American Studies Commons^™

Horizontality And Impossibility In Kafka's Parabolic Quests, Frank W. Stevenson

CLCWeb: Comparative Literature and Culture

In his article "Horizontality and Impossibility in Kafka's Parabolic Quests" Frank W. Stevenson explores a horizontal-parabolic interpretation of several Kafka narratives. The key idea is that the meaning/truth of a parable is being thrown-beside-itself "on the horizontal": thus it is impossible not only to vertically reach any higher meaning/truth but even to "cross-over" to a truth which has now been horizontally "displaced." Noting that Derrida's and Agamben's reading of "Before the Law" — the narrator cannot "enter into the Law" because the latter "prescribes nothing," is nothing but an "opening" — not only excludes any vertical-hierarchical dimension but even any …

Power And Representation In Anglo-American Travel Blogs And Travel Books About China, Stefano Calzati

CLCWeb: Comparative Literature and Culture

In his article "Power and Representation in Anglo-American Travel Blogs and Travel Books about China" Stefano Calzati presents a comparative analysis between two travel books and two travel blogs written by Anglo-American travellers about China. The assumption is that travel books and travel blogs, being two differently mediated forms of travel writing, share some similarities: they are "autodiegetic narratives" and they bear a (cross)cultural potential. Through a Multimodal Critical Discourse Analysis I investigate how Anglo-American travel writers represent themselves and Chinese people as to what extent the definition of travel writing is medially affected; 2) to what extent the cross-cultural …

Travel And Empire In Wertenbaker's Our Country's Good, Yi-Chin Shih

CLCWeb: Comparative Literature and Culture

In her article "Travel and Empire in Wertenbaker's Our Country's Good" Yi-chin Shih analyzes Our Country's Good from the perspective of travel in order to explore the exercise of empire and the practice of resistance. Considered as one of the luminaries in British theater, Timberlake Wertenbaker (1951-) has produced several successful works, especially Our Country's Good (1988), which won her a Laurence Olivier Award for the Best Play and solidified her reputation as an important playwright in world theater. Our Country's Good is based on real historical facts about the First Fleet's transportation of criminals from England to Australia …

Muslim Science As The Source Of The Portuguese Age Of Discoveries, Joseph Abraham Levi

CLCWeb: Comparative Literature and Culture

In his article "Muslim Science as the Source of the Portuguese Age of Discoveries" Joseph Abraham Levi analyses the Jewish, mostly Sephardic, and Islamic contributions to science and their legacy in Iberia, particularly present-day Portugal. Using as a springboard the countless contributions to the sciences brought by Muslims to the Iberian Peninsula, southern France (mainly Provence), Sardinia, Sicily, and the rest of southern Italy, as well as other parts of the Mediterranean, Levi concentrates on the key role that Muslim scholars had, oftentimes assisted by their Sephardic Jewish counterparts, in training the scientific researchers of the then-burgeoning young Portuguese nation, …

China As The Other In Odoric's Itinerarium, Dinu Luca

CLCWeb: Comparative Literature and Culture

In his article "China as the Other in Odoric's Itinerarium" Dinu Luca discusses the various ways in which the otherness of China is approached and integrated in the fourteenth-century travel text associated with Franciscan friar Odoric of Pordenone. Luca explores the multiple ways in which the text can be examined in relation to Odoric, his travels, and his text. Luca takes vision as a unifying trope and explores the meanings it acquires (sight, concept, projection) as Odoric abandons the familiar space of wonder and confronts the otherness of China. Several well-known episodes are discussed and one particular exchange (known …

Reading Wordsworth With Hegel And Deleuze, Douglas Berman

CLCWeb: Comparative Literature and Culture

In his article "Reading Wordsworth with Hegel and Deleuze" Douglas Berman reexamines Wordsworth poem, The Ruined Cottage, in terms of the importance of the Pedlar, who serves as the witness and singular moral authority in the text. Berman focuses on the inherent tension between impermanence, as exemplified by the trope of wandering, and the redemptive vision which shapes the ending of the second version of the poem (1798). While recognizing the strength of earlier critics, particularly the New Historicists, who emphasized Wordsworth's displacement of social and material reality into nature, Berman argues that wandering, both in its physical form, and …

