Arts and Humanities Commons^™

Between Scenic Designer And Director: The Collaborative Process Of Four Productions, Elizabeth R. Muller

Theses and Dissertations

This thesis presents the unique designs for four productions: Ain’t Misbehavin’, Is He Dead?, Dead Man’s Cell Phone, and Legacy of Light. Presented here are the research images, conversations, situations and their resulting designs represented in my renderings and photographs of the fully realized production. Throughout, I will state my objectives in bettering the quality of interaction with each director and my reflections on the ongoing process of creating a trusting and balanced collaborative process, one that expertly serves the production.

Creative Consciousness: Becoming A Reflective Designer, Renessa Ciampa Brewer

Critical and Creative Thinking Capstones Collection

As a graphic designer, I was drawn to the CCT Program in part because I desired to strengthen my thinking skills as a creative professional. Through being reflective, I aimed to “get more in touch” with my process to better understand it and see how I might improve my approaches. Scholarship on reflective practice in design education and design practice is a growing body of literature, which inspired this synthesis project. This paper looks at Schön’s theories of reflection-in-action and reflection-on-action, models for reflection in the design process provided by Ellmers, Brown, and Bennett, and Reymen, and various reflective practice …

Climate Change, Mfa On Ice, Christy Roberts

CGU MFA Theses

Within the confines of the body there is a longing to connect. I believe that this is a longing to connect to place and often to the others who occupy it. When this longing is not satisfied, either by place or people, tension arises. I create experiences, images, and objects that explore the tension between the body and its social, physical, and natural environment.Please see Download button in top right corner for the full statement.

Stories Of Loss And Gain, Amy L. Huynh

CGU MFA Theses

My work is about the inevitability of change and the concomitant longing for stability. It explores various manifestations of loss – death, physical distance, erasure – and the desire to hold tight to something that is already passing. The videos in this body of work convey intensely personal narratives about cultural assimilation, sexual orientation, and departure, in hopes that my own vulnerability can reveal something that is not identity-specific but human. Please see Download button in top right corner for the full statement.

Nano Rubio Mfa Thesis, Armando Rubio Jr.

CGU MFA Theses

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Bleach, Kim E. Alexander Jr.

CGU MFA Theses

The work in this exhibition investigates the unique potential for drawing to articulate the ideas and attitudes of architecture and objects. Accepting drawing as operating in conceptual space, I explore experimental loops within the visual logic of that territory. The work asserts the material fact of drawing and its connection to forms of fabrication in other materials like wood, paint, metal, and plastic. Like painting and sculpting, the drawings occupy an intangible state between objects and ideas. I embrace this irresolution. Please see Download button in top right corner for the full statement.

Andre Goeritz Mfa Thesis Statement, Andre M. Goeritz

CGU MFA Theses

I strive to make objects of no complicity--arranging smaller parts to create larger forms, or allowing the combination of parts to allude to narratives without linearity, foreshadowing, point of entry, point of attack, conflict, context, or catharsis; a state of sustained stillness until equilibrium is no longer a desired result, at which point the parts of the whole can be dismantled, reconfigured, made anew. I think about words, rhythm, inflection, resonance or timbre, vocal dissonance, dismembered disjointed utterances, and repetition--somatic impulses guided by intent. Intention translates into action--an act of will, a willful act, an act of willful intent--a marker …

Here's Looking When, Erica Ryan Stallones

CGU MFA Theses

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Back From Port-Au-Prince, Kerry L. Rodgers

CGU MFA Theses

In this body of work I aim to bring the possibility of intimacy and empathy to a city reeling from recent devastation. Before last year’s earthquake, Port-Au-Prince had been famous for its bright splashy colors; vibrant shades coated the homes, shacks, buildings and buses. But everything lost its color when it crumbled. The ubiquitous gray rubble is a constant reminder of the immense human suffering that the quake set into motion: death, displacement, and disease. Please see Download button in top right corner for the full statement.

"We'll Make Our History": Israeli And Palestinian Youth As Poetic Agents, Caleb Hamman

Undergraduate Honors Thesis Collection

This paper, in short, analyzes and argue for recognition of a particular form of political action as exercised by a particular type of political agent in the spatial and 3 symbolic context of "Israel-Palestine."

