Arts and Humanities Commons^™

La Censura Teatral Bajo El Franquismo: La Vicesecretaría De Educación Popular (1941-1945), Emeterio Diez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El nombramiento de Gabriel Arias Salgado como Vicesecretario de Educación Popular en 1941 introduce un importante cambio en el ejercicio de la censura franquista. En primer lugar, Arias Salgado decide volver a censurar todo lo que antes habían censurado los sospechosos falangistas radicales protegidos de Serrano Suñer. En segundo lugar, su prevención contra las «pasiones» del público y su recelo contra los artistas conllevan un aumento del número de obras prohibidas o con tachaduras.

In 1941 Gabriel Arias Salgado arrives to Subsecretary of Popular Education. Arias Salgado introduces an important change in the theatrical censorship. In the first place, Arias …

Reseñas

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Transcripción De La Correspondencia Personal De Fernando Lázaro Carreter Enviada A José María Rodríguez Méndez, José María Rodríguez Méndez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Ak Y La Humanidad: Una Obra Bajo Sospecha, Pedro Cataslán García

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

A principios de septiembre de 1938, a los nueve días de su estreno en el Español y en plena Guerra Civil, la obra teatral Ak y la Humanidad, original de la escritora Halma Angélico, y adaptación del cuento del mismo título del autor ruso Jefim Sosulia, fue suspendida por orden gubernativa tras una tensa polémica desatada en la prensa anarquista contra la obra y su autora.

At the beginning of September 1938, nine days after its premiere at the Teatro Español and in the middle of the Spanish Civil War, the theatre performance Ak and Mankind, written originally by Halma …

El Teatro Universitario Durante Los Años 50: La Presencia De José Martín Recuerda Dentro Del Teu De Granada, Antonio César Morón Espinosa

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

José Martín Recuerda (1922-2007) fue director del TEU de Granada durante los años 1952-1959. Esta es una de las etapas fundamentales de su carrera, en la que el autor granadino inicia sus primeros contactos con el teatro y estrena, además, tres de sus primeras obras. De modo que se podría decir que es en estos años donde se configura la que luego será una de las escrituras dramáticas más importantes del siglo XX.

José Martín Recuerda (1922-2007) was director in the TEU of Granada during the 1952-1959 period. This is one of the fundamental stage in his career, because it’s …

Deseos Expresados, Deseos (Indesea)Dos: Sistemas Y Procesos Para El Control De Las Estrategias Creativas Del Yo En La Sociedad Contemporánea, Ángel Berenguer

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Propuesta teórica sobre la génesis de la censura en las sociedades contemporáneas, relacionando la perspectiva del YO y su conflicto con un entorno que proscribe los deseos del ciudadano libre. Se parte de la práctica censora de la dictadura del General Franco en el ámbito del teatro para elaborar aspectos teóricos que explican no sólo las acciones del régimen, sino su propia historia interna.

Theoretical proposal about the genesis of censorship in contemporary society, relating the SELF and its conflict with the surrounding environment which proscribes the desires of the free citizen. Starting with the study of censorship practices under …

Trânsitos Da Censura O Teatro Como Resistência Cultural Ao Autoritarismo, Roseli Figaro

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Esto artículo discute los tránsitos de la cultura y de la censura entre el Brasil y España por medio del teatro popular y no profesional, encenados por los inmigrantes españoles, en la ciudad de São Paulo. Este tema es parte del eje de la investigación «A cena paulista: um estudo da produção cultural de São Paulo de 1930 el 1970», del Archivo Miroel Silveira, de la Biblioteca de la Escuela de Comunicaciones y Artes de la Universidad de São Paulo, que tiene financiación de la Fundación de la Ayuda a la Investigación del Estado de São Paulo. La colección se …

Ibsen’S Female Characters In Captivity: An Exploration Of Literature And Performance, Christina K. Forshey

Senior Honors Theses

In Henrik Ibsen’s plays, A Doll’s House, The Wild Duck, The Lady from the Sea, and Hedda Gabler, the theme of captivity is demonstrated in the female protagonists Nora, Hedvig, Ellida, and Hedda. The theme of captivity also serves as a performance guide for the portrayal of these characters. Ibsen’s female protagonists are in bondage to an object or person that manipulates the character’s mental and emotional senses. The character’s inner captivity reaches a climax where a decision must be made to abolish the chains of captivity or forever remain enslaved. Since the nineteenth century, the actor has greatly benefitted …

Scrooge: The Musical (December 4-7, 2008), Leslie Bricusse

Student Theatre Programs

Program for Scrooge: The Musical (December 4-7, 2008).

