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Articles 331 - 360 of 376

Full-Text Articles in African Languages and Societies

Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga Dec 2007

Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

Following the Tutsi genocide in 1994, many African writers went to Rwanda, in 1998, and then wrote some novels and other fictional texts about the horror they saw. This study shows how Véronique Tadjo’s L’ombre d’Imana adopts several mechanisms of Traveler’s Narratives, but poses also their limits in ethical thinking about genocide. Tadjo uses indeed the subversion of Traveler’s Narratives by adding other forms of genres like reportage and testimonies. She discusses about the limits of testimony narratives on a genocide.


« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi Dec 2007

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …


L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa Dec 2007

L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa

Présence Francophone: Revue internationale de langue et de littérature

The article proves how the testimony narrative, in writing death and genocide-related atrocities, attempts to restore human dignity to the victims. The narrative space that becomes in that way a burial place and a funeral monument plays also the role of the ''redemption'' of history in order to secure the future. The narratives that the article analyzes constitute at the same time a hymn to life. By creating themselves other destinies, other reasons for life, the survivor and witness authors succeed in overcoming the world-weariness that threatens every survivor of the Itsembabwoko slaughter.


Meka Ou Le Lent Retour À Soi, Alexandre Lizotte Jun 2007

Meka Ou Le Lent Retour À Soi, Alexandre Lizotte

Présence Francophone: Revue internationale de langue et de littérature

Inspired by Ferdinand Oyono’s novel Le vieux nègre et la médaille and relying on the works of Albert Memmi and a number of critics of the negro-african novel, what we are proposing here is a reflection on the relation between the colonizer and the colonized. At the very core of our analysis is the character of Meka, Oyono’s main character, who symbolizes the people’s strive for freedom and self-rediscovery and reconquest. Step by step, we follow him through his long and difficult “walk” or journey towards himself, towards his own truth. In our understanding of that whole liberation process, we …


Currents Of Liberty, Seas Of Change: Black Sailors As Subversive Agents Of Freedom In The Early Republic, Skye Montgomery Jan 2007

Currents Of Liberty, Seas Of Change: Black Sailors As Subversive Agents Of Freedom In The Early Republic, Skye Montgomery

The Gettysburg Historical Journal

Years after being kidnapped from his native Ibo village as a young boy, Olaudah Equiano vividly recalled his wonder at seeing a European ship for the first time. Although he failed to realize it at the time, that same ship, and the Atlantic currents it navigated, would shortly transport him and millions of his countrymen to lives of slavery on the far shores of a distant continent. In addition to providing a convenient avenue for the initial transport of slaves, water enabled the development of a trade network linking scattered plantations in the Caribbean to centers of trade in North …


L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi Dec 2006

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.


Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre Jun 2006

Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).


Les Enfants De La Guerre : Adolescence Et Violence Postcoloniale Chez Badjoko, Dongala, Kourouma Et Monénembo, Koffi Anyinefa Jun 2006

Les Enfants De La Guerre : Adolescence Et Violence Postcoloniale Chez Badjoko, Dongala, Kourouma Et Monénembo, Koffi Anyinefa

Présence Francophone: Revue internationale de langue et de littérature

This essay deals with the representation of African child-soldiers in three novels and an autobiography. Why do children take part in African postcolonial civil wars? How are they portrayed? These children are not —as public opinion would often have it— only the victims of postcolonial violence, but are also agents of social change. Their violent involvement in political affairs constitutes the most radical form of their determination to be heard, and the most eloquent form of their protest against their precarious living conditions in a postcolonial Africa in crisis.


De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi Dec 2005

De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay explores how some “Maghrebian” novelists represent and problematize their relation to “Maghrebness” or “maghrebinité”. Using postcolonial theory and Réda Bensmaia's Alger ou La maladie de la mémoire, the author shows how problematic the concept of “Maghrebian literature” can be when one considers its transnational and transcultural poetics and its de-territorialization.


L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan Dec 2005

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.


Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler Dec 2005

Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler

Présence Francophone: Revue internationale de langue et de littérature

The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.


Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi Dec 2005

Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi

Présence Francophone: Revue internationale de langue et de littérature

This article studies the birth and manifestations of the tragic in Ahmadou Kourouma’s fiction. It demonstrates how the tragic in Kourouma’s novels, far from being a metaphysical feeling, stems from social realities and is closely related to the postcolonial system. In these novels, tragedy goes beyond the realistic depiction of catastrophic events and is further articulated in the characters’ political attitudes, their social life and cultural behaviour.


Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly Dec 2005

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�


Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio Jun 2005

Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio

Présence Francophone: Revue internationale de langue et de littérature

The article looks at the causes of large migratory movements in Haiti. Anthropologist Gérard Barthélemy suggests that emigration from the countryside stems from aspects of rural society, namely the need to accumulate wealth to start one’s own production unit and the need to chase out those who will not stick to and perpetuate the rules of the community. However, according to Jean Métellus and Jean-Claude Icart, migration movements are tightly linked to political and historical upheavals, which force people out of the country in search of safety and survival. For many migrants, the consequence is a feeling of loss and …


Haïti Et L’Afrique Noire : De La Primauté À La Marginalité, Du Modèle Au Contre-Modèle, André Ntonfo Jun 2005

Haïti Et L’Afrique Noire : De La Primauté À La Marginalité, Du Modèle Au Contre-Modèle, André Ntonfo

Présence Francophone: Revue internationale de langue et de littérature

As we know, Haiti, the first Black republic in the world, commemorated the bicentennial of its independence in 2004. This paper examines how that unique experience has been received by the Black world in general and by independent African states in particular, as well look at the place that Haiti occupies in their imagination. This paper will examine Haiti’s role as an ideological place of structuring and as a real space for experimentation with post-colonial strategies applied to independent Black nations, especially in sub-Saharan Africa. The author will demonstrate how Haiti, from its position as a pioneer for these nations, …


Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho Jun 2005

Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho

Présence Francophone: Revue internationale de langue et de littérature

The proliferation of fools in independent African nations’ capitals and major cities should have entailed profound analyses. The period after 1804 in Haiti and after 1960 for Africa is marked by irrationality. From this point of view, Aimé Césaire, doom prophet, uses the Haitian past to warn newly independent African nations. The attempt to understand the phenomena has so far been based on psychoanalysis and other euro-centric methods. In this paper, we will attempt to centre our approach on the gaze and thought of the lunatics themselves in order to understand the madness that has taken hold of post-colonial periods. …


Du Bateau Négrier À L’Avion Négrier : Haïti, Les Puissances Esclavagistes Et Le Monde Noir, Cilas Kemedjio Jun 2005

Du Bateau Négrier À L’Avion Négrier : Haïti, Les Puissances Esclavagistes Et Le Monde Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

The main argument of this study may be outlined as follows: colonized communities in the world economy being integrated by means of “historical fatality” from slavery to colonialism and neo-colonialism. The counter-movement of decolonization, as exemplified in the Haitian revolution, was meant to propose a more humane outbreak of enslaved peoples on the world scene. The account of globalization reveals that Haiti was forced into the world economy through the modality of extortion, which denied the most vulnerable members of Haitian society their basic humanity. The failure of the Haitian revolution to reverse the course of historical fatality opened the …


Satire, Désordre, Folie Et Régénérescence : Lecture De Quelques Romans Africains, Augustin H. Asaah Jun 2005

Satire, Désordre, Folie Et Régénérescence : Lecture De Quelques Romans Africains, Augustin H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

Satire has the goal of reforming society and humans through the exposure and denunciation of evils. Using four novels, Beyala’s Tu t’appelleras Tanga, Touré’s Destins parallèles, Ken Bugul’s La folie et la mort and Nganang’s Tempsde chien as reference points, this article attempts to demonstrate how postcolonial Francophone African satire meets the criteria of the sub-genre. The four works deploy weapons of satire such as irony, contrast, verbal violence and exaggeration to lay bare the stench, madness and degeneration associated with neo-colonial order. As in all satirical works, the tableau of collective misery here encompasses a challenge to readers to …


