Arts and Humanities Commons^™

Angela Butler Palmer

African American Funeral Programs

Angela Butler Palmer had a graveside service.

Answering Questions And Solving Problems, James Lipuma

STEM for Success Resources

In this essay, Dr. Lipuma examines the foundational processes for clear communication. It uses a component analysis of critical concepts like communication, scenario, and overall effectiveness.

Desire In The Iliad: The Force That Moves The Epic And Its Audience, Rachel H. Lesser

Gettysburg College Faculty Books

This book is the first study to examine desire in the Iliad in a comprehensive way and to explain its relationship to the epic’s narrative structure and audience reception. It offers a new reading of the poem that shows how the characters’ desires, especially those of the mortal hero Achilleus and the divine king Zeus, motivate plot and keep the audience engaged with the epic until and even beyond its end. The author argues that the characters’ desires are primarily organized in narrative triangles that feature two parties in conflict over a third. A variety of desires animate these triangles, …

Language Translation In Localizing Religious Musical Practice, John Macinnis, Jeremy Perigo

Books by Dordt Authors

The focus of this Special Issue is language translation in the process of localizing religious musical practice. As an alternative to related concepts (such as contextualization and indigenization), musical localization is presented by ethnomusicologists Monique Ingalls, Muriel Swijghuisen Reigersberg, and Zoe Sherinian in Making Congregational Music Local in Christian Communities Worldwide (Routledge, 2018) as an effective way to account for the complex, diverse, and shifting ways in which religious communities embody what it means to be local through their musical practices: "Musical localization is the process by which Christian communities take a variety of musical practices - some considered 'indigenous, …

Alfred Russ

African American Funeral Programs

No abstract provided.

Intro To Primary Sources, Katie Strand, Jen Kirk, Dan Davis, Lara Petersen

All E-Learning Resources

Attention: As of 2026 updated versions of this item will no longer be available on Digital Commons. Please contact [email protected] for more information.

The Identifying Primary Sources tutorial teaches students how they find, evaluate, and use primary sources in their own research. Along the way, they'll learn about some great places to start researching when looking for primary sources.

Archy And Mehitabel, Don Marquis

Zea E-Books Collection

Archy and Mehitabel are two inimitable characters — a philosophical cockroach who types out free verse correspondence by dive-bombing the keys and an insouciant feline dancer out to take life for all it is worth, ever the lady and “toujours gai.”

Created by Don Marquis and popularized in the New York Sun and New York Herald-Tribune 1916–1922, their best-loved exploits and musings are captured in this marvellous collection of 48 episodes, and illustrated with 29 cartoon drawings by George Herriman. Archy sees the universe at an entirely different angle, and humanity is measured against its miniature insect reflections. We meet …

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

Anthology On Racism, The Black Experience, And Privilege, Marshall University Society Of Black Scholars, Marshall University Office Of Intercultural Affairs

Marshall Books

RACISM IN YOUR LIFE

The depth, impact, and experience of “racism” in our personal lives is a story that we do not often tell. These are predominantly private matters, only occasionally shared and with only certain people in our lives. Unfortunately, many people in our world are unaware of its full existence and do not know the truth about the experiences of racism in our daily lives. Without knowledge of these truths, society, including university leadership, cannot make adequate advancements to address these demoralizing experiences of people of color. In this anthology, writings on this subject will bring clarity, truth, …

The Tretter Project: Queer History, Laura E. Migliorino, Christopher Bohnet, Lisa Vecoli

University Art Collection Books

The Trettor Project: Queer History zine shares LGBTQIA+ history through the photography of selected items from the Jean Nickolaus-Tretter Archive of Queer History. The Tretter Archive is located at the University of Minnesota, Minneapolis, Minnesota.

The zine was provided with permission of the artist and publisher Laura Migliorino. An art exhibit of the photographs was exhibited in the Winona State University Darrell W. Krueger Library October 2023 through December 2023.

Wilmington Insurrection: Race Riots, George Davis

Student Zines

This hand-drawn zine discusses the race riots in Wilmington, NC in 1898.