Forgács's Film And Installation Dunai Exodus (Danube Exodus), Zsófia Bán

CLCWeb: Comparative Literature and Culture

In her article "Forgács's Film and Installation Dunai exodus (Danube Exodus)" Zsófia Bán analyzes film maker and video artist Péter Forgács's film The Danube Exodus (1998) and compares it with the installation Dunai exodus. A folyó beszédes áramlatai (Rippling: Currents of the River) (2002). Combined with additional materials, the two works are based on footage by ship captain Nándor Andrásovits documenting two successive journeys of forced displacement aboard his vessel, the Queen Elizabeth. Bán's analysis includes the 1939 event of the Jewish exodus from Slovakia to the Black Sea with the eventual goal of reaching Palestine followed by …

Makine's Postmodern Writing About Exile, Memory, And Connection, Mary Theis

CLCWeb: Comparative Literature and Culture

In her article "Makine's Postmodern Writing about Exile, Memory, and Connection" Mary Theis explores the implications of some of the many literary epiphanous moments that Andreï Makine shares with his readers in his neo-Romantic metaphysical literary quest to transcend lyrically the limitations imposed by our human condition. The analysis of this theme in Makin's literary career features several of his most important novels, his one play, and his subsequent meta-utopian reflections in Alternaissance, written under the pen name Gabriel Osmonde.

Miłosz's Quest For Affirmation And His Reflections On Us-American Culture, Joel J. Janicki

CLCWeb: Comparative Literature and Culture

In his article "Miłosz's Quest for Affirmation and His Reflections on US-American Culture" Joel J. Janicki discusses Czeslaw Miłosz's writings in exile devoted to his home in California. Miłosz, a Polish Lithuanian poet, essayist, and historian of literature, after experiencing five years of the nazi regime in Warsaw and six years of Stalinized rule in post-World War II Poland, threw himself "into the abyss" of exile. Miłosz's writings and translations have served as a bridge between the Polish and Anglo-Saxon cultures seldom encountered on such a scale. At the same time, his ability to look at a distance, his sensitivity …

Nádas's A Book Of Memories And Central European Journeys, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "Nádas's A Book of Memories and Central European Journeys" Steven Tötösy de Zepetnek discusses theoretical, literary, political, social, etc., aspects of travel in Péter Nádas's novel. "Travel" in the novel represents both a conceptual and lived experience at a time when travel between the East and the West in Europe was restricted and when a person hailing from the "East" considered a journey to the West a complex and ideological matter. Further, the aspect of urbanity, that is, cultural and social spaces and the journey and what such entails in terms of ideology, points of origin, knowledge, …

Metropolitan (Im)Migrants In The "Lettered City", Stacey Balkan

CLCWeb: Comparative Literature and Culture

In her article "Metropolitan (Im)migrants in the 'Lettered City'" Stacey Balkan employs Ángel Rama's discussion of audience as a means of analyzing a Latin American diaspora that exists beyond the "rational periphery" of the state. Herein, the term diaspora is redefined as a translocal phenomenon wherein the metropolitan (im)migrant moves from rural margin to urban center. Normative definitions of exile — persons displaced from autonomous nation-states — are likewise scrutinized in the context of what the Rama terms a post-contemporary "city of letters." This post-contemporary city is the subject of what Mabel Moraña refers to as a "subaltern boom" — …

New Forms Of Contemporary Aesthetics: A Review Article Of New Works By Camerotti And Quaranta, Marina Mantini

CLCWeb: Comparative Literature and Culture

No abstract provided.

Evans's The Turducken And Chekhov's The Seagull, Brian R. Johnson

CLCWeb: Comparative Literature and Culture

In his article "Evans's The Turducken and Chekhov's The Seagull" Brian R. Johnson approaches The Turducken as a travesty of The Seagull, examining six iconic scenes from The Seagull, in order to explore the satirical effect of the altered scenes. In December of 2008, Bedlam Theatre of Minneapolis presented The Turducken, "a holiday dinner theater spectacular inspired by Anton Chekhov's The Seagull." Playwright Josef Evans takes Chekhov's 1895 work and turns the classic piece into a musical and farcical satire. The plot of The Turducken follows the plot of The Seagull, and some scenes …

