American Studies Commons^™

"Follow The Bodies": (Re)Materializing Difference In The Era Of Neoliberal Multiculturalism, Briana Grace Brickley

Dissertations, Theses, and Capstone Projects

This dissertation examines a transnational literary archive in addition to analyzing shifting U.S. American cultural and political landscapes, and shows how critically attending to the various terms, figures, and valences of corporeality opens generative avenues for addressing the contemporary historical conjuncture, often referred to as the neoliberal capitalist era. Neoliberal capitalism, understood here to be a complex, diffuse ideology that manifests in part as a number of broadsweeping economic changes—including widespread deregulation and privatization, the increasing influence of international financial organizations, governmental cuts in social spending, and structural adjustment programs for the formerly colonized nations of the global south—operates in …

Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan

Dissertations, Theses, and Capstone Projects

Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …

Both Into And Out Of The Cage: New Media, Transgression, And The Remaking Of American Literary Connection, 1975-1999, Casey Henry

Dissertations, Theses, and Capstone Projects

The dissertation addresses an absent history of late twentieth-century postmodern literature. Namely, I trace the shifts between 1980s postmodernism, described by Fredric Jameson as encapsulating a “wan[ed]”“affect,” and the emergence of 1990s post-postmodernism, marked by an exaggeration of affect. My dissertation posits that this reinvention of feeling was due to shifts in communication technologies and new media art during the 1970s and 1980s competing with, and eventually rendering obsolete, avant-garde literary techniques for “connection.” These latter strategies were encapsulated in the postmodern “encyclopedic” novel, a form miming the logic of new media, yet incapable of fully addressing new programmatic shifts, …

Animate Impossibilities: On Asian Americanist Critique, Racialization, And The Humanities, Frances H. Tran

Dissertations, Theses, and Capstone Projects

This dissertation works from and through the field of Asian American studies, drawing on Asian Americanist cultural critique and minority discourse, to investigate the relationship among race, the politics of knowledge, and the epistemic function of the humanities. Proliferating discourses on “post-race” and “colorblindness” characterizing the present moment posit a progressive movement beyond racial division, towards recognizing and incorporating minority difference into the academy. However, even as issues like “diversity” have gained visibility as institutional objectives, I contend that this heightened visibility occludes the structural conditions that allow racialization to persist. In this project, I follow the work of thinkers …

Dislocating Camps: On State Power, Queer Aesthetics & Asian/Americanist Critique, Christopher Alan Eng

Dissertations, Theses, and Capstone Projects

My dissertation argues that the history of Asian racialization in the United States requires us to grapple with the seemingly counterintuitive entanglement between “the camp” as exceptional space of biopolitical management and “camp” as a performative practice of queer excess. While each practice of camp has been theorized as exemplary of modernity, these considerations have been largely separated into studies of political economy on the one hand, and queer aesthetics on the other. Taken up predominantly in political philosophy and the social sciences, the former centers the death camps in Europe during World War II as epitomizing state violence within …

A Dark Record: Criminal Discourse And The African American Literary Project, 1721-1864, Brian Baaki

Dissertations, Theses, and Capstone Projects

A Dark Record charts the emergence and traces the evolution of a central figure in American culture, the myth of the black criminal. It does so both to explore the ideological effects of print, and to present an alternative history of African American literature. Historians have long maintained that the association of African Americans with crime solidified in our national culture during the post-Reconstruction period, the nadir for African American civil rights, with a corresponding rise in the over-policing of black individuals and communities. For its part, my study looks back from the post-Reconstruction period, and examines the role earlier …

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …

9 March 1916, Part I: Newton Baker Sworn In As Secretary Of War, Keith J. Muchowski

Publications and Research

This invited blog post explores the appointment of Newton D. Baker to the post of Secretary of War during the Woodrow Wilson Administration.

100 Years Ago: Wilson Loses Another Cabinet Member, Keith J. Muchowski

Publications and Research

This invited blog post explores the circumstances under Lindley M. Garrison resigned as President Woodrow Wilson's Secretary of War in February 1916.

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Transparent Interiors: Detective And Mystery Fiction In The Age Of Photography, Melissa D. Dunn

Dissertations, Theses, and Capstone Projects

This dissertation is a meditation on the mutable boundaries that define interior life in the age of photography. I probe these boundaries through selected readings in two literary genres that share conceptual links with photography—detective fiction and mystery fiction. Photography plays an important role in a radical reconsideration of the boundaries between public and private, engaging two dominant and often conflicting cultural values that shape American life at the turn of the twentieth century—the mandate to define and protect privacy and the simultaneous call for greater transparency in public and personal life. Photography, through its perceived transgressions against private life, …

The Fictions Of Whiteness: Transatlantic Race Science, Gender, Nationalism, And The Construction Of Race In Nineteenth-Century American Fiction (1823-1867), Philip E. Kadish

