Arts and Humanities Commons^™

Monster Planet Bounty Hunter, Arthur Santoro

MFA in Illustration & Visual Culture

In this paper I will be discussing my personal interest in games and art as well as my experience and process working on my original board game: Monster Planet Bounty Hunter. I will also discuss my visual influences, how I approach making games and why I think games are an important form of art.

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

Shambles & Crowley: Autobiographical Fiction In Four Panels, Shumyle Haider

MFA in Illustration & Visual Culture

This paper explores the development of Shambles & Crowley, a collection of autobiographical fiction comic strips featuring Shambles, a burnt-out boy, Crowley, a loudmouthed crow, Franz Kafka, a silent companion, Saadat Manto, a prankster, and God, an overbearing authority figure. Drawing inspiration from comic strips such as Peanuts by Charles Schulz, Calvin & Hobbes by Will Waterson, and shows such as Louie by Louis C.K, and Mr. Robot by Sam Esmail, the stories explore the inner conflicts of Shambles, which are induced by struggles with love, loneliness, depression, and faith.

Proceed With Caution: Fashion And The Case For Media Literacy, Stephanie Silva

MFA in Illustration & Visual Culture

This essay shows how one can further one’s media literacy by examining episodes of fashion as a cultural phenomenon and not an insular art practice. These episodes include Martin Margiela’s tabi boot and cultural appreciation; a Björk album cover and its potential yellowface; and the Rick Owens Spring 2014 show and the question of who gets to profit from representation in high fashion. This essay also confronts the role the Internet plays in educating the masses about fashion, both as a tool and as a distraction, and questions how a platform like Diet Prada affects fashion culture. Finally, this essay …

Personal Narratives & Their Unique Personalities, Aayesha Ejaz

MFA in Illustration & Visual Culture

This essay uncovers the motives behind memoir-writing, and explores the idea that it can serve as a gift—offering the audience some consolation by sharing one’s personal and emotional experiences. Since memoir-writing is an act of generosity, the essay also endorses the principle of crafting these narratives with love and one’s being—hands, voice, and other tangible ingredients. It focuses primarily on explicit storytelling through music, picture books, comics, et al. It also looks at some relevant terms like catharsis, misfit, vulnerability, and rigid gender roles in our world (school and society). On the whole, the essay encourages finding an outlet for …

Mothering As Feminism, Meera Patel

MFA in Illustration & Visual Culture

This critical essay proposes the concept of mothering-as-feminism, with the intention of interrogating American ideals of mothering and caregiving. Reforming the way we view mothering, as it relates to feminism, requires a re-evaluation of the American role of women and mothers—and how they are portrayed (and therefore seen and understood), valued, and supported. Focusing on the evolution of feminist theory throughout the past 70 years, as well as personal and secondary experiences, I demonstrate how political and social change occurs generationally and is dependent on the education of our children. Ultimately, I show the important role children’s literature plays …

Ambivalent Images, Beloved Objects: Building Bridges Between Picture Books And The Tangible World, Danielle Ridolfi

MFA in Illustration & Visual Culture

"Ambivalent Images, Beloved Objects" examines how pedagogical theories prioritizing objects and direct sensory experiences in early childhood can be applied to the creation of picture book illustrations. In doing so, it positions picture books as educational tools, and advocates for the importance of using them not to recreate nature, but to connect readers with the tangible world of natural and human-made objects that our digital-driven culture eclipses. It strives towards a unifying pedagogical and aesthetic philosophy that accomplishes what illustrator Eric Carle characterizes as a bridge between the tactile world of objects and the world represented in illustrations.