To view the photos from this production of Scrooge: The Musical, please click here.

Blackfriars Dance Concert 2008 Poster, Alex Fiedler

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2008

November 21, 2008, 8pm

November 22, 2008, 2pm

Poster design: Alex Fiedler

Blackfriars Dance Concert 2008 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2008

November 21 & 22, 2008

Director, Wendy Oliver

Choreographers: Michael Bolger, Billbob Brown, Melissa Gendreau, Lindsay Guarino, Katie McNamara, Wendy Oliver

Lighting Design, Alan Pickart

Dancers: Caroline Brown, Casey Caliendo, Alyssa Catjackis, Kelly Cummings, Amy McCormack, Mary Kate Piquette, Billbob Brown, Shannon Hoey, Jillianne Liotta, Jaclyn Longo, Brianna Munoz, Claire Pevoto, Krissy Phillipino, Katelyn Uyehara, Nicole Cirilli, Caroline Cruise, Sara McCormack, Maggie McDermott, Sarah Mosca, Kaitlyn Order, Kaitlin Elliott, Theresa Hurton, Lindsay Maurio, Kelly Mulhern, Joelle Hogan, Stephanie Wong, Katie McNamara, Mary Kate …

Blackfriars Dance Concert 2008 Promotional Card, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2008

November 21, 2008, 8pm

November 22, 2008, 2pm

Breaking The Cycle Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre, Smith Center for the Arts

Breaking the Cycle

November 16-18, 2008

Electra by Sophocles

Agamemnon by Aeschylus

Iphigenia at Aulis by Euripides

Adapted by Kevin Black '09

Director, Kevin Black

Choreographer, Sarah Mosca

Scenic Design, Amanda Ritchie

Costume Design, Caitlin Phelan

Lighting Design, Peter Hurvitz

Make-Up Design, Anthony DiDonna

Sound Design, Paul Perry

Music Composition, Blake Walker and David Heath

Cast: Lauren Annicelli - Iphigenia/Cassandra/Electra; Amy Beckwith - Chorus - Pylades; Sarah Bedard - Clytemnestra; Ted Boyce-Smith - Chorus - Aegisthus; …

Breaking The Cycle Poster, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre, Smith Center for the Arts

Breaking the Cycle

November 14-16, 2008

Electra by Sophocles

Agamemnon by Aeschylus

Iphigenia at Aulis by Euripides

Adapted by Kevin Black '09

Fall Dance Concert (November 7-8, 2008), Lindenwood University

Student Dance Programs & Brochures

Program for the Fall Dance Concert (November 7-8, 2008).

20081106.9: Institute For The Arts, 1987-2007, College Of Arts And Media

Guides to University Archives

These items include materials from the Institute for the Arts within the College of Arts and Media at Marshall University from 1987-2007. Items were received in 2008 and include notable materials from the Institute including a Proposal for a BFA in Sacred Music, the Birke Writers Series in 1987-1988, the Tri-State Arts Forum from 1988-1990, and various programs of the 1980s. This is not an exhaustive list, but the attached inventory will give a broad overview of what is contained in each of the boxes.

The Lab Report, Volume 02, Issue 06, Todd Ristau

Lab Reports

• Mellon Foundation gives $10 Million to Promote New Plays
• Student Spotlight: Nicole B. Adkins (Nikki)
• Guest Profile: Bonnie Metzgar
• Roanoke and No Shame Get International Press
• Area Highlight: Taubman Museum of Art
• From the Director: Picking the right program for you

Fighting The Elements: Determining The Best Scenes For Skills Proficiency Tests, T. Fulton Burns

Theatre Faculty Research

In the last edition of The Cutting Edge I provided tips for locating fight-specific scenes. Now let’s narrow our search from the vast quantity of scenes to a playing field of only the best quality. For a Skills Proficiency Test (SPT), choreography comes first to ensure that the proper techniques are included within the fight. Following these lessons in technique and choreography, the scene selection process begins. In a traditional acting class, the scene selection occurs first and is followed by the explored action. So even though the cart may be before the horse, as it were, with an SPT, …

The Man Who Came To Dinner Program, University Of Southern Maine Department Of Theatre

Programs 2008-2009 Season

By Moss Hart and George S. Kaufman

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Our Town, November 6-8, 2008, Theatre Arts Discipline

Theatre Programs

University of Minnesota, Morris production Our Town by Thornton Wilder and directed by Ray Schultz.

