Arts and Humanities Commons^™

Gulliver, Travel, And Empire, Claude Rawson

CLCWeb: Comparative Literature and Culture

In his article "Gulliver, Travel, and Empire" Claude Rawson analyzes Jonathan Swift's Gulliver's Travels as a central document of European intellectual history. Rawson focuses on the relationship between ethnicity and human identity and asks what constitutes humanity and how individual groups qualify (or not) for human status. Posing teasingly as a "parody" of travel books, it is both a series of voyages and an ethnically widening arc of moral exploration as Book Four at once expresses an ambivalent perception of the Irish under English rule and extends to what Swift/Gulliver calls "all Savage Nations" and ultimately takes in what Swift …

Negra D'America Remond And Her Journeys, Sirpa A. Salenius

CLCWeb: Comparative Literature and Culture

In her article "negra d'America Remond and Her Journeys" Sirpa A. Salenius analyzes Sarah P. Remond's travels to Europe. Remond, an African American born free in Salem, Massachusetts in 1826 into an abolitionist family, was a successful lecturer on abolitionism in the United States before traveling to England in 1859. During her anti-slavery lecture tour there, she also became involved in promoting women's rights thus enlarging the scope of her social and political agenda to embrace both racial and gender oppression. Subsequently, she studied in London, graduating as a nurse from London University College before moving to Italy where …

Metropolitan (Im)Migrants In The "Lettered City", Stacey Balkan

CLCWeb: Comparative Literature and Culture

In her article "Metropolitan (Im)migrants in the 'Lettered City'" Stacey Balkan employs Ángel Rama's discussion of audience as a means of analyzing a Latin American diaspora that exists beyond the "rational periphery" of the state. Herein, the term diaspora is redefined as a translocal phenomenon wherein the metropolitan (im)migrant moves from rural margin to urban center. Normative definitions of exile — persons displaced from autonomous nation-states — are likewise scrutinized in the context of what the Rama terms a post-contemporary "city of letters." This post-contemporary city is the subject of what Mabel Moraña refers to as a "subaltern boom" — …

China As The Other In Odoric's Itinerarium, Dinu Luca

CLCWeb: Comparative Literature and Culture

In his article "China as the Other in Odoric's Itinerarium" Dinu Luca discusses the various ways in which the otherness of China is approached and integrated in the fourteenth-century travel text associated with Franciscan friar Odoric of Pordenone. Luca explores the multiple ways in which the text can be examined in relation to Odoric, his travels, and his text. Luca takes vision as a unifying trope and explores the meanings it acquires (sight, concept, projection) as Odoric abandons the familiar space of wonder and confronts the otherness of China. Several well-known episodes are discussed and one particular exchange (known …

Makine's Postmodern Writing About Exile, Memory, And Connection, Mary Theis

CLCWeb: Comparative Literature and Culture

In her article "Makine's Postmodern Writing about Exile, Memory, and Connection" Mary Theis explores the implications of some of the many literary epiphanous moments that Andreï Makine shares with his readers in his neo-Romantic metaphysical literary quest to transcend lyrically the limitations imposed by our human condition. The analysis of this theme in Makin's literary career features several of his most important novels, his one play, and his subsequent meta-utopian reflections in Alternaissance, written under the pen name Gabriel Osmonde.

Horizontality And Impossibility In Kafka's Parabolic Quests, Frank W. Stevenson

CLCWeb: Comparative Literature and Culture

In his article "Horizontality and Impossibility in Kafka's Parabolic Quests" Frank W. Stevenson explores a horizontal-parabolic interpretation of several Kafka narratives. The key idea is that the meaning/truth of a parable is being thrown-beside-itself "on the horizontal": thus it is impossible not only to vertically reach any higher meaning/truth but even to "cross-over" to a truth which has now been horizontally "displaced." Noting that Derrida's and Agamben's reading of "Before the Law" — the narrator cannot "enter into the Law" because the latter "prescribes nothing," is nothing but an "opening" — not only excludes any vertical-hierarchical dimension but even any …

Power And Representation In Anglo-American Travel Blogs And Travel Books About China, Stefano Calzati

CLCWeb: Comparative Literature and Culture

In his article "Power and Representation in Anglo-American Travel Blogs and Travel Books about China" Stefano Calzati presents a comparative analysis between two travel books and two travel blogs written by Anglo-American travellers about China. The assumption is that travel books and travel blogs, being two differently mediated forms of travel writing, share some similarities: they are "autodiegetic narratives" and they bear a (cross)cultural potential. Through a Multimodal Critical Discourse Analysis I investigate how Anglo-American travel writers represent themselves and Chinese people as to what extent the definition of travel writing is medially affected; 2) to what extent the cross-cultural …

