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Articles 3211 - 3240 of 6141

Full-Text Articles in Arts and Humanities

Untitled, B. Hoyle Jan 2001

Untitled, B. Hoyle

The Messenger

No abstract provided.


Untitled, Scott Bennett Jan 2001

Untitled, Scott Bennett

The Messenger

No abstract provided.


9 Ways Of Seeing A Rainy Day, Nick Salter Jan 2001

9 Ways Of Seeing A Rainy Day, Nick Salter

The Messenger

No abstract provided.


Part And Counterpart In Nc, Db Ross Jan 2001

Part And Counterpart In Nc, Db Ross

The Messenger

No abstract provided.


Fire, . Anonymous Jan 2001

Fire, . Anonymous

The Messenger

No abstract provided.


Untitled, Daniel Sarjeant Jan 2001

Untitled, Daniel Sarjeant

The Messenger

No abstract provided.


Holding Pattern And Groundswell: Verdi's Mimesis Of The Lyric, David Gable Jan 2001

Holding Pattern And Groundswell: Verdi's Mimesis Of The Lyric, David Gable

Verdi Forum

No abstract provided.


The Name Of The Daughter: The Role Of Amelia/Maria In Simon Boccanegra, Julia Randel Jan 2001

The Name Of The Daughter: The Role Of Amelia/Maria In Simon Boccanegra, Julia Randel

Verdi Forum

No abstract provided.


Esquisse D'Un Nouveau Revolté Social: Le Cas De Dadou Dans L'Anté-Peuple De Sony Labou Tansi, Kasongo Mulenda Kapanga Jan 2001

Esquisse D'Un Nouveau Revolté Social: Le Cas De Dadou Dans L'Anté-Peuple De Sony Labou Tansi, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

La révolution est souvent l'expression (ou le résultat) d' une insatisfaction profonde ressentie par certaines couches sociales dans une communauté bien déterminée. Sa gestation et sa maturation peuvent comprendre plusieurs étapes dont trois semblent, à mon avis, indispensables pour atteindre le point d'ebullition, à savoir une très forte prise de conscience de la situation d' iniquité, une série de réflexions en vue de changer l'état stagnant des choses, et enfi n une action pour susciter le changement recherché. En premier lieu, l'individu se démarque par son désaccord avec la société en se retranchant volontairement à la marge d' un système …


"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower Jan 2001

"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

In this brief monograph based on her dissertation, Leslie Morris sets out to achieve a series of aims: to contest the alleged divide between Bachmann's poetry and prose, to counter "the myth of her apolitical poetic voice" (10), to address the presence and absence of history in her poetry, and, finally, to consider how to read Bachmann's poetic ceuvre in light of historical developments in Germany and Austria in the 1980s and 1990s. In a sense, Morris is also trying to rehabilitate post-war aesthetic modemism from a reductive, binary mode of criticism that separates aesthetics and politics. Following in the …


Kabou Dechire Le Certificat D'Innocence De L'Afrique? (Review Of Et Si L'Afrique Refusait Le Développement By Axelle Kabou), Kasongo Mulenda Kapanga Jan 2001

Kabou Dechire Le Certificat D'Innocence De L'Afrique? (Review Of Et Si L'Afrique Refusait Le Développement By Axelle Kabou), Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Pourquoi I' Afrique est-elle sous développée? En repondant a cette question, Axelle Kabou fait d'une pierre deux coups. D'abord, elle émet une thèse d'après laquelle I'Afrique refuserait de se développer à cause de sa léthargie. Ensuite, elle fait un réquisitoire severe en désignant du doigt I' Africain lui-meme comme source de son retard. Le refus de développement, explique-t-elle, vient d'une fausse conception manichéiste qui voit en I' Afrique une antithèse de I' Europe. Par consequent, tout emprunt des valeurs européennes indispensables au développement est vu avec méfiance. C'est ainsi qu' «à peine sortie du monde manichéiste pré-colonial, I' Afrique a …


Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima Jan 2001

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …


Secreta Palinodia: La 'Contrautopía' De José Antonio Maravall Como Descargo De Conciencia, Aurora Hermida-Ruiz Jan 2001

Secreta Palinodia: La 'Contrautopía' De José Antonio Maravall Como Descargo De Conciencia, Aurora Hermida-Ruiz

Latin American, Latino and Iberian Studies Faculty Publications

En un reciente ensayo panorámico sobre la historiografía española del Renacimiento, Ottavio Di Camillo afirma que no existió ninguna interpretación del Renacimiento español digna de mención en el período intermedio entre Marcelino Menéndez Pelayo y José Antonio Maravall, o sea, desde finales del siglo XIX hasta mediados de la década de los 50: ‘For over a half a century no new interpretations of the Renaissance were advanced, even though there was a slight increase in the number of studies on particular humanists and Renaissance authors’.1 En la segunda entrega de este ensayo, Ottavio Di Camillo vuelve a insistir en …


"This Great Modern Abomination": Orthodoxy And Heresy In American Religion, Terryl Givens Jan 2001

"This Great Modern Abomination": Orthodoxy And Heresy In American Religion, Terryl Givens

English Faculty Publications

In chapter 4, Terryl Givens provides a new view not only of the Christianity of Mormons but also more specifically of the religious motivations and methods for persecuting LDS people in nineteenth-century America. Givens's chapter is especially important as an examination of one of the worst examples of systematic religious intolerance in American history. According to Givens, for Americans' self-conception as a religiously tolerant nation to remain intact, a hegemonic rhetoric needed to emerge in the public sphere that denied the religious nature of Mormonism and instead described it as a political threat or social evil. Under the cover of …


"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe Jan 2001

"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe

English Faculty Publications

This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …


The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka Jan 2001

The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka

English Faculty Publications

“You know the horror of buying clothes” (L2 232), wrote Virginia Woolf to her sister in 1918. This statement takes us to the heart of early critical assumptions about Woolf and consumerism. Following good modernist principles, the argument ran, Woolf’s art was naturally above shopping, distinct from and even a reaction against consumer culture. More recently, critics such as Jennifer Wicke, Rachel Bowlby, and Reginald Abbott have unsettled this separation and have started to consider the complex relations among consumption, the market, and Woolf’s writing. Most of this attention, however, has focused either on selected essays or on Mrs. Dalloway …


Origin Stories: Creation Narratives In Australian Aboriginal Art, University Of Richmond Museums Jan 2001

Origin Stories: Creation Narratives In Australian Aboriginal Art, University Of Richmond Museums

Exhibition Brochures

Origin Stories: Creation Narratives in Australian Aboriginal Art

September 26 to December 9, 2001

Marsh Art Gallery

Introduction

The Kluge-Ruhe Collection provides an incredibly valuable resource for people in Virginia and throughout the country to study and appreciate some of the most interesting and exciting work being created today - contemporary Australian Aboriginal art.

John Kluge of Virginia began collecting Aboriginal art in 1987, and in 1993 he purchased the collection of Professor Edward L. Ruhe of the University of Kansas, Lawrence. With a mission to educate the American public about Aboriginal art, the Kluge-Ruhe Collection was formed in 1997 …


American Prints From The 1920s And 1930s: Selections From The Permanent Collection, University Of Richmond Museums Jan 2001

American Prints From The 1920s And 1930s: Selections From The Permanent Collection, University Of Richmond Museums

Exhibition Brochures

American Prints from the 1920s and 1930s: Selections from the Permanent Collection

February 20 to March 25, 2001

Marsh Art Gallery, University of Richmond Museums

Introduction

American printmaking experienced a surge in popularity during the 1920s and 1930s, when many artists began looking to their own environments as subject matter. Urban and country life, realistic or idealized, appeared in the work of Social Realist and Regionalist artists. Their images were used as illustrations for novels, poetry, short stories and advertisements. Influential to the style and quality of printmaking at this time was the immigration of artists from Europe. Of the …


Untitled [Cover], Daniel Sarjeant Jan 2001

Untitled [Cover], Daniel Sarjeant

The Messenger

No abstract provided.