Dissertations, Theses, and Capstone Projects

Fictions of Whiteness argues that political beliefs preceded and determined the race science theories which nineteenth century American white novelists applied or invoked in their work, the inverse of the current critical consensus. For issues ranging from Indian removal to slavery and Reconstruction, and utilizing theories from of Condorcet, Buffon, Camper, Louis Agassiz, James Pritchard, Johannes Blumenbach, and George Borrow these authors shifted allegiances to divergent race theories between and within works, applied those theories selectively to white, black, and Indians characters, and applied the same scientific race theories to politically divergent rhetorical ends. By analyzing shifting application of different …

Yellow Dust Abode: The Hawley-Suski Letters, 1942-1945, Roxanne Shirazi

Dissertations, Theses, and Capstone Projects

On May 6, 1942, Dr. Peter Marie Suski assigned my great-grandfather, Willis M. Hawley, power of attorney to manage his personal affairs when he and his family, along with 120,000 Japanese Americans, were forcibly removed from the Pacific Coast to one of ten U.S. government internment camps. The two men began a regular and frequent correspondence that would continue throughout the war and beyond, producing at least 566 pages of letters between 1942-1960. Dr. Suski and Mr. Hawley wrote as friends, book collectors, and scholars of the Japanese and Chinese languages, and their letters comprise a richly detailed source for …

Politics Between And Within Us: Authenticity And Theatricality In Modern Political Thought, Daniel J. Mccool

Dissertations, Theses, and Capstone Projects

This dissertation details the ways in which two distinct models of politics — the politics of authenticity and the politics of theatricality — have influenced political rhetoric and activity in America and beyond. The focus on authenticity in politics goes back to the ancients, yet it has taken on greater political significance in the modern era. Morally-charged language of “telling the truth”, or “being oneself” in politics has meant that public judgment and analysis has increasingly focused on the interiority of the speaker: one’s intentions, feelings and consistency, rather than on the persuasive case one is attempting to communicate. In …

City Poems And Urban Crisis, 1945 - Present, Jeffrey Nathan Mickelson

Dissertations, Theses, and Capstone Projects

City Poems proposes that twentieth-century American city poets hold important concerns, commitments, and strategies in common with urban theorists and city planners. The study situates canonical and lesser-read city poetry, including work by William Carlos Williams, Charles Olson, Allen Ginsberg, George Oppen, Gwendolyn Brooks, and Wanda Coleman, among others, in relation to discourses of urban crisis. Following Raymond Williams, Henri Lefebvre, and James Scully, it approaches city poetry as a form of social action that holds particular value for practitioners of progressive city planning. Because poetic representations of cities influence public perceptions, City Poems suggests, they have the potential to …

Animal Performance In Big-Time Vaudeville, Catherine M. Young

Dissertations, Theses, and Capstone Projects

Animal vaudevillians have been neglected by academic accounts of vaudeville. Drawing on the rapidly proliferating and highly interdisciplinary field of animal studies, this dissertation combines archival research and cultural theory to fill an important gap in our understanding of how animal bodies and images circulated during the vaudeville era. Taking up Nicole Shukin’s notion of animal capital as both animal “signs and substances” circulating in cultures of capital, I argue that vaudeville animal acts theatricalized animal capital for US citizen-consumers and often circulated animalized capital via racist ideologies and performance modes.

Theatre bookers balanced their reliance on animal acts …

Review Of Daniel J. Sargent. A Superpower Transformed: The Remaking Of American Foreign Relations In The 1970s., Itai Sneh

Publications and Research

No abstract provided.

Nexus: The Great War's Grain Crisis And The Coming Of Prohibition In America, Keith J. Muchowski

Publications and Research

One of the most immediate reasons for the passage of the Eighteenth Amendment was the Grain Crisis of the First World War. The shortage of this food staple enabled Temperance activists to advocate for limits on the brewing of beers and malt beverages. Herbert Hoover oversaw the Commission for Relief in Belgium during this period. Prohibition became law just after the Great War.

Loving The Unlovable Body In Lois Ann Yamanaka’S Saturday Night At The Pahala Theatre, Christa Baiada

Publications and Research

Lois-Ann Yamanaka’s award-winning yet remarkably neglected Saturday Night at the Pahala Theatre (1993) explores female adolescence and coming of age in a rich, polyphonic collection of verse novellas. “Loving the Unlovable Body” focuses on Yamanaka’s treatment of this transition as a fully embodied, fraught, and often painful experience by explicating the uses of several tropes used to express girls’ experiences of their bodies: eating, voice, eyes, fragmentation, and marking/naming. These metaphors contribute to the development of a complex range of possibilities from devastating to hopeful, presented in juxtaposition and interplay, for girls’ relationships to their culturally denigrated bodies and the …

Donald Trump: Live From New Yawk, Marleen S. Barr

Publications and Research

This is an article about why Donald Trump speaks like "The Real Housewives of New York" reality stars.

