Arts and Humanities Commons^™

Proof, Otterbein University Theatre And Dance Department

2008 Summer Theatre

The play concerns Catherine, the daughter of Robert, a recently deceased mathematical genius and professor at the University of Chicago, and her struggle with mathematical genius and mental illness. Catherine had cared for her father through a lengthy mental illness. https://www.lewisfamilyplayhouse.com/pdfs/blackbox/Proof_character_descriptions.pdf

Alba Emoting: A Safe, Effective, And Versatile Technique For Generating Emotions In Acting Performance, Angela Katherine Baker

Theses and Dissertations

This thesis proposes that Alba Emoting™ is a safe, effective, and versatile technique of generating emotions for acting performance. Alba Emoting is safe because it resolves four major problems some actors experience while generating emotions for acting performance. These problems include, &ldqup;emotional hijacking,” “emotional hangover,” “emotional blockage,” and using emotional memories which are faded, incomplete, inconsistent, or full of mixed emotions. Alba Emoting solves these four problems through the help of certified trainers, the step-out procedure, and the emotional effector patterns, which allow actors consistent access to a large range of emotions. Alba Emoting is effective because it enables actors …

Review: Dancing From Past To Present: Nation, Culture, Identities (Madison, 2006); Dance And Society: Dancer As A Cultural Performer. Re-Appraising Our Past, Moving Into The Future (Budapest, 2005), Anthony Shay

Pomona Faculty Publications and Research

The large international participation of scholars, many of them young graduate students, in the recent CND/CORD/SDHS conference in Paris (June 21-27, 2007), along with new publications in the field and the spread of world dance courses in colleges and universities in many regions of the world, suggest the need for increasingly sophisticated research publications. New publications featuring the works of well-known senior scholars are cause for celebration by those of us attempting to meet research and student demand for new sources of information that feature new conceptual, theoretical, and methodological approaches. In the past few years scholars have produced an …

The Lab Report, Volume 02, Issue 02, Todd Ristau

Lab Reports

• Overnight Sensations
• Guest Profile: Paul Meshejian
• Affiliated Organizations: PlayPenn
• Area Highlight: Blackfriars Theatre, Staunton
• From the Director: Thanking the people and businesses that support the arts

The Fight Master, Spring/Summer 2008, Vol. 31 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Review Of "Performing Konarak, Performing Hirapur: Documenting The Odissi Of Guru Surendranath Jena" And "Interpreting And (Re)Constructing Indonesian Dance And Music Heritage" By A. Lopez Y Royo, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.

2008 Illinois Shakespeare Festival Program, School Of Theatre And Dance

Illinois Shakespeare Festival

31st Season. The Theatre at Ewing. The Taming of the Shrew by William Shakespeare. The Complete Works of William Shakespeare (abridged) by Adam Long, Daniel Singer, and Jess Winfield. Titus Andronicus by William Shakespeare.

Indian Blood, Otterbein University Theatre And Dance Department

2008 Summer Theatre

The play takes place in the mid-1940s. 16-year-old Eddie blames his tendencies towards bad behavior on his "Indian blood," as he's been told there's a Seneca Indian somewhere in his family tree.

Victor Herbert: A Theatrical Life, Neil Gould

Biography

Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater.

Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents …

Exploring The Ba And Bfa Curriculum, Jane Frazier

Theses and Dissertations

This thesis is a picture of my journey as an educator. I taught at the University level from Fall 2001 – Summer 2006 before I became a graduate student at Virginia Commonwealth University in Theatre Pedagogy where I continued to teach until 2008. My education and real life experiences over the last seven plus years have contributed to my teaching methodology which is ever evolving. There were several trials and tribulations as I progressed as an educator and this is an exploration of my experience teaching in the BA and BFA curriculums.

The Lab Report, Volume 02, Issue 01, Todd Ristau

Lab Reports

• Love Loves a Pornographer
• Student Spotlight: Neeley Gossett
• Guest Profile: Jeff Goode
• Toby Thelin directing a reading at Theatre for the New City
• Guest Profile: Toby Huss
• From the Director: Economic Stimulus for the Arts

June 2008 - Volume Vii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VII Number 2 features articles on the closing of the Village Theatre and welcoming new faculty Nicholas Shaw.

