Open Access. Powered by Scholars. Published by Universities.®
African Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- College of Saint Benedict and Saint John's University (38)
- SIT Graduate Institute/SIT Study Abroad (33)
- College of the Holy Cross (20)
- Bowling Green State University (16)
- Claremont Colleges (9)
-
- City University of New York (CUNY) (7)
- Walden University (7)
- Gettysburg College (4)
- American University in Cairo (3)
- Louisiana State University (3)
- Purdue University (3)
- University of Nebraska - Lincoln (3)
- University of New Hampshire (3)
- East Tennessee State University (2)
- Kennesaw State University (2)
- Old Dominion University (2)
- Portland State University (2)
- Seton Hall University (2)
- Stony Brook University (2)
- Syracuse University (2)
- University of Denver (2)
- University of Louisville (2)
- Washington University in St. Louis (2)
- Wilfrid Laurier University (2)
- Antioch University (1)
- Augustana College (1)
- Bemidji State University (1)
- Butler University (1)
- Cal Poly Humboldt (1)
- California Polytechnic State University, San Luis Obispo (1)
- Keyword
-
- Sudan (20)
- Women (14)
- Darfur (7)
- Identity (7)
- Feminism (6)
-
- Racism (6)
- South Africa (6)
- Colonialism (5)
- Gender (5)
- Humanitarian crisis (5)
- Patriarchy (5)
- Refugees (5)
- Religion (5)
- Africa (4)
- Diversity (4)
- Immigration (4)
- Integration (4)
- Intersectionality (4)
- Literature (4)
- Marriage (4)
- Nigeria (4)
- Peacebuilding (4)
- Rapid Support Forces (4)
- Violence (4)
- Writing (4)
- African women (3)
- Body (3)
- Cape Town (3)
- Comparative literature (3)
- Education (3)
- Publication Year
- Publication
-
- The Journal of Social Encounters (37)
- Independent Study Project (ISP) Collection (31)
- Présence Francophone: Revue internationale de langue et de littérature (17)
- International ResearchScape Journal (16)
- Walden Dissertations and Doctoral Studies (7)
-
- Journal of Amazigh Studies (6)
- Electronic Theses and Dissertations (4)
- Publications and Research (4)
- Anthropology (3)
- LSU Doctoral Dissertations (3)
- Black Studies Faculty Publications and Presentations (2)
- CLCWeb: Comparative Literature and Culture (2)
- Capstone Collection (2)
- Department of English Faculty Publications (2)
- Dissertations (2)
- Dissertations, Theses, and Capstone Projects (2)
- Faculty and Staff Scholarship (2)
- Graduate School of Art Theses (2)
- Master's Theses (2)
- SURGE (2)
- Seton Hall University Dissertations and Theses (ETDs) (2)
- Student Publications (2)
- Theses and Dissertations (2)
- Theses and Dissertations (Comprehensive) (2)
- Women's & Gender Studies Faculty Publications (2)
- African American Studies - All Scholarship (1)
- All-Inclusive List of Electronic Theses and Dissertations (1)
- Anthropology Theses and Dissertations (1)
- Antioch University Dissertations & Theses (1)
- Archived Theses and Dissertations (1)
- Publication Type
Articles 181 - 206 of 206
Full-Text Articles in African Languages and Societies
Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga
Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga
Présence Francophone: Revue internationale de langue et de littérature
A reflective, first-person account, Benjamin Sehene’s Le feu sous la soutane is the story of memories of a double crime of rape and genocide by a Catholic priest, Father Stanislas. At the beginning of the killings of the Tutsi, some people take refuge in a parish in Kigali. Its priest takes under his protection a few Tutsi women, hiding them in the presbytery. But, the Holy man will rape them. He also participates alongside with the Hutu militia to the extermination of the Tutsi who came to take refuge in the parish. Later the priest took refuge in France where …
Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon
Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
The comedy of manners presented in the form of play or in the form of sketches or playlet by the medium of videos and DVDs is a phenomenon that develops in Guadeloupe, Martinique and Guyana, but also in France. These productions are the link between communities in the Creole area (Guadeloupe, Martinique and Guyana) and the outside (metropolitan France and diaspora). They will be analyzed for their popular and scholarly features between erudite comedy and farce, between traditional and postcréolitaire cultural affirmation, between Creole and French, between Italian theatre and yardplay, between creole comedy and vaudeville, between negropolitan diaspora and …
Negotiating Multiple Identities:The Experiences Of African-Ancestral Lesbians, Damaliah D. Gibson
Negotiating Multiple Identities:The Experiences Of African-Ancestral Lesbians, Damaliah D. Gibson
Seton Hall University Dissertations and Theses (ETDs)
.
