Arts and Humanities Commons^™

Lessons From Gilead: Producing A Student-Directed Musical At Western Kentucky University, Stephen G. Tabor

Mahurin Honors College Capstone Experience/Thesis Projects

In recent years there has been a surge of interest in directing musical theatre in the Department of Theatre and Dance at Western Kentucky University. Western’s theatre department offers three directing classes and three musical theatre classes, but no class that teaches how to direct musical theatre. The Musical Theatre History and Repertoire class, however, provides students with the opportunity to present half-hour summaries of musicals, in order to experience the process of succinctly telling a story with scenes and songs. It is because of this class that I and many other students have taken an interest in the art …

The Saylove Project: Conception To Fruition And Everything In Between, Jennifer Catton

Theses and Dissertations

The SayLove Project is an account of the process of developing and producing an original collaborative work, as well as a script that has been compiled and developed over the past. This is a LGBT based project and script.

Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher

Theses and Dissertations

Many great actors don’t work and many mediocre actors do. Why? The perfect monologue and great song isn’t enough to get you hired. Sadly, students are not prepared and equipped with the necessary skill set to take control of their careers. In this economic climate, the ability to audition could not be more imperative. In this thesis, readers will be introduced to the basics of audition technique as developed for Theatre majors at Virginia Commonwealth University as a precursor to their senior year. It will guide them through the first stage of their career. Furthermore, there are unspoken rules, etiquette, …

Meeting Sanford Meisner: An Investigation Of The Origins, Development, And Practical Application Of The Meisner Technique, Mandy Butler

Theses and Dissertations

The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In addition to the descriptions of student responsibilities, the …

Movement For The Actor: A Practical Approach To The Application Of Movement Training, Elizabeth Ressegger-Slone

Theses and Dissertations

An essential tool in actor education, movement training is often viewed as esoteric and difficult to apply directly to an actor’s craft. It varies widely from institution to institution, and covers anything from stage combat to Alexander Technique. One never knows what they will encounter upon entering a movement class, and students frequently have difficulty connecting work done in the movement studio to work done in the acting studio. In order for movement training to become better integrated and more easily identifiable as a necessary part of actor training, it is important to get to the essential qualities that all …

Designing A Musical Theatre Curriculum For The Modern University, Justin Amellio

Theses and Dissertations

The world around us has changed so much, socio-economically, that musical theatre departments around the country are facing budget shortfalls, staff attrition and even vertical cuts leading to full departmental closings. This paper attempts to divert these measures, as well as address the new role of student as consumer, by way of proposing a new musical theatre curricular model to satisfy the needs of both student and university alike. Topics such as fiscal responsibility in academe, departmental expectations, current employment statistics in the musical theatre field and current student learning outcomes are covered. The current student learning outcomes are then …

Video Game Theatre, A Willoughby

Theses and Dissertations

Video games are becoming the fastest growing and most lucrative form of entertainment across the globe. The goal of this project was to take gaming to the next level; to the theatre. I have devised an original piece of theatre using the CIC’s of video gaming: Creativity, Interaction, and Community and put on a production from members of the VCU community. Aside from the project, I have detailed why video games are growing in popularity at an alarming rate and why they belong in the category of ‘Art.’ With new technology and new stories being told, the gaming industry is …

My Coma Dreams, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2010-2011 PEAK Explores the Answer: Experiments in Arts & Technology

Does one sleep FRED HERSCH perchance to dream? In a production shaped by simultaneous realities (hospital and coma), the dreamiest jazz composer of our time, Fred Hersch, will debut a full-length work for 11 instruments (trumpet, trombone, clarinet/alto sax/bass clarinet, tenor sax/flute, string quartet, piano, bass, drums/percussion) as well as a speaker/singer. Inspired by the dreams he remembers after two months in a coma in 2008, Fred Hersch (Leaves of Grass), in collaboration with Herschel Garfein (Elmer Gantry librettist) and Sarah Wickliffe, will reveal the dark matter of his own life—and ours, too.

A Creative And Scholarly Exploration Of Edna Obrien’S Iphigenia, Danya Gee Martin

Honors Senior Capstones and Theses

In this thesis, I will document the creative work I completed for my Senior Acting Project. I will also explore my Senior Acting Project from a more ‘conventional’ academic standpoint. I will explore various definitions of tragedy and argue my own definition; I will also investigate who Euripides was as a writer and human being. I will then apply my findings to three different versions of Euripides’ tragedy Iphigenia in Aulis: a classical translation, a more contemporary translation, and the adaptation I performed for my SAP. I will argue whether or not each meets my criteria for a tragedy, …

Flora The Red Menace (2011), David Thompson

Season 2010-2011

No abstract provided.

Writer's Block, Elizabeth Bergman

Departmental Honors & Graduate Capstone Projects

No abstract provided.

