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Articles 2251 - 2280 of 6141
Full-Text Articles in Arts and Humanities
From The Directors, Linda B. Fairtile, Francesco Izzo
From The Directors, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici
In Memory Of Pierluigi Petrobelli, Roger Parker, Emanuele Senici
Verdi Forum
No abstract provided.
Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein
Motive, Key, Sonorità, And Tinta In La Forza Del Destino (1862), William Rothstein
Verdi Forum
No abstract provided.
Efroimson, Vladimir Pavlovich, Yvonne Howell
Efroimson, Vladimir Pavlovich, Yvonne Howell
Languages, Literatures, and Cultures Faculty Publications
EFROIMSON, VLADIMIR PAVLOVICH ( 1908-1989). Geneticist, seminal figure in the development of population and medical genetics, author of works on sociobiology and the genetics of human ethical and aesthetic behavior.
Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable
Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable
Music Faculty Publications
Polly refers to Miss Polly Peachum, a character in John Gay's The Beggar's Opera of 1728 (January). Henry Carey (1687-1743) set this verse (1728) to his famous tune Sally in our Alley, which Gay had used in the opera. Carey's verse about Polly Peachum became so popular that it was eventually incorporated into The Beggar's Opera libretto, beginning with the third edition.1 Even in this short example, we can detect Carey's delight that Polly had overtaken "the Opera of Rolli," alluding to Italian opera in general by referring specifically to the Italian poet and librettist who adapted libretti for …
The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable
The Composing Of "Musick" In The English Language: The Development Of The English Cantata, 1700-1750, Jennifer Cable
Music Faculty Publications
The cantata as cultivated by Alessandro Scarlatti and his contemporaries Alessandro Stradella and Giovanni Bononcini was the model for the early development of the English cantata, "which remained a solo vocal genre in England throughout the eighteenth century, namely 1710-1800. By focusing on specific musical elements, such as cantata format (recitative-aria-recitative-aria or aria-recitative-aria), song forms, motivic use, textual content, instrumental requirements and performance venues, the evolution of the English cantata can be observed during the first half of the eighteenth century, developing from a simple imitation of the Italian form to a genre in its own right.1
Collateral Damage, David Lefkowitz
Collateral Damage, David Lefkowitz
Philosophy Faculty Publications
The phrase "collateral damage" refers to harm done to persons, animals, or things that agents are not morally permitted to target in the conduct of war, as a side effect of attacks on persons, animals, or things that agents are morally permitted to target in the conduct of war. Call the first category that is, those persons, animals, or things that agents are not morally permitted to target - illegitimate targets of war, and the second category legitimate targets of war. Collateral damage, then, refers to harm done to illegitimate targets of war as a side effect of attacks on …
Assassins And Crusaders: Nietzsche After 9/11, Gary Shapiro
Assassins And Crusaders: Nietzsche After 9/11, Gary Shapiro
Philosophy Faculty Publications
Nietzsche describes his four Unzeitgemiisse Betrachtungen as Attentate, assassination attempts. The first of these, his self-described "duel" with David Friedrich Strauss, published in 1873, begins with the question of war and time. It is untimely or out of season insofar as it challenges the smugness of the cultural philistines who take Germany's victory in the Franco-Prussian War to be a testament to the superiority of German culture. As those in the United States might have learned after the end of the Cold War and after the first Gulf War, "a great victory is a great danger," and we might …
Joan Of Arc And The Crusade: Memorizing Medieval Examples To Improve A Renaissance King, Lidia Radi
Joan Of Arc And The Crusade: Memorizing Medieval Examples To Improve A Renaissance King, Lidia Radi
Languages, Literatures, and Cultures Faculty Publications
In 1518, Le Penser de royal memoire was published in Paris by Guillaume Michel de Tours.2Thanks to the pioneering research conducted by Anne-Marie Lecoq in her monumental book Francois Ier imaginaire, this allegorical text has recently caught the attention of scholars as part of an important moral and political literary production that was published under the reign of King Francis I (r. 1515-1547). Lecoq's study and subsequent works, such as the critical edition of Jean Thenaud's Triomphe des Vertus by Titia Schuurs-Janssen, shed new light on the literature of propaganda addressed to Francis I, the king …
Careful, Hayley Swinson
Uptown 6, Christopher Taddei
Lighthouse At Camogli, Andrea Hague
The 20th Century, Meg Hurtado
Small Talk At The Dinner Table, Ashley Foxen
Koi Pond, N. Of Joburg, Ariel Olson
Untitled (For Five Days), Josh Davis
Kisses, Ariel Olson
Memory Is To Forgetting, Josh Davis
Untitled, Max Bloom
Untitled (The Curve Of Your Top Lip), Ariel Olson
Bedding, Josh Davis
Quiet Reflection, Jonathan Wilson
After Sunset When The Battery Died, We Sang In The Dark -- There, A Hippo!, Ariel Olson
After Sunset When The Battery Died, We Sang In The Dark -- There, A Hippo!, Ariel Olson
The Messenger
No abstract provided.
Purple, Alicia Mccarty
After Lunch, An Encounter, Mai-Anh Tran
For A Friend, Lucy Hester
Conical Hill On The Routeburn Track, Emily Souleret
Conical Hill On The Routeburn Track, Emily Souleret
The Messenger
No abstract provided.
In The Barn Of My Father, Schuyler Swartout
We Sought Rooftops, Josh Davis
Robert, Age 37, Max Bloom