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Articles 301 - 330 of 376
Full-Text Articles in African Languages and Societies
What Is Globalization To Post-Colonialism? An Apologia For African Literature, Ameh Dennis Akoh
What Is Globalization To Post-Colonialism? An Apologia For African Literature, Ameh Dennis Akoh
Journal of Global Initiatives: Policy, Pedagogy, Perspective
Globalization is easily understood as part of the continuing history of imperialism, indeed, of capitalist development and expansion. Have the imperial structures really been dismantled, even though the empire, free as they politically seem after independence, still writes back to the (imperial) center? This paper probes into the angelic posture that globalization seems to assume in its tackling of these complexities of identities. In this age of the clamor for national literatures and criticism, which is a fundamental principle of postcolonial literatures, will globalization automatically erode the idea of a postcolonial world and literatures? Is post-colonialism in its present phase …
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …
The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique, Laura Venezia
Communication Studies
This project explicates the nature of the rhetorical strategies, especially the call response, used by various African American artists and orators (Frederick Douglass, Martin Luther King Jr., Malcolm X, Grandmaster Flash and the Furious Five, and Public Enemy). The techniques include the interplay of repetition and heightening emotion provided especially through 1. using the “call response” directly, 2. announcing jeremiad warnings and rallying cries, and 3. using potent images to arouse emotions—the objective correlative.
Interview With Danny Davis, Terence Sims
Interview With Danny Davis, Terence Sims
Chicago Anti-Apartheid Movement
Length: 67 minutes
Oral history interview of Danny Davis by Terence Sims
Dr. Davis begins by outlining his introduction into activism and politics, when he served as executive director for the Greater Lawndale Conservation Commission in 1968. He explains how his definition of apartheid, which he is still fighting against, encompasses the massive underrepresentation of Black Americans in U.S. government positions. He details his childhood in rural Arkansas, growing up with ten siblings on a farm. He recalls early figures in the Civil Rights Movement in Arkansas, like the Little Rock Nine and Martin Luther King, Jr. He explains how …
Interview With Helen Shiller, Jacob Martin Lingan
Interview With Helen Shiller, Jacob Martin Lingan
Chicago Anti-Apartheid Movement
Length: 50 minutes
Oral history interview of Helen Shiller by Jacob Martin Lingan
Ms. Shiller first outlines the path that led her to forming the Anti-Apartheid Ordinance, beginning with her work with the Minister of Information for ZANU (Zimbabwe African National Union) and a trip to Zimbabwe, Mozambique, and South Africa, which led to her interest in the latter. She recalls how, when she returned to Chicago, she was motivated to strengthen legislation against the Apartheid government. She describes the process they went through to force Chicago banks to divest from South Africa, which happened to coincide with Nelson Mandela’s …
Amazigh Legitimacy Through Language In Morocco, Sarah R. Fischer
Amazigh Legitimacy Through Language In Morocco, Sarah R. Fischer
Human Rights & Human Welfare
Contemporary Morocco rests at a geographic and developmental crossroads. Uniquely positioned on the Northwestern tip of Africa, Morocco is a short distance away from continental Europe, cradled between North African tradition and identity, and Western embrace. The landscape is varied: craggy mountains trail into desert oases; cobbled streets of the medina anchor the urban centers; mud homes dot the rural countryside. Obscured from the outside observer, behind the walls of the Imperial cities and between the footpaths of village olive groves, Morocco’s rich and diverse Arab and Amazigh cultures and languages circle one another in a contested dance. Morocco’s identity …
Stressful Life Events And Interpersonal, Religious, And Spiritual Changes, Paul Murdock
Stressful Life Events And Interpersonal, Religious, And Spiritual Changes, Paul Murdock
All-Inclusive List of Electronic Theses and Dissertations
Survivors of stressful life events and traumatic experiences often report positive psychological changes “...as a result of the struggle with highly challenging life circumstances” (Tedeschi & Calhoun, 2004, p. 1). Three often reported areas of growth include having a greater appreciation for life in general, new priorities, and an increased significance placed on interpersonal, spiritual or religious issues. Despite reports of positive changes, the literature on stress-related growth (SRG) is inconclusive as to whether SRG is an illusion or represents actual change. For example, no studies to date appear to use longitudinal data, objective indictors, or behavioral measures of change. …
