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Full-Text Articles in Arts and Humanities

Steve Travers, Tenor, And Charles Hulin, Piano, Department Of Music, University Of Richmond Apr 2004

Steve Travers, Tenor, And Charles Hulin, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Technology And The 'Self', Ryan Rinn Apr 2004

Technology And The 'Self', Ryan Rinn

Honors Theses

This project examines the relationship between technology and the self. Based largely on Gergen's (1991, 2000) descriptions of technological immersion and the saturated self, I discuss the ways that modem technologies have come to be a part of self-construction. Survey and focus group data from 63 university students are used to examine types of technological use, talk about technological experience, and self-construction. This paper describes the contradictory ways participants talk about technology, and defines nine themes of self emergence in participant discussion: 1) connection, 2) over-connection, 3) ease/laziness, 4) multitasking, 5) profile stalking, 6) loss of physical presence, 7) empowerment, …


Forging The Anvil Of Victory : The British Combined Operations Command At The Start Of The Second World War (1940-42), Timothy Michael Gilhool Apr 2004

Forging The Anvil Of Victory : The British Combined Operations Command At The Start Of The Second World War (1940-42), Timothy Michael Gilhool

Master's Theses

The story of British combined operations is one too often overlooked in the study of World War II. For the Allies, success, perhaps survival, could only be achieved by developing and perfecting the techniques and equipment required for amphibious landings. In British parlance, the marrying of the ground, naval, and air components of such a landing was called combined operations. The organization built to accomplish this task was the Directorate for Combined Operations (DCO). Created in a time of great desperation (July 1940), the DCO represented the first and only ground offensive tool in the British arsenal, employing the legendary …


Michel Foucault : Power/Knowledge And Epistemological Prescriptions, Martin A. Hewett Apr 2004

Michel Foucault : Power/Knowledge And Epistemological Prescriptions, Martin A. Hewett

Honors Theses

In an interview in 1977, seven years before his death, Michel Foucault made the following profound and controversial statement:

Truth is a thing of this world: it is produced only by virtue of multiple forms of constraint.

Within this sentence lies perhaps his most contested assertion: that knowledge is not some property of statements or beliefs that exist separately from relations of power within societies and discourses, but is constituted by and constitutive of them. Foucault's genealogies of sexuality and punishment are the most notable means by which he develops this claim, and their own potent explanatory powers leave us …


London Coffee Houses : The First Hundred Years, Heather Lynn Mcqueen Apr 2004

London Coffee Houses : The First Hundred Years, Heather Lynn Mcqueen

Honors Theses

This paper examines how early London coffee houses catered to the intellectual, political, religious and business communities in London, as well as put forward some information regarding what it was about coffee houses that made them "new meeting places" for Londoners. Coffee houses offered places for political debate and progressively modem forms of such debate, "penny university" lessons on all matter of science and the arts, simplicity and sobriety in which independent religious groups could meet, as well as the early development of a private office space.


Mary Washington College And University Of Richmond Wind Ensemble Concert, Department Of Music, University Of Richmond Apr 2004

Mary Washington College And University Of Richmond Wind Ensemble Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Creación Y Resistencia: La Narrativa De Diamela Eltit (Book Review), Claudia Ferman Apr 2004

Creación Y Resistencia: La Narrativa De Diamela Eltit (Book Review), Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

El volumen se propone el análisis de la obra más reciente de la escritora chilena Diamela Eltit, obra ha alcanzado trascendencia internacional y que ya posee una importante materia crítica que la discute. La colecciín no incluye trabajo crítico sobre Mano de obra (2002), texto que es posterior a la publicación del volumen. Como Lagos indica en el prólogo, ese interés merecía una nueva colección de artículos después del volumen publicado también por Cuarto propio en colaboración con Para Textos en 1993, Una poética de literatura menor: la narrativa de Diamela Eltit, compilado por Juan Carlos Lértora, quien también contribuye …


Narrating The Middle Ground : B The Examination Of Objects In The Modern Genre Of Immigrant Fiction, Meagna A. Patinella Apr 2004

Narrating The Middle Ground : B The Examination Of Objects In The Modern Genre Of Immigrant Fiction, Meagna A. Patinella

Honors Theses

Dislocated objects tell stories about the places they come from, their migration, and their new surroundings. More importantly, they disclose the narratives of people that possess or interact with them. In this paper I examine objects present in novels ofimmigration and transnational movement, for objects in such fictions are most noticeably dislodged from their original or expected context. Their relocation allows me to interpret them and their narratives, which in turn, allows me to think about the genre of immigrant fiction in a new light.


