Arts and Humanities Commons^™

Week 02 - The King Is Proclaimed, Calvin University

Campus Ministries Resources

No abstract provided.

Week 03 - To Live Or To Die? / The Gospel In Public, Calvin University

Campus Ministries Resources

No abstract provided.

Concerto Competition Final Round, Roberta Rust

Concerto Competition

Competition Coordinator

• Dr. Roberta Rust

Jury

• Lucy Chapman, violin (Faculty, New England Conservatory of Music)
• Kevin Orr, piano (Faculty, University of Florida)
• Roy Popper, trumpet (Faculty, Oberlin Conservatory of Music)

Collaborative Pianists

• Tao Lin
• Yang Shen

Canvassers

• Roberta Burns
• Jack Kracke

Finalists

• Mauricio Murcia, clarinet - Malcolm, Arnold Concerto, Op. 115
• Dawid Pajdzik, viola - Walton, Viola Concerto
• Aziz Sapaev, cello - Saint-Saens, Cello Concerto No. 1
• Sabatino Scirri, flute - Mercadante, Flute Concerto in E Minor
• Amr Selim, French Horn - Hindemith, Horn Concerto (1949)

BREAK

• Natasa Stojanovska, piano - Prokofiev, Piano Concerto No. 2
• Silvia Suarez, violin - …

The Plain Person And The Catholicity Of Philosophy, Bryan R. Cross

Conference on Philosophy and Theology

No abstract provided.

The Manager, The Everyday Plain Person, And The Philosopher, Gregory R. Beabout

Conference on Philosophy and Theology

No abstract provided.

Moral Virtue As Knowledge Of Human Form, Micah Lott

Conference on Philosophy and Theology

No abstract provided.

Introduction To Alasdair Macintyre And The Ethics And Politics Of Practice, Christopher Lutz

Conference on Philosophy and Theology

No abstract provided.

Program: Featured Lecture, "The Bicentennial Of An American Christian Classic.", Leonard Allen

William M. Green Distinguished Christian Lecture Program

Program for the Thirtieth Annual William M. Green Distinguished Christian Lecture Program with featured lecturer Dr. Leonard Allen, ACU Press at Leafwood Publishing, Abilene, Texas.

From Lightbox To Love Box, Antony Nevin

Nordes Conference Series

This Design Case study will explore how the Lightbox project that was exhibited at the Lightwave Festival (Science Gallery Dublin Jan­Feb 2009) can contribute to further discussion and research about the ways in which we consider the use of analogy and the ‘technosensorary’ in design research. reflect on the use of analogy and how this may inform design resesarch.

Using Inexpensive And Simple, Yet Versatile, 3d Software In The Construction Of Complex Geometries In Art And Design., Tim Nøhr Elkær

Nordes Conference Series

Artist and designers are currently overwhelmed with all the different brands of 3D software, and several of the most promissing new approaches to parametric design expects the artist/designer to get deeply involved with scripting, or a kind of visual programming, to actually benefit from the new paradigms in the design process. Having participated in this workshop dealing with 3D, curves and surfaces “first-hands”, the participants will achieve an indepth understanding of some of the design methods the simple 3D computer software has to offer, and fully appreciate the exquisite work of Gaudi/Burry.

Developing Knowledge For Design By Operationalizing Materials, Anna Vallgårda, Cecilie Bendixen

Nordes Conference Series

There is a material side of design that we cannot address through the studies of use and social practice—the properties and potentials of materials, forms, and structures must be explored through another kind of studies. Based on two cases of experimental design research we analyze of what such studies could consist—how we can operationalize material objects by engaging them in situations that give us access to their properties and enable us to explore their potential.

Social Navimation: Engaging Interfaces In Social Media, Jon Olav Eikenes

Nordes Conference Series

Social media are now an integrated part of culture and digitally mediated social activities. Screen-based devices now employ sophisticated graphics including visual movement on a variety of platforms. This article explores how visually dynamic interfaces can enhance social media applications. A socio-cultural view on communication and interaction design is combined with a practice-based research approach incorporating design production with textual analysis. The term social navimation is introduced and applied in the analysis of multimodal interfaces. A set of semiotic resources are identified that should be of interest for the practice and theory of dynamic interfaces and interaction design.

Exploring Tools, Techniques And Technologies For A Performance-Oriented Integral Design Process, Defne Sunguroglu Hensel

Nordes Conference Series

Performance Oriented Integral Design Process focuses on complex hierarchical organisations and higher-level functionality in biological systems to extract analogies for design principles. In order to understand and explain biology's strategies for diversity, embedded complexity and functionality, scientists deploy advanced tools, techniques and technologies to model, simulate and analyze biological systems. The purpose of this article is to investigate specific tools, techniques and technologies that may provide potentials for both the generative and analytical aspects of the design process of material artefacts.

