Rooted in African American interpretive traditions, and working both within and against such discursive categories as "jazz," "black music," and "American music," these artists …

"With The Class-Conscious Workers Under One Roof": Union Halls And Labor Temples In American Working-Class Formation, 1880-1970, Stephen Mcfarland

Dissertations, Theses, and Capstone Projects

This dissertation is a historical geography of interior spaces created by labor unions and other working class organizations in the United States between 1880 and 1970. I argue that these spaces-- labor lyceums, labor temples, and union halls-- both reflected and shaped the character of the working class organizations that created them. Drawing on Neil Smith's theories of geographic scale, I spatialize Ira Katznelson's framework for understanding working class formation. I demonstrate that at their best, these labor spaces furthered working class formation at multiple scales, enabling collective action across lines of racial, ethnic, and gender difference, and bridging the …

Reconstructing The Nation: African American Political Thought And America's Struggle For Racial Justice, Alex Zamalin

Dissertations, Theses, and Capstone Projects

This dissertation examines how twentieth-century African American intellectuals engaged American political cultural beliefs central to American identity. A prominent argument of American political thinkers has been that the liberal-democratic ideals of freedom, equality, representative government, the rule of law, tolerance and civic obligation are what make Americans a unique people. From the immediate aftermath of the Second World War to the late twentieth-century such an argument provided American politicians, social movements and intellectuals a strong justification for divergent political claims, from Cold War warriors calling for the containment of Soviet Communism, to Civil Rights activists calling for racial integration to …

Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode

Dissertations, Theses, and Capstone Projects

Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …

The Vastness Of Small Spaces: Self-Portraits Of The Artist As A Child Enclosed, Matthew John Burgess

Dissertations, Theses, and Capstone Projects

A tent of bed sheets, a furniture fort, a corner of the closet surrounded by chosen objects--the child finds or fashions these spaces and within them daydreaming begins. What do small spaces signify for the child, and why do scenes of enclosure emerge in autobiographical self-portraits of the artist? Sigmund Freud's theory that the literary vocation can be traced to childhood experiences is at the heart of this project, especially his observation that "the child at play behaves like a writer, in that he creates a world of his own, or rather, re-arranges the things of this world in a …

Rendering The Unthinkable: (Un)Knowable Animality, Compulsory Recovery, And Heterosexualized Trauma In The Hunger Games, Jennifer Polish

Dissertations, Theses, and Capstone Projects

Dystopian fiction is expected to reflect deeply on the interactions between identities, bodies, and state control. Suzanne Collins's The Hunger Games Trilogy is no exception. The disturbing trilogy situated animality, disability, and trauma (both of non-humans and of humans) as being firmly controlled by the power of the state (the Capitol). Through its portrayal of hunting and genetic manipulation, the trilogy constructed a state-created animality which refused definitive labeling and insisted upon facing animal subjectivity while simultaneously disregarding the needs and desires of those considered to be non-human. Similarly, the state held sway over both the creation and elimination of …