Arts and Humanities Commons^™

Transport Design For Extreme Environment: Methodological Exploration (With Reference To Polar Regions), Svetlana Usenyuk

Nordes Conference Series

Extreme environment or extreme case is an aggregate of circumstances which exceed the limits of the common and create serious difficulties for vital activities or render them impossible [12]. The key features of the extreme environment are the lack of alternatives, absolute maximum of tension, synergy in the cooperation of negative factors, etc. In this case, all antagonisms related to the ‘tangible world’ (‘world of artefacts’, i.e. material environment) become especially apparent. Moreover, the extreme conditions are a specific (and the most objective) filter which lets through only things irreproachable in the performance of their functions. Here is a typical …

Reinventing Modernity Through Tradition: Product Development In Traditional Craftsmanship, Albio Nascimento

Nordes Conference Series

In modern times, where life is permanently accelerating, people loose natural sense for matter as well as their inherent awareness of the environment. Looking back in the history of products, we now acknowledge that the designed did not replace the crafted in all its sensitive and semiotic dimensions. Craft stands for authenticity, skill and tradition – things we naturally rely on – at the same time it's built on human- to-human relations. On the contrary, the industrial lacks the social engagement, the cultural recognition and the “human touch”.

Exploring Environmental Dimensions: On Sustainability As An Architectural Problem; Why It Is Not Enough To Discuss Space And Time Only, Maria Davidova

Nordes Conference Series

My research aims to explore how architecture responds to environmental input. It claims that this to a large degree is done today by “add-on” technology, e.g. sound environment is modified with specialized dampening materials, and climatic issues are addressed with increasingly complex and energy consuming ventilation systems. The conceptual and/or artistic architectural expressions are often not approaching those aspects in direct consideration (except i.e. project "Morpho-Ecologies", Responsive or Performative Architectures). As a critique of this division of environmental criteria from the architectural overall performance the research seeks to demonstrate and systematize an integral approach where the environmental responses are met …

Entangled Matter: Thinking Differently About Materials In Design, Maja Van Der Velden, Tone Bratteteig, Sisse Finken

Nordes Conference Series

What role do materials play in the communication of information in a public space? In this article we look at a metro station in Oslo and focus on how and where messages, such as posters, graffiti, and commercial advertisements, are connected to the station’s surfaces. How to understand this relationship between materials, surfaces, and messages? In a discussion of representational and ecological perspectives on the properties of materials, we propose to understand the station as a zone of entanglement. This enables us to see how the realities of the station, including the properties of its materials, are constantly produced in …

Hacking A Car: Re-Embodying The Design Classroom, Ilpo Koskinen

Nordes Conference Series

Traditionally, design has been an embodied practice. However, with recent changes, design has become an intellectualist discipline dependent on analytic and representational techniques borrowed from other fields of learning. This article describes a design class in which industrial design students created and prototyped a concept for an embedded system. In pedagogical terms, the class adamantly pushed the students to use their bodies to understand insights from user research, to develop and understand design concepts, and to construct functioning prototypes.

The Ambivalence Of Engaging Technology: Artifacts As Products And Processes, Cristiano Storni

Nordes Conference Series

In this article, I will discuss several cases in order to explore how technological artifacts engage and are engaged in larger sociotechnical arrangements. I will show how they inscribe a certain relationship between users and designers and a certain level of engagement. At the same time, I intend to show how these relationship and levels of engagement are not intrinsic characters of artifacts per se but rather they are effects that are produced and reproduced within socio-technical assemblages. In this sense, different artifacts entangled within different socio-technical assemblages afford different levels of engagement and different instances of a user/designer relationship. …

What Video Styles Can Do For User Research, Daniela Blauhut, Jacob Buur

Nordes Conference Series

Documentary video is regularly used to support user research in user-centred design, and many researchers are familiar with this medium. There is strong research evidence that video can contribute substantially to human-computer interaction and interaction design. But the question what role the video camera actually plays in studying people and establishing design collaboration still exists.