The Slave Trade In The Work Of Fox, Johnson, And Spielberg, Ya-Huei Lin

CLCWeb: Comparative Literature and Culture

In her article "The Slave Trade in the Work of Fox, Johnson, and Spielberg" Ya-huei Lin analyzes Paula Fox's The Slave Dancer (1973), Charles R. Johnson's The Middle Passage (1990), and Amistad, the 1997 film directed by Steven Spielberg based on the true event of 1841. Lin's examination of these three texts is an attempt to clarify the event's narration in the context of Walter Benjamin's historical materialism. Further, Lin explores what Louis Althusser proposes in "A Letter on Art" as to how the texts at hand make one see the ideology from which they are located. The authors' …

Forgács's Film And Installation Dunai Exodus (Danube Exodus), Zsófia Bán

CLCWeb: Comparative Literature and Culture

In her article "Forgács's Film and Installation Dunai exodus (Danube Exodus)" Zsófia Bán analyzes film maker and video artist Péter Forgács's film The Danube Exodus (1998) and compares it with the installation Dunai exodus. A folyó beszédes áramlatai (Rippling: Currents of the River) (2002). Combined with additional materials, the two works are based on footage by ship captain Nándor Andrásovits documenting two successive journeys of forced displacement aboard his vessel, the Queen Elizabeth. Bán's analysis includes the 1939 event of the Jewish exodus from Slovakia to the Black Sea with the eventual goal of reaching Palestine followed by …

Miłosz's Quest For Affirmation And His Reflections On Us-American Culture, Joel J. Janicki

CLCWeb: Comparative Literature and Culture

In his article "Miłosz's Quest for Affirmation and His Reflections on US-American Culture" Joel J. Janicki discusses Czeslaw Miłosz's writings in exile devoted to his home in California. Miłosz, a Polish Lithuanian poet, essayist, and historian of literature, after experiencing five years of the nazi regime in Warsaw and six years of Stalinized rule in post-World War II Poland, threw himself "into the abyss" of exile. Miłosz's writings and translations have served as a bridge between the Polish and Anglo-Saxon cultures seldom encountered on such a scale. At the same time, his ability to look at a distance, his sensitivity …

Travel And Empire In Wertenbaker's Our Country's Good, Yi-Chin Shih

CLCWeb: Comparative Literature and Culture

In her article "Travel and Empire in Wertenbaker's Our Country's Good" Yi-chin Shih analyzes Our Country's Good from the perspective of travel in order to explore the exercise of empire and the practice of resistance. Considered as one of the luminaries in British theater, Timberlake Wertenbaker (1951-) has produced several successful works, especially Our Country's Good (1988), which won her a Laurence Olivier Award for the Best Play and solidified her reputation as an important playwright in world theater. Our Country's Good is based on real historical facts about the First Fleet's transportation of criminals from England to Australia …

On Naipaul's Cultural Positions In The Middle Passage, Shizen Ozawa

CLCWeb: Comparative Literature and Culture

In his article "On Naipaul's Cultural Positions in The Middle Passage" Shizen Ozawa discusses V.S. Naipaul's first travel writing. An account of his "returning" journey to the five Caribbean "colonial societies," The Middle Passage constitutes a major turning point in Naipaul's long literary career. Whereas his earlier novels depict his homeland of Trinidad ironically, although with a certain warmth and sympathy, from The Middle Passage on the world depicted both in his fictions and non-fictions turns bleaker. Correspondingly, his authorial persona changes from that of a West Indian writer to a controversial chronicler of chaotic postcolonial conditions. Ozawa analyses …

Evans's And Cheevers's Quaker Missionary Travels, Hui-Chu Yu

CLCWeb: Comparative Literature and Culture

In her article "Evans's and Cheevers's Quaker Missionary Travels" Hui-chu Yu investigates Katharine Evans's and Sarah Cheevers's account of their experiences as Quaker missionaries in Malta between 1658-1662. For Evans and Cheevers traveling was a mission ordained by god and thus their journey is less a trip for the gratification of exploration than spiritual and physical trials. With a purpose to spread Quaker texts, Evans and Cheevers traveled to different lands such as Ireland and Malta. Although they perceived the hostility toward their belief, they still claimed to be god's handmaids with an aim to preach their religious belief. Their …