A Voice From The Dust, Gian Pierotti

Theses and Dissertations

We shall not starve. We shall not lack shelter. We shall have a hearth. Awake self reliance! Our art is for feeding, warmth, protection. Ceramics– our temporal salvation. Clay– our material life-force. Transformed by fire we arise with the skills of the ancients! No longer will we live in obscurity. To the deskilled, your fate is at hand! You have chosen alienation, distraction, banality, and sloth. Embrace your digital false Gods and die or be reborn to the natural physical world. Now, together we complete our reason for being. We create a new world of kinship. A hope for the …

Producto Centro Americano : Made In Honduras, Alma Leiva

Theses and Dissertations

PRODUCTO CENTRO AMERICANO: MADE IN HONDURAS By Alma Leiva Master of Fine Arts A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2011. Thesis Director: Robert Paris, Professor Kinetic Imaging / Photography and Film I was born in 1973 in Honduras, a country under military regime. In 1982 after 20 years of military rule, Honduras finally had democratic elections. During that decade, and as a consequence of the cold war, the kidnapping, torturing, murder and disappearance of civilians became common practices among the Honduran military. …

Multiple Media Outlets For Composition, Bethany A. Ciullo

Honors Scholar Theses

Through integrating different forms of media, the creator is able to give their audience a unique, multi-sensory experience. In my honors thesis, I concentrated on combining sight and sound as a communication tool and to further engage the observer.

The first type of media I chose to include was original solo instrument, voice, and piano songbooks focusing on lyrical playing for student and amateur musicians. I have also created audio realizations of the songs through Finale, which I then organized into CDs with the intention that the musician could understand how the music sounds before practicing. I combined the visual …

Eulogy., Megan Renee Levacy

Electronic Theses and Dissertations

The artist discusses the search for identity which underlies her Master of Fine Arts exhibition, Eulogy, hosted by the Carroll Reece Museum on the campus of East Tennessee Sate University, Johnson City, Tennessee, from March 8 to May 6, 2011. This exhibit contains works which explore the artist's relationship with the natural world, ornithology, philosophy, psychology, poetry, and related personal influences.

The artist's thesis work consists of paintings, drawings, and photographs. The artist references her own investigation of poetry, philosophy, psychology, and personal history which have shaped a private sense of awareness. Also reviewed are the influences of artists …

"By Reason Of Birth", Cheyenne Kody Crawford

Masters Theses, 2010-2019

This written monograph is intended to parallel my MFA thesis show, “by reason of birth”. These written accounts from my childhood are specific occurrences in my life that influenced the creation of this work. Through the combination of written and made work, I recall an ambiguous past that allows the viewer to infer his or her own personal histories alongside mine.

Fixing Belief: Artificial Preservatives, James Walker Tufts Iv

Masters Theses, 2010-2019

Research opened with inquiries into the state space of the self and various modalities of the construction of the self. Flawed research design led towards a loss of original focus, spaces opened accordingly. Early sculptural work looked towards a semantic flattening through flushing out and digitally manipulated photographic and video work investigated avenues of ocular-centric landscape construction. Photoshop CS5 and its Content Aware Fill tool were engaged as collaborator and animations ensued. Hesitant time-based sketches were developed to suggest work incomplete and instead took their place. Space-based sketches followed, using the multiple to thwart focus on parts and draw it …

Ragland, Mark S. (Fa 559), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 559.  Paper:  "Influence of Popular Culture on the Subject of Art," done by Mark S. Ragland as part of a folk studies class at Western Kentucky University.  Includes an interview done by Ragland with artist and art educator Michael Taylor about the influence of popular culture on art, with particular emphasis on the pop art genre.

A Case Study On Perspectives, Whitney Tallarico

Senior Honors Projects

The Rhode Island Training School becomes a home to juvenile offenders of the law.  Home, in so far as it is a place that they sleep, eat, and spend a lot of time in, as well as the atmosphere in which learning and growth occur during the adolescent phase of their lives.  There is a very high rate of released inmates who return to the facility for things like running away from group homes, not checking in with their parole officers, or other misdemeanors.  It is my belief that this is, at least in part, due to the fact that …

A New View, Meaghan Mulligan

Art & Art History

No abstract provided.

