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Articles 601 - 630 of 7768
Full-Text Articles in Arts and Humanities
Recital: Convocation, March 5, 2024, Illinois State University School Of Music
Recital: Convocation, March 5, 2024, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
March 5, 2024
Tuesday Morning
11:00 a.m.
Ensemble Concerts: University High School Symphonic Band And Illinois State University Symphonic Band, March 5, 2024, Jason Landes, Brady Parks, Tj Mack
Ensemble Concerts: University High School Symphonic Band And Illinois State University Symphonic Band, March 5, 2024, Jason Landes, Brady Parks, Tj Mack
School of Music Programs
Center for the Performing Arts
March 5, 2024
Tuesday Evening
7:00 p.m.
Charles W. Bolen Faculty Recital Series: Mukyia Musics: Excavating The Rich Intellectual Traditions Of Africa, March 5, 2024, Ama Oforiwaa Aduonum
Charles W. Bolen Faculty Recital Series: Mukyia Musics: Excavating The Rich Intellectual Traditions Of Africa, March 5, 2024, Ama Oforiwaa Aduonum
School of Music Programs
Kemp Recital Hall
March 5, 2024
Tuesday Evening
7:30 p.m.
Charles W. Bolen Faculty Recital Series: Dr. Rachel Hockenberry, Horn; March 4, 2024, Rachel Hockenberry, Lu Witzig, Allison Hoffman, Lydia Cermak
Charles W. Bolen Faculty Recital Series: Dr. Rachel Hockenberry, Horn; March 4, 2024, Rachel Hockenberry, Lu Witzig, Allison Hoffman, Lydia Cermak
School of Music Programs
Kemp Recital Hall
March 4, 2024
Monday Evening
7:30 p.m.
Ensemble Concerts: Afternoon Of Brass, March 3, 2024, Illinois State University School Of Music
Ensemble Concerts: Afternoon Of Brass, March 3, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
March 3, 2024
Sunday Afternoon
5:00 p.m.
Recital: Celebrating Women's Music, March 3, 2024, Illinois State University School Of Music
Recital: Celebrating Women's Music, March 3, 2024, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
March 3, 2024
Sunday Evening
7:00 p.m.
Ensemble Concerts: 2024 Mid-America Guitar Ensemble Festival, March 1, 2024, Illinois State University School Of Music
Ensemble Concerts: 2024 Mid-America Guitar Ensemble Festival, March 1, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts Concert Hall
March 1, 2024
Friday Evening
7:30 p.m.
Understanding, Incentivizing, And Supporting Openness In Music Librarianship, Stephanie Bonjack, Michael Duffy, Rachel E. Scott
Understanding, Incentivizing, And Supporting Openness In Music Librarianship, Stephanie Bonjack, Michael Duffy, Rachel E. Scott
Faculty and Staff Publications – Milner Library
Open Access (OA) and Open Educational Resources (OER) present great opportunities to music librarians and the communities they serve. There are nonetheless considerable challenges in understanding the models associated with both and determining how best to approach them at one’s library. This presentation offers an overview of OA and OER landscapes, outlining prominent models and key players, and also provides case studies of an institutional OER incentive program, a collaboration with an institutional Office of Research to support OA, and a comparison of OER and traditional/fee-based textbooks in music theory. By offering an overview and examples of OA and OER …
Ensemble Concerts: Philharmonia Orchestra, February 28, 2024, Glenn Block, Useon Choi, Katherine Lewis
Ensemble Concerts: Philharmonia Orchestra, February 28, 2024, Glenn Block, Useon Choi, Katherine Lewis
School of Music Programs
Kemp Recital Hall
February 28, 2024
Wednesday Evening
7:30 p.m.
Recital: Trombone Studio Bordogni Project, February 25, 2024, Mark Babbitt
Recital: Trombone Studio Bordogni Project, February 25, 2024, Mark Babbitt
School of Music Programs
Kemp Recital Hall
February 25, 2024
Sunday Afternoon
2:30 p.m.