This exploration …

Carefree Black Girl: Trope Or Treasure?, Erin Williams

MFA in Illustration & Visual Culture

Abstract: The writing below is an experimental study on the idea of the “Carefree Black Girl,” a term coined in 2017 to define a way of life for Black women to emulate, focused on self-care and self-love. I write about its popularity and meaning, with parallels to my own life and mental health in order to define if this term is actually an attainable state of being or is more of an aspiration. I also paralleled the marriage of Meghan, Duchess of Sussex, conducted an independent poll with a small circle of Black, female contacts to learn about their knowledge …

Wronged Women: A Foray Into The Wronged Woman's Mind, Suzanna Poole

Master of Arts in Professional Writing Capstones

This capstone is about the wronged woman and how she is the the hated woman, the lonely woman, or the crazy woman. I have been a wronged woman and know countless women in my life that have been wronged in some sort of way; either by a lover, a friend, family, or even herself. This project was created to put a spotlight on these various women. My research covered various mental illnesses that occured after a woman was wronged and the ways these can affect women. I wrote four short screenplays about various women at different ages in their lives: …

Ensleyedits: Creating A Style Resource For Professional Writers, Ensley Fraschillo

Master of Arts in Professional Writing Capstones

This capstone explores the creation of a resource that helps professional writers keep up with ever-changing style practices and understand the implications of different stylistic and mechanical choices. Examining the history of style guides, analyzing the content of existing style references through the lens of prescriptivism and descriptivism, and assessing the gaps of current online style resources demonstrate how a new online style resource hosted on Instagram, EnsleyEdits, can meet this need for professional writers. Research on current social media, accessibility, and design practices demonstrate how content on the EnsleyEdits account can succeed on Instagram, and the results of …

"Making Munitions Is Woman's Job" Working In Connecticut Munitions Factories: Wwi Propaganda Campaigns, Karen E. Gionet Zentek

Theses and Dissertations

In this thesis, I describe the government agencies that were created to develop propaganda advertisements geared to pressure Connecticut women into working in munitions factories during World War I, focusing specifically on Bridgeport. I deconstruct some of the images and rhetorical strategies used to create the “Making Munitions is Woman’s Job” newspaper advertisements, including the “Minute Women of Bridgeport” recruitment effort, both published in the Bridgeport Times and Evening Farmer newspaper.

How Medical Cannabis Took Root In Mississippi, Loral Winn

Honors Theses

How Medical Cannabis Took Root in Mississippi

(Under the direction of Dr. Iveta Imre)

How Medical Cannabis Took Root in Mississippi is a multimedia journalism piece that follows the timeline of medical cannabis’ legalization in Mississippi through the lives and lenses of characters from each sector of the medical marijuana industry. Written in a journalistic style with hints of narrative methods, the article tells the story of medical cannabis advocates, current patients, state registered practitioners, dispensary owners and employees, and a family-owned cultivation facility while also providing concrete evidence and facts about the legislation and regulations included in the state’s …

Calculating Risk: A Scoping Review Of Ncaa D1 Football Players’ Motivations To Play And The Correlation To Demographic Characteristics And Injury Experiences, Kathleen D. Walsh

Honors Theses

The purpose of this research was to investigate the motivations of National Collegiate Athletic Association (NCAA) Division 1 (D1) football players for playing the game and how these motivations are associated with their socioeconomic status (SES). Further, the research aimed to investigate how the uncovered motivations were linked to injury experiences. The original project was designed as a survey-based mixed methods study on a national scale. However, issues with participant recruitment led to sidelining of that primary research. The research presented is a scoping review of the available literature pertaining to the research question: What is known from existing literature …

A Dream Come True: More Than 50 Years After Black Students Demanded Faculty And Student Leadership Roles At The University Of Mississippi, Students Of Color Are Still Grappling With What It Means To Be Included., Kaylynn Steen

Honors Theses

This thesis tells the story of University of Mississippi alumna Treasure Fisher’s journey in the organization Column’s Society, an organization known as the hosts and hostess of the University of Mississippi. Throughout Fisher’s story, historical moments from the university’s complex relationship with its Black students are weaved through in an attempt to provide context for some of the lingering racial issues at the university today. Fisher’s story, these historical moments, and other anecdotal experiences from current and former Black students, faculty, and staff at the university challenges the reader to examine what representation does, and maybe should, mean to this …

This Is A Present From A Small, Distant World, Samantha Slone

MFA in Visual Art

I make toxic pastoral paintings in the style of the Dutch and Old Masters, and media installations which depict natural landscapes as distanced, deconstructed forms. What I explore most in my practice is our damaged relationship with land and nature, and our capitalist and media ecologies as artificial landscapes which suspend us from the natural. In a dissection of the dualisms of man and nature, and progress and sustainability, I create microcosms of our detached condition.