Engaging Design Materials, Formats And Framings In Specific, Situated Co-Designing: A Micro-Material Perspective, Mette Agger Eriksen

Nordes Conference Series

Engaging co-designers in specific situations of co- designing often also means engaging tangible working materials. However, it can be challenging, so rather than seeing it as applying design methods, the article propose applying what I call a micro-material perspective. The practical concept captures both paying attention to the physical design materials, the formats of their exploration and the framings of focus when understanding and planning such specific co-design situations. To exemplify applying the perspective, the article describes and discusses six specific examples of “co-design situations” clustered in three quite well- known types of co-design situations framed for; Exploring Current Use(r) …

A Philosophical Approach To Design: The Design Of Philosophy, Maria De Fatima Teixeira Pombo

Nordes Conference Series

This article is based on my interest of approaching Design from a philosophical perspective, namely from phenomenology and hermeneutics. Considering my contribution in the frame of an exploratory article, I mainly can arise questions and ‘intuitions’ rather than propose answers or solutions. Moreover, my research about this topic is a on going work and the way seems very long and very demanding. By developing such an approach to Design, I believe that it will be also possible to develop a new argument: that what I mean by the Design of Philosophy. Hopefully, this and other concepts will be clarified during …

Are We The Tool?, Rosie Hornbuckle, Tracy Sutton, Clare Qualmann

Nordes Conference Series

In sustainable design, the search for ‘the right tool’ is an obvious starting point, something to tell us – and those we serve – how to do it. Yet a tool, we have discovered, is what it is; useless without prior understanding of the system it is supposed to fix or the outcome it aims to achieve. An engagement with sustainability issues, debates and values are essential if tools are to be used and sustainable design to be attempted.

Body, World And Affordance: Towards Engaging Technological Artefacts For Older Individuals, John Vines

Nordes Conference Series

This article addresses the problems older individuals have been observed to encounter when engaging with technological artefacts and how such difficulties may relate to the designers understanding of the normal cognitive ageing process of human beings. This article suggests that these problems may not be the result of limited cognitive abilities of certain older individuals but rather the manner in which designers understand the complex relationship between the mind and actions in the world. The article speculates that an alternative perspective on interactions as affordances that occur between the embodied individual and their ecology may benefit design methodologies deployed in …

Heterogeneous Materials And Variable Behaviour: Potentials For The Design Disciplines, Michael Ulrich Hensel

Nordes Conference Series

In the design and use of human-made artefacts materials play a central role with regards to appearance and functionality. The performative capacity of a design is actualised through materiality. However, while architecture is a material practice, highly specific materials with carefully defined characteristics and properties are often chosen late in the design process. Moreover, often a materials response to extrinsic stimuli is regarded as negative. All sorts of measures are taken to neutralise such responses. In contrast, however, there is a growing fascination with 'smart' materials that can respond in controlled ways to extrinsic stimuli. If the definition of smart …

Textopia: A Geo-Literary Browser, Anders Sundnes Løvlie

Nordes Conference Series

As scholars in the humanities and media studies take an increasing interest in spatial theory, location-based technology provides the opportunity to experiment with spatial media in practice. The textopia project aims to approach theory through practice, providing a system for experiencing place-bound literature in situ: A geo- literary browser.

Identity Tool Kit, Henriette Maria Koblanck

Nordes Conference Series

This is an explorative article detailing the development of a novel and comprehensive method to create a more inclusive and easily accessible design method applicable to a wide array of design projects, academic and professional. The purpose of this article is to introduce the “Identity Tool Kit” (ITK) - a method aimed at assisting designers and clients in the creation of visual platforms and identities in relation to product and service development. The formulation of the method began 10 years ago and it has been employed by approximately 600 university students within several disciplines and in numerous projects outside of …

Artifactual Relations In Ucd, Mads Bødker

Nordes Conference Series

This explorative article presents theoretical and methodological implications of User Centered Design (UCD) from a perspective of socio material-relations and a theory of performative artifacts. The process of “asking users” is rarely treated as a design artifact that can be interrogated in and of itself. The article introduces a perspective on UCD as a “material-relational activity”. Thus, through the lens of a failed workshop, the article takes a closer look at the shaping properties artifacts, and how artifacts interact and produce results.