Science Fiction, Lisa Yaszek, Jason W. Ellis

Publications and Research

Literary and cultural critics call science fiction the premiere story form of modernity because it relates the adventures of educated men and women who use science and technology to reshape the material world and build new, hopefully better societies. As such, it is no surprise that many authors working in this popular genre explore how educated men and women might use science and technology to reshape the physical body and build new, hopefully better versions of humanity itself. Yet, lingering even in the most optimistic imaginings of a posthuman future is the doubt that these transformations will be evenly distributed …

Greater New York: The Sports Capital Of Depression Era America, Jeffrey A. Kroessler

Publications and Research

Any history of the Great Depression is incomplete if it neglects sports, and New York City was the unrivaled sports capital of America. From professional baseball to college basketball to boxing, the most important sporting events took place in New York's legendary venues: Yankee Stadium, the Polo Grounds, Madison Square Garden, Forest Hills, and Belmont Park. Sports also mirrored social issues. Joe Louis's boxing matches against white opponents represented more than a simple athletic contest and stimulated racial and ethnic pride, especially in his bouts with Max Schmeling. Long Island University's dominant basketball team boycotted the 1936 Olympic trials to …

From Tulsa To Ferguson: Redefining Race Riots And Racialized Violence, Hesley R. Keenan

Dissertations and Theses

No abstract provided.

Introduction To "Doughboys On The Western Front: Memoirs Of American Soldiers In The Great War", Aaron Barlow

Publications and Research

The First World War existed on paper even as it was being fought. Yes, electronic communications (radio, telephone) played a role, but it was the typewriter and the pen that both recorded the war and, in many respects, made possible the massive organizations it demanded. The American soldier, right down to the lowest ranks, was often both a reader and a writer. Commands and instructions were passed to him in writing—much of his entertainment came that way, too, through books and letters, newspapers and magazines. And he responded with his own pen.

The Politics And Aesthetics Of American Art During The Cold War: Commissions For Philip Johnson’S New York State Pavilion At The 1964-1965 World’S Fair, Alexandria Valera

Theses and Dissertations

This thesis explores the social and cultural climate surrounding the art commissions for Philip Johnson's New York State Pavilion at the 1964-65 World's Fair. The research presented herein examines how the economic and cultural climate of 1960's America affected the architectural landscape at the World's Fair and how Johnson's Pavilion was integrated into it. Finally, this thesis examines how artworks by John Chamberlain, Ellsworth Kelly, Roy Lichtenstein, Andy Warhol and others responded to the commercial premise of the fair itself. This thesis argues that ultimately the artworks presented used the language of commercial art to critique the Fair and the …

Introduction: The 1970s, Shelly J. Eversley, Michelle Habell-Pallán

Publications and Research

Introduction to special issue, "The 1970s," of WSQ (Women's Studies Quarterly), edited by Shelly Eversley and Michelle Habell-Pallán.

"Happily Ever After": The Tragic Queer And Delany's Comic Book Fairy Tale, Ann Matsuuchi

Publications and Research

Discusses the formulations of queer futurity and normativity in Samuel R. Delany’s autobiographical graphic novel Bread & Wine: An Erotic Tale of New York, drawn by artist Mia Wolff. This love story that is depicted via an interplay of text and imagery resists clichéd homonormative recasting of existing familial templates and questions how expectations queer happiness are bounded by a persistent set of social norms (race, class, education, and income) and their intersections. Also suggests how happy endings can function as a renegotiation of the utopian impulse into something more complex and realistic.

The Heterotopia Of Flight: Resisting The Domestic, Sarah Elizabeth Davis

Dissertations, Theses, and Capstone Projects

The familiar image of a woman fleeing danger is a well-worn convention of heroine-centered fiction, a plot device inevitably resolved when the heroine returns safely to her home and family. This dissertation proposes a new reading of that narrative by asserting that rather than serving as a space of protection, the home poses the greatest threat to an individual's autonomy. If we understand the domestic as a space in which bodies are ordered and, more specifically, gendered, classed, and raced, the trope of flight from the domestic can be read as an act of resistance to subjugation. This act is …

American Dreamer: First-Time Homeownership And The Affective Geographies Of Dwelling, Stephen Boatright

Dissertations, Theses, and Capstone Projects

This research examines the experiences novice homebuyers in New York City and Oakland, CA have during the home search and decision-making processes. Using a mixed-method approach that combines ethnography with critical discourse analysis and non-representational theory, this work examines the ideology of homeownership as well as the tensions that stem from its emotional affordances. It addresses a lacuna in the housing literature regarding the turbulent everyday emotional tensions that buyers confront as they navigate the highly professionalized real estate industry. Homeownership is lauded for being a relatively low-risk tool for highly leveraged investment; however, using data drawn from a series …

Theater Matters: Female Theatricality In Hawthorne, Alcott, Brontë, And James, Keiko Miyajima

Dissertations, Theses, and Capstone Projects

This dissertation examines the ways the novelists on both sides of the Atlantic use the figure of the theatrical woman to advance claims about the nature and role of women. Theater is a deeply paradoxical art form: Seen at once as socially constitutive and promoting mass conformity, it is also criticized as denaturalizing, decentering, etiolating, queering, feminizing. These anxieties coalesce around the image of the actress. In nineteenth century fiction, the image of a woman performing on stage is a powerful one, suggestive of ideal femininity, but also of negative traits including deception, artificiality and an unfeminine appetite for public …