Arts and Humanities Commons^™

The Effects Of Cancer, Mara Lapayne

A with Honors Projects

I chose to do a project related to cancer for my Painting 1 class. Using oil paint, I wanted to create a more symbolic representation of cancer. So I made a cloud-like, cancerous mass with streaks of chaotic color swirling around a central face. The face represents any person affected by cancer and has had to “shut down” their emotions in order to function. I wanted the skin texture to be almost metallic as if it is metal armor or robotic-like, to support the idea of “shutting down” one’s emotions. The blank expression also portrays this idea.

New Media And Ethno-Politics In The Guinean Diaspora, Mohamed S. Camara

Security Studies & International Affairs - Daytona Beach

This paper discusses the resurgence of ethno-politics in Guinea in conjunction with the reintroduction of multiparty politics after three decades of single-party and military rule, and the trend’s multilayered repercussion into the Guinean Diaspora of North America. It further examines the principal ways in which ethno-regionalist organisations populating that Diaspora use and misuse new media outlets (web sites,web radio stations, and blogs) in order to promote the political agenda of their respective ethno-political elites. The article scrutinises the deficit of professionalism that characterises the performance of most of those publishing on such web sites and broadcasting on such stations and …

The Softness Of Her Sex: Matilda’S Role In The English Civil War Of 1138-1153, Catherine R. Hardee

Senior Honors Theses

This thesis examines the life of the Empress Matilda (1102-1167), focusing on how factors beyond her control directed much of its course. It discusses her attempts to take control of the political realm in England and the effect this had on her, her supporters, and her kingdom. It also analyzes her later years and influence on her son Henry II.

Jerry Stone, Jerry H. Stone, Meg Miner

All oral histories

Jerry Stone taught in the Religion department from 1964-1992. He started as an Assistant Professor of Religion and within three years became a full Professor of Religion, and then became Director of Liberal Studies. A couple years before retiring, he returned to teaching.

Stone has also acted as pastor at a local church and in Cooksville during his time at Illinois Wesleyan University, and taught Sunday school classes at First Presbyterian Church.

Since retiring, Stone also taught a religions course for a semester at Heartland College.

Religion And Spirituality In Nevada, Ariane G. Mitchum, Michael Ian Borer

Social Health of Nevada Reports

Across the world, religion is integral to society insofar it shapes people’s thoughts, behaviors, and interactions. What exactly the term “religion” means, however, is far from clear-cut, as it continues to be a highly charged topic of discussion and debate, a subject that many hold dear and near to their hearts.

Art And Cultural Participation In Nevada, Robert Tracy

Social Health of Nevada Reports

Pablo Picasso once famously observed that “The purpose of art is washing the dust of daily life off our souls.” As the second edition of the Social Health of Nevada report suggests, it certainly seems like the “dust of daily life” has descended on the souls of this State’s citizens and a thorough washing is necessary. With the economic collapse at the end of the first decade of the 21st century, Nevadans found out very quickly they were neither “protected” nor “immune” from the financial maelstrom that had been unleashed. Having lived in Las Vegas since 1984, I had heard …

Christine Jorgensen And The Media: Identity Politics In The Early 1950s Press, Emylia N. Terry

Calvert Undergraduate Research Awards

“Christine Jorgensen and the Media: Identity Politics in the Early 1950s Press” analyzes America’s first transgender celebrity and the interpretations of her identity by a seemingly celebratory press. Jorgensen, who rose to fame in December 1952, was propelled to stardom partly because of the cultural climate of the 1950s. The first portion of my essay begins by setting the historical context of how gender nonconforming individuals were treated in the press before Jorgensen, and then analyzes Jorgensen’s personal characteristics that also helped make her a media fixture. However, the veracity of Jorgensen’s female identity was doubted by the time she …

Smyrna's Ashes: Humanitarianism, Genocide And The Birth Of The Middle East, Michelle Tusan

History Faculty Research

Today the West tends to understand the Middle East primarily in terms of geopolitics: Islam, oil, and nuclear weapons. But in the nineteenth century it was imagined differently. The interplay of geography and politics found definition in a broader set of concerns that understood the region in terms of the moral, humanitarian, and religious commitments of the British empire. Smyrna’s Ashes reevaluates how this story of the “Eastern Question” shaped the cultural politics of geography, war, and genocide in the mapping of a larger Middle East after World War I.