Illuminating A Space For Women And Rhetoric, Lindsey M. Fox Apr 2004

Illuminating A Space For Women And Rhetoric, Lindsey M. Fox

Honors Theses

My overarching concerns are for the place and power of women in rhetoric and democracy. This concern developed during my study of classical rhetoric, when I noticed an obvious absence of women in rhetoric. For example, John Poulakos and Takis Poulakos state that any "ordinary person" could play a role on the political stage in Athens (34). This reference to "ordinary people" is proof that women were made invisible because, as George A. Kennedy explains, in classical Athens, democracy was only for "an assembly of all adult male citizens" (16). Male citizens, then, were actually rather extra-ordinary. Because democracy …


A Case Study Of Events And Examples : History In Arundhati Roy's The God Of Small Things, Michell C. Smith Apr 2004

A Case Study Of Events And Examples : History In Arundhati Roy's The God Of Small Things, Michell C. Smith

Honors Theses

No abstract provided.


"Their Shoes Yet New" : The Immigrant Image In The Baltimore Riots Of 1812 And The Disagreement Over Nationality, John K. Dunn Jr Apr 2004

"Their Shoes Yet New" : The Immigrant Image In The Baltimore Riots Of 1812 And The Disagreement Over Nationality, John K. Dunn Jr

Honors Theses

This paper examines the ways in which immigrants were characterized in Baltimore immediately following that city's Riots in 1812. It finds that the "native" majority used the immigrant image in an attempt to determine the criteria of nationality. That image was not settled, however, and rather constituted a discussion between interested groups about the relative importance of ethnicity in the years before Jacksonian democracy. It also concludes that the peculiar conditions and social divisions of Baltimore directly contributed to the Baltimore Riots and that the riots provided an opportunity for prevalent stereotypes to surface.


Creative Redemption And Complete Affirmation In Nietzche's Thus Spoke Zarathustra, Matthew Homan Apr 2004

Creative Redemption And Complete Affirmation In Nietzche's Thus Spoke Zarathustra, Matthew Homan

Honors Theses

Creative Redemption and Complete Affirmation in Nietzsche's Thus Spoke Zarathustra Any reader engaged with Nietzsche's thought, as we are (or about to be), must consider his or her life in relation to one thought, Nietzsche's most abysmal thought, the greatest weight:

This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all …


Only In Story A World : Atheistic Metanarrative In Leguin, Pullman And Wolfe, Samuel N. Keyes Apr 2004

Only In Story A World : Atheistic Metanarrative In Leguin, Pullman And Wolfe, Samuel N. Keyes

Honors Theses

Ursula K. Le Guin, Philip Pullman, and Gene Wolfe, despite their apparent ideological as well as stylistic differences, all profoundly question the way modernity has divided knowledge, posing serious challenges to contemporary distinctions between religion, science and magic. Moreover, they share a common concern for the power of narrative to accomplish this critique.

In each of their multivolume fantasies, the differences between the categories of science and religion become meaningless. After such a deconstruction, the possibility of nihilism looms unless a new system of meaning surfaces. The move away from discrete areas of science and religion, therefore, in these works …


The "Beyondness Of Things" In The Buccaneers: Vernon Lee's Influence On Edith Wharton's Sense Of Places, Suzanne W. Jones Mar 2004

The "Beyondness Of Things" In The Buccaneers: Vernon Lee's Influence On Edith Wharton's Sense Of Places, Suzanne W. Jones

English Faculty Publications

Since its publication in 1938, readers have been at odds in their assessment of The Buccaneers, Edith Wharton's only novel set in England. While her literary executor, Gaillard Lapsley, and many early reviewers on both sides of the Atlantic saw great promise in the unfinished novel, a few critics like Edmund Wilson wrote the work off as 'an old-fashioned story for girls' and judged Wharton's skill 'dulled' in this her last book. In the 1980's, however, feminist critics found much to value in the novel: from protagonist Annabel St. George's self-actualization to the comradeship of the American girls and the …


Richard Becker, Piano, Department Of Music, University Of Richmond Mar 2004

Richard Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Senior Recital: Jamilah Mclaren, Flute, Department Of Music, University Of Richmond Mar 2004

Senior Recital: Jamilah Mclaren, Flute, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


The Tallis Scholars, Department Of Music, University Of Richmond Mar 2004

The Tallis Scholars, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Broken Consort, Department Of Music, University Of Richmond Mar 2004

Broken Consort, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


A Conversation With Velma Pollard, Daryl Cumber Dance Mar 2004

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.