J. Scheidegger Center For The Arts, 2008-2009 Season Program, Lindenwood University

J. Scheidegger Center for the Arts

J. Scheidegger Center for the Arts, 2008-2009 Season Program

The Cutting Edge, May/June 2008, Vol. 18 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Direction Of The Play: Alicia In Wonder Tierra, Carla Francesca Stanley

Master of Theater Production Graduate Projects

This project entailed the selection, background research and documentation, design, casting, direction and post-production analysis of Shafter High School's production of Alicia in Wonder Tierra by Silvia Gonzalez S. Documentation includes research analysis of the play and an evaluation of the play as a production vehicle for Shafter High School. The analysis includes a discussion of the use of a non-traditional play to attract an audience in a largely Hispanic community.

Peter Pan, Otterbein University Theatre And Dance Department

2007-2008 Season

An adaptation of J. M. Barrie's story about a boy who never grew up. The three children of the Darling family receive a visit from Peter Pan, who takes them toNever Land, where an ongoing war between Peter's gang of rag-tag runaways and the evil Pirate Captain Hook is taking place. https://www.imdb.com/title/tt0046183/plotsummary

A Study Of The Life And Work Of Christopher Durang: Laughing Wild Amidst Severest Woe, Jeannine M. James

Theses and Dissertations

This thesis maps Durang's struggle with faith and demonstrates how his personal journey to discover and document his pain acts as a catalyst for his creative work. It will explore his style of masking and unmasking himself in his characters revealing his innermost pain and suffering. I also surmise that his work serves as a kind of therapy by allowing him to constantly unravel and unveil his investigation of self.

This thesis examines Christopher Durang's personal history and family struggles in an effort to understand the experiences that shaped the work of one of America's premier authors of absurdist comedy. …

Storming The Castle: Non-Secular Subversion Of The Pas D'Armes In The Castle Of Perseverance, John Moss

Theses and Dissertations

It is important to remember that the categories of medieval performance were established far removed from their period in history. As a genre, the morality play includes a wide diversity of time, geography, content and performance styles. Such disparities have made it difficult to develop a comprehensive definition, without which comparisons between works cannot be consistent. As scholarship continues to explore these works in context of their performance, it becomes increasingly important to identify which performance styles best inform their production. In examining The Castle of Perseverance within the parameters of pas d’armes, new meanings can be drawn from its …

Assassins Playbill, Providence College

Promotion Materials

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre

Assassins, music and lyrics by Stephen Sondheim, book by John Weidman

May 7, 2008

Director, Kevin Black '09

Cast: Sam Brilhante '11 - Lynette "Squeaky" Fromme; Colleen Burns '10 - Balladeer; Marc Francis '10 - Charles Guiteau; Justin Pimentel '10 - Sam Byck; Craig Schutz '09 - John Wilkes Booth; Dan Travers '08 - John Hinckley

Harvey, Parkland College

Parkland Theatre

By Mary Chase

Director: Christiana Forsberg*
Scenic Designer: Tim Adams*
Lighting Designer: Matthew P Eberle*
Costume Designer: William Anthony
Sebastian Rose II*
Properties Designer: Cailyn Arnot*
Sound Director: Jacob Foster*
Technical Director: Jesse Long*
Stage Manager: Kristal Monahan-Mitchell*
Assistant Stage Manager: Laura Lindermann

May 7, 8 ,9, 10 at 8pm
May 11 at 3pm
Parkland College Theatre
Spring 2008

Produced with special arrangement from Dramatists Play Service, Inc.

To view images from this production, visit Harvey (2008).