Introduction: Continuity And Change In Russian Culture, Dmitri N. Shalin

Russian Culture

This project on Russian culture goes back to the Spring of 1990 when several American and Russian scholars converged at the Russian Research Center at Harvard University and decided to join forces in a study of changes sweeping the Soviet Union. From the start, the participants agreed that they would not try to chase fast breaking news from Russia -- a hopeless task given the pace of recent changes, but rather would focus on the continuity and change in Russian culture, on the long-term social forces that compel the Russian people to reexamine old ways and reevaluate old values.

Historical Culture: Russia In Search Of Itself, Boris Paramonov

Russian Culture

Russia's 75 year-long experiment with communism is over, but the question persists as to whether the Soviet regime was a historical aberration or an expression of the country's destiny. This question is as old as the Bolshevik revolution. It has produced a voluminous literature and will no doubt continue to attract attention in the near future. Alas, it can not be answered conclusively, for it is grounded in the questioner's ideological a priori and tells us more about the historian's biases than about Russian history.

Moral Culture: Public Morality And Private Responsibility, Igor Kon

Russian Culture

When Mikhail Gorbachev unfurled his reform banners in the late 1980's, many observers inside and outside Russia hailed perestroika as a moral renaissance. The Soviet Union was indeed a spiritually bankrupt society at the time, its citizens demanding a clean break with the past and yearning for a better future. Despite the new openness or glasnost, the changes have been slow in coming and often very controversial. A public opinion survey conducted in February 1991 showed the country morally adrift and deeply divided about the course of reforms.

Psychological Culture: Ambivalence And Resistance To Social Change, Alexander Etkind

Russian Culture

"National character," "modal personality," "collective unconscious," "ethnic mentality," "cultural identity" -- these and similar notions are designed to capture psychological traits that distinguish one social group from another. Attempts to isolate such hypothetical qualities are not different in principle from efforts to describe religious, legal, or other social patterns found among people who have lived together for a length of time, except that psychological constructs tend to focus on subjective characteristics and are somewhat harder to identify. For the first time, the link between culture and psychology came under close scrutiny in the nineteen century. German linguists Steinthal and Lazarus …

Intellectual Culture: The End Of Russian Intelligentsia, Dmitri N. Shalin

Russian Culture

No group cheered louder for Soviet reform, had a bigger stake in perestroika, and suffered more in its aftermath than did the Russian intelligentsia. Today, nearly a decade after Mikhail Gorbachev unveiled his plan to reform Soviet society, the mood among Russian intellectuals is decidedly gloomy. "The intelligentsia has carried perestroika on its shoulders," laments Ury Shchekochikhin, "so why does it feel so forlorn, superfluous, forgotten"? G. Ivanitsky warns that the intellectual strata "has become so thin that in three or four years the current genocide against the intelligentsia would surely wipe it out." Andrey Bitov, one of the country's …

Religious Culture: Faith In Soviet And Post-Soviet Russia, Jerry Pankhurst

Russian Culture

The former Soviet Union is undergoing a religious revival. People inside and outside the Russian Orthodox church are reexamining its ancient ways, rediscovering its long-forgotten saints, searching its institutional memory for answers to urgent questions facing the nation. The Western reaction to this remarkable resurgence of religion in Russia has been mixed. All observers welcome the fact that free inquiry about religion and free religious worship have been restored in the Russian Federation. At the same time, many are concerned about the xenophobic tendencies that have accompanied the religious revival in Russia and that became especially evident after the liberal …

Soviet Everyday Culture: An Oxymoron?, Svetlana Boym

Russian Culture

Mikhail Mishin, a Soviet satirist, wrote that Russians recognize themselves in the famous fairy-tale character Ivan the Fool. He bides his time napping on the heated furnace and gets up only to undertake major heroic feats. Ivan the Fool might be a great hero, but he has no idea how to survive his everyday life. Everyday life, captured in the Russian word byt, is a more dangerous enemy to him than the multi-headed fire-spitting dragon. The everyday is Russia 's cultural monster. The nation might worship its heroes and their fabled ability to withstand hell or high water, but …

