Arts and Humanities Commons^™

Church And State; Mass Bequests; Prior Restraint

The Catholic Lawyer

No abstract provided.

An Information Exchange Forum

The Catholic Lawyer

No abstract provided.

Solution Of The Disclosure Problem, William F. Cahill, B.A., Ll.B., J.C.D.

The Catholic Lawyer

No abstract provided.

The Problem Case - Disclosure

The Catholic Lawyer

No abstract provided.

A Catholic Lawyers' Guild For Your Diocese?, Harold F. Mcniece

The Catholic Lawyer

No abstract provided.

The Catholic Obligation To Educate, Neil G. Mccluskey, S.J.

The Catholic Lawyer

No abstract provided.

The Status Of The Catholic Or Private School In Law, George E. Reed

The Catholic Lawyer

No abstract provided.

Disclosure

The Catholic Lawyer

No abstract provided.

Government Under Law, Right Reverend Monsignor Robert J. White

The Catholic Lawyer

No abstract provided.

Thomas More - Saint And Judge, William J. Brennan, Jr.

The Catholic Lawyer

No abstract provided.

Christianity And The Criminal, Robert F. Drinan, S.J.

The Catholic Lawyer

No abstract provided.

A Catholic Attitude On Immigration, Right Reverend Monsignor Edward E. Swanstrom

The Catholic Lawyer

No abstract provided.

Immigration - A Legal And Moral Problem, Joseph T. Tinnelly, C.M.

The Catholic Lawyer

No abstract provided.

20,082,026, Ruoxi Li

CGU MFA Theses

The whole idea of my work came from me questioning about the relationship between industrialization and human beings. Our generation look and think conforming to a public standard. When being asked question our answer is not based on our preferences, but whether it matches what we’ve been taught.

Less Valued Knights: Disability In Modern Fiction Of The Middle Ages, Elizabeth Wawrzyniak

Foley Library Scholarship

No abstract provided.

Sharon Si-Chen Ye Artist Statement, Si-Chen Ye

CGU MFA Theses

Everyone is a separate individual. When individuals become aware that they are alone in this world, they can spend more time getting along with themselves and listening to the voice coming from the depths of their heart. This is the main idea of my works. I want to build a silent world with many creatures to make people feel and know that they are alone without feeling lonely.

Aesthesia, Cindy G. Garcia

CGU MFA Theses

My art practice in itself, is first and foremost about me as a Human on this planet. Second, I am drawn to the cognitive dissonance that happens within each individual, this is key to the majority of my work. For this show I really wanted to emphasize; A: The textural, corporal involvement that I personally really enjoy and get satisfaction out of. B: The color of Life. C: The beauty in very introspective particular instances that happen in day to day life.

Kimono, Elizabeth D. Hoffman

CGU MFA Theses

Globalization opens up opportunities for the international community to push for freedom of expression. It is precisely because the history of kimonos is a multi-cultural one, invented by the Chinese, then adapted and adopted by the Japanese, then altered by Western colonialists and changed as it permutated from the aristocracy to the middle class and to laborers, that I felt that it was relevant to today and the cross-cultural influences of globalization. This summer, I purchased two authentic Japanese kimonos, (one an everyday cotton one to use as a model for my drawings, and the second, an elaborate silk one …

A Crocodile Passed By Today, I Said Hello, He Said Hello, That Annoyed Me, Mayra A. Villegas

CGU MFA Theses

The creatures in my paintings are vastly invested in catering to my sensibilities. Emotional cowardice, impulsive politeness: through them, I am relieved of those personal culprits. They lend ropes, take blame, spit in eyes, and color my streams of consciousness. Furthermore, they manifest personal and social arrays of vexing scenarios. Suffocating hierarchies, the monotony of existence, my paintings aim to offer respite from such malaise.

Ultimately, my paintings are resolving, absolving even, personal and societal grievances.

Lili Zhong Artist Statement, Lili Zhong

CGU MFA Theses

Appreciating beauty, the universe’s natural essence, is an innate and indispensable human ability that helps us learn about the world. Everyone has their own definition, even on the degree to which beauty represents something abstract or realistic. It could mean elegance or romance, be from an audio or visual source, pertain to religious wisdom or even human value. Regardless, art always address beauty.