Unlisted Properties: An Exploration In Solo Performance, Lauren White

Theses and Dissertations

This thesis studies the process of creating, producing and performing a solo performance titled UNLISTED PROPERTIES. We intend to intertwine historical text and contemporary narratives to create portraits of women throughout different periods of history/her-story dealing with the theme of women as property or owning others as personal property. The historical text will be taken from the self-written works of Mary Chesnut, Harriet A. Jacobs, and Elizabeth Packard. The contemporary pieces have been pulled from a variety of sources, which include an interview with Mary Ford, an Army bride during World War II, Pagan Moss, a website blogger describing her …

Unlisted Properties: An Exploration In Solo Performance, Jason Smith

Theses and Dissertations

This thesis studies the process of creating, producing and performing a solo performance titled UNLISTED PROPERTIES. We intend to intertwine historical text and contemporary narratives to create portraits of women throughout different periods of history/her-story dealing with the theme of women as property or owning others as personal property. The historical text will be taken from the self-written works of Mary Chesnut, Harriet A. Jacobs, and Elizabeth Packard. The contemporary pieces have been pulled from a variety of sources, which include an interview with Mary Ford, an Army bride during World War II, Pagan Moss, a website blogger describing her …

Belly Dance: A Cultural And Historical Introduction And Lecture & Live Dancing! Program, University Of Southern Maine Department Of Theatre

Programs 2007-2008 Season

Naya's Trance Belly Dance

Artistic Director Jessica Jane Means

Body Doubles, Babel's Voices: Katie Mitchell's Iphigenia At Aulis And The Theatre Of Sacrifice, Kim Solga

Department of English Publications

What happens to a body when circumstance demands it enact its own forgetting? What reaction in turn does a body in the process of violent self-erasure prompt in its spectators? These and related questions propel my investigation of Katie Mitchell's 2004 National Theatre production of Euripedes' Iphigenia at Aulis. Mitchell's chilling representation of Iphigenia's final moments, during which the young girl speaks with apparently patriotic fervour her willingness to be murdered for her nation's sake, embeds the very loss that such a performance of sacrifice typically elides. The result: two bodies collide on stage before our eyes - the compliant, …

The Lab Report, Volume 01, Issue 12, Todd Ristau

Lab Reports

• Guest Artist Confirmations for 2008
• Student Spotlight: Timothy Cochran
• Norfolk Southern Festival of New Works
• New Works Initiative
• Kenley Smith attends Great Plains Theatre Conference
• From the Director: Submission Tips # 10 (multiple submissions)

Direction Of The Play: Miss Saigon, Charles Gregory Pschirrer

Master of Theater Production Graduate Projects

This project entailed the selection, background research and documentation, musical analysis, casting, direction, choreography, and post-production analysis of Lewis and Clark High School's production of Miss Saigon. Documentation includes research and analysis of the play, its music, and an evaluation of the musical as a production vehicle for the Tiger Drama Department at Lewis and Clark High School.

Miss Witherspoon, Otterbein University Theatre And Dance Department

2007-2008 Season

A woman named Veronica, who is a recent suicide, has to go back to the world of the living to cleanse her “brown tweedy aura” and learn the values of life. She findsherself in Bardo, a Tibetan Buddhist netherworld and the place where you wait to be reincarnated. She is not enthusiastic. https://en.wikipedia.org/wiki/Miss_Witherspoon

Elisabeth, Alisa Roost

Publications and Research

No abstract provided.

Spring Dance Concert 2008 Poster, Jillianne Liotta '09

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert 2008

April 26, 2008, 8pm

April 27, 2008, 2pm

Poster design: Jillianne Liotta '09

Spring Dance Concert 2008 Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert 2008

April 26, 2008, 8pm

April 27, 2008, 2pm

Lighting Design, Chris Tompkins

Advisor, Wendy Oliver

Choreographers: Sarah Evans, Lindsay Maurio, Melissa Cusack, Melanie Faust, Donald MacKayle, Caroline Cruise, Erica Tymeck, Lia Armatas, Lauren Sibley, Sarah Mosca, Sarah McCormack, Shane Farrell, Jillianne Liotta, Emily Herrick, Krissy Phillipino, Lindsay Craven

Dancers: Lia Armatas '08, Nicole Cirilli '09, Caroline Cruise '09, Kelly Cummings '11, Melissa Cusack '10, Sarah Evans '08, Melanie Faust '08, Emily Herrick '08, Shannon Hoey '11, Joelle Hogan '10, Theresa Hurton '11, Alicia …