African Languages and Societies Commons^™

Interview With Otis Cunningham, Danny Fenster

Chicago Anti-Apartheid Movement

Length: 98 minutes

Oral history interview of Otis Cunningham by Danny Fenster

Mr. Cunningham begins by explaining what it was like growing up amidst the Civil Rights Movement in Chicago, witnessing the reactions to the assassinations of Malcolm X and Martin Luther King, Jr. He explains how he first became involved in activism for African liberation movements when he joined the African-American Solidarity Committee where he served on the editorial board of their journal and he elaborates on the work they did. He recalls the social gatherings that sprung up through the movement. He explains the complicated history and relationships …

Genres Populaires Et « Érographiques » En Afrique Francophone : Le Cas Des Romans De La Collection Adoras, Sathya Rao

Présence Francophone: Revue internationale de langue et de littérature

This article will take the Adoras novels as a case study to address the aesthetics and institutional issues related to the emergence of popular literature in francophone Africa. As the promoter of an “erographic” discourse that strives to accommodate modernity and tradition, francophone romance, which has been largely under-examined if not denigrated, raises a wide range of questions on the status of francophone literature, the socioeconomic constraints on publication in Africa, and the construction of a truly African erotic imaginary.

Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My essay analyzes Karima Berger’s first novel, L’enfant des deux mondes (1989). The author who has been living in France for more than 25 years tells the story of a Muslim Arab girl (herself ?) educated in the French school system of pre-independent Algeria. In this study, I examine linguistic, cultural and religious issues raised by the novel in an effort to identify the factors that keep the protagonist imprisoned in a permanent state of being in-between-two-worlds without fully belonging to any of them.

Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga

Présence Francophone: Revue internationale de langue et de littérature

A reflective, first-person account, Benjamin Sehene’s Le feu sous la soutane is the story of memories of a double crime of rape and genocide by a Catholic priest, Father Stanislas. At the beginning of the killings of the Tutsi, some people take refuge in a parish in Kigali. Its priest takes under his protection a few Tutsi women, hiding them in the presbytery. But, the Holy man will rape them. He also participates alongside with the Hutu militia to the extermination of the Tutsi who came to take refuge in the parish. Later the priest took refuge in France where …

Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

The comedy of manners presented in the form of play or in the form of sketches or playlet by the medium of videos and DVDs is a phenomenon that develops in Guadeloupe, Martinique and Guyana, but also in France. These productions are the link between communities in the Creole area (Guadeloupe, Martinique and Guyana) and the outside (metropolitan France and diaspora). They will be analyzed for their popular and scholarly features between erudite comedy and farce, between traditional and postcréolitaire cultural affirmation, between Creole and French, between Italian theatre and yardplay, between creole comedy and vaudeville, between negropolitan diaspora and …

Story 2 (Part 2), George Tucker Childs

Mani, a Disappearing Language of Sierra Leone and Guinea

Text of a performance of a Mani folk tale by a group of children in Moribaya.

Story 1 (Part 2), George Tucker Childs

Mani, a Disappearing Language of Sierra Leone and Guinea

The is the second of two parts of a Mani folk tale.

Ciis Today, Spring 2009 Issue, Ciis

CIIS Today

This volume is the Spring 2009 issue of CIIS Today, the Magazine of the California Institute of Integral Studies.

Interview With Carol Thompson, Marcia Monaco

Chicago Anti-Apartheid Movement

Length: 91 minutes

Oral history interview of Carol Thompson by Marcia Monaco

In this interview, Carol Thompson recalls her involvement and work in the anti-apartheid movement. She explains that her awareness of the anti-Apartheid movement began while at Northern Illinois University, but she first became involved after she moved to Chicago, when she met South African author, Donald Woods, which led to her involvement in the Dennis Brutus’ defense committee. She recalls that she initially worked with Clergy and Laity Concerned and later, alongside Prexy Nesbitt, became a founding member of CIDSA, which was committed to passing legislation in Chicago …

Interview With Michael Elliott, Brian Gibson

Chicago Anti-Apartheid Movement

Length: 56 minutes

Oral history interview of Mike Siviwe Elliott by Brian Gibson.