Interview With Funeka Sihlali, Renell Schubert
Interview With Funeka Sihlali, Renell Schubert
Chicago Anti-Apartheid Movement
Length: 92 minutes
Oral history interview of Funeka Sihlali by Renell Schubert
Ms. Sihlali begins by describing her childhood in King William’s Town when the Apartheid regime was instituted, living in government housing with her family in a single-room house with no bathroom, sharing a toilet with four other households. She explains having to learn the customs which were different from that in her home, for example, to look at African elders was a sign of disrespect, but outside of the home, she had to learn to make eye contact with white people to keep them from seeing her as …
Interview With Otis Cunningham, Danny Fenster
Interview With Otis Cunningham, Danny Fenster
Chicago Anti-Apartheid Movement
Length: 98 minutes
Oral history interview of Otis Cunningham by Danny Fenster
Mr. Cunningham begins by explaining what it was like growing up amidst the Civil Rights Movement in Chicago, witnessing the reactions to the assassinations of Malcolm X and Martin Luther King, Jr. He explains how he first became involved in activism for African liberation movements when he joined the African-American Solidarity Committee where he served on the editorial board of their journal and he elaborates on the work they did. He recalls the social gatherings that sprung up through the movement. He explains the complicated history and relationships …
Interview With Carol Thompson, Marcia Monaco
Interview With Carol Thompson, Marcia Monaco
Chicago Anti-Apartheid Movement
Length: 91 minutes
Oral history interview of Carol Thompson by Marcia Monaco
In this interview, Carol Thompson recalls her involvement and work in the anti-apartheid movement. She explains that her awareness of the anti-Apartheid movement began while at Northern Illinois University, but she first became involved after she moved to Chicago, when she met South African author, Donald Woods, which led to her involvement in the Dennis Brutus’ defense committee. She recalls that she initially worked with Clergy and Laity Concerned and later, alongside Prexy Nesbitt, became a founding member of CIDSA, which was committed to passing legislation in Chicago …
Interview With Michael Elliott, Brian Gibson
Interview With Michael Elliott, Brian Gibson
Chicago Anti-Apartheid Movement
Length: 56 minutes
Oral history interview of Mike Siviwe Elliott by Brian Gibson.
Mr. Elliott begins by recounting his childhood in Detroit, raised in a working-class union neighborhood on the west side of the city. He talks about his early challenges in school, attending an alternative school where he received his GED, then attending Oakland University in Rochester, Michigan where he studied political science for three years. He explains how he first became involved in activism, working for the Black Panthers when he was young and serving as chair of the Association of Black Students in college. He recalls how …
Interview With Anne Evens, Beth Thenhaus
Interview With Anne Evens, Beth Thenhaus
Chicago Anti-Apartheid Movement
Length: 84 minutes
Oral history interview of Anne Evens by Beth Thenhaus
Ms. Evens begins by recalling her childhood memories, growing up in Evanston with two academic parents. She began her work in activism during high school, demonstrating for stricter gun control laws and against racism. She explains how she first learned about Apartheid South Africa as she learned about the struggle of Palestinian people in Israel and the economic ties between the two countries. She explains how she became involved in anti-Apartheid efforts on her first day of college when she was introduced to the South African Divestment Coalition, …
Interview With Prexy Nesbitt, Erin Mccarthy
Interview With Prexy Nesbitt, Erin Mccarthy
Chicago Anti-Apartheid Movement
Length: 350 minutes
Oral history interview of Rozell 'Prexy' Nesbitt by Erin McCarthy, PhD in 2009. Transcript created by Katherine Philipson, summer 2017
Prexy Nesbitt recounts his childhood in the Lawndale neighborhood of Chicago, Illinois, living in the family-owned apartment building with eleven flats and multi-racial family and friends. He speaks about his education at Francis Parker school and his first trip to African while a student at Antioch in Dar es Salaam, Tanzania, where he began his anti-apartheid work in the early 1960s,He recalls his years of activism with governments, organizations, and political groups, including the the six liberation …
From "No Country" To "Our Country!" Living Out Manumission And The Boundaries Of Rights And Citizenship, 1773-1855, Scott Hancock
