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Articles 1 - 30 of 5566
Full-Text Articles in Arts and Humanities
Through The Lens Of Time: Capturing The Ephemeral Magic Of The Circus, Rebecca Fitzsimmons
Through The Lens Of Time: Capturing The Ephemeral Magic Of The Circus, Rebecca Fitzsimmons
Faculty and Staff Publications – Milner Library
Images in the Charles Clarke Circus Photographs Collection document the Ringling Bros. and Barnum & Bailey Circus in the 1920s. Clarke, a leaper in the world-renowned aerial act, The Clarkonians, would have been in a relatively unique position to capture views of the circus from the vantage point of an insider. The resulting images carry the weight of that perspective. The photographs document important aspects of the circus, showing performers like Lillian Leitzel and May Wirth, spectacle wardrobe, practices and performances in the ring, and quieter moments behind the big top.
The images document a particular point in time, freezing …
Understanding, Incentivizing, And Supporting Openness In Music Librarianship, Stephanie Bonjack, Michael Duffy, Rachel E. Scott
Understanding, Incentivizing, And Supporting Openness In Music Librarianship, Stephanie Bonjack, Michael Duffy, Rachel E. Scott
Faculty and Staff Publications – Milner Library
Open Access (OA) and Open Educational Resources (OER) present great opportunities to music librarians and the communities they serve. There are nonetheless considerable challenges in understanding the models associated with both and determining how best to approach them at one’s library. This presentation offers an overview of OA and OER landscapes, outlining prominent models and key players, and also provides case studies of an institutional OER incentive program, a collaboration with an institutional Office of Research to support OA, and a comparison of OER and traditional/fee-based textbooks in music theory. By offering an overview and examples of OA and OER …
The History Of -Eer In English: Suffix Competition Or Symbiosis?, Zachary Dukic, Chris C. Palmer
The History Of -Eer In English: Suffix Competition Or Symbiosis?, Zachary Dukic, Chris C. Palmer
Graduate Publications – English
Ecological models of competition have provided great explanatory power regarding synonymy in derivational morphology. Competition models of this type have certainly shown their utility, as they have demonstrated, among other things, the relevance of frequency measures, productivity, compositionality and analyzability when comparing the development of morphological constructions. There has been less consideration of alternative models that could be used to describe the historical co-development of suffixes that produce words with sometimes similar forms or meanings but are not inevitably or solely in competition. The symbiotic model proposed in this article may help answer larger questions in linguistics, such as how …
Creative Technologies: A Conversation With Roy Magnuson, Roy Magnuson, Maureen Russell
Creative Technologies: A Conversation With Roy Magnuson, Roy Magnuson, Maureen Russell
Faculty Publications - Music
[In lieu of an abstract, the introduction is provided.] Today I am speaking with Roy Magnuson, Associate Professor Creative Technologies in the School of Music at Illinois State University (ISU). (see Figure 1) His music has been performed throughout the United States and Europe at venues such as the World Saxophone Congress, WASBE, CBDNA, the RED NOTE New Music Festival, and the Robb Composers’ Symposium. Magnuson is also the creator of the virtual reality composition software solsticeVR and the conducting software RibbonsVR. He is a member of ASCAP, and his music is recorded on Albany Records and NAXOS.
Performing A Comeback: Assessing The Biography Of Alma Mahler Via Youtube Performances, Rachel E. Scott
Performing A Comeback: Assessing The Biography Of Alma Mahler Via Youtube Performances, Rachel E. Scott
Faculty and Staff Publications – Milner Library
The life and work of many nineteenth-century women composers cannot be satisfactorily studied or understood due to a lack of documentary evidence. In the case of Alma Mahler, however, it is not a lack of manuscript materials or biographical accounts that preclude the appraisal of her legacy, but rather the sheer volume and often contradictory nature of accounts. Although her early life writing emphasized the importance of music, she later downplayed her identity as a composer and emphasized her role of patron of the arts and muse to “great men.” I would argue, however, that if biography is a tool …
Open Access, Anne Shelley, Rachel E. Scott
Open Access, Anne Shelley, Rachel E. Scott
Faculty and Staff Publications – Milner Library
[Conclusion] While the embrace of Open Access within music scholarship and librarianship has been somewhat spotty and circumstantial to date, there are some patterns to celebrate. Music librarians have collaborated with stakeholders to create a number of high-value and openly-licensed online collections, libraries and publishers are exploring models that will better fund OA research by arts and humanities scholars, professional societies are responding to members’ prompts and formalizing their support through new OA publications, and the increased incorporation of linked open data standards will better connect information that was once siloed. It is challenging to predict the state of the …
When Is A Belief Formed In An Epistemically Circular Way?, Todd M. Stewart
When Is A Belief Formed In An Epistemically Circular Way?, Todd M. Stewart
Faculty Publications - Philosophy
While there has been a great deal of discussion of whether and when beliefs formed in an epistemically circular manner can be justified, there has been almost no discussion of exactly which beliefs are formed in a circular manner. These discussions have tended to focus on an extremely limited number of intuitively-identified paradigm examples concerning attempts to establish the reliability of a method of belief formation. Here, I seek to answer a prior analytical question about the nature of epistemic circularity by developing a criterion which sorts epistemically circular beliefs from non-epistemically circular beliefs.
