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Articles 3121 - 3150 of 6141

Full-Text Articles in Arts and Humanities

[Introduction To] Alegorías De La Disidencia: El Teatro De Agustín Gómez-Arcos, Sharon G. Feldman Jan 2002

[Introduction To] Alegorías De La Disidencia: El Teatro De Agustín Gómez-Arcos, Sharon G. Feldman

Bookshelf

This book is a case study of the relationship between art and oppression. It is the first book devoted to Gomez-Arcos, a member of a "lost" generation of Spanish dramatists who were silenced during the Franco era. It addresses three crucial issues that define both his literature and his life: censorship, exile, and bilingualism.


[Introduction To] From My People: 400 Years Of African American Folklore, Daryl Cumber Dance Jan 2002

[Introduction To] From My People: 400 Years Of African American Folklore, Daryl Cumber Dance

Bookshelf

A magnificent celebration of―and an essential introduction to―African American life and culture. Folklore displays the heart and soul of a people. African American folklore not only hands down traditions and wisdom through the generations but also tells the history of a people banned from writing and reading during slavery. In this anthology, Daryl Cumber Dance collects a wealth of tales that have survived and been adapted over the years, many featuring characters (like Brer' Rabbit) from African culture. She leaves no genre of folklore out, including everything from proverbs and recipes to folk songs and rumor. There is a section …


Dreams Of Interpretation: Psychoanalysis And The Literature Of Vienna, Thomas Paul Bonfiglio Jan 2002

Dreams Of Interpretation: Psychoanalysis And The Literature Of Vienna, Thomas Paul Bonfiglio

Languages, Literatures, and Cultures Faculty Publications

The first edition of Die Traumdeutung (translated as The Interpretation of Dreams, 1913) bears a publication date of 1900, although it actually appeared in Vienna in November 1899. This is consistent with the pivotal temporality of a work that looks retrospectively into the nineteenth century and prospectively into the twentieth. In 1931, Freud said of his first and arguably most important book, "It contains, even according to my present-day judgement, the most valuable of all the discoveries it has been my good fortune to make. " In terms of the influence not only on his later publications, but also …


Russia And The Former Soviet Union, Yvonne Howell Jan 2002

Russia And The Former Soviet Union, Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

Contested geographies and cultures in which (according to Iurii Lotman's and Boris Uspenskii's seminal study "Binary Models in the Dynamics of Russian Culture") there is a lack of relatively neutral political, social, economic, and legal institutions capable of mediating between the polarities of church and state, private and public, sacred and secular. As a consequence, for the last two centuries Russian literature and literary debate have assumed extraordinary significance as almost the sole realm of negotiating a collective as well as individual identity. The binary structure of Russian culture in large part characterizes the relationship between literature and science as …


An Introduction To The Brotherhood Of Free Culture And The Cultural Center Of Pushkinskaya Ten, Joseph C. Troncale Jan 2002

An Introduction To The Brotherhood Of Free Culture And The Cultural Center Of Pushkinskaya Ten, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

The exhibition, The Brotherhood of Free Culture: Recent Art From St. Petersburg, Russia represents a significant moment in the history of exhibitions of Russian nonconformism in painting. Like all Russian nonconformist art, this exhibition and these artists trace their roots back directly to 1863 and to the tradition of "unofficial" art, which, one might say, began with the refusal of those fourteen artists to remain under the yoke of the academy. The bold move of those young artists in the nineteenth century precipitated the formation of a more permanent group of painters into the Brotherhood of Traveling Art Exhibitions, …


,,Wahr Spricht, Wer Scahtten Spricht": Die Angst Vor Der Unbestimmbarkeit In Der Darstellung Des Holocaust, Kathrin M. Bower Jan 2002

,,Wahr Spricht, Wer Scahtten Spricht": Die Angst Vor Der Unbestimmbarkeit In Der Darstellung Des Holocaust, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

,,WER MIT den Juden kämpft, kämpft mit dem Teufel": So die Behauptung im Kommentar zu dem Film Juden ohne Maske, welcher vom Gaufilmstellenleiter Walter Böttcher im Auftrag des Reichspropagandaministeriums 1938 zusammengestellt wurde. Dieser Film sollte als Mittel der ,Volksaufkärung' über die Ziele und Beweggründe der nationalsozialistischen Politik fungieren und griff die antisemitische Fahne, die schon in der Münchener Ausstellung ,,Der ewige Jude" 1937 plakativ ausgehängt wurde, zielstrebig auf. Die Einsetzung dieses Filmes nach den Novemberpogromen im Jahr 1938 weist auf eine gezielte Taktik des Propagandaministeriums hin, vollendete Tatsachen nachträglich durch filmische Darstellungen zu rechtfertigen. Da die Nationalsozialisten die …


L'Enfance Échouée Comme Source De Drame Dans En Attendant Le Vote Des Bêtes Sauvages, Kasongo Mulenda Kapanga Jan 2002

L'Enfance Échouée Comme Source De Drame Dans En Attendant Le Vote Des Bêtes Sauvages, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

En attendant le vote des betes sauvages peut être lu com me une analyse discursive de la problématique de l'identité de la classe dirigeante. Qui sont réellement les dirigeants africains dont la mauvaise gouvernance a poussé le continent au bord de la banqueroute? Tout remonterait à l'enfance qui, dans le cas de cette élite, a été paralysante. L'analyse met en lumière une enfance bâclée gelée dans une idéologie de servitude.


