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Articles 1261 - 1290 of 6141
Full-Text Articles in Arts and Humanities
Sources, Linda B. Fairtile
Sources, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Sources of instrumental music and of non-dramatic vocal music are generally understood to include preliminary sketches and drafts, manuscript and printed scores, performing parts, and, in the latter case, materials related to the choice or development of the vocal text. Letters, diaries, administrative papers, and even journalistic reviews can also be considered sources. Opera, as a collaborative fusion of music and drama, expands this list to include such materials as set and costume designs, staging manuals, lighting plots, and prop lists. Technology has further augmented the inventory, first with still photographs, and later with audio and video recordings. This chapter …
Composing After The Italian Manner: The English Cantata 1700-1710, Jennifer Cable
Composing After The Italian Manner: The English Cantata 1700-1710, Jennifer Cable
Music Faculty Publications
In this chapter, I will examine examples from several of the earliest eighteenth-century English cantatas written after the Italian style and in direct response to the growing popularity of Italian vocal music in England.3 The early English cantatas of three composers-John Eccles, Daniel Purcell, and Johann Christoph Pepusch-portend how each would fare in the new musical century, when the compositional ideals of an earlier era were foresaken as the focus on Italian vocal music, the 'talk of the town', broadened in scope and sharpened in intensity.
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …
In Defense Of My Involvement With The Victim, Benjamin Sales
In Defense Of My Involvement With The Victim, Benjamin Sales
The Messenger
No abstract provided.
Remember, Camille Fagan
Échappé, Brittany Capps
Free Of Me To Be, Tucker Tyrrell
Scatterbrain, Esther Outlaw
Believe In Me, Brennen Lutz
To Be A Butterfly, Tucker Tyrrell
War And Dirt, Alexandra Hunt
2, 3 And 5, Sabrina Islam
I Came A Stranger And Left A Maasai, Nabila Khouri
I Came A Stranger And Left A Maasai, Nabila Khouri
The Messenger
No abstract provided.
I Broke, Liana Saleh
Spring Sun, Kristin Neil
Always, Tracy Akers
The Dream Of The Bull, Lucy Graham
Trees On The Lake, Langyue Liu
The Box (All But Eleven), Zak Kerr
Loose Gears, Olivia Anderson
Narwhal, Isabel Moffly
Definitions, Brennen Lutz
Patience, Mariela Renquist
The Dance, Masnoon Majeed
Wake Up, Open The Door, And Escape To The Sea, Brennen Lutz
Wake Up, Open The Door, And Escape To The Sea, Brennen Lutz
The Messenger
No abstract provided.
When I Died, Richard Jennis
Joshua Tree National Park, Laura Delprato
Untitled, Tucker Tyrrell
The Fear Of Everything, Alexandra Hunt