Winter Choral Concert: Treble Choir, University Glee, And Belle Voix; February 25, 2024, Illinois State University School Of Music
Winter Choral Concert: Treble Choir, University Glee, And Belle Voix; February 25, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
February 25, 2024
Sunday Afternoon
3:00 p.m.
Ensemble Concerts: Concert Choir And Normal Community High School Chamber Choir, February 25, 2024, Illinois State University School Of Music
Ensemble Concerts: Concert Choir And Normal Community High School Chamber Choir, February 25, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
February 25, 2024
Sunday Evening
6:00 p.m.
Ensemble Concerts: Jazz Ensembles I And Ii, February 23, 2024, Tom Marko
Ensemble Concerts: Jazz Ensembles I And Ii, February 23, 2024, Tom Marko
School of Music Programs
Center for the Performing Arts
February 23, 2024
Friday Evening
8:00 p.m.
Guest Artist Recital Series: Eunmi Ko, Piano; February 22, 2024, Eunmi Ko
Guest Artist Recital Series: Eunmi Ko, Piano; February 22, 2024, Eunmi Ko
School of Music Programs
Kemp Recital Hall
February 22, 2024
Thursday Evening
7:30 p.m.
Ensemble Concerts: Morton High School Wind Ensemble, Wind Symphony, Belle Voix; February 21, 2024, Craig Hatter, Katrina Fitzpatrick, John Gonzalez, Anthony C. Marinello Iii, Tj Mack
Ensemble Concerts: Morton High School Wind Ensemble, Wind Symphony, Belle Voix; February 21, 2024, Craig Hatter, Katrina Fitzpatrick, John Gonzalez, Anthony C. Marinello Iii, Tj Mack
School of Music Programs
Center for the Performing Arts
February 21, 2024
Wednesday Evening
7:00 p.m.
Recital: Convocation, February 20, 2024, Illinois State University School Of Music
Recital: Convocation, February 20, 2024, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
February 20, 2024
Tuesday Morning
11:00 a.m.
Symphonic Winds, February 16, 2024, Mack Wood, Christopher Bulding, Jillian Kouzel
Symphonic Winds, February 16, 2024, Mack Wood, Christopher Bulding, Jillian Kouzel
School of Music Programs
Center for the Performing Arts
February 16, 2024
Friday Evening
8:00 p.m.
Illinois State University Symphony Orchestra: Valentine's Eve Concert, February 13, 2024, Glenn Block, Javier Mas
Illinois State University Symphony Orchestra: Valentine's Eve Concert, February 13, 2024, Glenn Block, Javier Mas
School of Music Programs
Center for Performing Arts Concert Hall
Tuesday Evening
February 13, 2024
8:00 p.m.
Charles W. Bolen Faculty Recital Series: Cora Swenson Lee, Cello; Geoffrey Duce, Piano; February 5, 2024, Cora Swenson Lee, Geoffrey Duce
Charles W. Bolen Faculty Recital Series: Cora Swenson Lee, Cello; Geoffrey Duce, Piano; February 5, 2024, Cora Swenson Lee, Geoffrey Duce
School of Music Programs
Kemp Recital Hall
February 5, 2024
Monday Evening
7:30 p.m.
Concerto: Aria Competition Finals, January 31, 2024, Illinois State University School Of Music
Concerto: Aria Competition Finals, January 31, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
January 31, 2024
Wednesday Evening
7:00 p.m.
Guest Artist Recital Series: David Gresham, Clarinet; Momoko Gresham, Piano; January 30, 2024, David Gresham, Momoko Gresham
Guest Artist Recital Series: David Gresham, Clarinet; Momoko Gresham, Piano; January 30, 2024, David Gresham, Momoko Gresham
School of Music Programs
Center for the Performing Arts
January 30, 2024
Tuesday Evening
8:00 p.m.
Recital: Jury Recognition, January 29, 2024, Illinois State University School Of Music
Recital: Jury Recognition, January 29, 2024, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
January 29, 2024
Monday Evening
7:30 p.m.
Ensemble Concerts: Illinois State University Wind Symphony Concerto Competition, January 28, 2024, Illinois State University School Of Music
Ensemble Concerts: Illinois State University Wind Symphony Concerto Competition, January 28, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
January 28, 2024
Sunday Afternoon
3:00 p.m.
