Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons™

Open Access. Powered by Scholars. Published by Universities.®

University of Richmond

Discipline
Keyword
Publication Year
Publication
Publication Type

Articles 2251 - 2280 of 6141

Full-Text Articles in Arts and Humanities

From The Directors, Linda B. Fairtile, Francesco Izzo Jan 2008

From The Directors, Linda B. Fairtile, Francesco Izzo

Verdi Forum

No abstract provided.


In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici Jan 2008

In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici

Verdi Forum

No abstract provided.


Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein Jan 2008

Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein

Verdi Forum

No abstract provided.


Efroimson, Vladimir Pavlovich, Yvonne Howell Jan 2008

Efroimson, Vladimir Pavlovich, Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

EFROIMSON, VLADIMIR PAVLOVICH ( 1908-1989). Geneticist, seminal figure in the development of population and medical genetics, author of works on sociobiology and the genetics of human ethical and aesthetic behavior.


Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable Jan 2008

Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable

Music Faculty Publications

Polly refers to Miss Polly Peachum, a character in John Gay's The Beggar's Opera of 1728 (January). Henry Carey (1687-1743) set this verse (1728) to his famous tune Sally in our Alley, which Gay had used in the opera. Carey's verse about Polly Peachum became so popular that it was eventually incorporated into The Beggar's Opera libretto, beginning with the third edition.1 Even in this short example, we can detect Carey's delight that Polly had overtaken "the Opera of Rolli," alluding to Italian opera in general by referring specifically to the Italian poet and librettist who adapted libretti for …


The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable Jan 2008

The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable

Music Faculty Publications

The cantata as cultivated by Alessandro Scarlatti and his contemporaries Alessandro Stradella and Giovanni Bononcini was the model for the early development of the English cantata, "which remained a solo vocal genre in England throughout the eighteenth century, namely 1710-1800. By focusing on specific musical elements, such as cantata format (recitative-aria-recitative-aria or aria-recitative-aria), song forms, motivic use, textual content, instrumental requirements and performance venues, the evolution of the English cantata can be observed during the first half of the eighteenth century, developing from a simple imitation of the Italian form to a genre in its own right.1


Collateral Damage, David Lefkowitz Jan 2008

Collateral Damage, David Lefkowitz

Philosophy Faculty Publications

The phrase "collateral damage" refers to harm done to persons, animals, or things that agents are not morally permitted to target in the conduct of war, as a side effect of attacks on persons, animals, or things that agents are morally permitted to target in the conduct of war. Call the first category that is, those persons, animals, or things that agents are not morally permitted to target - illegitimate targets of war, and the second category legitimate targets of war. Collateral damage, then, refers to harm done to illegitimate targets of war as a side effect of attacks on …


Assassins And Crusaders: Nietzsche After 9/11, Gary Shapiro Jan 2008

Assassins And Crusaders: Nietzsche After 9/11, Gary Shapiro

Philosophy Faculty Publications

Nietzsche describes his four Unzeitgemiisse Betrachtungen as Attentate, assassination attempts. The first of these, his self-described "duel" with David Friedrich Strauss, published in 1873, begins with the question of war and time. It is untimely or out of season insofar as it challenges the smugness of the cultural philistines who take Germany's victory in the Franco-Prussian War to be a testament to the superiority of German culture. As those in the United States might have learned after the end of the Cold War and after the first Gulf War, "a great victory is a great danger," and we might …


Joan Of Arc And The Crusade: Memorizing Medieval Examples To Improve A Renaissance King, Lidia Radi Jan 2008

Joan Of Arc And The Crusade: Memorizing Medieval Examples To Improve A Renaissance King, Lidia Radi

Languages, Literatures, and Cultures Faculty Publications

In 1518, Le Penser de royal memoire was published in Paris by Guillaume Michel de Tours.2Thanks to the pioneering research conducted by Anne-Marie Lecoq in her monumental book Francois Ier imaginaire, this allegorical text has recently caught the attention of scholars as part of an important moral and political literary production that was published under the reign of King Francis I (r. 1515-1547). Lecoq's study and subsequent works, such as the critical edition of Jean Thenaud's Triomphe des Vertus by Titia Schuurs-Janssen, shed new light on the literature of propaganda addressed to Francis I, the king …


Careful, Hayley Swinson Jan 2008

Careful, Hayley Swinson

The Messenger

No abstract provided.


Uptown 6, Christopher Taddei Jan 2008

Uptown 6, Christopher Taddei

The Messenger

No abstract provided.


Lighthouse At Camogli, Andrea Hague Jan 2008

Lighthouse At Camogli, Andrea Hague

The Messenger

No abstract provided.


The 20th Century, Meg Hurtado Jan 2008

The 20th Century, Meg Hurtado

The Messenger

No abstract provided.


Small Talk At The Dinner Table, Ashley Foxen Jan 2008

Small Talk At The Dinner Table, Ashley Foxen

The Messenger

No abstract provided.


Koi Pond, N. Of Joburg, Ariel Olson Jan 2008

Koi Pond, N. Of Joburg, Ariel Olson

The Messenger

No abstract provided.


Untitled (For Five Days), Josh Davis Jan 2008

Untitled (For Five Days), Josh Davis

The Messenger

No abstract provided.


Kisses, Ariel Olson Jan 2008

Kisses, Ariel Olson

The Messenger

No abstract provided.


Memory Is To Forgetting, Josh Davis Jan 2008

Memory Is To Forgetting, Josh Davis

The Messenger

No abstract provided.


Untitled, Max Bloom Jan 2008

Untitled, Max Bloom

The Messenger

No abstract provided.


Untitled (The Curve Of Your Top Lip), Ariel Olson Jan 2008

Untitled (The Curve Of Your Top Lip), Ariel Olson

The Messenger

No abstract provided.


Bedding, Josh Davis Jan 2008

Bedding, Josh Davis

The Messenger

No abstract provided.


Quiet Reflection, Jonathan Wilson Jan 2008

Quiet Reflection, Jonathan Wilson

The Messenger

No abstract provided.


After Sunset When The Battery Died, We Sang In The Dark -- There, A Hippo!, Ariel Olson Jan 2008

After Sunset When The Battery Died, We Sang In The Dark -- There, A Hippo!, Ariel Olson

The Messenger

No abstract provided.


Purple, Alicia Mccarty Jan 2008

Purple, Alicia Mccarty

The Messenger

No abstract provided.


After Lunch, An Encounter, Mai-Anh Tran Jan 2008

After Lunch, An Encounter, Mai-Anh Tran

The Messenger

No abstract provided.


For A Friend, Lucy Hester Jan 2008

For A Friend, Lucy Hester

The Messenger

No abstract provided.


Conical Hill On The Routeburn Track, Emily Souleret Jan 2008

Conical Hill On The Routeburn Track, Emily Souleret

The Messenger

No abstract provided.


In The Barn Of My Father, Schuyler Swartout Jan 2008

In The Barn Of My Father, Schuyler Swartout

The Messenger

No abstract provided.


We Sought Rooftops, Josh Davis Jan 2008

We Sought Rooftops, Josh Davis

The Messenger

No abstract provided.


Robert, Age 37, Max Bloom Jan 2008

Robert, Age 37, Max Bloom

The Messenger

No abstract provided.