Capturing Movements In A 3d Interactive Dynamic System, Flemming Tvede Hansen

Nordes Conference Series

This article discuss 3d digital dynamic systems as an interactive design tool for 3d physical form as an approach to the design process useful for the ceramic artist and related fields. The article is about an experiment based on the cooperation between the programmer and designer Marcin Ignac, and the author of this article, a ceramic artist. The experiment explores interactive 3d digital drawing, which responds visually to the movement of the hand in a virtual 3d space using a wii remote as a device. The captured movement forms the basis for a 3D physical model produced by the use …

“Made By” Vs. “Designed By”: Two Approaches In Sustainable Development Collaborations With Artisan Communities, Cynthia Lawson

Nordes Conference Series

Myriad organizations such as Aid to Artisans (Aid to Artisans 2009), individuals, and most recently, universities, have embarked on projects through which they hope to create a significant, and positive, impact on artisan communities in the areas of design, marketing, and business, with the principal goal for these communities to generate income via the sale of their artisan goods. This exploratory article discusses how the “Designed By” and “Made By” models can be used at different times, and with very different goals, and talks about the challenges and advantages of each.

Creation Of Artifacts As A Vehicle For Design Research, Nithikul Nimkulrat

Nordes Conference Series

Although material artifacts, with their forms and meanings, have manifested the significance of craft design practice, their role and the role of their creative productions in design research have rarely been discussed. This article aims to uncover how the creation of artifacts can serve as a vehicle of design research. My doctoral research, which explores the relationship between a physical material and artistic expression in the creation of textile art and design, is given as the example. The research emphasizes the utilization of the researcher’s design artifacts and their productions as a vehicle of theoretical inquiry. The study offers the …

Exploring The Interplay Between Emotions And Interaction, Sus Lundgren

Nordes Conference Series

There seems to be a Catch-22 involved in designing interaction; it’s very hard to do it without designing an artifact too. How can we keep our main focus away from purpose, function, form and material in order to put interaction first? This article presents two design exercises that in combination highlight how emotions and expressions affect each other in design, an how interaction in turn, can be used to strengthen or express an emotion.

Peeling Apples: Prototyping Design Experiments As Research, Tuuli Mattelmäki, Ben Matthews

Nordes Conference Series

Design research often includes design experiments. But the discourse generated by the idea of ‘research through design’ has not always been a helpful starting point for novice design researchers who intend to incorporate design as a component of their research inquiries. In this article we make two contributions. Firstly, we present a short analysis of six design research exemplars that involve design as a constituent part of the research. We do this in an effort to demonstrate that there is a multitude of ways that design can, and has, formed the basis for research contributions. Following from that observation, we …

Symbiots: Conceptual Interventions Into Urban Energy Systems, Jenny Bergström, Ramia Mazé, Johan Redström, Anna Vallgårda

Nordes Conference Series

Symbiots set out to examine values such as ease-of-use, comfort, and rationality assumed within conventions of ‘good design’, in order to expose issues related to energy consumption and current human- (versus eco-) centered design paradigms. Exploring re-interpretations of graphical patterns, architectural configura- tions and electrical infrastructure typical in Swedish cities, Symbiots takes the form of a photo series in the genre of contemporary hy- per-real art photography. Painting a vivid pic- ture of alternatives to current local priorities around energy consumption, the three design concepts depicted are strangely familiar, al- ternatively humorous and sinister.

Designing Dynamic Interfaces For Mobile Devices, Jon Olav Eikenes, Jørn Knutsen

Nordes Conference Series

Are you compelled by the rapid development of mobile devices and their graphically sophisticated screens? This full day workshop will introduce participants to theoretical concepts and design techniques for sketching and prototyping screen-based interfaces that make use of visual movement. Participants will work hands-on in groups, exploring techniques for developing simple video prototypes. The workshop ends with a general discussion in which we address theoretical as well as practical issues.

Design Experiments And Design Games In A Reflective Practicum, Thomas Binder, Eva Brandt, Pelle Ehn, Tuuli Mattelmaki, Ben Matthews

Nordes Conference Series

The idea of the workshop is to share examples and experiences of using design experiments and design games in an educational setting. A second aim is to discuss foundation, methodology and the theoretical framing of such activities in design education. Last, but not least the workshop invites participants to contribute to a resource book on design experiments and design games for design educators and their students.

