Arts and Humanities Commons^™

Engaging Chinese Visitors; A Visitors Study At The Rubin Museum Of Art, Chang Chia Liu

Dissertations and Theses

No abstract provided.

On The Living Museum; Alexander Dorner And The Israel Museum, Jerusalem, Jacqueline M. Goldstein

Dissertations and Theses

No abstract provided.

Wilde And Wonderful: The Ultimate Aesthete's Redefinition Of Individualism, As An Idealist, And Then As An Outcast, Anna Brill

CMC Senior Theses

Oscar Wilde redefined the relationship between Life and Art, and attempted to live in the style of the characters in his works: pursuing Beauty. His view of Life as imitating Art played a crucial role in his definition of Individualism. In his works, he explored how one develops one's personality and Individuality, and society's role in suppressing the Individual. He firmly believed that Life and ugliness were inextricably intertwined, and that society's moral structure was to blame. Popular in his time as an artist, he made it a point in his writing and in his work to stand apart from …

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

Teaching Children How To Like Balanced Meals, Harumi Norasakkunkit

All Graduate Theses, Dissertations, and Other Capstone Projects

Growing up in Japan, balanced meals were always provided at home, at schools and even at restaurants. Unfortunately, children are not going to choose balanced meals from the start, so this habit has to be instilled by parents and by the educational system until it eventually becomes a personal preference for children. If children are simply given the choice to eat whatever they want from the beginning, it is unlikely that this preference will ever be developed. The emphasis of nurturing the habit of eating balanced meals, rather than just eating preferred foods, is what is particular about Japanese parenting. …

To See The World Clearly: - Painting, The Camera Obscura And The Lens Of Spinoza, Paul Uhlmann

Research outputs 2012

My practice-led PhD research project seeks to find ways to create immersive painting installations to invoke contemplation of immanence, interconnectedness and impermanence in the mind of the viewer. In this paper I will discuss the methodology of my practice-led research as it relates to the concept of sensation (Deleuze) in relation to the body and to painting. In addition to this I will outline ways in which Spinoza’s monist concept of ‘one substance’ has illuminated and influenced my thinking and work. Central to this concept is the notion that mind and matter are not two separate things but one thing. …

Perry B Marks • Artist Statement, Perry B. Marks

CGU MFA Theses

My work cuts through the distractions and travesties of modern American life, revealing the nonsense that multinational corporations spew. Consumption as a way of life is now a familiar part of the global culture. Political and corporate icons have made their way into individual identity by means of branding, product placement and crossover promotion. They are ubiquitous, embedded in myriad experiences to attract, entertain and satisfy artificially stimulated appetites. Similar to placating drugs, they function like the bread and circuses of the Roman Empire.

My process breaks down elements and symbols from the past and present, remixing old and new …

Why Not Kinkade? An Evaluation Of The Conditions Effecting An Artists Exclusion From Academic Criticism., Kelly Drum Moran

Electronic Theses and Dissertations

Though prevalent in non-academic debate, the subject of Thomas Kinkade and his artwork is discernibly absent from the realm of academic discourse. This paper is an investigation into that condition and the circumstances for its perpetuation. Central to the issue is Kinkade's art theory and practice, which establishes his coexistence in both the art and business domains, creating inherent contradictions. Further explication is revealed through an evaluation of the contemporary criticism of four posthumously canonized artists: William Blake, Phillip Otto Runge, Vincent van Gogh, and Henri Rousseau. Consistencies among them correlate to the treatment of Thomas Kinkade, suggesting a common …

The In-Between, Derrick Logan

All Theses

This body of work explores my perception of the landscape. I traverse spaces that exist in the in-between. My work functions on a personal level in that I am seeking a reconnection with my surroundings through a physically intense interaction with the land. It is an attempt to reengage the land, to form knowledge, awareness, and a sense of belonging.
Through performance I explore transcendent potential within the landscape. These performances of slow walks through the landscape are documented through video. Viewing of the documentation grants points of projection for the viewer. The videos both engage and undermine how people …

