African Languages and Societies Commons^™

The Sacred Forest And The Mythical Python: Ecology, Conservation, And Sustainability In Kom, Cameroon, C. 1700-2000, Walter Gam Nkwi Dr

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Scholars have taken a keen interest in the social and cultural meanings of the African landscape in the reconstruction of the continent’s history (Giblin, 1992; Spear, 1997; Wagner, 1995). But how much did Africans know of their environmental past? This article explores the indigenous history of ecology, focusing on the medicinal forest (ak’u mii-fii) and the mythical python (iigw-im) and their link with livelihood and sustainability in Kom, Cameroon. The paper argues that the Kom people have always been conserving their forests since the pre-colonial era. During the colonial period and especially in the 1930s many hectares of land including …

The Universality Of Traditional Tales Of The Portuguese Speaking Countries, M.Margarida Pereira-Müller 177152

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Throughout the ages, the traditional tale has been the vehicle used for transmitting the culture from generation to generation - the memory of a community. Since the beginning of mankind there have always been tales in all countries and in all cultures of the world. Many of the traditional stories we think are Portuguese or European are to be found as well in other parts of the world, told in a very similar way. Sometimes the only difference is the physical frame: the landscape, the flora and the fauna, how people dress or eat.

Most of these tales have animals …

Calypso: Effecting Conflict Transformation Through The Indigenous Calypso Art-Form, Edward M. Phillips

Journal of Global Initiatives: Policy, Pedagogy, Perspective

The calypso, which forms an integral part of the carnival celebrations of the Republic of Trinidad and Tobago, is a syncretic popular art-form that has its origin in Africa. The art-form, having been influenced and adapted by the experiences of enslaved Africans in the Diaspora, has been fused in the vortex of plantation society. Today, the music of carnival has evolved considerably, with the calypso becoming one of the cornerstones of the carnival celebration. This paper looks at aspects of the subset of political calypsos that offer commentary on the socio-political and/or economic issues in the Republic of Trinidad and …

African Catholicism And The Diaspora Phenomenon: A Socio-Political Analysis Of African Priests In The Diaspora, Iheanyi Maurice Enwerem

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Religious agents, including Catholic priests, are no exception with regards to involvement in the diaspora phenomenon. Among them, especially in the most recent time, are those who, for the purposes of this paper, are identified as "African Catholic priest-diasporas" (African priest diasporas, for short); that is, those Catholic priests from Africa who, for a variety of reasons, relocated from the continent to reside in a foreign country where they exercise their priestly ministry. This new and growing group of diasporas obviously forms part of the "African Diasporas"-a group African Union (AU) considers as Africa's "sixth region" (Auma, 2009). The paper …

What Is My Nation: Visions Of A New Global Order In Ngũgũ Wa Thiong'o'S Wizard Of The Crow, Gĩchîngirî Ndĩgĩrĩgĩ

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Jonathan Ree describes an ideal nation where each national subject can proclaim, "the nation is mine" (1998, p. 89). Ngũgũ wa Thiong'o's Wizard of the Crow, depicts a state where the state and its ruler are co-extensive, the subjects exiles. In this paper, I argue that as an external exile, Ngũgũ has become a global citizen. That global citizenship still exhibits a rooted cosmopolitanism. Ngũgũ reclaims his nation vicariously through empowered women who resist the corruption of the nation by the excesses of patriarchal power and global capital. Internally exiled in their own country, the women lead the struggle to …

What Is Globalization To Post-Colonialism? An Apologia For African Literature, Ameh Dennis Akoh

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Globalization is easily understood as part of the continuing history of imperialism, indeed, of capitalist development and expansion. Have the imperial structures really been dismantled, even though the empire, free as they politically seem after independence, still writes back to the (imperial) center? This paper probes into the angelic posture that globalization seems to assume in its tackling of these complexities of identities. In this age of the clamor for national literatures and criticism, which is a fundamental principle of postcolonial literatures, will globalization automatically erode the idea of a postcolonial world and literatures? Is post-colonialism in its present phase …