Literary Culture: "New Soviet Man" In The Mirror Of Literature, Maurice Friedberg

Russian Culture

The roots of Soviet literary culture extend beyond the establishment of the Soviet state itself. Maxim Gorky's Mother written, ironically, some years before the Bolshevik Revolution in the United States (the country, it might be noted, that also contributed to the cause of the tradition of May Day observances) is one hallmark of that culture avant la lettre. Nikolai Chernyshevsky's What Is to Be Done, a novel often cited in Communist hagiographies as the inspiration of generations of nineteenth-century Russian revolutionaries (including, significantly, the founder of Soviet state himself, as well as his martyred brother) is another. And yet, we …

Artistic Culture: The Trial By Freedom, Daniil Dondurei

Russian Culture

"The poet in Russia is more than just a poet." This line from Evgeny Yevtushenko's verse hints at the unique place that artistic culture has occupied in Russia 's tragic history. From Radishchev and Tolstoy to Solzhenitsyn and Tarkovsky, writers, painters, film makers -- cultural producers of every kind -- undertook to explain Russian society to itself. The common view that depicts Soviet art as subservient to ideology is well grounded in facts, but it tends to conceal as much as it reveals. Soviet artists served the state, and thus could not help but being influenced by the nation's poisonous …

Labor Culture: Labor Morality Under Socialism, Vladimir Magun

Russian Culture

Soviet leaders had always taken a keen interest in workers' behavior and labor motives and sought to keep labor morality under strict state control. A complex network of values and regulations was developed for this purpose after the October Revolution of 1917. They were best articulated in the "political economy of socialism" which purported to present a scientific picture of the country's economic life. Textbooks on socialist economy were widely circulated in the Soviet Union and appropriate courses included into a core curriculum for all higher education institutions in the country. Basic tenets of socialist political economy were taught in …

The Intelligentsia Without Revolution: The Culture Of The Silver Age, Andrei Ariev

Russian Culture

The most effective definition of "the intelligentsia" might read: “Russian intellectuals who are generally opposed to the government.” But even Russia’s traditionally powerful government has collapsed at times, leaving a vacuum of authority. This was precisely the historical situation at the beginning of the twentieth century. It made an indelible impression both upon thinkers, such as Rozanov, and on politicians, such as Lenin.

The Survival Of Art And The Art Of Survival In Stalin's Russia, Marietta Chudakova

Russian Culture

There are several questions that should be posed before one begins the study of 20th century Russian literature, to prevent such an undertaking from becoming merely a series of witty observations. The first of these questions is where do the boundaries of 20th century literature lie, not in the order of books on a bookshelf, but as objects of academic study? The second is how unified was the the literary process, which is the primary focus of the literary historian? In modern academic and near-academic discourse two approaches exist to answering these questions.

The Art Of Criticism? Criticism As Art!, Natalia Ivanova

Russian Culture

The study of Russian-Soviet and post-Soviet literary criticism in the second half of the twentieth century (henceforth denoted in the text as RLC) has been largely based on the chronological principle.

By way of introduction, I will begin with a brief overview of the RLC phenomenon-its origins, fundamental characteristics, and processes of change.

Colonizing Chaos: Russian Literature At The End Of The Twentieth Century, Alexander Genis

Russian Culture

Culture sets the parameters of our reality, defines its boundaries, gives each of us a system of values and reference points and, most important, provides our subconscious with the materials necessary for an awareness of chaos and the universe, space and time, cause and effect. Beginning my essay with these broadest categories, I will attempt to sketch the coordinates of that landscape in which the stormy drama of post-Soviet literature is played out. This will be followed by an analysis of the literary situation in the period directly preceding our own. Coming next will be some brief sketches of nine …

Rethinking The Canon: Nonconformist Soviet Classics In Post-Soviet Perspective, Alexander Zholkovsky