Magic Meat, Adam Stewart

All Theses

Have you ever been really secure in what it means to be? If not, it's ok. If so,
don't be delusional. Either way, I have created a series of devices that present the
challenges of self-division and fluctuation, and reveals this complicated human
characteristic not as a product of being broken, fractured, and dysfunctional, but as an
advantageous ability to adopt complex multiple perspectives, sometimes simultaneously.
These devices can be thought of as 'gym equipment' to exercise the more
immaterial, invisible portions of ourselves. Strengthening the connections between
physicality and the mental/emotional aspects of our bodies demonstrates an ability to …

Discovery Through The Art Of Making, Andrew Daly

All Theses

Between growing up on a farm, and working in a saddle shop, I have been conditioned to understand my environment in an empirical and experiential manner. There is a certain kind of education that can only be achieved through working with your hands, and the knowledge obtained in that fashion cannot be sufficiently translated through the written word, or with the use of technology. It is important to me to keep this type of education alive.
I have disciplined myself to learning the traditional printmaking techniques of engraving and lithography for their laborious hands on qualities so that I can …

Go Big Or Go Home, Concepcion M. Sanford

CGU MFA Theses

My work embodies my response to the American Dream. Big houses, flashy cars and glamorous lifestyles are what many of us work for. Coming from a military family, I grew up moving often without an idealized connection to a single structure. In response to this, I use artwork to create translucent, ephemeral sculptures of these items, revealing them as tangible, hollow shells of their former selves. Clear plastic and packing tape sculptures leave a ghostlike reflection of what was. These shells of inanimate objects are personified through their creation, a process similar to what I compare to mummification or embalming. …

Mihyang Kim - Mfa Thesis Show, Mihyang Kim

CGU MFA Theses

My works are a sort of journal, which is truly personal but at the same time belongs to the public. All of my experiences are connected to the outside world and each piece is connected to a story. I paint abstract emblems that stem from my interactions with people expecting their deaths, living as immigrants, or being disconnected from their pasts. My work represents my sympathy and compassion for the pain they have. I record my emotional and experiential individuality, based on the situations in which I have found myself. The precarious state of nature and the human environment are …

Religion As Aesthetic Creation: Ritual And Belief In William Butler Yeats And Aleister Crowley, Amy M. Clanton

USF Tampa Graduate Theses and Dissertations

William Butler Yeats and Aleister Crowley created literary works intending them to comprise religious systems, thus negotiating the often-conflicting roles of religion and modern art and literature. Both men credited Percy Bysshe Shelley as a major influence, and Shelley's ideas of art as religion may have shaped their pursuit to create working religions from their art. This study analyzes the beliefs, prophetic practices, myths, rituals, and invocations found in their literature, focusing particularly on Yeats's Supernatural Songs, Celtic Mysteries, and Island of Statues, and Crowley's "Philosopher's Progress," "Garden of Janus," Rites of Eleusis, and "Hymn to Pan." While anthropological definitions …

Flotsam & Jetsam, Nicolas S. Shake

CGU MFA Theses

My work is pastoral and post-apocalyptic with one foot firmly planted in historical painting and the other in traditional still-life, so it is entropic and sanguine, gleeful, despondent, and matter of fact. It comes at a point in time when the fiction of Nature as a refuge is no longer viable, persuasive or convincing. But rather than rehash this fact, my work celebrates the pastoral’s everyday ordinariness, the capacity for the viewer to experience something wondrous amidst decline. I focus on the cast-off household and utilitarian items that show up in the desert on the outskirts of Los Angeles. The …

Potential Space, Jocelyn R. Grau

CGU MFA Theses

No abstract provided.

Dislocation, Kevin E. Moore

CGU MFA Theses

No abstract provided.

Tangled Up In Blue, Bryan E. Miller

CGU MFA Theses

No abstract provided.