The History Of The One Hundred And Thirtieth Regiment, Pennsylvania Volunteer Infantry, Terrence W. Beltz Mar 2004

The History Of The One Hundred And Thirtieth Regiment, Pennsylvania Volunteer Infantry, Terrence W. Beltz

Master's Theses

In August 1862, the Commonwealth of Pennsylvania quickly responded to President Lincoln's request for more troops. An overwhelming number of Pennsylvania volunteers promptly answered the call that supplied the Union Army eighteen new infantry regiments who were to serve for a period of nine months. This devoted group of central Pennsylvanians, rendezvoused at Camp Simmons, Pennsylvania, in mid-August 1862, was to become soldiers of 130th Regiment Pennsylvania Volunteers who, with no military experience and little training, would face hardened Confederate veterans at "Bloody Lane" at the Battle of Antietam and "Marye's Heights" at the Battle of Fredericksburg. They were to …


An Evening Of English Music, Department Of Music, University Of Richmond Mar 2004

An Evening Of English Music, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Junior Recital: Sarah Anne Rogevich, Soprano, Department Of Music, University Of Richmond Feb 2004

Junior Recital: Sarah Anne Rogevich, Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Nancy Maultsby, Mezzo-Soprano, Department Of Music, University Of Richmond Feb 2004

Nancy Maultsby, Mezzo-Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


David Niethamer, Clarinet, And Joanne Kong, Piano, Department Of Music, University Of Richmond Feb 2004

David Niethamer, Clarinet, And Joanne Kong, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Music From The Bolling Collection, Department Of Music, University Of Richmond Feb 2004

Music From The Bolling Collection, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Doing Scholarship On The Web: 10 Years Of Triumphs And A Disappointment, Edward L. Ayers Jan 2004

Doing Scholarship On The Web: 10 Years Of Triumphs And A Disappointment, Edward L. Ayers

History Faculty Publications

In the fall of 1991, someone appointed me, a historian, to a committee that oversaw computing at my university. I had long been underfoot in the computer labs, consuming valuable time in front of UNIX workstations, making computerized maps, and running statistical tests for a history of the New South. Now it was time for payback.

Yet despite my years of working with computers, I had little idea at that time of the revolutionary promise that computing held for scholarship in disciplines like my own. More than a decade of living on the Web later, I recognize the potential of …


History And The Fundamentals Of Computer Science, Edward L. Ayers Jan 2004

History And The Fundamentals Of Computer Science, Edward L. Ayers

History Faculty Publications

No abstract provided.


University Of Richmond Choir, Department Of Music, University Of Richmond Jan 2004

University Of Richmond Choir, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie Jan 2004

Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie

English Faculty Publications

The extended historical “moments” that Crane and Faulkner both seek to offer readers may then be defined by their affinities with pain. In the context of American history, that painfulness refers to the experience of historical subjects such as the American Indian as well as marginalized populations like Southern blacks and, as with young Thomas Sutpen, rural poor whites. What both Faulkner and Crane signal in key sections of their work is the way that historical awareness, on the part of either characters or readers, is activated by and necessitates a textual effect of suffering. It is the different valence …


The Late Modernism Of Cormac Mccarthy (Review), Peter Lurie, Mark A. Eaton Jan 2004

The Late Modernism Of Cormac Mccarthy (Review), Peter Lurie, Mark A. Eaton

English Faculty Publications

David Holloway's titular phrasing "late modernism" has an effective ring. It captures the theoretical underpinnings of his recent book, The Late Modernism of Cormac McCarthy, evoking Fredric Jameson's work, on which Holloway heavily relies, while also situating McCarthy precisely where he wants him to be, historically and culturally. According to Holloway, McCarthy's fiction constitutes an important redoubt against the diminishing of modernism's once-valorous stance by forging a productive opposition to what he sees as a final stage in capitalist expansion. At the heart of Holloway's project is his concern to restore an oppositional vitality to literary production, or what …