Recital: Community School For The Arts Spring Solo, May 7, 2023, Illinois State University School Of Music
Recital: Community School For The Arts Spring Solo, May 7, 2023, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
May 7, 2023
Sunday Afternoon
2:00 p.m.
Ensemble Concerts: Isu String Project, May 6, 2023, Benjamin De Kock Master Teacher, Aaron Jacobs Master Teacher, Cora Swenson Lee Master Teacher, Katherine Lewis String Project Director
Ensemble Concerts: Isu String Project, May 6, 2023, Benjamin De Kock Master Teacher, Aaron Jacobs Master Teacher, Cora Swenson Lee Master Teacher, Katherine Lewis String Project Director
School of Music Programs
Center for the Performing Arts
May 6, 2023
Saturday Morning
11:00 a.m.
Senior Recital: Christian Mclaughlin, Trumpet; Valen Pao, Piano; April 30, 2023, Christian Mclaughlin Trumpet, Valen Pao Piano
Senior Recital: Christian Mclaughlin, Trumpet; Valen Pao, Piano; April 30, 2023, Christian Mclaughlin Trumpet, Valen Pao Piano
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday Afternoon
1:30 p.m.
Graduate Recital: Seth Marshall, Trumpet; Grace Eom, Piano; April 30, 2023, Seth Marshall Trumpet, Grace Eom Piano
Graduate Recital: Seth Marshall, Trumpet; Grace Eom, Piano; April 30, 2023, Seth Marshall Trumpet, Grace Eom Piano
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday Evening
7:30 p.m.
Graduate Recital: Daniel G. Castillon Iii, Horn; Valen Pao, Piano; April 30, 2023, Daniel G. Castillon Iii Horn, Valen Pao Piano
Graduate Recital: Daniel G. Castillon Iii, Horn; Valen Pao, Piano; April 30, 2023, Daniel G. Castillon Iii Horn, Valen Pao Piano
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday Evening
9:00 p.m.
Ensemble Concerts: Choral College, April 30, 2023, Illinois State University School Of Music
Ensemble Concerts: Choral College, April 30, 2023, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
April 30, 2023
Sunday Afternoon
3:00 p.m.
Program Notes: Christian Mclaughlin, Trumpet; Valen Pao, Piano; April 30, 2023, Christian Mclaughlin Trumpet, Valen Pao Piano
Program Notes: Christian Mclaughlin, Trumpet; Valen Pao, Piano; April 30, 2023, Christian Mclaughlin Trumpet, Valen Pao Piano
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday Afternoon
1:30 p.m.
Senior Recital: Alyssa Trebat, Double Bass; Grace Eom, Piano; April 30, 2023, Alyssa Trebat Double Bass, Grace Eom Piano
Senior Recital: Alyssa Trebat, Double Bass; Grace Eom, Piano; April 30, 2023, Alyssa Trebat Double Bass, Grace Eom Piano
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday
Noon
Graduate Lecture Recital: Redbird Pre-College Bass Ensemble, April 30, 2023, John St. Cyr Ensemble Director
Graduate Lecture Recital: Redbird Pre-College Bass Ensemble, April 30, 2023, John St. Cyr Ensemble Director
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday Evening
6:00 p.m.
Senior Recital: Rachel Nulf, Flute; Valen Pao, Piano; April 30, 2023, Rachel Nulf Flute, Valen Pao Piano
Senior Recital: Rachel Nulf, Flute; Valen Pao, Piano; April 30, 2023, Rachel Nulf Flute, Valen Pao Piano
School of Music Programs
Kemp Recital Hall
April 30, 2023
Sunday Afternoon
3:00 p.m.
Ensemble Concerts: Symphonic Winds, April 29, 2023, Mack Wood Conductor, Jeason Lopez Guest Conductor, Allison Isely Guest Soloist
Ensemble Concerts: Symphonic Winds, April 29, 2023, Mack Wood Conductor, Jeason Lopez Guest Conductor, Allison Isely Guest Soloist
School of Music Programs
Center for the Performing Arts
April 29, 2023
Saturday Evening
8:00 p.m.
