Open Access. Powered by Scholars. Published by Universities.®
![Digital Commons Network](http://assets.bepress.com/20200205/img/dcn/DCsunburst.png)
African Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- African feminism (1)
- African literature (1)
- Algeria (1)
- Ama Ata Aidoo (1)
- Anamnesis (1)
-
- Ascendancy (1)
- Calixthe Beyala (1)
- Colonization (1)
- Deterritorialization (1)
- Diaspora and Gender (1)
- Gender and Post-colonial theory (1)
- Graphic novel (1)
- Jacques Ferrandez (1)
- Literary consecration (1)
- Migratory subjectivity (1)
- Orientalism (1)
- Our Sister Killjoy (1)
- Pan-Africanism (1)
- Publishers (1)
- Representation (1)
- Reterritorialization (1)
- The female Francophone novel (1)
- Titrology (1)
- Travel narrative (1)
- Violence (1)
- Women (1)
- Publication
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in African Languages and Societies
De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer
De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer
Présence Francophone: Revue internationale de langue et de littérature
Beyala has remained faithful to the publisher Albin Michel for her fictional work since the publication of Le petit prince de Belleville in 1992, but her four fi rst novels had three different publishers. A study of her relationship with the publishing world during this period shows her desire for recognition on the Parisian literary scene, which was ready to take up the challenge by publishing the novel of an unknown African woman writer. A careful analysis of paratextual elements, in particular the titrology, and of the contents of the novels reveals that Calixthe Beyala enters into a direct conversation …
Diggin' Uncle Ben And Aunt Jemima: Battling Myth Through Archaeology, Kelley Deetz
Diggin' Uncle Ben And Aunt Jemima: Battling Myth Through Archaeology, Kelley Deetz
African Diaspora Archaeology Newsletter
No abstract provided.
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …
Can You Really See Through A Squint? Theoretical Underpinnings In The 'Our Sister Killjoy', Cheryl Sterling
Can You Really See Through A Squint? Theoretical Underpinnings In The 'Our Sister Killjoy', Cheryl Sterling
Cheryl Sterling
Ama Ata Aidoo’s Our Sister Killjoy is read as an inversion of the colonial travel narrative, addressing the continued asymmetrical power relations between Europe and Africa. The paper posits Sissie, its focal character, as a site of theoretical transformations, engaging with issues of racial subjectivity, sexuality and political positionality in relation to the neo-colonial African state. It further argues that Aidoo situates a performative self in the text through an interrogatory narrative voice that succeeds in both deforming the novelistic pattern and participating in the critique of Western subjectivity and hegemonic feminist positioning, while inserting a resistant feminist ideology into …
Women-Space, Power And The Sacred In Afro-Brazilian Culture, Cheryl Sterling
Women-Space, Power And The Sacred In Afro-Brazilian Culture, Cheryl Sterling
Cheryl Sterling
This article places Afro-Brazilian women in the midst of the discourse of globalization, in light of its impact on marginalizing women of color, economically, politically, and culturally. It extends the concept of globalizing discourses to the history of enslavement and the racialist policies in Brazilian society, as seen in its policy of embranquecimento and the myth of Brazil as a racial democracy. The article then analyzes the historic and present day role of Afro-Brazilian women in the religious tradition of Candomblé, focusing on one public festival in particular, the festa for the Yoruba-based orixá, Obaluaye, in Salvador da Bahia. It …