Mr. Elliott begins by recounting his childhood in Detroit, raised in a working-class union neighborhood on the west side of the city. He talks about his early challenges in school, attending an alternative school where he received his GED, then attending Oakland University in Rochester, Michigan where he studied political science for three years. He explains how he first became involved in activism, working for the Black Panthers when he was young and serving as chair of the Association of Black Students in college. He recalls how …

Interview With Anne Evens, Beth Thenhaus

Chicago Anti-Apartheid Movement

Length: 84 minutes

Oral history interview of Anne Evens by Beth Thenhaus

Ms. Evens begins by recalling her childhood memories, growing up in Evanston with two academic parents. She began her work in activism during high school, demonstrating for stricter gun control laws and against racism. She explains how she first learned about Apartheid South Africa as she learned about the struggle of Palestinian people in Israel and the economic ties between the two countries. She explains how she became involved in anti-Apartheid efforts on her first day of college when she was introduced to the South African Divestment Coalition, …

Interview With Prexy Nesbitt, Erin Mccarthy

Chicago Anti-Apartheid Movement

Length: 350 minutes

Oral history interview of Rozell 'Prexy' Nesbitt by Erin McCarthy, PhD in 2009. Transcript created by Katherine Philipson, summer 2017

Prexy Nesbitt recounts his childhood in the Lawndale neighborhood of Chicago, Illinois, living in the family-owned apartment building with eleven flats and multi-racial family and friends. He speaks about his education at Francis Parker school and his first trip to African while a student at Antioch in Dar es Salaam, Tanzania, where he began his anti-apartheid work in the early 1960s,He recalls his years of activism with governments, organizations, and political groups, including the the six liberation …

H. M. Chauke Research Of African Hlengwe People, Happyson William Matsilele Chauke, Tillerman Houser

ATS Digital Resources

This is a collection of historical and cultural research works about the vaHlengwe people of Zimbabwe, created by Happyson Chauke before his untimely death by a hit and run driver in 2009. It was compiled by his friend Tillman Houser, who spent 35 years as a missionary to Zimbabwe under the Free Methodist Church. The bulk of the collection is comprised of the book entitled: "The miracle of Lundi Mission: lest we forget."

From "No Country" To "Our Country!" Living Out Manumission And The Boundaries Of Rights And Citizenship, 1773-1855, Scott Hancock

Africana Studies Faculty Publications

During the Revolutionary War and the first decades of the early U.S. Republic, as free people of color sought to define their place in the new nation, they expressed little connection to an American nationality. But antebellum black leaders later articulated a powerful vision of Africans and Americans. As slaves and free blacks had done during the Revolutionary era, they based this African American identity in part upon a biblical view of human rights and a natural rights philosophy, but they also buttressed black identity formation by making a rights discourse the fulcrum of their argument for full inclusion in …

Patterns And Challenges Of Parenting School-Age Children Among Selected Sub-Saharan African Immigrant Parents In Southwest Michigan: A Multiple-Case Study, Israel M. Kafeero

Dissertations

Problem. Parenting among immigrants presents unique challenges to parents whose cultural orientation is different from the host culture. Because of the meager research literature on immigrant families in the USA, little is known about the phenomenon of parenting among sub-Saharan African immigrant parents. This study investigated the patterns related to the parenting practices of selected sub-Saharan African immigrant parents, how they conduct corrective discipline to their children, and the challenges they face rearing children in Southwest Michigan.

Method. Qualitative research methods including interviews, observations, focus group discussions, and artifact collection were used in this dissertation to generate data. A snowball …

Let's Speak Bom! The First Bom Primer: A Graphic Introduction To The Bom Language Of Sierra Leone, Hannah Sarvasy, George Tucker Childs

Applied Linguistics Faculty Publications and Presentations

A graphic introduction to the Bom language of Sierra Leone, based on the stories of Bom community elders. Compiled and illustrated by Hannah Sarvasy, with editorial assistance from Tucker Childs.

Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Postcolonial discourses describe colonization as a process of invention to impose the will of a conquering West on "backward" societies. The will to power conjugated with the need for row materials served as the main catalysts. They put side by side a hegemonic intruder bent on duplicating itself, and a powerless and compliant native unable to react to the blitz of transformations. Hence, the master/slave or father/child relationships that describe the colonial framework. The task is to interrogate these generally accepted assumptions and binary oppositions. Although marginalized, the Congolese native was unwilling to become on object for the colonizer's gaze. …

Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy

Présence Francophone: Revue internationale de langue et de littérature

During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …

Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang

Présence Francophone: Revue internationale de langue et de littérature

Critical evaluations of African cinema have tended in the past to confi ne the analysis of this corpus to its content. In books and articles published earlier, the colonial and postcolonial history of the continent abound, social dramas are explained at length, thefts at all levels, cultural mystifi cation, corruption as well as violence are amply described. The insights of such an approach notwithstanding, the aesthetic sources of African cinema are not limited to the rural and the traditional. Through a comparison of Vittorio De Sica Bicycle Thief and Sembène’s Borom Sarret, this paper argues that african cinema inserted itself …

La Quête Poétique Dans L’Oeuvre De Fouad Gabriel Naffah, Georges Khoriaty

Présence Francophone: Revue internationale de langue et de littérature

In his poetic search, Fouad Gabriel Naffah states his conception of a poetic image revealing the absolute and the universal, his verbal adventure which consists of disintegrating the conventional language with sclerotic forms in order to have access to the authenticity and to ensure the everlasting poem. He also sets out the poetry of the imaginary which, through a dialectic and harmonization of contradictories, extends all over the universe to include and reach the study of the eternal return that satisfies his longing for eternity.

Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty

Présence Francophone: Revue internationale de langue et de littérature

As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …

L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case

Présence Francophone: Revue internationale de langue et de littérature

The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …

Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër

Présence Francophone: Revue internationale de langue et de littérature

From the 1980s, writers in the francophone diaspora have examined the post-colonial African identity and its portrayal, according a special place to stereotyping. Thus, they denounce not only its tyrannical hold, but also the devastating effect of stereotyping on individuals and societies. Paradoxically, they show how stereotyping can offer to the post-colonial subject a means of manipulating identity features, therefore, of avoiding predetermination. In its study of, mainly, Biyaoula’s L’impasse, this article also proposes to show how the stereotypes, going beyond the limits of theory, is reborn within he body, becoming a veritable enclosure for forgery of identity.

De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …

Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye

Présence Francophone: Revue internationale de langue et de littérature

ertain Senegalese painters, including Soly Cissé, Camara Guèye, Birame Ndiaye and Samba Fall draw their inspiration from the city’s structure. Attentive to the tensions it produces as well as the daily struggles to survive, they transpose urban walls in their paintings to better transgress them, go beyond pre-imposed limits. One can therefore ask what is the influence of a painter like Basquiat on these contemporary painters ? Approaches and needs found in Senegal differ greatly from those found in the United States ; however interesting links can be traced that allow for a better understanding of present Senegalese art.

Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka

Présence Francophone: Revue internationale de langue et de littérature

This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …

Les Limites De L’Appartenance : Composition, Intertextualité Et Langue Dans Les Dents Du Topographe Et Méfiez-Vous Des Parachutistes De Fouad Laroui, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

In this article, I examine two novels by Fouad Laroui, Les dents du topographe (1996) and Méfiez-vous des parachutistes (1999). I analyze the difficulties encountered by their narrators when they try to find and define non alienating cultural and geographical spaces to which they could belong. For that purpose, I study the composition of the two novels, the play of intertextuality as well as the language of the main characters.

La Parole Au Féminin : La Narratrice De Cette Fille-Là De Maïssa Bey, Ana Soler

Présence Francophone: Revue internationale de langue et de littérature

In Maïssa Bey’s novel, Cette fille-là, the character of Malika serves as a narrative plea for change. Since her childhood, Malika has strived to create an inward, personal imaginary for herself, as a defence mechanism against a hostile environment. In the workhouse, she adopts the role of storyteller for all those companions of hers, excluded as she is, from society. As the receptor of confidential information, she delights in verbally re-enacting their intimate stories, sprinkling them with accounts of her own experiences. By thus establishing Marika’s voice as a “link-route” to the novel’s subjacent vocal polyphony, the character is presented …

La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts

Présence Francophone: Revue internationale de langue et de littérature

For nearly fifty years now, Dakar has been an epicenter of contemporary art, not just for continental Africa but for the entire world. Senegalese artists are well known internationally through participation in biennials, exhibitions, and gallery shows ; and many argue that they are contemporary artists from Senegal rather than “Senegalese artists” defined or constrained by their african identity. Among these, however, some match the global techniques and aesthetics of their works with local meanings derived from mystical Islam. Indeed, this “hidden side” can be very significant to the artists themselves even though it may be ignored by cosmopolitan connoisseurs.

Projets De Collection Et D’Exposition D’Art Sénégalais : Être Mécène D’Art À Dakar, Joanna Grabski

Présence Francophone: Revue internationale de langue et de littérature

The collection of Bassam Chaitou and its recent exhibition in Dakar offers a focal point to examine issues associated with private projects of collecting and exhibiting Senegalese art in Dakar. This article considers the relationship of Dakar’s collectors to historical patronage under Senghor and Dakar’s contemporary art scene. It proposes that private Dakar-based projects of collecting make visible a story about local propositions and dialogues about art. Dakar-based projects of collecting reveal a great deal about the city’s art scene, its history, artists, and trends.