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Articles 31 - 57 of 57
Full-Text Articles in Arts and Humanities
A Frederick C. Neumann Lecture "Bach's St. John Passion As A Work In Progress"", Department Of Music, University Of Richmond
A Frederick C. Neumann Lecture "Bach's St. John Passion As A Work In Progress"", Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Meaning And Method : A Comparative Study Of Edmund Husserl And Ezra Pound, Jesse N. Mayo Jr
Meaning And Method : A Comparative Study Of Edmund Husserl And Ezra Pound, Jesse N. Mayo Jr
Master's Theses
In his essay entitled "Phenomenology of Heading" Georges Poulet explains how a "reading" is possible"
The universe of fiction is infinitely more elastic than the world of objective reality. It lends itself to any use; it yields with little resistance to the importunities of the mind. Moreover - and of all the benefits I find this the most appealing - this interior universe constituted by language does not seem radically opposed to the me who thinks it.... In short, since everything has become part of my mind, thanks to the intervention of language, the opposition between the subject and its …
The Hammer And The Cross : The Conversion Of Scandinavia, James E. Cumbie
The Hammer And The Cross : The Conversion Of Scandinavia, James E. Cumbie
Honors Theses
The advent of a new religious faith is always a valuable historical tool. Shits in religion uncover interesting aspects of the societies involved. This is particularly true when an indigenous, national faith is supplanted by an alien one externally introduced. Such is the case in medieval Scandinavia, when Norse paganism was ousted by Latin Christianity.
Senior Recital: Debbie Belkov, Violin, Department Of Music, University Of Richmond
Senior Recital: Debbie Belkov, Violin, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: Concerto Performance, Department Of Music, University Of Richmond
Student Recital: Concerto Performance, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital - Nasm Evaluation, Department Of Music, University Of Richmond
Student Recital - Nasm Evaluation, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
The University Of Georgia Wind Ensemble, Department Of Music, University Of Richmond
The University Of Georgia Wind Ensemble, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Tucker-Boatwright Fine Arts Series: Samuel Adler, "Swimming Against The Stream: The Composer Looks At His Role", Department Of Music, University Of Richmond
Tucker-Boatwright Fine Arts Series: Samuel Adler, "Swimming Against The Stream: The Composer Looks At His Role", Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Synagogue Music From Past To Present: A Lecture-Demonstration By Samuel Adler, Department Of Music, University Of Richmond
Synagogue Music From Past To Present: A Lecture-Demonstration By Samuel Adler, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
A Frederick C. Neumann Lecture "Some Notes On The Sixteenth-Century Viol", Department Of Music, University Of Richmond
A Frederick C. Neumann Lecture "Some Notes On The Sixteenth-Century Viol", Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Tucker-Boatwright Fine Arts Series: Michael Radulescu, Organ, Department Of Music, University Of Richmond
Tucker-Boatwright Fine Arts Series: Michael Radulescu, Organ, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Michael Radulescu, Organist, Department Of Music, University Of Richmond
Michael Radulescu, Organist, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Choral Concert, Department Of Music, University Of Richmond
Choral Concert, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: Michael E. Cobb, Trombone & W. Dudley Oakes, Organ, Department Of Music, University Of Richmond
Student Recital: Michael E. Cobb, Trombone & W. Dudley Oakes, Organ, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Faculty Recital: Ronda Plessinger-Coltrane, Soprano; William R. Coltrane, Baritone; Suzanne Bunting, Piano, Department Of Music, University Of Richmond
Faculty Recital: Ronda Plessinger-Coltrane, Soprano; William R. Coltrane, Baritone; Suzanne Bunting, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
A Frederick C. Neumann Lecture "Tempo In Beethoven's Instrumental Music", Department Of Music, University Of Richmond