Ensemble Concerts: Wind Symphony, April 28, 2023, Anthony C. Marinello Iii Conductor, John Gonzalez Graduate Conductor, Micah Crouse Tuba
Ensemble Concerts: Wind Symphony, April 28, 2023, Anthony C. Marinello Iii Conductor, John Gonzalez Graduate Conductor, Micah Crouse Tuba
School of Music Programs
Center for the Performing Arts
April 28, 2023
Friday Evening
8:00 p.m.
Recital: Saxophone Studio, April 27, 2023, Illinois State University School Of Music
Recital: Saxophone Studio, April 27, 2023, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
April 27, 2023
Thursday evening
8:00 p.m.
Graduate Recital: John St. Cyr, Double Bass; Grace Eom, Piano; April 27, 2023, John St. Cyr Double Bass, Grace Eom Piano
Graduate Recital: John St. Cyr, Double Bass; Grace Eom, Piano; April 27, 2023, John St. Cyr Double Bass, Grace Eom Piano
School of Music Programs
Kemp Recital Hall
April 27, 2023
Thursday Evening
6:00 p.m.
Recital: Guitar Studio And Ensemble, April 26, 2023, Illinois State University School Of Music
Recital: Guitar Studio And Ensemble, April 26, 2023, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
April 26, 2023
Wednesday Evening
7:30 p.m.
Ensemble Concerts: University And Symphonic Band, April 26, 2023, F. Mack Wood Conductor, T.J. Mack Conductor, John Gonzalez Guest Conductor, Jeason Lopez Guest Conductor, Tori Puffer Guest Conductor
Ensemble Concerts: University And Symphonic Band, April 26, 2023, F. Mack Wood Conductor, T.J. Mack Conductor, John Gonzalez Guest Conductor, Jeason Lopez Guest Conductor, Tori Puffer Guest Conductor
School of Music Programs
Center for the Performing Arts
April 26th, 2022
Wednesday Evening
8:00 p.m.
Ensemble Concerts: Student Chamber Music, April 25, 2023, Illinois State University School Of Music
Ensemble Concerts: Student Chamber Music, April 25, 2023, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
April 25, 2023
Tuesday Evening
7:30 p.m.
Recital: Double Reed, April 24, 2023, Illinois State University School Of Music
Recital: Double Reed, April 24, 2023, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
April 24, 2022
Monday Evening
7:30 p.m.
Program Notes: Madelyn Owens, Soprano; Somlee Lee, Piano; April 23, 2023, Madelyn Owens Soprano, Somlee Lee Piano
Program Notes: Madelyn Owens, Soprano; Somlee Lee, Piano; April 23, 2023, Madelyn Owens Soprano, Somlee Lee Piano
School of Music Programs
Kemp Recital Hall
April 23, 2023
Sunday Afternoon
12:30 p.m.
Ensemble Concerts: Concerto-Aria, April 23, 2023, Glenn Block Music Director, Katherine Shindledecker Graduate Conductor, Rachel Nulf Flute, Carlos Leon Viola
Ensemble Concerts: Concerto-Aria, April 23, 2023, Glenn Block Music Director, Katherine Shindledecker Graduate Conductor, Rachel Nulf Flute, Carlos Leon Viola
School of Music Programs
Center for the Performing Arts
April 23, 2023
Sunday Afternoon
3:00 p.m.
Graduate Recital: Concert Choir And Madrigal Singers With Cantus Novus, April 23, 2023, Matthew Davis Conductor, Guilherme Rodrigues Conductor
Graduate Recital: Concert Choir And Madrigal Singers With Cantus Novus, April 23, 2023, Matthew Davis Conductor, Guilherme Rodrigues Conductor
School of Music Programs
Center for Performing Arts
April 23, 2023
Sunday Evening
7:00 p.m.
Senior Recital: Nick Filano, Bassoon; Lu Witzig, Piano; April 23, 2023, Nick Filano Bassoon, Lu Witzig Piano
Senior Recital: Nick Filano, Bassoon; Lu Witzig, Piano; April 23, 2023, Nick Filano Bassoon, Lu Witzig Piano
School of Music Programs
Kemp Recital Hall
April 23, 2023
Sunday Afternoon
5:30 p.m.
Junior Recital: Madelyn Owens, Soprano; Somlee Lee, Piano; April 23, 2023, Madelyn Owens Soprano, Somlee Lee Piano
Junior Recital: Madelyn Owens, Soprano; Somlee Lee, Piano; April 23, 2023, Madelyn Owens Soprano, Somlee Lee Piano
School of Music Programs
Kemp Recital Hall
April 23, 2023
Sunday Afternoon
12:30 p.m.