African Languages and Societies Commons^™

Ifa House, Eduardo Soto

ATL

2nd Prize Winner

Inspired by the culture of the Yoruba people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The inspiration to enter the CPDI Africa 2015 competition came from the desire to learn more about my own culture and my passion for modern architectural design. My cultural heritage is a blend of Spanish, African, and indigenous Taíno races. These three races contributed to the formation and traditions of the Puerto Rican culture. The CPDI Africa 2015 competition gave me the opportunity to learn more about my African heritage while exploring modern …

The Inna, My Dao Le Hong

ATL

1st Prize Winner

Inspired by the people and culture of Mali.

What inspired you to enter this special competition to create a modern architectural language for Africa?

African architecture always inspired me with amazing earthen architecture throughout the continent. This competition is a valuable chance for me to study and understand more about the architecture of the continent, it is also a chance for me to express my ideas about modern architectural language for Africa.

What did you find most interesting or challenging during the research and development of your prototype?

The most interesting is when researching for an image …

Competition Project Brief, Cpdi Africa

ATL

Project Brief for the 2015 CPDI Africa Design Competition.

Introduction To The Special Issue, Nmadili Okwumabua

ATL

Introduction to the Special Issue of ATL on the CPDI Africa Design Competition 2015 by organizer, Nmadili Okwumabua.

Editor's Introduction, Jesse Benjamin

ATL

Editor's introduction to the inaugural issue of ATL.

Foreword, David Hughes

ATL

Foreword to ATL Volume 1, Number 1 by David Hughes, renowned architect and professor.

Full Issue - Vol. 1, No. 1 - February 2016

ATL

The full issue of ATL's inaugural special issue on CPDI Africa's 2015 Competition, featuring the prototype designs and narratives from the 25 recognized submissions, from architects and designers of all around the globe.

Cfp - Pan-African/Palestinian Solidarities

South

This collection seeks to assemble and make visible the historical and contemporary voices of bi-directional solidarity between Palestine and the Pan-African world. Shared struggles against colonialism, racism, apartheid, settler violence, historical erasure, patriarchy, class exploitation, and other forms of oppression link Pan-African and Palestinian communities throughout all periods of their often intertwined and overlapping histories. This is particularly true in the period of anti-colonial independence struggles, especially following the 1967 war, and in the global BDS movement today. But it is also continuous throughout the twentieth century, and especially since the Nakba in 1948. Because much of this history is …

Corruption In Oil Revenue Distribution And Conflict In Bayelsa State, Nigeria, Chux Ibekwe

Doctor of International Conflict Management Dissertations

In the last seventeen years, several high level government officials in Nigeria have faced corruption charges totaling $22 trillion dollars related to oil revenues. In Bayelsa State, a Nigerian state that produces oil, officials have been marked with high level corruption in oil revenue. In particular, the state faces constant conflicts among the government, multinational oil corporations, and the people of the state. Based on these observations, this dissertation seeks to understand the relationship between corruption in oil revenue redistribution and perpetuation of conflicts in Bayelsa State of Nigeria.

Bayelsa State is one of the nine states in Nigeria’s Niger …

Africa’S Contributions To Information Systems, Richard T. Watson

The African Journal of Information Systems

Africans created the world’s first major information systems, gesturing and language. Now days, Africa is once again showing leadership in the area of frugal IS.

Calypso: Effecting Conflict Transformation Through The Indigenous Calypso Art-Form, Edward M. Phillips

Journal of Global Initiatives: Policy, Pedagogy, Perspective

The calypso, which forms an integral part of the carnival celebrations of the Republic of Trinidad and Tobago, is a syncretic popular art-form that has its origin in Africa. The art-form, having been influenced and adapted by the experiences of enslaved Africans in the Diaspora, has been fused in the vortex of plantation society. Today, the music of carnival has evolved considerably, with the calypso becoming one of the cornerstones of the carnival celebration. This paper looks at aspects of the subset of political calypsos that offer commentary on the socio-political and/or economic issues in the Republic of Trinidad and …

African Catholicism And The Diaspora Phenomenon: A Socio-Political Analysis Of African Priests In The Diaspora, Iheanyi Maurice Enwerem

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Religious agents, including Catholic priests, are no exception with regards to involvement in the diaspora phenomenon. Among them, especially in the most recent time, are those who, for the purposes of this paper, are identified as "African Catholic priest-diasporas" (African priest diasporas, for short); that is, those Catholic priests from Africa who, for a variety of reasons, relocated from the continent to reside in a foreign country where they exercise their priestly ministry. This new and growing group of diasporas obviously forms part of the "African Diasporas"-a group African Union (AU) considers as Africa's "sixth region" (Auma, 2009). The paper …

What Is My Nation: Visions Of A New Global Order In Ngũgũ Wa Thiong'o'S Wizard Of The Crow, Gĩchîngirî Ndĩgĩrĩgĩ

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Jonathan Ree describes an ideal nation where each national subject can proclaim, "the nation is mine" (1998, p. 89). Ngũgũ wa Thiong'o's Wizard of the Crow, depicts a state where the state and its ruler are co-extensive, the subjects exiles. In this paper, I argue that as an external exile, Ngũgũ has become a global citizen. That global citizenship still exhibits a rooted cosmopolitanism. Ngũgũ reclaims his nation vicariously through empowered women who resist the corruption of the nation by the excesses of patriarchal power and global capital. Internally exiled in their own country, the women lead the struggle to …

What Is Globalization To Post-Colonialism? An Apologia For African Literature, Ameh Dennis Akoh

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Globalization is easily understood as part of the continuing history of imperialism, indeed, of capitalist development and expansion. Have the imperial structures really been dismantled, even though the empire, free as they politically seem after independence, still writes back to the (imperial) center? This paper probes into the angelic posture that globalization seems to assume in its tackling of these complexities of identities. In this age of the clamor for national literatures and criticism, which is a fundamental principle of postcolonial literatures, will globalization automatically erode the idea of a postcolonial world and literatures? Is post-colonialism in its present phase …