From "No Country" To "Our Country!" Living Out Manumission And The Boundaries Of Rights And Citizenship, 1773-1855, Scott Hancock
Africana Studies Faculty Publications
During the Revolutionary War and the first decades of the early U.S. Republic, as free people of color sought to define their place in the new nation, they expressed little connection to an American nationality. But antebellum black leaders later articulated a powerful vision of Africans and Americans. As slaves and free blacks had done during the Revolutionary era, they based this African American identity in part upon a biblical view of human rights and a natural rights philosophy, but they also buttressed black identity formation by making a rights discourse the fulcrum of their argument for full inclusion in …
Translating The Transatlantic : West African Literary Approaches To African American Identity, Kelly Opal Secovnie
Translating The Transatlantic : West African Literary Approaches To African American Identity, Kelly Opal Secovnie
Legacy Theses & Dissertations (2009 - 2024)
My dissertation, Translating the Transatlantic: West African Literary Approaches to African American Identity, takes a literary-historical approach to the question of Anglophone West African conceptions of African American identity, an often overlooked topic. It represents an important intervention in the fields of African diaspora and African literary studies, both of which continue to suffer from a US-centric view of Africa, and supplements work done in postcolonial theory and cultural studies to include West African conceptions of cultural translation. My project also examines numerous plays by Ghanaian and Nigerian playwrights to understand the ways that African American characters and culture are …
Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga
Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Postcolonial discourses describe colonization as a process of invention to impose the will of a conquering West on "backward" societies. The will to power conjugated with the need for row materials served as the main catalysts. They put side by side a hegemonic intruder bent on duplicating itself, and a powerless and compliant native unable to react to the blitz of transformations. Hence, the master/slave or father/child relationships that describe the colonial framework. The task is to interrogate these generally accepted assumptions and binary oppositions. Although marginalized, the Congolese native was unwilling to become on object for the colonizer's gaze. …
Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy
Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy
Présence Francophone: Revue internationale de langue et de littérature
During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …
Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang
Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang
Présence Francophone: Revue internationale de langue et de littérature
Critical evaluations of African cinema have tended in the past to confi ne the analysis of this corpus to its content. In books and articles published earlier, the colonial and postcolonial history of the continent abound, social dramas are explained at length, thefts at all levels, cultural mystifi cation, corruption as well as violence are amply described. The insights of such an approach notwithstanding, the aesthetic sources of African cinema are not limited to the rural and the traditional. Through a comparison of Vittorio De Sica Bicycle Thief and Sembène’s Borom Sarret, this paper argues that african cinema inserted itself …
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Présence Francophone: Revue internationale de langue et de littérature
As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …
L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case
L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case
Présence Francophone: Revue internationale de langue et de littérature
The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …
Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër
Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër
Présence Francophone: Revue internationale de langue et de littérature
From the 1980s, writers in the francophone diaspora have examined the post-colonial African identity and its portrayal, according a special place to stereotyping. Thus, they denounce not only its tyrannical hold, but also the devastating effect of stereotyping on individuals and societies. Paradoxically, they show how stereotyping can offer to the post-colonial subject a means of manipulating identity features, therefore, of avoiding predetermination. In its study of, mainly, Biyaoula’s L’impasse, this article also proposes to show how the stereotypes, going beyond the limits of theory, is reborn within he body, becoming a veritable enclosure for forgery of identity.