Dear Sycamore, Anna Schenker

MFA in Visual Art

I create paintings, sculptures, and rubbings to pay tribute to the earthly beings found within my immediate surroundings. I use indexical processes that stain, trace, and record to preserve a moment in time. The process of rubbing is a tactile and meticulous activity of excavation. It is an imprint of what was once there, a mapping of attentive contact. The works are dependent upon the physicality of the host as I engage directly with the plants, seeds, weather, and trees that surround me. The rubbing’s flatness actively constructs a new reality; a liminal space hovers between the impression and the …

The Voice Of One Crying In The Wilderness, Megan Kenyon

MFA in Visual Art

I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on …

Every Rock Has A Soul, Karen Yung

MFA in Visual Art

My studio practice focuses on the Asian American diaspora and the feelings of displacement that arise from being away from one’s homeland. This paper traces the beginning of my journey to find a way to make art that observes and applies Buddhist philosophies, practices and acknowledges the intrinsic energy found in all things. I create sculptures inspired by the qi of rocks to explore my ongoing struggles with my bicultural identity. Through the continuous pouring of wax and plaster that create stalagmites on to domestic objects, I imbue positive qi into my artworks to pass on to whoever seeks it. …

Land | Lineage, Allena Marie Brazier

MFA in Visual Art

Land | Lineage is an in-depth text of my thoughts and tha artistic choices I make within my work. In my thesis I use tha concept of Black Ecology to understand art rooted in tha relationship between race and geography. Black culture and city spaces in proximity to natural landscapes, or edgelands, reveal tha social and physical conditions of a place where these two worlds collide and form distinct characteristics of site, sound, and human interaction.

My research also focuses on tha theory of place-based works to reconceptualize the lost stories and complexities of city trauma and joy within my …

Azul, Amarillo, Rojo, Jorge Rios Morales

MFA in Visual Art

My most recent body of work was produced out of the pleasure of exploring pure formal and processual painting. In this text—divided by sections titled like a traditional opera to highlight the mise-en-scene quality of my artwork—the reader will find clues about the context, inspirations, and desires that led to my current practice, such as my ambivalent condition as an immigrant, my exposure to post-conceptual abstraction embodied in Christopher Wool’s provocative oeuvre, and my interest in offering the viewer the experience of what I call “an aesthetic interrogation.” l have privileged in this thesis my own voice and character with …

Queering Up For Battle, Alex Davis

MFA in Visual Art

In this text, I explore the potential for interwar European art to serve as a catalyst for the contemporary Queer rights movement. Drawing on the works of Remy Jungerman, LJ Roberts, michá cardenas, and Joar Nango, alongside the insights of Queer theorists Lisa Duggan and José Esteban Muñoz, I analyze my own artwork and the way I remix elements of both Russian Constructivism and Queer culture.

Amidst the current proliferation of anti-Queer violence and legislation, I highlight the importance of safeguarding Queer spaces and communities. To this end, I collect Queer objects and organize them into an arsenal of triangular …

Forget Us Not, Jamie Harris

MFA in Visual Art

I create because I mourn, to seek comfort in the knowing and sharing of Suppressed Histories, and to find joy in the rediscovering of lost stories. I create the vessel, which for me is akin to the human body. A form containing memories, wisdom, a soul, and a space for transportation between plains. I paint to capture moments in times of joy and sorrow. To make memoriam, I pay homage to past, present, and future.

Elsewhere: In Defense Of Daydreaming, Alex Braden

MFA in Visual Art

Much like music, organic life is an absurd, improbable, and serendipitous instance. I set circular, electric, acoustic, and magnetic forces in motion and allow them to coalesce freely in the hopes of synthesizing unexpected moments of beauty, connection, and harmony.