Bouwsma’S Commonplace Book Notes On Yorick Smythies And Related Papers:Assembled, Edited, And Introduced By Ronald E. Hustwit Sr., Ronald E. Hustwit Sr., O.K. Bouwsma

O.K. Bouwsma Collection

Selections: Bouwsma-Smyties discussions at Oxford 1950-51; Bouwsma-Smythies discussions at Oxford 1955-56; selected notes on Smythies 1953-74; notes on Smythies’ paper “Non-Logical Falsity”; Smythies’ paper “Non-Logical Falsity”; Smythies’ letter to Bouwsma on Conversations With Wittgenstein, 1949-51; 16 poems by Yorick Smythies; Smythies’ untitled paper on “action-reaction” and “objects” (Bouwsma’s typed response to this paper (c. 100 pages – are in the Bouwsma collection in the Humanities Research Center).

In his commonplace book from 1950 to his death in 1978, Bouwsma kept track of his reflections on conversations and written remarks of Yorick Smythies a student of Wittgenstein. Bouwsma won a Fulbright …

Bouwsma Papers, Ronald E. Hustwit Sr.

O.K. Bouwsma Collection

Each of these files, with one exception, are selections taken from the Bouwsma collection at the Harry Ransome Center where Bouwsma’s papers are housed at the University of Texas in Austin. The selections, gathered on a particular subject, are edited and accompanied by an introduction by Ronald E. Hustwit Sr.

Bouwsma’S 1949-1951 Commonplace Book (Selections), Ronald E. Hustwit Sr., O.K. Bouwsma

O.K. Bouwsma Collection

These selections were taken from over 250 handwritten commonplace book entries made over a two-year period when Bouwsma, on leave from the University of Nebraska and on Fulbright Fellowship at Oxford, spent time discussing philosophy with Wittgenstein at Cornell, Smith College, as well as Oxford. The selected entries also contain discussions Bouwsma had with Elizabeth Anscombe, Yorick Smythies, and other prominent American and British philosophers in this time period.

Bouwsma’S The John Locke Lectures: “The Flux”, Oxford University, 1951, Ronald E. Hustwit Sr., O.K. Bouwsma

O.K. Bouwsma Collection

These John Locke Lectures were delivered during the winter term of l951 at Oxford University. Bouwsma had been awarded a Fulbright Lectureship to lecture in England for the academic year l950-51. He was appointed as Honorary Professor of Philosophy at Magdalene College, Oxford and was sought out to deliver the Locke Lectures later in that year. This leave year followed another leave year from his home university -- the University of Nebraska -- when he spent some time lecturing at both Cornell and Smith Colleges. These two years were the years when he met and came to know Ludwig Wittgenstein …

Commedia Dell’Arte: The Mechanisms Of Othering, Olly Crick

Representing Alterity through Puppetry and Performing Objects

This chapter proposes that the dramaturgic flexibility within historical Commedia dell’Arte was predicated on a performance methodology that demanded a changing pattern of othering, depending on the class, economic strength and region of their audiences.

Always Busy Somewhere: Cooper Crafts An Entrée For The Other, Paulette Richards

Representing Alterity through Puppetry and Performing Objects

African American ventriloquist John W . Cooper toured for a time with Richards and Pringle’s Famous Georgia Minstrels, but did not appear in blackface. Instead he used figures to get audiences to recognize the humanity and agency of a Black man.

Characters Of The Other In Slovak Folk Drama And Czech And Slovak Professional Puppet Theater, Ida Hledikova

Representing Alterity through Puppetry and Performing Objects

This chapter reflects on and compares depictions of the main heroes in folk theater in Slovakia as well as contemporary Slovak and Czech puppet theater and discusses reasons why the Romany ethnic minority was popular or a focal point of interest.

Matter’S “Dark” Powers: Performing Objects And Racialization In Nineteenth-Century American Spiritualism, Hazel Rickards

Representing Alterity through Puppetry and Performing Objects

In this article, I analyze performing objects that were attributed to the agency of Black spirits within the 19th-century American spiritualist movement, exposing how white, female spirit mediums supported and tested a racial metaphysics that assumed white transcendence and Black materiality.

Exhibiting Blackface Puppets From The German Imaginary, William T.F. Condee

Representing Alterity through Puppetry and Performing Objects

German puppet collections face the problem of how—and whether—to display their extensive holdings of blackface puppets that are built on grotesquely racist stereotypes, including the Imagined Turk, the Imagined African, the Imagined African American, and the Imagined Multicultural German.

Puppetry For A Total War: French And German Puppet Plays In World War I, Didier Plassard

Representing Alterity through Puppetry and Performing Objects

Comparing German, Austrian and French puppet repertoires composed during or in the aftermath of WW1, this paper examines how these productions took part in the “bourrage de cranes” (brainwashing) of public opinions, instilling the hate of other nations in the minds of the youngest.