The Segregated Distribution Of Middle Class African American Households In The Pittsburgh Metropolitan Statistical Area, Jay L. Newberry Jan 2005

The Segregated Distribution Of Middle Class African American Households In The Pittsburgh Metropolitan Statistical Area, Jay L. Newberry

Theses, Dissertations and Capstones

This research analyzes the residential distribution of middle-class African American households in the Pittsburgh Metropolitan Area to determine if the "middle class" status affords them greater integration with the dominant white group. Using 1990 and 2000 census income data for white and black households in the Pittsburgh MSA, lower, middle, and upper class categories were created in both groups for comparison against the black middle class category via five segregation indices. This research found that, although the African American households experience varying degrees of segregation by class, all are highly segregated from the white group with middle class African American …


Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi Jun 2004

Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of poetics and political stakes in Werewere Liking's novel, Elle sera de jaspe et de corail. While this novel has been presented as illustrative of the Negro-African aesthetics rooted in orality, the present article argues that Liking's poetics of hybridity is a postcolonial strategy whose aim is the liberation of African imagination and creativity. The essay ends by suggesting some similarities between Liking's project and that of the Congolese philosopher, especially in his philosophical essay, L'Afrique va-t-elle mourir? Bouscu/er l'imaginaire africain. Through their works, Ka Mana and Werewere Liking are examining the conditions for a …


Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua Jun 2004

Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua

Présence Francophone: Revue internationale de langue et de littérature

Using the central figures of Um Nyobe and Patrice Lumumba, this paper aims to show that postcolonial mythology is a confrontation of two tendencies: on one hand, the colonial and postcolonial States, whose efforts tend to rub out history and its great faces, and on the other, artists and thinkers from Africa or abroad who want to establish the memory and the deeds of the missing as a source of inspiration for the present and next generation.


Subversion D'Un Mythe Colonial : Le« Grand Blanc De Lambaréné » Dans Le Roman Francophone D'Afrique, Sylvère Mbondobari Jun 2004

Subversion D'Un Mythe Colonial : Le« Grand Blanc De Lambaréné » Dans Le Roman Francophone D'Afrique, Sylvère Mbondobari

Présence Francophone: Revue internationale de langue et de littérature

Among its goals, this study aims to throw new light on the representation of the West in African Francophone literature. In this respect, it will examine some characteristic aspects of the image of the "Grand Blanc de Lambarene" - Albert Schweitzer - produced by the African imagination. For the first time, this paper shows which discursive and structural strategies are used by Sylvain Bemba and Seraphin Ndaot to represent Albert Schweitzer, to express their convictions, and how they confer a thematic or aesthetic aspect to their text. To be fully heuristic, the representation of Schweitzer requires that we reconstitute the …


Mythologie Postcoloniale Française Ou La Quête Permanente Du Livre Rose De La Colonisation, Armelle Cressent Jun 2004

Mythologie Postcoloniale Française Ou La Quête Permanente Du Livre Rose De La Colonisation, Armelle Cressent

Présence Francophone: Revue internationale de langue et de littérature

This article touches on four books about colonization, which were recently published in France and which are intended for wide readership. This article underlines how the authors maintain the myth of a "rather beautiful" French Colonization or/and how they tend to avoid a too brutal questioning of the French colonial past in their writings.


Lectures Mythophores Des Recits De L'Origine Dans N'Zid De Malika Mokeddem, Mireille Rosello Jun 2004

Lectures Mythophores Des Recits De L'Origine Dans N'Zid De Malika Mokeddem, Mireille Rosello

Présence Francophone: Revue internationale de langue et de littérature

In 1957, Barthes critiqued the omnipresence of imperialist myths. Is his study of the collusion between myths and colonialism still relevant today? Rather than looking for a new canon of postcolonial myths, Rosello proposes to distinguish between two critical stances: demystification and demythification. Rosello suggests that literature can afford to take the risk of mythification through a reading of a "mythoforic" novel: Malika Mokeddem's N'zid, a text that remythifies and demystifies the opposition between nomads and sedentaries.