Race Relations, Suzanne W. Jones Jan 2002

Race Relations, Suzanne W. Jones

English Faculty Publications

Since the early nineteenth century, when white southern writers began to defend slavery, relationships between blacks and whites became a central concern in southern literature. Many nineteenth-and early-twentieth-century works by white writers exacerbated racial prejudice by reproducing southern white society's racist ideology. But other southern writers, both white and black, have attempted to redress this problem by using literature to dismantle stereotypes and to imagine new relationships. The results of the 1960s Civil Rights Movement speeded up the process, suggesting new plots, new endings, and new points of view to southern writers of both races.


I'Ll Take My Land: Contemporary Southern Agrarians, Suzanne W. Jones Jan 2002

I'Ll Take My Land: Contemporary Southern Agrarians, Suzanne W. Jones

English Faculty Publications

For many earlier southern white writers, the southern rural landscape was the repository of nostalgia for lost ways of life, whether it was the plantation fantasy that Thomas Nelson Page pined for in his stories In Ole Virginia (1887) or the segregated agrarian ideal that many contributors yearned for in I'll Take My Stand (1930). For modern southern white writers, beginning most prominently with William Faulkner, the rural landscape has conjured up unsettling guile about a way of life that flourished on the backs of the black people who tilled that land. And not surprisingly, for many black writers the …


Screening Readerly Pleasures: Modernism, Melodrama, And Mass Markets In If I Forget Thee, Jerusalem, Peter Lurie Jan 2002

Screening Readerly Pleasures: Modernism, Melodrama, And Mass Markets In If I Forget Thee, Jerusalem, Peter Lurie

English Faculty Publications

Although Faulkner had already, with his earlier fiction, established himself as a practitioner of a rarefied, regional modernism, in If I Forget Thee, Jerusalem he addresses the reading tastes and pleasures of the commercial market. Commenting as he does on the doctor and his wife’s tastes in the novel’s opening, Faulkner reveals his disdain for people who prefer the culture industry’s generic products to something more personal or idiosyncratic. Yet as his potential audience, those people or their tastes were of interest to Faulkner in 1939, the year the novel appeared. Following extended periods working in Hollywood, as well as …


Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna Jan 2002

Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna

English Faculty Publications

Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …


Book Review: The Mormon Question: Polygamy And Constitutional Conflict In Nineteenth-Century America, Terryl Givens Jan 2002

Book Review: The Mormon Question: Polygamy And Constitutional Conflict In Nineteenth-Century America, Terryl Givens

English Faculty Publications

Polygamy makes for fascinating social history and for best-selling potboilers as well. This study by Sarah Barringer Gordon, who teaches both law and history at the University of Pennsylvania, is the first attempt to write a full-length legal history of “the Principle.” It turns out that even in this dry-as-dust genre, polygamy fuels a very dynamic story indeed, one that reveals the rich malleability of the Constitution, the endless resourcefulness of determined guardians of public morality, and the resilience of a peculiar people committed to the practice of plural marriage.


Reginald Marsh Prints: Whitney Museum Of American Art Portfolio, Part Two, University Of Richmond Museums Jan 2002

Reginald Marsh Prints: Whitney Museum Of American Art Portfolio, Part Two, University Of Richmond Museums

Exhibition Brochures

Reginald Marsh Prints: Whitney Museum of American Art Portfolio, Part Two

January 8 to June 29, 2002

Joel and Lila Harnett Print Study Center

Introduction

It is only fitting that this two-part, yearlong inaugural exhibition for the Joel and Lila Harnett Print Study Center feature one of America's most important artists whose talents were honed during the 1920s and 1930s, a period when American printmaking experienced a surge in popularity. Reginald Marsh (1898-1954) created images that revealed the society and tempo of his environment and his time, and he was considered a Social Realist along with such artists as Isabel …


Music Collections In American Public Libraries, Linda B. Fairtile, Karen M. Burke Jan 2002

Music Collections In American Public Libraries, Linda B. Fairtile, Karen M. Burke

University Libraries Faculty and Staff Publications

This article presents a broad survey of music collections in public libraries in the United States. Characteristics common to the majority of American public libraries are discussed, including origin, funding, and mission as an educational institution. Using a 1949 survey compiled by Otto Luening, Music Materials and the Public Library, as a basis for comparison, the authors surveyed seven libraries representing one or more of the following communities: small towns, school districts with nationally recognized music education programs, large cities, and locations associated recognizably "American" musical styles (e.g., New Orleans and jazz). The results this informal web survey demonstrate …


The Rhetoric Of Legality Vs. The Rhetoric Of Morality : Seeing Justice Through The Eyes Of Dramatic Works, Hannah C. Bate Jan 2002