Barthelme's "Paraguay," The Postmodern, And Neocolonialism, Daniel Chaskes

CLCWeb: Comparative Literature and Culture

In his article "Barthelme's 'Paraguay,' the Postmodern, and Neocolonialism," Daniel Chaskes explores the analytic opportunities afforded by conjoining globalizing critical approaches with a story by an author who has often been circumscribed by the postmodern rubric. Donald Barthelme's "Paraguay," written the summer after Nelson Rockefeller's fact-finding mission to South America in 1969, provides a chance to consider modes of anti-colonial critique in Barthelme's work. It also offers examples of a more self-reflective criticism aimed at the U.S. counterculture and the indeterminacies of postmodernism. Chaskes reads "Paraguay" with the aim of understanding Barthelme's hemispheric interest and he investigates the multiple cultural …

Intercultural Approaches To Cities And Spaces In Literature, Film, And New Media: A Review Of New Work By Manzanas And Benito And López-Varela And Neţ, Ana María Martín Castillejos

CLCWeb: Comparative Literature and Culture

No abstract provided.

Evoking A Memory Of The Future In Foer's Everything Is Illuminated, Doro Wiese

CLCWeb: Comparative Literature and Culture

In her article "Evoking a Memory of the Future in Foer's Everything is Illuminated" Doro Wiese discusses Jonathan Safran Foer's novel. In the text a photograph plays a decisive role: the image of two young people drives the Jewish American Jonathan to visit the Ukraine. The photograph is presumably of Jonathan's grandfather Safran and a woman named Augustine who saved Safran's life during a nazi raid of his village: the photograph becomes an ekphrasis, a description of a visual work of art in another medium which transforms the generic characteristics of written and photographic representations. According to Anselm …

Egypt's Police State In The Work Of Idris And Mahfouz, David F. Dimeo

CLCWeb: Comparative Literature and Culture

In his article "Egypt's Police State in the Work of Idris and Mahfouz" David F. DiMeo examines how two leading twentieth-century authors of politically committed fiction addressed an angry generation's confrontations with former members of the oppressive state police apparatus. Yusuf Idris's The Black Policeman (1962) and Najib Mahfouz's al-Karnak (1974) remain particularly relevant as today's Egyptian activists confront the vestiges of the former regime's security forces. Using Mikhail Bakhtin's theory of the carnival as a paradigm for analysis, DiMeo examines how both texts present sharp contrasts between hollow quests for public revenge through purges and a genuine overturning of …

Metaphor Translation As A Tool Of Intercultural Understanding, Ipshita Chanda

CLCWeb: Comparative Literature and Culture

In her article "Metaphor Translation as a Tool of Intercultural Understanding" Ipshita Chanda takes up specific cases of metaphor translation as a methodological exercise towards understanding intercultural exchange. Chanda's study is based on a semiotic and linguistic understanding of metaphor as a signifying and cognitive device. When a metaphor is translated from one linguistic-literary field into another, the process of translation itself yields some specific operational steps for studying inter- and cross-cultural relations. Here, translation is not proposed as a framework but as practical method: the translation of metaphor becomes an exercise in strategy for the pedagogy of …

Aesthetics In Gao's Soul Mountain, Mabel Lee

CLCWeb: Comparative Literature and Culture

In her article "Aesthetics in Gao's Soul Mountain" Mabel Lee analyses Nobel Laureate 2000 Xingjian Gao's aesthetics. Transnational conglomerates today control the book industry from publishing house to bookshop and through aggressive market strategies they exert considerable influence on readers. Nonetheless, there are writers who refuse to capitulate to market demands and seek only to actualize their aesthetic ideas in the creation of literary texts. One such writer is Gao, author of the novel Soul Mountain. Lee posits that Gao's aesthetics is founded on the close interrogation of both Chinese and European models and practices and explores specific …

Nostalgia In Oral Histories Of Israeli Women, Yael Zilberman

CLCWeb: Comparative Literature and Culture

In her article "Nostalgia in Oral Histories of Israeli Women" Yael Zilberman explores the narration of nostalgia of elderly women about the city of Be'er Sheva. In their narration, the subjects of the study create textual and spatial practices which are engendered and create analogies between the city, their maturing/ed bodies, and by-gone youth. Further, the grief owing to the perceived condition of the city intensifies the idealized description of the city and the longing for its past. Zilberman's study brakes new ground in that the study of urban experience within folklore is a lesser explored field as the urban …

Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson

CLCWeb: Comparative Literature and Culture

In her article "Victims of the City in Novels of Zola and Dostoevsky" Marta Wilkinson argues that urbanity in its nineteenth-century setting functioned as the culpable agent in criminal behavior found in Dostoevsky's Crime and Punishment and in several of Zola's Rougon-Macquart novels. Wilkinson an analysis of the novels based on Merlin Coverly's concept of psychogeography which supports the extension of the cityscape as an integral part of the novels' characters. Further, Wilkinson illustrates how in Zola's and Dostoevsky's novels the city reigns triumphant as characters fall victim to disease, drink, or are left with desperate choices: in Dostoevsky's novel …

Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee

CLCWeb: Comparative Literature and Culture

In her article "Contemporary US-American Satire and Consumerism (Crews, Coupland, Palahniuk)" J.C. Lee focuses on contemporary satire's potential (or lack thereof) for change, reform, or rebellion through an investigation of works by Harry Crews, Douglas Coupland, and Chuck Palahniuk, all of which target consumerism. The said writers employ satire not to initiate rebellion or cultural change, but to reflect the problematic role of institutions in modern life and, in turn, the potential, even hope, for personal growth. Lee's analysis of texts by Crews, Coupland, and Palahniuk is intended to question satire's potential as a form of cultural critique and institutional …

Memory, Identity, And Narration: A Book Review Of New Work By Assmann And Conrad And Tilmans, Vree, And Winter, Simona Mitroiu

CLCWeb: Comparative Literature and Culture

No abstract provided.

Melodrama On A Mission: Latter-Day Saint Film And The Melodramatic Mode, Airen Hall

Journal of Religion & Film

This article examines how the Church of Jesus Christ of Latter-day Saints (the Mormon Church) makes use of the melodramatic mode in creating short and feature length films for both insider and outsider consumption. The argument is made that the melodramatic mode gives the LDS Church a particularly meaningful tool for accomplishing three key goals: to encourage conversion or re-conversion by provoking tears and pathos, to work out social issues, and to create and maintain a certain identity for the Church as victim-hero. As such, the melodramatic mode is a means for identity formation and community building, significant in a …

Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy

All-Inclusive List of Electronic Theses and Dissertations

Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …

Scott, Ian. American Politics In Hollywood Film (Book Review), James Castonguay

Communication, Media & The Arts Faculty Publications

Book review by James Castonguay.

Scott, Ian. American Politics in Hollywood Film. 2nd ed. Edinburgh: Edinburgh University Press, 2011. ISBN 9780748640249, ISBN 9780748640232 (pbk.)

Chicago: A Movie Musical Mockery Of The Media's Razzle Dazzle Image Of Murder., Emily Sulock

Pell Scholars and Senior Theses

This thesis closely examines the adaptation of Rob Marshall’s 2002 movie musical Chicago, specifically how the music and choreography support the mocking tone against the media and criminal justice system. With a storyline that has lasted almost a century, its themes still relate to our society today as it exposes the corrupt industries that hold an unhealthy amount of power over public opinion. By breaking down musical numbers, “Both Reached for the Gun” and “Razzle Dazzle,” I argue that Marshall’s unique concept connects to a modern generation immune to over-publicized and infamous murder trials.

A Postmodern Sense Of Nostalgia: Demonstrating Through A Textual Analysis Of Twin Peaks How Cult Membership Can Be Inculcated., Nicholas G. Albanese

Pell Scholars and Senior Theses

This paper explores a “cult” following in television, by looking at various aspects of the program Twin Peaks. It seeks to answer the questions of how a television show that aired for only two seasons over two decades ago was and still is able to garner such a loyal fandom, and is there some primary factor for developing this cult status? In order to answer these questions, aspects of media studies such as narrative complexity, authorship and the cult status of a show, as well as elements from the show itself, such as postmodernism and manufactured nostalgia must be teased …

Meta-Radicalism: The Alternative Press By And For Activist Librarians, Alycia Sellie

Publications and Research

No abstract provided.

Lost In Space No Longer: The Visionary Union Of 'The Wire', Brett Dupré

LSU New Orleans Theses and Dissertations

In its serial space, David Simon’s The Wire season two relates the seemingly “disconnected” union men, foreign sex worker women, and African-American drug traders and crosses constructed boundaries of race, gender, sexuality, and geography to evoke the possibility of a transnational working class. The Wire’s serialized narrative trespasses the limitations of money and numbers games and of individual characters to build, scene by scene, what Roderick Ferguson calls in Aberrations in Black: Toward a Queer of Color Critique “the location for new and emergent identifications and social relations” (108).