From The Cantos, 1, David Staniunas Jan 2001

From The Cantos, 1, David Staniunas

The Messenger

No abstract provided.


Untitled, Daniel Sarjeant Jan 2001

Untitled, Daniel Sarjeant

The Messenger

No abstract provided.


Untitled, Daniel Sarjeant Jan 2001

Untitled, Daniel Sarjeant

The Messenger

No abstract provided.


Atanilindalë, Sam Keyes Jan 2001

Atanilindalë, Sam Keyes

The Messenger

No abstract provided.


For Philip Larkin (Orchids), David Staniunas Jan 2001

For Philip Larkin (Orchids), David Staniunas

The Messenger

No abstract provided.


Angles And Reflections, Db Ross Jan 2001

Angles And Reflections, Db Ross

The Messenger

No abstract provided.


Enhancing Women's Studies Action Research Projects Through Technology, Lucretia Mcculley Jan 2001

Enhancing Women's Studies Action Research Projects Through Technology, Lucretia Mcculley

University Libraries Faculty and Staff Publications

This article describes how library and Internet technology enhanced an action research assignment in a unique women’s studies program, Women Involved in Living and Learning (WILL), at the University of Richmond. The Women’s Studies Liaison Librarian and the Director of the WILL Program collaborated to provide a meaningful assignment that incorporated the use of online databases and the Internet. The main objective of the assignment was to provide a research opportunity whereby the students would learn to use electronic women’s studies resources and actually utilize the information into some type of social action, such as writing a letter, volunteering in …


Performing Arts Manuscript Collections: Balancing Access And Privacy, Linda B. Fairtile Jan 2001

Performing Arts Manuscript Collections: Balancing Access And Privacy, Linda B. Fairtile

University Libraries Faculty and Staff Publications

This essay examines some of the issues involved in administering performing arts manuscript collections. After briefly discussing the evolving notion of privacy in both its legal and moral senses, it will turn to the relationships and interlocking responsibilities of the four groups concerned with access to manuscript collections: donors, custodians, users, and "third-party" contributors. Finally, the results of a survey of performing arts repositories will reveal the variety of ways in which these responsibilities are addressed. It will be demonstrated that despite the attention paid to issues of access by professional organizations, agreements in theory, much less in practice, have …


The Lithuanian-Polish Dispute And The Great Powers, 1918-1923, Peter Ernest Baltutis Jan 2001

The Lithuanian-Polish Dispute And The Great Powers, 1918-1923, Peter Ernest Baltutis

Honors Theses

In the wake of World War I, Europe was a political nightmare. Although the Armistice of 1918 effectively ended the Great War, peace in Eastern Europe was far from assured. The sudden, unexpected end of the war,combined with the growing threat of communist revolution throughout Europe created an unsettling atmosphere during the interwar period.The Great Powers-the victorious Allied forces of France, Great Britain, Italy, and the United States-met at Paris to reconstruct Europe. In particular, the Great Powers had numerous territorial questions to resolve. One of the most fascinating territorial struggles concerned the city of Vilnius (Vilna in Russian, Vilna …


Messiah, Department Of Music, University Of Richmond Dec 2000

Messiah, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Stride! Fats, Jimmy, Lion, Lamb, And All The Other Ticklers By John L. Fell And Terkild Vinding, Giant Strides: The Legacy Of Dick Wellstood By Edward Meyer (Book Reviews), Gene H. Anderson Dec 2000

Stride! Fats, Jimmy, Lion, Lamb, And All The Other Ticklers By John L. Fell And Terkild Vinding, Giant Strides: The Legacy Of Dick Wellstood By Edward Meyer (Book Reviews), Gene H. Anderson

Music Faculty Publications

As their titles suggest, these books focus on stride pianists rather than on the style itself. Well researched and written by experienced jazz enthusiasts, the books approach their subject from opposite points of view. Stride! provides a brief survey of the idiom followed by biographical sketches of players identified or associated with stride; Giant Strides recounts the life of a player who concluded the stride legacy.