The Rhetoric Of Legality Vs. The Rhetoric Of Morality : Seeing Justice Through The Eyes Of Dramatic Works, Hannah C. Bate

Honors Theses

Seeing Justice Through the Eyes of Dramatic Works


Nationalism And The Public Sphere : Debating The Limits Of Patriotism In Popular Music Since September 11th, Mark Melvin Jan 2002

Nationalism And The Public Sphere : Debating The Limits Of Patriotism In Popular Music Since September 11th, Mark Melvin

Honors Theses

At various historical moments, music has been a part of change and movement within social dynamics. From minstrels entertaining the courts of kings to plantation slaves singing spirituals of emancipation, the localities of music are diverse and ever shifting. Music is, and always has been, forming and reforming dynamic relationships with culture, art, and politics. With the emergence of mass media and mass distribution in the 20th century, music has become more than an art form that can only be experienced by a live audience; consequently, music has formed even more unique relationships within the cultural, artistic and political spheres. …


The 'Most Important And Fundamental' Distinction In Logic, G. C. Goddu Jan 2002

The 'Most Important And Fundamental' Distinction In Logic, G. C. Goddu

Philosophy Faculty Publications

In this paper I argue that the debate over the purported distinction between deductive and inductive arguments can be bypassed because making the distinction is unnecessary for successfully evaluating arguments. I provide a foundation for doing logic that makes no appeal to the distinction and still performs all the relevant tasks required of an analysis of arguments. I also reply to objections to the view that we can dispense with the distinction. Finally, I conclude that the distinction between inductive and deductive arguments is not one of the most important and fundamental ideas in logic, but rather is unnecessary.


Critical Thinking By Alec Fisher (Book Review), G. C. Goddu Jan 2002

Critical Thinking By Alec Fisher (Book Review), G. C. Goddu

Philosophy Faculty Publications

The aim of Critical Thinking is to explicitly and directly teach critical thinking skills and to facilitate the use of these skills to subjects and contexts beyond critical thinking (v, 1). Though the book is primarily intended as an introductory textbook for the teaching of critical thinking, Fisher maintains that the "material is presented in such a way that it can be worked through on a self-study basis"(vi).


Catalunya Invisible: Contemporary Drama In Barcelona, Sharon G. Feldman Jan 2002

Catalunya Invisible: Contemporary Drama In Barcelona, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

During the winter of 2000, Lluís Pasqual staged a Catalan version of Anton Chekov's The Cherry Orchard at Barcelona's Teatre Lliure, the historic home of Catalonia's most stable, accomplished, and distinguished repertory theatre company. In Chekov's play, Madame Lyobov Andreyevna Ranyevskaya, an emblem of the fading elegance and dwindling supremacy of the Russian aristocracy, is compelled by her situation of financial despair to sell her estate and cherry orchard to the nouveau-riche Lopakhin and then return to Paris on the eve of the Revolution. The orchard that was once admired for its beauty eventually will be destroyed in order to …


[Introduction To] Saving Adam Smith: A Tale Of Wealth, Transformation, And Virtue, Jonathan B. Wight Jan 2002

[Introduction To] Saving Adam Smith: A Tale Of Wealth, Transformation, And Virtue, Jonathan B. Wight

Bookshelf

Every once in a while a great business novel is published. This is one of those novels. Follow an up-and-coming graduate student on a picturesque adventure involving terroristics and love, and learn, or better yet, re-learn, correctly this time, a little economics.


Agustín Gómez-Arcos, Sharon G. Feldman Jan 2002

Agustín Gómez-Arcos, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Agustín Gómez-Arcos, a bilingual dramatist and novelist, was born in 1933 in the village of Enix (Almeria). The origins of his theater can be traced to his childhood experiences, in which he witnessed firsthand the horrors of the Spanish Civil War and the dark clouds of oppression of the Francoist regime, images that left indelible imprints on his literature and his life. Although in the future he would leave behind both native country and language, his memories of the Civil War and postwar period would continue to surface in his plays.


Chamber Ensembles, Department Of Music, University Of Richmond Dec 2001

Chamber Ensembles, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


University Of Richmond Wind Ensemble, Department Of Music, University Of Richmond Dec 2001

University Of Richmond Wind Ensemble, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


University Jazz Ensemble, Department Of Music, University Of Richmond Nov 2001

University Jazz Ensemble, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


University Choir And Schola Cantorum Fall Campus Concert, Department Of Music, University Of Richmond Nov 2001

University Choir And Schola Cantorum Fall Campus Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Anne Guthmiller, Soprano, With Neil Wilson, Baritone, Department Of Music, University Of Richmond Oct 2001

Anne Guthmiller, Soprano, With Neil Wilson, Baritone, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Homecoming Concert, Department Of Music, University Of Richmond Oct 2001

Homecoming Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


James Wilson, Cello, Department Of Music, University Of Richmond Oct 2001

James Wilson, Cello, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Family Weekend Concert, Department Of Music, University Of Richmond Sep 2001

Family Weekend Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Charles Hulin, Piano, Department Of Music, University Of Richmond Sep 2001

Charles Hulin, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.