2011 Forces, Scott Yarbrough

Forces

No abstract provided.

The Anxious Fields Of Play, Luther Kroman

Theses and Dissertations

I see myself as a maker. Most of what I do is make paintings, but to define myself as a painter puts other projects at a critical disadvantage, labeling them as “side projects.” Robert Morris once said that although visually his work may vary a great deal, he felt the ideas flowed throughout the work. I like this idea. The role of the studio and the idea of play as both diligent investigation and a way of playing a game with the viewer is part of what I will discuss. In addition, I use game spaces as a surrogate to …

Measured Chance, Brian R. Kluge

School of Art, Art History, and Design: Theses and Student Creative Work

In my practice I use clay to make enigmatic, non-representational sculptures that employ reductive geometry and archetypal forms. By pressing clay into a variety of molds, it is my intention to contrast a primal crudeness with a skilled precision in my handling of the material. I fabricate objects that range in scale from handheld to human- size. In this work, I combine references to the forms of manmade things with surfaces that allude to age and wear resulting from natural patinas that occur on stone, wood, or metal. This body of work shares qualities with the Minimalist and Earth Art …

Signs And Symbols: Art And Language In Art Therapy, Malissa Morrell

Journal of Clinical Art Therapy

This paper is a preliminary attempt at theory building by exploring the use of art and language in art therapy through a theoretical inquiry model. Inductive and deductive processes are used to explore literature from the fields of psychology, art philosophy (particularly aesthetics), and linguistics. Concepts common to each of these disciplines are then further explored through the lens of bilingual therapy. Practical applications are discussed, along with suggestions for future research.

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Administration Documents

Exhibition catalog showcasing the work of senior art students in a variety of mediums.

Echoes, Justin Huffman

CGU MFA Theses

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Gesamtkunstwerk And Other Trifles: Poems, Derk A. Olthof

Theses and Dissertations

In all their various categories, the arts serve as the dominant subject matter of Gesamtkunstwerk and Other Trifles. The title itself begins with a German word-meld—gesamt (total) + kunstwerk (work of art). Thus a primary aim of these poems is to bring as many elements of art together as possible and to use their various forms (self-portraits, nocturnes, odes, etc.) as metaphorical frameworks that inform abstractions such as regret ("How to Draw Regret"), psychological disorders ("Insomnia Nocturnes") and confusion in how one should feel about living realities as opposed to inanimate objects ("Dead Starling"). Most of the poems …

Kenneth Burke, John Dewey, And The Rhetoric Of Aesthetics, Meridith Reed

Theses and Dissertations

Kenneth Burke and John Dewey each published books on aesthetics in the 1930s. These texts present parallel conceptions of aesthetics as holding a distinctly rhetorical role in society. My project is to line up these theories, focusing particularly on two key terms in each theory: Burke's eloquence and Dewey's expression. Together, these two terms explain what constitutes an aesthetic experience and explain how an aesthetic experience can open up individuals in a society to a variety of perspectives and identifications. As individuals are allowed to inhabit the experiences of others through their interactions with art, they are poised to …

Push The Button//Start The Show, Davin K. Knight

CGU MFA Theses

My work is based in mediation and simulation via machines. The pieces in this exhibition are hybrids of object and image, dealing directly with the process of rearranging information. They are frenetic optical renderings of time, space, light, and motion. They are signs without clear indication, formal without express composition and flat without abandoning illusionistic space. Please see Download button in top right corner for the full statement.

Domestic, Anne-Elizabeth Sobieski

CGU MFA Theses

Los Angeles based painter Anne-Elizabeth Sobieski works in oil on linen. Using saturated colors and lush textures, she processes daily life, exploring emotional undercurrents, inevitable loss, and the instinct to protect what is loved.Please see Download button in top right corner for the full statement.

Line Relationships: More To Lines Than Meets The Eye, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Lines in stained glass artwork are important design features. With copper foil and lead came techniques, they are often prominent and black with the light source behind them. Carefully designed and implemented lines can enhance the sense of depth in a picture and have a rather paradoxical nature in our work. I find that I have a rather complicated relationship with my lines.