Plot To Kill The President: A Novel, Arthur Scott, Brian Heath

Faculty Authored Books and Book Contributions

I was always skeptical of The Warren Report as were countless other Americans over the decades.

I was reenergized to look more closely at November 22,1963, by a chance encounter with Brian heath, a JFK aficionado, who had made some startling discoveries about the assassination. He had studied meticulously the Nix film and concluded that the fatal shot came from within the presidential limousine from the driver, William Greer. Similarly, that many of JFK’s cabinet members consisted of former OSS spooks, who dominated the CIA, and were major spokesman for the national security state and America’s global dominance.

They saw …

New England Osteopathic Association: Constitution, New England Osteopathic Association

John McPartland, D.O. Collection

Constitution of the New England Osteopathic Association organized in Boston January 28, 1905.

Vermont State Association Of Osteopathic Physician And Surgeons Inc.: Correspondence Soliciting New D.O.S To Vermont, Vermont State Association Of Osteopathic Physicians And Surgeons Inc.

John McPartland, D.O. Collection

A letter from the Vermont State Association of Osteopathic Physicians and Surgeons, Inc. soliciting D.O.s to move to Vermont.

Otterbein University, 1847-1907 - Index, Harold Hancock

University Publications - Historical

The index to Dr. Garst's 'History of Otterbein University" was created by Dr. Harold Hancock (history professor, 1944-85). It is not comprehensive, but covers the major topics of the book.

Chacahoula 2022, Tram Phan

Chacahoula

Chacahoula 2022 includes the people and events that made the 2021-2022 school year at University of Louisiana at Monroe unique. Staff included

Tram Phan, Editor-in-Chief

Feature Writers:

Amir Alnajjar

Hanna Flynn

Alayna Pellegrin

Tram Phan

Evan Ranjitkar

Koshish Shrestha

Zoe Sissac

Tia Smith

Sports Writers:

Jonah Bostick

Cameron Jett

Designers:

Hanna Flynn

Tram Phan

Photographers:

Lanaya Bolden

Skylar Henry

Jeanette Robinson

Saugat Shrestha

Calli Sinclair

Paul Ware

Sicilian Puppet Theater: Alterity Or Diversity?, Jo Ann Cavallo

Representing Alterity through Puppetry and Performing Objects

From the perspective of alterity, the predominant figure of the Other in Sicilian puppet theater is undoubtedly the Saracen (Muslim) aggressor. Yet the Paladins of France cycle, with its over 300 nightly episodes, is replete with stories that eschew an opposition between an “us” and a “them” and instead underscore our common humanity across borders of all kinds. Indeed, camaraderie, friendship, and even romance can readily develop between individuals from the most disparate corners of the globe. My paper focuses on a selection of examples under the guise of both alterity and diversity, the latter achieved especially through heterogamous marriages.

A Real American Wife, A Japanese Object: Puppetry And The Orient In Minghella’S Madam Butterfly, Tobi Poster-Su

Representing Alterity through Puppetry and Performing Objects

In Anthony Minghella’s celebrated 2005 production of Madam Butterfly, three white men manipulate the small, fragile body of Sorrow (Cio-Cio-San/Butterfly’s child), and, in a dream sequence, Cio-Cio-San herself–this paper explores how the production uses puppetry to represent the racialized Other, and how this might subvert, reinforce, or make visible Orientalist views of the East within the source text.

The Other In Southeast Asian Puppetry, Kathy Foley

Representing Alterity through Puppetry and Performing Objects

Southeast Asian wayang/nang talung puppetry presents the local hero as refined. Three types of “others” repeat: 1) comic foreigners, 2) Raja Sabrangan (“Overseas King”) and followers, and 3) physically deformed clown servants. The last two groups are important and may relate to Austronesian concepts of spirit siblings accompanying each person through life.

The Western Tourist As Exotic Other: Coping With The Aggressive Ways Of The Casual Stranger, John Emigh

Representing Alterity through Puppetry and Performing Objects

In the summer of 2004, the author traveled with Prof. Barbara Hatley to see a performance by the Ludruk Karya Budaya troupe of Mojokerto in Eastern Java and while there, the author participated in the performance; this chapter reflects on the minefield of cultural issues involved in their improvised sketch.