Nádas's A Book Of Memories And Central European Journeys, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "Nádas's A Book of Memories and Central European Journeys" Steven Tötösy de Zepetnek discusses theoretical, literary, political, social, etc., aspects of travel in Péter Nádas's novel. "Travel" in the novel represents both a conceptual and lived experience at a time when travel between the East and the West in Europe was restricted and when a person hailing from the "East" considered a journey to the West a complex and ideological matter. Further, the aspect of urbanity, that is, cultural and social spaces and the journey and what such entails in terms of ideology, points of origin, knowledge, …

Cannibalism, Ecocriticism, And Portraying The Journey, Simon C. Estok

CLCWeb: Comparative Literature and Culture

In his article "Cannibalism, Ecocriticism, and Portraying the Journey" Simon C. Estok discusses the ways early modern preoccupation with cannibalism is at once rooted in and reflective of an ecophobic environmental ethics. Looking both at descriptions of metaphoric and literal cannibalism, Estok shows that imagining cannibalism was central to the travel narrative and to its investments in writing the center and the periphery, the human and the nonhuman, the acceptable and the repugnant — binaries which reveal ethical positions, not only toward people, but, more broadly, toward the natural environment. Estok argues that it is relevant to discuss the discourse …

The Life Writing Of Hart, Inspector-General Of The Imperial Maritime Customs Service, Henk Vynckier, Chihyun Chang

CLCWeb: Comparative Literature and Culture

In their article "The Life Writing of Hart, Inspector-General of the Imperial Maritime Customs Service" Henk Vynckier and Chihyun Chang analyze the life and writing of Sir Robert Hart (1835-1911). Hart arrived in China in 1854 and served as Inspector-General of the Imperial Maritime Customs Service 1863-1911. Although Hart disparaged his own role, Jonathan Spence views him as a key adviser to the Qing government. Despite of the historical importance of Hart's texts, of his seventy-seven volume diary only eight of the volumes have been published and the remaining volumes remain largely unexamined. Vynckier and Chang examine the complex transmission …

Introduction To New Work About The Journey And Its Portrayals, I-Chun Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Artaud's Journey To Mexico And His Portrayals Of The Land, Tsu-Chung Su

CLCWeb: Comparative Literature and Culture

In his article "Artaud's Journey to Mexico and His Portrayals of the Land" Tsu-Chung Su examines Artaud's visions, visualizations, descriptions, and conceptualizations of Mexico. Su argues that Artaud's writings about Mexico were his textual appropriations and cartographical remappings of the land. They embodied both the geographic wandering of his itinerary and the bodily spasms of his thought. At once geographical and psycho-physiological embodiments, they were not only texts of a questing spirit but also words of a schizophrenic mind. While tracing and mapping Artaud's deterritorialized wanderings in cultures, religions, and rituals of Mexico, Su aims to explore the interlinking relationships …

Reimagining "Tense And Tender Ties" In García's Monkey Hunting, Yu-Fang Cho

CLCWeb: Comparative Literature and Culture

In her article "Reimagining 'Tense and Tender Ties' in Garcia's Monkey Hunting" Yu-Fang Cho analyses Cristina García's re-narration of transnational histories of the multi-racial, multi-generational Chinese Cuban family in Monkey Hunting (2003) as a critical project that recasts developmental immigrant narratives primarily set in the United States as part of the emerging cultural archive of global migrations. Drawing on recent scholarship on comparative racialization, especially Ann Laura Stoler's formulation of "tense and tender ties" as a method, Cho examines how García's family saga unsettles the temporal and spatial logics of Euro-American modernity through the deployment of cyclical narrative structure …

Reading Wordsworth With Hegel And Deleuze, Douglas Berman

CLCWeb: Comparative Literature and Culture

In his article "Reading Wordsworth with Hegel and Deleuze" Douglas Berman reexamines Wordsworth poem, The Ruined Cottage, in terms of the importance of the Pedlar, who serves as the witness and singular moral authority in the text. Berman focuses on the inherent tension between impermanence, as exemplified by the trope of wandering, and the redemptive vision which shapes the ending of the second version of the poem (1798). While recognizing the strength of earlier critics, particularly the New Historicists, who emphasized Wordsworth's displacement of social and material reality into nature, Berman argues that wandering, both in its physical form, and …

Muslim Science As The Source Of The Portuguese Age Of Discoveries, Joseph Abraham Levi

CLCWeb: Comparative Literature and Culture

In his article "Muslim Science as the Source of the Portuguese Age of Discoveries" Joseph Abraham Levi analyses the Jewish, mostly Sephardic, and Islamic contributions to science and their legacy in Iberia, particularly present-day Portugal. Using as a springboard the countless contributions to the sciences brought by Muslims to the Iberian Peninsula, southern France (mainly Provence), Sardinia, Sicily, and the rest of southern Italy, as well as other parts of the Mediterranean, Levi concentrates on the key role that Muslim scholars had, oftentimes assisted by their Sephardic Jewish counterparts, in training the scientific researchers of the then-burgeoning young Portuguese nation, …