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Présence Francophone: Revue internationale de langue et de littérature
As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …
La Parole Au Féminin : La Narratrice De Cette Fille-Là De Maïssa Bey, Ana Soler
La Parole Au Féminin : La Narratrice De Cette Fille-Là De Maïssa Bey, Ana Soler
Présence Francophone: Revue internationale de langue et de littérature
In Maïssa Bey’s novel, Cette fille-là, the character of Malika serves as a narrative plea for change. Since her childhood, Malika has strived to create an inward, personal imaginary for herself, as a defence mechanism against a hostile environment. In the workhouse, she adopts the role of storyteller for all those companions of hers, excluded as she is, from society. As the receptor of confidential information, she delights in verbally re-enacting their intimate stories, sprinkling them with accounts of her own experiences. By thus establishing Marika’s voice as a “link-route” to the novel’s subjacent vocal polyphony, the character is presented …
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Présence Francophone: Revue internationale de langue et de littérature
Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.
« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi
« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi
Présence Francophone: Revue internationale de langue et de littérature
This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …
Le Lecteur Face Aux Stéréotypes : Entre Participation Et Distanciation, Valérie Lotodé
Le Lecteur Face Aux Stéréotypes : Entre Participation Et Distanciation, Valérie Lotodé
Présence Francophone: Revue internationale de langue et de littérature
In some of Rachid Boudjedra’s novels, the study of stereotyped representations proves particularly operational to define the interaction between virtual reader and characters. This article aims to analyze the reader’s reactions to stereotypes. It also attempts to show how the reader oscillates between a participatory reading – during which, recognizing a traditional ideological speech, he is charmed by fiction – and a distancing reading. By means of the analysis of female and male archetypes, this paper will also reveal the implicit reader’s face, and more specifically his/her sexual identity.
L’Espace Sexué Dans Riwan Ou Le Chemin De Sable De Ken Bugul, Antje Ziethen
L’Espace Sexué Dans Riwan Ou Le Chemin De Sable De Ken Bugul, Antje Ziethen
Présence Francophone: Revue internationale de langue et de littérature
In Riwan ou le chemin de sable by Ken Bugul, the protagonist lives in the interstice between her own house and that of her husband’s, between the life of a woman educated in Europe and the life of a wife subjected to the laws of mouridism. In her circular movement along the sandy road evoked in the novel’s title, she gradually creates a space that allows her to reconcile the two facets of her identity. Merging different genres, stories and languages, the text itself enacts the symbolism of the road as a transitional sphere.
Review : Female Identity In Contemporary Zimbabwean Fiction By Katrin Berndt., Ann Elizabeth Willey
Review : Female Identity In Contemporary Zimbabwean Fiction By Katrin Berndt., Ann Elizabeth Willey
Faculty and Staff Scholarship
No abstract provided.
Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno
Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno
Présence Francophone: Revue internationale de langue et de littérature
This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan
Présence Francophone: Revue internationale de langue et de littérature
In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.
Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler
Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler
Présence Francophone: Revue internationale de langue et de littérature
The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.
Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly
Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly
Présence Francophone: Revue internationale de langue et de littérature
Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�
L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam
L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam
Présence Francophone: Revue internationale de langue et de littérature
Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.
'The Aids Is Coming And There Is Nowhere To Run...': Culture, Gender, And The Politics Of Kisongo Maasai Women And Girls' Vulnerability To Hiv/Aids (Immune Deficiency, Tanzania), V. Corey Wright
Theses and Dissertations (Comprehensive)
This thesis outlines the research findings and implications for practice generated from the, “A Gender Issue: Reducing the Vulnerability of Kisongo Maasai Girls to HIV/AIDS” project, which was a participatory action research (PAR) study in collaboration with the Kisongo Maasai in Northern Tanzania. The objectives of the study were to explore the factors that may contribute to girls’ vulnerability to HIV/AIDS, and develop a culturally-specific framework that may contribute to effective design and administration of program and policy-level interventions. The findings of this study illustrate the ‘politics of health’ that determine girls’ vulnerability to HIV/AIDS. It presents a cultural analysis …
Time To Make History, Time To Educate Women: A Narrative Of The Life And Work Of Christiana Thorpe Of Sierra Leone, Whitney Mcintyre Miller
Time To Make History, Time To Educate Women: A Narrative Of The Life And Work Of Christiana Thorpe Of Sierra Leone, Whitney Mcintyre Miller
Education Faculty Articles and Research
An examination of the life of Christiana Thorpe, a former nun from Sierra Leone who worked to improve education for girls and served as the only woman in a cabinet of nineteen members (as Minister of Education), then worked with the United Nations Development Programme and UNESCO amidst war and rebellion in her country.