Broadsheet Of Koheles Shlomo: Beney Israel Rahmanim Vegomley Hasadim (1738), Shalhevet Dotan-Ofir

Early Modern Workshop: Resources in Jewish History

This is a translation of a 1738 Broadsheet of Koheles Shlomo "Beney Israel rahmanim vegomley hasadim"

The Hebrew Library Of A Renaissance Humanist: The Bibliography To Andreas Masius' Edition Of The Book Of Joshua (Antwerp: Christopher Plantin 1574), Theodor Dunkelgrün

Early Modern Workshop: Resources in Jewish History

Andreas Masius' 1574 polyglot edition of the book of Joshua with copious annotations and commentaries is a monument of Renaissance biblical scholarship. In an appendix - the text presented here - Masius recorded the Hebrew and Aramaic books he consulted in preparing his edition. In spite of the brevity of its descriptions, this bibliography has much to tell us about Christian readership of the Hebrew book in the 16th century. It reveals the depth, breadth, and sophistication of Masius' grasp of Jewish literature. It is a snapshot of his own library, but at the same time also a panorama of …

Sefer Or Le-Et Erev: A History Of A Misunderstanding, Pawel Maciejko

Early Modern Workshop: Resources in Jewish History

This presentation explores the boundaries of the concept of the ‘Jewish book’ on the basis of Yiddish and Hebrew texts distributed by Protestant missionaries among the Jews in 18th-century East Central Europe. Such texts were not always recognised as Christian by their Jewish readers. The case in point is the brochure Or le-Et Erev circulated by the Halle Pietists. The Yiddish text does not give the name of the author or the place of publication; it does not refer explicitly to Jesus’s identity with the Jewish Messiah until the final pages; and it bases much of its argument on Jewish …

Early Modern Yiddish Readers: Immoderately Addicted To Rhyme?, Ruth Von Bernuth

Early Modern Workshop: Resources in Jewish History

Roughly one third of Old Yiddish literature is based on traceable European literary sources, mainly German. Given how close Old Yiddish is to Early New High German, some of these Old Yiddish texts with European sources feel like mere transcriptions, others more like legitimate translations and yet others more like free adaptations. From the Yiddish reader's perspective, the texts become accessible through transcription into Hebrew characters and more accessible the more that the translator engages the text as representative Jewish reader. A large proportion of these Yiddish books with German sources are prose novels–a genre newly popular with German readers …

From Apologetics To Polemics: Isaac Orobio De Castro’S Defences Of Judaism And Their Use In The French Enlightenment, Adam Sutcliffe

Early Modern Workshop: Resources in Jewish History

This presentation explores the use by non-Jews in eighteenth-century France of controversialist works written primarily for manuscript circulation within the seventeenth-century Sephardic communities of the Netherlands. In response to sustained theological doubts regarding Judaism posed by Sephardim deeply conditioned by having lived as outward Catholics in the Iberian peninsula, several community leaders in seventeenth-century Amsterdam, such as the doctor and controversialist Isaac Orobio de Castro (c.1617-1687), authored trenchant attacks on Christian doctrine, in particular emphasizing the enduring validity of Jewish law and the superiority of Jewish biblical exegesis. French translations of some of these texts - which circulated in Paris …

The Power Of Texts In The Conversion Of An Old Christian Hebraist, Miriam Bodian

Early Modern Workshop: Resources in Jewish History

Lope de Vera y Alarcón was an Old Christian Hebraist at the University of Salamanca in the late 1630s. In his professional training, he had access to texts that few people in Spain were permitted to see. His subversive reading of Erasmus and the Hebrew diary of David Reuveni, among other works, were not the only factors in his becoming a "judaizer," but by his own account they were of great importance. The texts I will present are excerpts from his Inquisition trial (1639-1644).

This presentation is for the following text(s):

• Inquisition file of Lope de Vera y Alarcón (1639-1644)

Jews Under Surveillance: Censorship And Reading In Early Modern Italy, Federica Francesconi

Early Modern Workshop: Resources in Jewish History

This talk explores how Counter-Reformation’s dynamics affected the readings of Italian Jews, after the political changes of the 1550s and the promulgation of the Index by Clement VIII in 1596 (with the ban of the Talmud). Dealing with censorship, expurgation and banning of books, in fact, Italian Jews found themselves caught up between the intricate and often conflicting positions between the Congregation of the Index and the Office of the Inquisition. Based on the analysis of both Inquisitorial sources (proceedings, guidelines and censors’ reports) and biographical accounts, I will explore how rabbis and converts, who worked as appointed censors for …