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The Females Within The Design/Debris Motif In Three Novels By John Hawkes, Evelyn Carol Sweet

Master's Theses

John Hawkes, according to Tony Tanner, is perhaps the most "disturbing" contemporary American writer. Many people would agree with this commentary on Hawkes, a man whose work has moved from the surreal in The Cannibal (1949) toward the more realistic, a movement predicted by Albert Guerard in his introduction to The Cannibal. As this movement away from the surreal has occurred, then why does Tanner find Hawkes' "disturbing" in a review of his most recent novel, Travesty? Perhaps because this movement was not from the surreal to the realistic as we generally use the term, but rather a movement from …