Ritual And Roles For Women In Werewere Liking's L'Amour-Cent-Vies., Ann Elizabeth Willey
Ritual And Roles For Women In Werewere Liking's L'Amour-Cent-Vies., Ann Elizabeth Willey
Faculty and Staff Scholarship
No abstract provided.
Book Review: Musa W. Dube, Ed., Other Ways Of Reading: African Women And The Bible, Vincent L. Wimbush
Book Review: Musa W. Dube, Ed., Other Ways Of Reading: African Women And The Bible, Vincent L. Wimbush
CGU Faculty Publications and Research
This is a book review.
Nadine Gordimer's Fictional Selves: Can A White Woman Be At Home In Black South Africa?, Nancy Topping Bazin
Nadine Gordimer's Fictional Selves: Can A White Woman Be At Home In Black South Africa?, Nancy Topping Bazin
Women's & Gender Studies Faculty Publications
(First paragraph) Growing up in South Africa where only 5.6 million people are white out of a population of 37.9 million, Nadine Gordimer became increasingly conscious of her whiteness1. The colour of her skin instantly signaled 'oppressor' to black South Africans. Her whiteness imposed upon her a social and political identity that she rejected; yet, it was like a face she could not wash off, a mask she could not take off. As she said in a 1978 interview, 'In South Africa one wears one's skin like a uniform. White equals guilt' (Bazin & Seymour 1990:94). She often …
Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa
Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa
French Language and Literature Papers
To what extent can we say that both Lacrosil and Bugul rewrite Fanon? Through the study of Cajou and Ken, respectively the Guadeloupean and the Senegalese female protagonists, this article proposes a way to derive a specifically female perspective on colonial violence. The essay focuses on the two novels, Cajou and Le baobab fou, and examines the effect of colonial epistemological violence and its specific impact on the black female’s subjectivity. The protagonists Ken and Cajou revisit their initial trauma in a quest for knowledge of their historical heritage and engage in a dialogue with Frantz Fanon, representative of black …
Book Announcement: Women, Art And Geometry In Southern Africa, By Paulus Gerdes
Book Announcement: Women, Art And Geometry In Southern Africa, By Paulus Gerdes
Humanistic Mathematics Network Journal
No abstract provided.
O Lenço Da Minha Mãe...A Reflection, Alicia Veiga
O Lenço Da Minha Mãe...A Reflection, Alicia Veiga
The Griot
A young Cape Verdean woman reflects on the head scarf worn by her mother. The head scarf serves as a symbol of her mother's strength, culture and constant presence in her life despite a move from Cape Verde to the United States.
The Process Of Changed Meanings: A Study Of The Canadian Experience Of Somali Women In The Kitchener-Waterloo Area In Regard To Female Circumcision (Ontario), A. La Ferne Clarke
The Process Of Changed Meanings: A Study Of The Canadian Experience Of Somali Women In The Kitchener-Waterloo Area In Regard To Female Circumcision (Ontario), A. La Ferne Clarke
Theses and Dissertations (Comprehensive)
This thesis tracks the process of changed meanings. My research tells the fictitious story of a Somali woman named mary. She has been in Canada for less than five years, and she moved to the Kitchener-Waterloo area, almost immediately. The narrative tells of her transition and the issues she had to handle. Female circumcision is the central issue in the story. mary's thought process as she moves from a country that supports female circumcision to a country that calls this practice female genital mutilation has to change if she decides not to circumcise her daughter. This Canadian story should guide …
Coping Amidst Crisis: The Narrative Of Five Sudanese Women, Nada Mustafa Mohamed Ali
Coping Amidst Crisis: The Narrative Of Five Sudanese Women, Nada Mustafa Mohamed Ali
Archived Theses and Dissertations
No abstract provided.
Buchi Emecheta : A Novelist's Image Of Nigerian Women, Kirstin Lynne Ellsworth
Buchi Emecheta : A Novelist's Image Of Nigerian Women, Kirstin Lynne Ellsworth
Undergraduate Honors Thesis Collection
Nigerian novelist Buchi Emecheta writes about the lives of twentieth century Nigerian women. Living during the post-World War II decades of British colonialism, and the subsequent move towards Nigerian Independence in the 1950s, Emecheta's women are affected by some of the most dramatic social and cultural changes in their country's history. Colonialism brings with it abrupt changes in the degree of political power held by Nigerians in their own country, and fosters the urbanization and expansion of market centers like Lagos, based on exploitative systems of raw material extraction for the colonial power. Imposing an increasingly western sensibility on Nigeria, …