Mental Travel And Memory Mapping In Sebald's Work, Jonathan White

CLCWeb: Comparative Literature and Culture

In his article "Mental Travel and Memory Mapping in Sebald's Narratives" Jonathan White analyses several of the journeys — real and by means of the mind — by which W.G. Sebald follows what he once called "invisible connections that determine our lives." These connections are often although not always between the living and the dead "on the far side of time." In reaction against what Sebald interpreted as a conspiracy of silence in his youth over the destruction that Germany had caused and that which had been done in turn to it, Sebald attempted to reconstruct worlds and people destroyed …

Alexander The Great, Prester John, Strabo Of Amasia, And Wonders Of The East, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Alexander the Great, Prester John, Strabo of Amasia, and Wonders of the East" I-Chun Wang analyses the wonders referred to the realm of Prester John and the imagination of India as exemplified in the pseudo-letter of Alexander the Great. The pseudo letters attributed to Prester John and Alexander demonstrate imagination and identity construction. Throughout history, terra incognita suggested a longing to discover new lands and utopia. Cathay, India, Timbuktu, and El Dorado have drawn the imagination of Westerners in different periods are represented in legends, folktales, literary texts, and travel and pseudo-travel texts. Including the said pseudo-letters, …

Preventing Burnout: Rest, Relaxation, And Reduced Stress, Georgina Lewis

Dance Department Best Student Papers

No abstract provided.

Pigments Of Imagination: An Actor's Journey Of Creating The Character Of Jack Lawson From David Mamet's Race, Paxton H. Mccaghren

University of New Orleans Theses and Dissertations

Abstract

The purpose of this study is to create a believable, multiple dimension character portrayal of Jack Lawson in David Mamet’s Race. Documentation of the process will include: an explanation of the acting technique and analysis used to create the backstory and portrayal of the character; insight into the background and beliefs of playwright, David Mamet; and a personal review of my growth and performance.

The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith

University of New Orleans Theses and Dissertations

This thesis explains the acting method used by Caleigh Keith while portraying the role of Nancy Shedman in Romulus Linney’s Holy Ghosts. Included are chapters of historical research, character analysis, and a production report, which includes a scored script, rehearsal and performance journal, and a self-evaluation of the actor’s work. Holy Ghosts was produced by Theater UNO at the University of New Orleans in the Robert E. Nims Thrust Theater of the Performing Arts Center. It opened Tuesday, February seventh, and ran through Sunday, February twelfth, two thousand and twelve. Evening performances were at seven-thirty and Sunday’s matinee was …

One Art With Two Sides: Theatre And Performance Art, Jacob Watts

Honors Theses

Theatre is typically a scripted performance, performed by actors within a "Theatre space" and observed by an audience. When capitalized, "Theatre" refers to a field of art and study. It is produced to tell a story, or create meaning. Theatre contains elements of plot and characters, often using the characters to tell a story. Visual performance art is art that focuses on live human performance and defines itself in terms of "visual art" and not in terms of "Theatre performance." Performance art does not always occupy a specific place or use a specific kind of script. It often lacks character, …

A Dramatic Interpretation Of Jake's Women Thesis In An Educational Setting, Douglas William Reiser

Electronic Theses and Dissertations

The area of investigation in the Jake's Women's thesis resides with the actor's preparation in the portrayal of a character who struggles with the pain of loss and betrayal. The acting technique explored centers around the psychology behind the emotional and physical aspects of acting. The results rely on the thoughts and feelings of sensitivity in the actor's body. Development of an actor's inner technique and outer instrument is explored and implemented. An actor's belief in the body to produce effective imaginary people or place within a scene rests in the actor's ability to allow his or her instrument to …

The Snow Globe, Sara Crawford

University of New Orleans Theses and Dissertations

No abstract provided.

Death By Design: Giving Life To Mark Twain’S Posthumous Success, Is He Dead?, Mignon Charvet

University of New Orleans Theses and Dissertations

ABSTRACT

The following thesis documents the costume design process and execution for the staged production of Mark Twain’s Is He Dead? as adapted by David Ives. It was produced at the University of New Orleans as part of the Film, Theatre, and Communication Arts Department 2011-2012 season in collaboration with New Orleans theatre company, The NOLA Project.

In conjunction with the director and the design team, it is the role of the costume designer to support the overall concept of the production. The documentation of this process begins with the textual, historical, and visual research pertaining to the design concept. …