The Discursive Agency Of Productive Ambiguity, Lisa Grocott

Nordes Conference Series

This poster is an attempt to visually communicate the findings of a practice-led research study — a study that came to recognize the value of critical discussion provoked by the ambiguous readings of artifacts. Interested in considering how practitioners’ share the outcomes of research, the study was motivated to see the sharing of design research as less about wrapping up and more an invitation for ongoing critical reflection between the designer and audience. Within this context the poster works as a dissemination artifact that asks carefully crafted questions as opposed to presenting closed, definitive findings. This move seeks to engage …

Enacting Design: Understanding Co-Design As Embodied Practice, Kirsikka Vaajakallio

Nordes Conference Series

A growing number of researchers and designers share the ambition to involve diverse groups of actors in design activities. While new approaches arise continuously, there is a need for studies to explore in detail what happens among the participants during collaborative design sessions. The article presents an account of interaction between two participants in a specific co-design session in order to better understand how co- design emerges through the embodied practice evolving between the participants. The analytical perspective chosen, employing interaction analysis of the video-recorded interactions and the re-drawing of bodily gestures, focused the analysis on how the design evolved …

Staging Urban Atmospheres In Interaction Design, Peter Dalsgaard, Karen Johanne Kortbek

Nordes Conference Series

In this article, we address the concept of atmosphere from a designerly perspective and discuss challenges facing interaction designers who seek to stage atmospheres in urban settings. We outline previous academic works on atmosphere and the emergence of atmosphere as a subject-space encounter, primarily on the basis on Gernot Böhme’s notion of atmosphere. We then present the argument that, in the field of interaction design, it is worthwhile to expand an analytical and operational understanding of atmosphere to encompass technological, social and temporal concerns, as these are central to interaction design discourse. In order to explore this expanded notion of …

Free Beer And Engaging Tools: Chains Of Analogies In Superflex, Troels Degn Johansson

Nordes Conference Series

This article presents an analysis of art collective Superflex' FREE BEER project; a beer brand and an art work that seeks to promote a critical understanding of free creativity and intellectual property rights by inviting beer enthusiasts to brew their own beer. The article seeks to demonstrate how the project contributes to Superflex' profile as contemporary avant-garde artists and how their work has contributed to the field of design. More specifically the article seeks to demonstrate how the FREE BEER project succeeds in establishing a context of meaning that involves a political as well as a business dimension, and which …

Visualizations As Tools For Research: Service Designers On Visualizations, Fabian Segelström, Stefan Holmlid

Nordes Conference Series

Service design is a relatively new design field not explored in research as extensively as other design disciplines. One of the distinguishing practices is the extensive use of visualization techniques in early stages of the design process. This article explores what service designers say about how and when visualizations are used in the user research phase of service design projects. Data was collected through 14 interviews with practicing service designers. It was found that all of the interviewees use visualization techniques in their work process, and that these are used extensively in the research phase of service design projects. Visualizations …

Peepholes As Means Of Engagement In Interaction Design, Christian Dindler, Peter Dalsgaard

Nordes Conference Series

We present and discuss the concept of peepholes as a means for creating engaging interactions. By peepholes, we refer to aspects of interactive artifacts and environments that utilize the tension between what is hidden and what is revealed to foster engagement. As a foundation for discussing the qualities of peepholes, we outline a pragmatist perspective on engagement, emphasising the reciprocal relation between people, technology, and environment. We articulate peepholes as an example of a concrete means of engagement. Through a range of examples and two design cases, we explore peepholes as a means of engagement and discuss the pragmatist conception …

Design In The Expanded Field: Rethinking Contemporary Design, Malene Leerberg

Nordes Conference Series

The article explores the contemporary condition of design, proposing a parallel reading between a diagnosis of modernist sculpture of the 1960s by art historian Rosalind Krauss and the state of present-day design. Two competing notions of design will be presented and discussed; a broad notion represented by Herbert Simon and the expanded notion of design, and a guarded notion represented by Bruce Archer. Using a structuralist mapping of the field of design, the objective is to rethink contemporary design and dislocate our attention from what design is to how design works.

Understanding Affective Engagement As A Resource In Interaction Design, Jonas Fritsch

Nordes Conference Series

This article proposes affective engagement as a possible resource when designing interactive environments. The notion of affect and affective experience as developed by Brian Massumi in cultural theory is presented as a theoretical foundation for conceptualizing experience in interaction design. In particular, it is shown how Massumi provides a non-informational understanding of affect as distinct from emotions. Instead, Massumi offers a processual and relational account of affective experience as a part of dynamic events of becoming. Through an analysis of the interactive installation Touched Echoes, the concept of affective engagement is introduced to inform the practical work when designing experiential …

Collaborative Visualization Workshop: Engaging People, Perspectives, And Values, Lee Van Der Kooi, Pamela Napier

Nordes Conference Series

During this workshop participants will gain experience through doing collaborative visualization in a team to articulate values and perpectives, and connect facts, thoughts and ideas. They will develop a shared understanding of how their own personal values connect to a design process and the larger social, economic and environmental contexts in which design decisions are made.