Honors Recital: Illinois State University String Project, January 27, 2024, Illinois State University School Of Music
Honors Recital: Illinois State University String Project, January 27, 2024, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
January 27, 2024
Saturday
Noon
Charles W. Bolen Recital Series: Katherine Lewis, Viola; January 23, 2024, Katherine Lewis
Charles W. Bolen Recital Series: Katherine Lewis, Viola; January 23, 2024, Katherine Lewis
School of Music Programs
Center for the Performing Arts
January 23, 2024
Tuesday Evening
8:00 p.m.
Guest Artist Recital Series: Miracle Amah, Soprano; John Orfe, Piano; January 23, 2024, Miracle Amah, John Orfe
Guest Artist Recital Series: Miracle Amah, Soprano; John Orfe, Piano; January 23, 2024, Miracle Amah, John Orfe
School of Music Programs
Kemp Recital Hall
January 23, 2024
Tuesday Evening
7:30 p.m.
Creative Technologies: A Conversation With Roy Magnuson, Roy Magnuson, Maureen Russell
Creative Technologies: A Conversation With Roy Magnuson, Roy Magnuson, Maureen Russell
Faculty Publications - Music
[In lieu of an abstract, the introduction is provided.] Today I am speaking with Roy Magnuson, Associate Professor Creative Technologies in the School of Music at Illinois State University (ISU). (see Figure 1) His music has been performed throughout the United States and Europe at venues such as the World Saxophone Congress, WASBE, CBDNA, the RED NOTE New Music Festival, and the Robb Composers’ Symposium. Magnuson is also the creator of the virtual reality composition software solsticeVR and the conducting software RibbonsVR. He is a member of ASCAP, and his music is recorded on Albany Records and NAXOS.
The History Of -Eer In English: Suffix Competition Or Symbiosis?, Zachary Dukic, Chris C. Palmer
The History Of -Eer In English: Suffix Competition Or Symbiosis?, Zachary Dukic, Chris C. Palmer
Graduate Publications – English
Ecological models of competition have provided great explanatory power regarding synonymy in derivational morphology. Competition models of this type have certainly shown their utility, as they have demonstrated, among other things, the relevance of frequency measures, productivity, compositionality and analyzability when comparing the development of morphological constructions. There has been less consideration of alternative models that could be used to describe the historical co-development of suffixes that produce words with sometimes similar forms or meanings but are not inevitably or solely in competition. The symbiotic model proposed in this article may help answer larger questions in linguistics, such as how …
Dystopian Young Adult Literature As Waypoints To Censorship Across Time And Space, Shelby Boehm, Savannah Bean
Dystopian Young Adult Literature As Waypoints To Censorship Across Time And Space, Shelby Boehm, Savannah Bean
Faculty Publications – English
We advocate for the reading of young adult literature (YAL) as a means for justice-oriented education, and we also recognize how the recent surge in challenges to youth-centered texts in the U.S. attempts to limit such work in classrooms. In response, we wondered about the ways in which YAL offers pathways for critically framing and situating global concerns, such as censorship, in time and space as a means of entering public conversations on issues. In this article, we offer waypoints as a critical reading framework for approaching sociopolitical issues in YAL as gateways for shifts in perspectives, orientations, and actions …
Performing A Comeback: Assessing The Biography Of Alma Mahler Via Youtube Performances, Rachel E. Scott
Performing A Comeback: Assessing The Biography Of Alma Mahler Via Youtube Performances, Rachel E. Scott
Faculty and Staff Publications – Milner Library
The life and work of many nineteenth-century women composers cannot be satisfactorily studied or understood due to a lack of documentary evidence. In the case of Alma Mahler, however, it is not a lack of manuscript materials or biographical accounts that preclude the appraisal of her legacy, but rather the sheer volume and often contradictory nature of accounts. Although her early life writing emphasized the importance of music, she later downplayed her identity as a composer and emphasized her role of patron of the arts and muse to “great men.” I would argue, however, that if biography is a tool …