Russian Culture

In the four-plus decades since Stalin's death, the Soviet literary canon has undergone a series of changes. Thus, Fedor Dostoyevsky, Konstantin Leontiev, and Apollon Grigoriev, seen in all their complexity, gradually resumed their pride of place in nineteenth-century literary history, while Gogol was allowed to be more of a conservative thinker and modernist stylist than during the period of High Stalinism. Twentieth-century literature welcomed back the early Vladimir Maiakovsky, then all of Aleksandr Blok (previously represented in the Soviet canon only by his The Twelve), and finally the entire Silver Age. The list of writers now rehabilitated, republished, and "recognized" …

The Aesthetic Code Of Russian Postmodernism, Mark Lipovetsky

Russian Culture

Postmodernist discourse has become central to literary criticism in the 1990s. Unlike many other literary discourses, it was never formally announced, yet beginning in the late 1980s (with Mikhail Epstein’s articles) it took over almost all literary publications and effectively led to a new polarization of literary forces. If, during the first years of Perestroika, literary and cultural factions were divided primarily along political lines, with Western liberal sympathizers and anti-Communists on one side, and nationalist defenders of Communism on the other, then by the middle of the 1990s debate about postmodernism had split the liberals into those who sided …

Russian Literature In The Christian Context, Boris Paramonov

Russian Culture

In examining Russia’s cultural history one encounters an incontestable fact: the literary nature of its spirituality. At the same time, Russian literature is distinguished by its high caliber. If one examines Russia’s cultural significance in the context of the Western world, or generally attempts to evaluate the nation’s achievements on a Western European scale, one finds that Russian literature stands out with particular distinction. The West places Leo Tolstoy and Dostoyevsky on a par with Shakespeare, while Chekhov’s plays enjoy a popularity comparable with the Bard’s in the sheer number of theatrical performances, even in England, where Chekhov’s Western renown …

Popular Culture: Russian Folklore And Mores, Zara Abdullaeva

Russian Culture

The heroine of Thomas Mann's "The Magic Mountain," a Russian woman named Shosha, explains to Hans Kastorz, a German, what Russians mean by morals: "Morality? Do you want to know about morality? Well, we believe that morality is not to be found in virtue, that is, not in reason, discipline, good manners, or honesty; quite to the contrary, we find it in sinfulness, in danger to which one exposes oneself and evil which could devour us. We believe it is morally loftier to perish, to drive oneself into the ground, than to save one's soul. . . ."

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

The Russian Cinematic Culture, Oksana Bulgakova

Russian Culture

The cinema has always been subject to keen scrutiny by Russia's rulers. As early as the beginning of this century Russia's last czar, Nikolai Romanov, attempted to nationalize this new and, in his view, threatening medium: "I have always insisted that these cinema-booths are dangerous institutions. Any number of bandits could commit God knows what crimes there, yet they say the people go in droves to watch all kinds of rubbish; I don't know what to do about these places." The plan for a government monopoly over cinema, which would ensure control of production and consumption and thereby protect the …

Russian Architecture Between Anorexia And Bulimia, Vladimir Paperny

Russian Culture

The Russian visual sensibilities (if there is such thing) are formed by two contrasting influences. On the one hand, there is a natural attraction to decorative surfaces, to richness of colors and shapes. Historians tell us that in the 10 th century Prince Vladimir decided to convert to Christianity mainly because of the visual experience his emissaries had had in Constantinople: “The Greeks led us to the building where they worship their God,” they wrote to the Prince, “and we knew not whether we were in heaven or on earth. For on earth there is no such splendor or such …

The Art Of Dissent: Parody, Travesty And Irony In Late Soviet Culture, Dmitri N. Shalin

Russian Culture

Irony is the favorite tool of Russian postmodernists fighting discourse totalitarianism. They wield it like a crowbar to pry open in the simulacrum, to tear down the Potemkin portable villages built by forced discursive labor. Every new blow the ironist strikes against the official reality reaffirms his intonational freedom amidst the most coercive discourse. An ultimate weapon of the spiritual proletariat, irony proves to the intellectual that he is a subject rather than an object of discourse. Alas, ironic vigil takes its toll. The self busily disclaiming identity with itself loses track of what it really is. It knows not …