Engaging Artifacts In Cultural Heritage, Marjo Mäenpää, Halina Gottlieb, Dagny Stuedahl

Nordes Conference Series

Artefacts and objects have an important position in museums and cultural heritage institutions. Here artefacts are the authentic objects which audience could have an experience of historical phenomena or of art works. Digital media and communication technologies bring new perspectives into the field that involves new practices both among the audience and visitors and among the different departments of the institutions. Well-designed, inclusive artefacts could increase accessibility and participation in various ways in cultural heritage issues. The workshop will explore various ways of building engagement with cultural heritage issues and sites.

Designing For Engaging Experiences, David Browning, Mads Bødker, Marlyn Van Erp, Nicola Bidwell, Truna Turner

Nordes Conference Series

This full day workshop explores how insights from artefacts, created during data collecting and analysis, are translated into prototypes. It is particularly concerned with getting closer to people’s experience of shaping a design space. The workshop draws inspiration from data-products resulting from interactions in specific places with the intention of supporting both those who work with integrating understandings of such experiences into design and those interested in the way material provokes ideas and inspiration for design.

Facilitating Teamwork In The Design Process: Repertory Grid As An Approach To Exploratory Inquiry, Anne Louise Bang, Kirsten Nissen

Nordes Conference Series

By approaching the Repertory Grid as an exploratory design game and drawing on insight in diagrammatic reasoning we argue that this approach is useful in supporting team work in the design process. In this article we draw on two courses inviting textile design students to contribute to the development of the Repertory Grid – originated in psychology as a one-to-one interview technique – into a tool for articulation and dialogue. Especially the concept of eliciting bipolar constructs using the triadic difference – asking how two elements are alike but different from a third one – proves to support in-depth investigations, …

Gender Bending Through Design: An Account Of A Student Project On Gender, Lena Hansson, Marcus Jahnke

Nordes Conference Series

This article deals with an explorative student project which was conducted as part of a consumer research project on gender in design. In the project master students in design explored and reflected on gender issues through practice, and the resulting objects were assembled into a public exhibition. Departing from gender theory we describe and reflect on the experiences of the students and the reactions to the objects and the exhibition.

Critical Artefact Methods: Using Provocative Conceptual Designs Within Participatory Human-Centred Design, Simon John Bowen, Peter Wright

Nordes Conference Series

In this workshop participants will have hands-on experience of ‘critical artefact methods’. Through practical experience of these design methods and discussion of their underlying methodology, we intend to generate debate about the use of ‘critical artefacts’ (the products of critical design and related practices) within human-centred and participatory design processes, and enable designers to explore how they could utilise similar techniques in their own practice.

Sharks With Arms: Exploring The Transformation From Natural Phenomenon To Innovation Object Via Applied Bionics, Harald Skulberg

Nordes Conference Series

Today, many researchers see nature as an immense resource of inspiration for creativity, enabling engineers and designers to transform knowledge gained from observations -combined with conceptual intentions – into innovation objects. The transfer of technology between natural life forms and synthetic constructs seem increasingly attractive. But what kind of methodology do designers and engineers rely on when transforming a natural phenomenon into an innovation object, using “bionic” principles? This design case investigates some of these design methods.

Design At Play: Immaterial Forms Of Consumption, Adriana Ionascu

Nordes Conference Series

Objects serve mundane needs in many capacities in everyday life: “This is what gives them their ‘soul’...” (Baudrillard, J. 1986). The contexts in which objects are used give many insights on how people live. This article considers a theory of play to comment on user interaction with types of objects that cannot be ‘consumed’. It looks at a ‘problematic of use’, questioning the notion of production.

Haptic Hedonism: Designing Pleasure For The Flesh, Ståle Stenslie

Nordes Conference Series

Haptic hedonism is about producing sensual enjoyment through corporal stimulation. Haptic here referes to the sense of touch in all its forms, including proprioception and kinaesthesia, but in particular the cutaneous sensations of tactile pressure (mechanoreceptors) (Paterson 2007: ix). The context of art, design and technology frames this investigation on how corporal pleasures can become an integral part of interactive experiences. The focus on the design of haptic bodysuits relates to questions such as: How can corporal pleasure constitute the user experience? How can the sensations of the body be understood as an artistic and design specific ‘material’? And, can …