Extracted Entities And Their Images As Spectres, Seulki Seo

MFA in Visual Art

In this paper, I propose the concept of “Extracted Entity” as a means of postcolonial and technocolonial analysis through the lens of Othering. Extracted Entity, which is a term I coined in 2019, refers to an entity that has been involuntarily removed from its place of origin and relocated elsewhere, either through force or chance. By tracing the trajectory of Extracted Entity’s migration, I explore the role of art and technology to demonstrate how the concept could be a clue to overcome Othering.

Fourthspace: The Role Of Active Social Inclusion In The Workforce Entry Of Syrian Refugees In Scandinavia, Anisa Abeytia

Master's Theses

The 2015 displacement of Syrian refugees into Scandinavian countries provoked a refugee integration policy adjustment that focused on workforce and higher education entry. It is a policy approach that requires attention on barriers to workforce entry to ensure effective policy implementation. This article provides insight into the larger, often overlooked barriers of Eurocentrism and historical biases on refugee labor integration and provides policy solutions to reduce their impact. Active social inclusion (ASI) and Fourthspace are introduced as a framework to reduce biases to workforce entry and integration time barriers faced by Syrian refugees. ASI can provide mechanisms to increase access …

Anxiety In The Capitalism Of Late Modernity, Toyo Kawabata

Emancipations: A Journal of Critical Social Analysis

The logic of capitalism affects both individuals and society. Alienation augments existential anxiety in the current precarity capitalism, which keeps urging competition among individuals to survive in capitalism and grow more. Excessive individualism, materialism, and consumerism in capitalism may weaken social ties and lower self-recognition, augmenting the existential anxiety of individuals. Losers in capitalism aggravate their anxiety whereas even winners may keep being anxious in the never-ending competition in capitalism. As long as people are kept engaged in capitalism, the pressure of the competition leads to a vicious cycle that keeps inducing anxiety, which signifies the precarity of capitalism. Existential …

Asking For It: Gendered Dimensions Of Surveillance Capitalism, Jessica Rizzo

Emancipations: A Journal of Critical Social Analysis

Advertising and privacy were once seen as mutually antagonistic. In the 1950s and 1960s, Americans went to court to fight for their right to be free from the invasion of privacy presented by unwanted advertising, but a strange realignment took place in the 1970s. Radical feminists were among those who were extremely concerned about the collection and computerization of personal data—they worried about private enterprise getting a hold of that data and using it to target women—but liberal feminists went in a different direction, making friends with advertising because they saw it as strategically valuable.

Liberal feminists argued that in …

Social Pathologies As Educational Injustices, Esther Neuhann

Emancipations: A Journal of Critical Social Analysis

For Axel Honneth, not all social problems can be understood as injustices. Therefore, he introduces the additional diagnostic concept of social pathology. In his book Freedom’s Right (FR), it is defined as an accumulation of persons’ inability to adequately participate in social institutions due to misunderstanding them. In contrast, injustices consist in the denial of access to social institutions for certain groups. According to the aim of presenting an ‘extended’ theory of justice in FR, Honneth intends to reconstruct all institutions necessary for realizing individual freedom in a liberal-democratic society. Like in the historical model of his project (Hegel’s Elements …

Dismodernizing The Working Class And Social Reproduction, After The Pandemic Lumpenproletariat: Towards An Autonomist Disability Perspective, Arianna Introna Dr

Emancipations: A Journal of Critical Social Analysis

Capitalism establishes a fundamental connection between the constitution of society and the sphere of production. Whether in the form of direct participation or indirectly through the performance of social reproduction, the working class is expected to be working. The universals of capitalist society as a work-based society revolve around the material and symbolic centrality of the working class, its struggle and its social reproduction. This association is reinforced by the othering effect that the definitional politics of the universal working class has on subjects defined by their non-relation to the sphere of production, but also by the categories we …

The Lonely Sea, Valkyrie Bradford

Floodwall Magazine

No abstract provided.