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Présence Francophone: Revue internationale de langue et de littérature
constant and paradoxical paradigm, violence is at the core of the Malagasy writer, Jean-Luc Raharimanana’s work. What are its representations, its modulations and functions in his shortstories, his novel, Nour, 1947, and his narrative, L’arbre anthropophage ? His poetic elaboration of violence puts his production at the juncture of postmodern and committed literatures and gives it a singular value in the world of postcolonial literature.
Radicalism And Cultural Dislocation In Ethiopia, 1960-1974, Messay Kebede
Radicalism And Cultural Dislocation In Ethiopia, 1960-1974, Messay Kebede
Philosophy Faculty Publications
During the 1960s and early 1970s, a majority of Ethiopian students and intellectuals adopted a Marxist-Leninist ideology with fanatic fervor. The leading force in an uprising against the imperial regime of Emperor Haile Selassie, they played a decisive role in the rise of a Leninist military regime. In this original study, Messay Kebede examines the sociopolitical and cultural factors that contributed to the radicalization of the educated elite in Ethiopia, and how this phenomenon contributed to the country's uninterrupted political crises and economic setbacks since the Revolution of 1974.
Offering a perspective garnered from his direct participation in the student …
La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou
La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou
Présence Francophone: Revue internationale de langue et de littérature
This paper intends to study the stories of witnesses of the genocide of the Tutsi people in Rwanda from the angle of both History and Justice. It analyses how the actual event is brought back by the victims’s stories and shows the tormentors that the lives they have undone have been redone in defiance of the effort to wipe out all traces, the basic idea of genocide. Furthermore, the witnesses report seems to be a judiciary scene where, trying to understand what has happened, the victims put themselves in the witness box of their conscience in order to find their …
Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda
Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda
Présence Francophone: Revue internationale de langue et de littérature
this article analyzes the status of testimony in Mukagasana’s La mort ne veut pas de moi and N’aie pas peur de savoir, by bringing out the main narrative strategies allowing to get round the unspeakable. It demonstrates the connection of the testimony, the memory and the history of the genocide in Rwanda as event which marked the humanity in 20th century. This link is studied through the conditions and the postures of testimony, the textual marks of dentification of the addressees and the roles of the testimony.
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Présence Francophone: Revue internationale de langue et de littérature
Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.
Témoigner : Les Voies De La Connaissance, Catalina Sagarra
Témoigner : Les Voies De La Connaissance, Catalina Sagarra
Présence Francophone: Revue internationale de langue et de littérature
The author analyzes the narrations of Survivors of the genocide of the Tutsi, in 1994. A particular attention is paid to how the witnesses express two affects : guilt and responsibility. Their life stories explore these concepts which help them to carry out a search for Truth, which is deeply linked with the sufferings the horror of the past inflicted to them to the point of being haunted by the past. The Survivors ask themselves an array of questions, not always finding a satisfying answer which could bring them some peace. They address their questioning to different agents, telling them …
Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre
Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre
Présence Francophone: Revue internationale de langue et de littérature
In her book entitled Tutsie, etc., Rwandan Swiss author Maggy Corrêa recounts how in july 1994, she was able to rescue her mother from the Rwandan genocide of the Tutsi. This essay begins by examining the status of the testimonial genre within the literary institution. Then, based on Maggy Corrêa’s text, the analysis will demonstrate how Derrida’s concept of sacramentum can be traced in Corrêa’s adventure, and how this same notion proved to be absent from the United Nations’s discourse taking place in Geneva at the same time.
La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana
La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana
Présence Francophone: Revue internationale de langue et de littérature
The narrative about surviving is by definition an impossible narrative due to the enormity and absurdity of the tragedy. It is characterized by a fragmentary aspect which is a sign of its resistance to utterance. Based on Révérien Rurangwa’s Génocidé, the following reflection proposes to read the fragment as a manifestation of a traumatic memory that language fails to carry out due to the distortion of the signifying process in which the signified seems to take priority to the signifier. The fragment, thus, can be seen as an attempt to recuperate the symbolic, attempt that is always ''unsuitable'' due to …