Synopsis: A landmark in American drama, Thornton Wilder’s Pulitzer Prize-winning Our Town tells the story of a small town, Grover’s Corners, New Hampshire, in order to tell us the story of every town, the whole world over. Narrated by the “Stage Manager”, we follow the Gibbs and Webb families, residents of Grover’s Corners, through twelve years of life changes -- from the mundane in Act I, “Daily Life,” to the romantic in Act II, “Love and Marriage,” to the devastating in Act III, “Death and …

Inside Unlv, Shane Bevell, Tony Allen, Karen Sharp, Mamie Peers, Cate Weeks

Inside UNLV

No abstract provided.

Muffin Fall 2008, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The 2008 issue features creative writing, a book review of "The Gay Girl's Guide to Dating, Sex, and Romance," an "Ask Madame Muffin" column, a gay celebrity gossip column, screenshots of a thread on homosexuality from Yahoo! Answers, an article on sexual morality and autonomy, and a page of queer resources.

Student Directed One Acts (November 19-22, 2008), Lindenwood University

Student Theatre Programs

Program for Student Directed One Acts (November 19-22, 2008).

Agnes Of God Open Auditions Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Agnes of God auditions

Tuesday, October 30, 2008, 6pm

*The Underpants auditions are coupled with the Agnes of God auditions for women. The Underpants auditions for men happened on Tuesday, November 6, 2008, 6pm

The Murder Room, Parkland College

Parkland Theatre

By Jack Sharkey

18th Annual Student Production

Director: Tim Adams
Assistant Director: Cailyn Arnot
Scenic/Technical Director: Mark Fuelle
Lighting Designer: Seth Gelke
Costume Designer: Angela Arwine

October 29, 30, 31, November 1, at 8pm
November 2 at 3pm
Parkland College Theatre
2008

Produced by special permission from Samuel French Inc.

Body Image Of Dancers In Los Angeles: The Cult Of Slenderness And Media Influence Among Dance Students, Teresa Heiland, Darrin S. Murray, Paige P. Edley

Dance Faculty Works

Body image and self-esteem are examined through personal stories among Los Angeles college dancers who grew up in the Hollywood culture of the cult of slenderness. The study incorporates a body image survey, eating disorder screen, and an interview process capturing dancers’ lived experiences with daily pressures. Dancers reveal their experiences with body image struggles and empowerment. Quantitative and qualitative results point to a need for future social activist intervention with dancers in their formative years when body image concepts are formed. At this time of need and rebellion, the dance community could support change by increasing focus on wellness …

Charley's Aunt Poster, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre, Smith Center for the Arts

Charley’s Aunt

By Brandon Thomas

Oct 24 – 26 & Oct 31 – Nov 2, 2008 Friday & Saturday 8pm, Sunday 2pm

Charley's Aunt Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre, Smith Center for the Arts

Charley’s Aunt

By Brandon Thomas

Oct 24 – 26 & Oct 31 – Nov 2, 2008 Friday & Saturday 8pm, Sunday 2pm

Directed by Brendan Byrnes

Costume Design: David Costa-Cabral

Scenic Design: Patrick Lynch

Lighting Design: Elissa Pensa Cerros

Sound Design: Paul Perry

Cast: Lord Fancourt Babberley - Alexander MacIntyre; Jack Chesney – Marc Francis; Charley Wykeham – Stephen Orlando; Brassett – Alex Curran; Kitty Verdun – Suzanne Keyes; Amy Spettigue – Colleen Burns; Ela Delahey – Christine Cestaro; Stephen Spettigue – Marc Hassan; …

Audition Workshop Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre, Smith Center for the Arts

Audition Workshop

Wednesday, October 17, 2008, 4pm

*Agnes of God mentioned in this poster

Smokey Joe's Cafe, Otterbein University Theatre And Dance Department

2008-2009 Season

Smokey Joe's Cafe is a musical revue showcasing 39 pop standards, including rock and roll and rhythm and blues songs written by songwriters Jerry Leiver and Mike Stoller.