The Illusion Of Depth In Stained Glass: Techniques, Robert N. Oddy

School of Information Studies - Faculty Scholarship

No abstract provided.

Choosing Glass: Color And Impressions, Robert N. Oddy

School of Information Studies - Faculty Scholarship

In the last issue of Glass Craftsman, I said that, for me, the choice of glass is probably the most important factor contributing to artistry in stained glass. Tiffany’s company made glass for specific purposes, and raised the medium to a new level of expressive power. Now, we have a huge selection of stained glass available for our creative purposes. We just have to make the effort to familiarize ourselves to what is out there.

Front, Jennifer Mitchell

CGU MFA Theses

Please see Download button in top right corner for the full statement.

The Gray Lady's Guide To Avant-Garde Cinema, Brian L. Frye

Law Faculty Scholarly Articles

Who is the most important avant-garde filmmaker? It depends who you ask. Different people value different things at different times. Fortunately, citation analysis can provide an objective answer. This article uses a citation study of The New York Times to measure the relative importance of avant-garde filmmakers. It concludes that, according to The New York Times, the most important avant-garde filmmaker is Andy Warhol.

Fiction Fix 10, April E. Bacon, Lindsay Oncken, Anna Pennington, Dewitt Brinson, James Claffey, Clarence Young, Joe Kilgore, Marty Correia, Alex Miller, Brad Hall, Lauren Liebhaber, Brandon Bell, Grant Tracey, Jj Cromer, Andrew Gretes, Scott Laudati, Ron Ennis, Merlin Flower, Marisa Roman, Jim Miller, Robert Wexelblatt, Malachi King, Julie Hayward, Jennifer Falkner, Kevin Roberts, Jonas Mueller, Sarah Barnett, Michael Clough

Fiction Fix

No abstract provided.

Fighting A War You've Already Lost: Zombies And Zombis In Firefly/Serenity And Dollhouse, Gerry Canavan

English Faculty Research and Publications

This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10). The translation of the zombie from its traditional horror-movie context to the far-future space opera of Firefly/Serenity and the near-future cyberpunk of Dollhouse reveals the zombie's allegorisation of the consequences of biopolitical governmentality and neoliberal capitalism. In both series zombies function as a figure for both the dehumanisation caused by state and market forces and the possibility of Utopian resistance to these forces.

Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck

Psi Sigma Siren

Collective memory studies as a field has always been the interdisciplinary study of how and why memories have been created. The difference between collective or cultural memory studies and that of a strictly historical study is often discussed and debated as people question whether memory or history is more valuable regarding past events. Jan Assmann explains that “in the context of cultural memory, the distinction between myth and history vanishes. Not the past as such, as it is investigated and reconstructed by archaeologists and historians, counts for the cultural memory, but only the past as it is remembered.” Assmann has …

Class Notes, Georgia Southern University

CLASS Notes

No abstract provided.

Review Of Art Full Text, Rebecca Tolley

ETSU Faculty Works

Review of Art Full Text. 2011.

Spontaneity In Stained Glass Work, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Stained glass does not lend itself to spontaneity. We design, thinking always about how the glass will be cut and what glass will be available to us. Then, the fabrication is a very slow and meticulous process, requiring accuracy of cutting so that the pieces fit together closely – glass doesn’t bend, stretch or squash. We have to do too much careful planning, and too much engineering! How can we make our subjects come alive, with movement and energy, when we cannot use our bodies to express these things while we are doing the art?

The Illusion Of Depth In Stained Glass: Exposed To The Light, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Stained glass artwork often looks flat. Of course, most stained glass panels are flat. What I mean is that the objects depicted look flat. In my own work, I have given a lot of attention to creating the illusion of depth. What is depth? It refers to the spacial dimension that recedes directly away from our eyes into the distance. If a picture has depth, we see some of its elements as solid objects; some appear closer than others; we are aware of foreground, middle distance and background.

Class Notes, Georgia Southern University

CLASS Notes

No abstract provided.