Discours Préfaciels Et Réception En Littérature Africaine De Langue Française, Sélom Komlan Gbanou Dec 2003

Discours Préfaciels Et Réception En Littérature Africaine De Langue Française, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

Decisive instance between the text and its reader, the preface plays an important role in the reception of the literary work, as Gerard Genette emphasizes in his essay Seuils (1987). The present analysis proposes a reading of the stategies used in the prefaces of francophone African Literature from colonial times to the present. Who introduces whom? Why and how? These are a few of the questions this article deals with.


La « Littérature Francophone » En Question, Roberta Hatcher Jun 2003

La « Littérature Francophone » En Question, Roberta Hatcher

Présence Francophone: Revue internationale de langue et de littérature

While literatures from Africa, the Caribbean and Québec have been taught in U.S French programs since at least the 1970s, the widespread incorporation of «francophone» literature and culture into all levels of the curriculum is a relatively recent phenomenon. Yet the organization of these heterogeneous fields under the umbrella of Francophone Studies has generated little discussion concerning the field’s definition and its relation to French Studies as a whole. This essay examines the category of Francophone Literature, arguing that it is no longer adequate for understanding today’s complex literary and cultural terrain.


The Race For Globalization: Modernity, Resistance And The Unspeakable In Three African Francophone Texts, Francesca Sautman May 2003

The Race For Globalization: Modernity, Resistance And The Unspeakable In Three African Francophone Texts, Francesca Sautman

Publications and Research

The "global village" that media pundits and politicians evoke as general currency might well be visualized, in this onset of the twenty-first century, as a village beset by fires, riot, and rampage, where hunger reigns unopposed. The paradox of the term poorly conceals the untold violence that the violence of rhetoric seeks to erase. Yet, contemporary African Francophone texts have been tearing off this mask for decades, locating themselves less often in idyllic villages, and more frequently, on the cable lines of suffering between dying villages and indigent cities. In the literature of the 1980s, the focus of this essay, …


Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa Jan 2000

Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa

French Language and Literature Papers

To what extent can we say that both Lacrosil and Bugul rewrite Fanon? Through the study of Cajou and Ken, respectively the Guadeloupean and the Senegalese female protagonists, this article proposes a way to derive a specifically female perspective on colonial violence. The essay focuses on the two novels, Cajou and Le baobab fou, and examines the effect of colonial epistemological violence and its specific impact on the black female’s subjectivity. The protagonists Ken and Cajou revisit their initial trauma in a quest for knowledge of their historical heritage and engage in a dialogue with Frantz Fanon, representative of black …


O Lenço Da Minha Mãe...A Reflection, Alicia Veiga May 1998

O Lenço Da Minha Mãe...A Reflection, Alicia Veiga

The Griot

A young Cape Verdean woman reflects on the head scarf worn by her mother. The head scarf serves as a symbol of her mother's strength, culture and constant presence in her life despite a move from Cape Verde to the United States.


Japan And Ethiopia: An Appraisal Of Similarities And Divergent Courses, Messay Kebede Dec 1997

Japan And Ethiopia: An Appraisal Of Similarities And Divergent Courses, Messay Kebede

Philosophy Faculty Publications

The idea of a comparison between pre-1935 Ethiopia with Japan before and during the Meiji Restoration arouses contradictory reactions among students of Ethiopia. Some find the idea indefensible, others judge it quite reasonable and instructive. Those who reject the parallel do so by emphasizing the social gap which separated Japan and Ethiopia, while those who welcome the idea base their arguments on historical similarities and on the identity of objectives of their respective modernizing circles. Thus, among the first group, Shiferaw Bekele contests the seriousness of a parallel between Japan and Ethiopia, arguing that the Ethiopian leaders had only a …