Unfettered, Doraelia Ruiz

CGU MFA Theses

My life has been built on high wire tensions between the two vastly different worlds I live between. I live somewhere between illusions of minority success and harsh realities of not having a trust-fund in an elite world. I’m neither here nor there. Painting is my one refuge where I can combine the vastly different worlds I exist in and between. My works are the only semblance of a home that doesn’t vanish .

“Names Portable As Alter Stones”: Nomadic Movement And Recollection In Seamus Heaney’S Poetry, Norah Toomey Hatch

Seton Hall University Dissertations and Theses (ETDs)

Seamus Heaney’s acknowledgement of the names of the places in his poems serve as a map, but a map that demonstrates the deterritorializing nature of memory and therefore meaning itself. The places become points of departure, places of transit, motivators of unstable memories, and catalysts for changing perspectives. Heaney’s use of location anticipates a future that is not bogged down by static meaning as the speakers in the poems face their own memories clouded by history, politics, and myth. Grappling with connotation, though, does not offer any closure from the multiplicity of meaning that the naming or visiting of certain …

Fixing Broken Shit: How We Are Always Cleaning Up Some Mess, Kendall L. Brown

Graduate School of Art Theses

My artistic practice deals with identifying and breaking down expectations that are placed on women in America; both in their personal and public lives. I have combined the ideologies of two previous feminist art movements: The Pattern and Design, and Deconstructivist movements. This creates a visual language that is unique to my time, while acknowledging the successes and contributions of the past. This thesis will analyze how my work draws elements from the past and expands upon those ideas to progress the feminist plight.

2016 Commencement Program, Columbia College Chicago

Commencement Programs

The commencement program of the 2016 Columbia College Chicago graduation ceremonies.

“Evil Isn’T Born, It’S Made”: As Communicated In Once Upon A Time, Eleanor Hodapp

Graduate Theses, Dissertations, and Capstones

In the television series Once Upon A Time, evil is portrayed as a circumstance rather than a character trait. Characters shift toward and away from evil; the evil character suddenly shows redeeming qualities and the good character becomes consumed with revenge. This unusual approach to depicting evil in a television adaptation centering upon fairy tales rejects the clear distinction between good and evil typically present in the written stories. A close reading of Regina and Snow’s narratives and rhetorical analysis of visuals in the show reveal good and evil as fluid concepts – developing and shifting within and between …

Mr. John Willie Johnson

African American Funeral Programs

Mr_John_Willie_Johnson.pdf - Funeral program for Mr. John Willie Johnson

"The Prince And Me: An Evening With Bloch And Bach" Senior Cello Recital - Rachel Gray, Department Of Music

Student Degree Recitals 2015-2016

Rachel Gray featuring works by Bloch and Bach

One With The Toad: Bejeweled But Venomous Nature, Lisa Fisher

Seton Hall University Dissertations and Theses (ETDs)

This thesis explores the paradoxical connection in As You Like It, King Lear and The Tempest between instances of human surrender to nature and the redemption that occurs in the human realm despite nature's apathy toward the human existence.

Animals As Projections Of The Self In “The Raven” And “The Black Cat”, Samantha Payerl

Seton Hall University Dissertations and Theses (ETDs)

In both “The Raven” and “The Black Cat,” Edgar Allan Poe has the narrator project himself into an animal in order to fulfill the manifestation of his desire. Each animal is a projection of the narrator’s subconscious desire, which allows him to embrace his manic, sadistic tendencies. The manifestation of desire through animals in these stories can be best understood through two lenses: Jacques Lacan’s theory about the mirror stage and contemporary animal studies. Poe’s narrators are stuck in the mirror stage, which hinders them and does not allow their egos to grow and mature. Rather than developing crucial coping …

Daisy Miller: Picking-Up James’S Psychological Breadcrumbs, Amanda D'Amore

Seton Hall University Dissertations and Theses (ETDs)

This essay attempts to investigate the evolution of social hierarchy among Europeanized Americans as described by Henry James in Daisy Miller: A Study. Social Darwinism is utilized, in conjunction with theories regarding the cultivation and development of nineteenth century civilization, in order to illuminate the psychological impact of social restrictions placed upon agents functioning within this society.