A Frederick C. Neumann Lecture "Tempo In Beethoven's Instrumental Music", Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: Barry Allman, Clarinet, Department Of Music, University Of Richmond
Student Recital: Barry Allman, Clarinet, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Faculty Recital: Richard Becker, Piano, Department Of Music, University Of Richmond
Faculty Recital: Richard Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
The Females Within The Design/Debris Motif In Three Novels By John Hawkes, Evelyn Carol Sweet
The Females Within The Design/Debris Motif In Three Novels By John Hawkes, Evelyn Carol Sweet
Master's Theses
John Hawkes, according to Tony Tanner, is perhaps the most "disturbing" contemporary American writer. Many people would agree with this commentary on Hawkes, a man whose work has moved from the surreal in The Cannibal (1949) toward the more realistic, a movement predicted by Albert Guerard in his introduction to The Cannibal. As this movement away from the surreal has occurred, then why does Tanner find Hawkes' "disturbing" in a review of his most recent novel, Travesty? Perhaps because this movement was not from the surreal to the realistic as we generally use the term, but rather a movement from …
The "City On A Hill" : Tom Johnson And Cleveland 1901-1909, Keith Dean Dickson
The "City On A Hill" : Tom Johnson And Cleveland 1901-1909, Keith Dean Dickson
Master's Theses
Tom Loftin Johnson, mayor of Cleveland, Ohio from 1901 to 1909, was once hailed by a contemporary as "The outstanding municipal executive so far produced in United States history." Indeed, this judgment probably holds true even to the present day. Johnson's drive, combined with his uncompromising dedication to justice, dominated Cleveland politics and invigorated a city which had lost all sense of civic pride and responsibility. Johnson also brought a new vitality to American reform in the cities. His battles for three cent fares on the municipal street railway system, municipal ownership of public utilities, home rule, equal taxation and …
Benjamin Compson : Consciousness, Rhetoric, And The 'Fictive Art', Ann Brooke Lewis
Benjamin Compson : Consciousness, Rhetoric, And The 'Fictive Art', Ann Brooke Lewis
Master's Theses
A study of consciousness in the first section of The Sound and the Fury clarifies both the novel's technique and its rendering of human truth. My reading of this monologue is based on the premise that the way Benjamin Compson views the world and the way in which his mind arranges those views enhances our understanding of the novel's other brother-narrators, Quentin and Jason. As limited and distorted as Benjy's perceptions may be, they provide a model by which the perceptions of Quentin and Jason gain clarity and meaning. Benjy's monologue begins the novel and provides the reader's entrance into …
From The Director's Desk, Martin Chusid
The Danville Congress, Andrew Porter
The Danville Congress, Andrew Porter
Verdi Forum
Recap of the Fifth International Verdi Congress held at the University of Danville (Kentucky) in 1977, with a focus on the opera Macbeth.
Verdi Recordings, Kenneth Furie
New Verdi Documents, Mary Jane Phillips-Matz
[Introduction To] Shuckin' And Jivin': Folklore From Contemporary Black Americans, Daryl Cumber Dance
[Introduction To] Shuckin' And Jivin': Folklore From Contemporary Black Americans, Daryl Cumber Dance
Bookshelf
An exciting new collection of Black American folklore, running the gamut from anecdotes concerning life among the slaves to obviously contemporary jokes. In their frank expression of racial attitudes and unexpurgated wit, these tales represent a radical departure from earlier collections.
James Baldwin, Daryl Cumber Dance
James Baldwin, Daryl Cumber Dance
English Faculty Publications
James Baldwin is one of America's best known and most controversial writers. If there is some figurative truth in his declarations "Nobody Knows My Name" and "No Name in the Street," on a realistic level practically everyone knows his name, from people on the street to scholars in the most prestigious universities-and they all respond to him. Those responses are as diverse and as antithetical as the respondents. Indeed, there is little unanimity in the criticism of James Baldwin: some view him as a prophet preaching love and salvation, others as a soothsayer forecasting death and destruction; some see him …