Completing The Circle: The Actor's Cool Down, Anna Kurtz

Theses and Dissertations

Physically, vocally, and physiologically something happens to the actor in rehearsal and performance that can impact the actor’s everyday life. Practitioners have described this as boundary blurring, emotional hangover, and post-dramatic stress. Even acting as a profession can breed stressful situations for the actor. Actors can combat the blurring, the hangover, and the stress through awareness and process. As a part of process, actors warm-up to prepare their bodies and voices and to transition from real life to stage life. An often ignored aspect of process, but no less significant than the warm-up, is the cool down. After researching the …

The Actor As Vessel: A Journey Towards Citizen Artistry, Joseph Carlson

Theses and Dissertations

This thesis is a personal journey examining the applications of Ritual Poetic Drama Within the African Continuum as developed by my mentor Dr. Tawnya Pettiford-Wates, to the profession of the dramatic artist whether they are actor, director, educator or producer, to the training of the dramatic artist as a means of empowering generative, self defined, self validating artists, and as a means of developing community specific dramas in the hopes of facilitating individual and personal revelation. Using the author’s personal experiences as evidence, it intends to affirm Ritual Poetic Drama Within the African Continuum as an emergent methodology for theatrical …

Staying True To The Script: A Dramaturgical Examination Of From The Mississippi Delta: Endesha Ida Mae Holland, Margarette Joyner

Theses and Dissertations

A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.

The Lab Report, Volume 04, Issue 12, Todd Ristau

Lab Reports

• Guest Profile: Branko Dimitrijevic
• Guest Profile: Christopher Jones
• This is My Office by Andy Bragen
• Wendy-Marie Foerster's adaptation of NO EXIT
• Ernie Zulia Receives Perry F. Kendig Award
• From the Director: New Expanded Format Coming Next Month

Tokoyo: A Story Of Cultural Movement, Melissa Jessel

Renée Crown University Honors Thesis Projects - All

Tokoyo: A Story of Cultural Movement is an exploration of Japanese culture through performance. The piece incorporates stylized, ritualistic, and contemporary movement. The device used to portray our research was a folk tale told solely through physical expression. Music by Japanese composers and projections of the country supported the movement and helped to tell the story of the culture.

We were deep into our research when we embarked on our trip to Japan to observe the specificity of the culture in everyday life and performance. Everything that we read, watched, and took part in manifested itself in the final presentation. …

When You Got It, Bump It: A Lost Showgirl’S Cabaret, Mary Claire King

Renée Crown University Honors Thesis Projects - All

For my Capstone project, I developed an original cabaret entitled “When You Got It, Bump It: A Lost Showgirl’s Cabaret.” The story follows Mazeppa, the lost showgirl, as she travels the vaudeville “circuit” in an attempt to regain her fame. I portray this leading character, while two other women portray her friends and co-stars. All three characters are based on perhaps some of the most famous showgirls on Broadway, Mazeppa, Tessie Tura and Electra of the 1959 musical, Gypsy.

I performed the cabaret twice, on the evenings of April 2^nd and 3^rd, at the First Unitarian …

Directing An Opera In An Undergraduate Setting: Creating A Professional Atmosphere Within The Confines Of A Student Production, Gabrielle Traub

Renée Crown University Honors Thesis Projects - All

As a Voice/Opera Performance major, I decided to take my love of opera and performance and familiarize myself with all of the aspects I had yet to understand: Production and Direction. Along with the creative and technical aspects, I also learned how to deal with many different emotional situations, including but not limited to being in a leadership position above my friends and peers.

My concept is as follows: produce and direct a full-length opera production in a foreign language. I decided to direct The Magic Flute in its original language because a) that was the composer’s original intent, and …

Tokoyo: A Story Of Cultural Movement, Chelsea Rolfes

Renée Crown University Honors Thesis Projects - All

Tokoyo: A Story of Cultural Movement is an exploration of Japanese culture through performance. The piece incorporates stylized, ritualistic, and contemporary movement. The device used to portray our research was a folk tale told solely through physical expression. Music by Japanese composers and projections of the country supported the movement and helped to tell the story of the culture.

We were deep into our research when we embarked on our trip to Japan to observe the specificity of the culture in everyday life and performance. Everything that we read, watched, and took part in manifested itself in the final presentation. …

C.I.A.: College (In)Action: An Observation Of The Female College Experience., Mithra B. Alavi

Undergraduate Honors Theses

A film that I have written and directed about females in college and what they experience in one academic year based on the experiences of my friends and myself.

The Misanthrope: Accepting The Notions Of Moliere Into A Modern Society, Cristina A. Skinner

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

“The Misanthrope: Accepting the Notions of Molière for a Modern Society” demonstrates the conceptualization, rehearsal process, and critique of the direction for The Misanthrope, produced during the fall semester of 2010 for the Johnny Carson School of Theatre and Film.  The conceptualization process included historical research of France during the 1660s and 2000s, meetings with the designers, and analysis of the play through structure and characters.  The process included design meetings and rehearsals.  The effectiveness of the production was demonstrated through the responses of four reviewers and a Kennedy Center American College Theatre Festival respondent.  Additional material …

Ensemble Theatre Techniques: Butoh Electra, Jordan Rosin

Renée Crown University Honors Thesis Projects - All

For my Capstone project, I was interested in both creating an original piece of theatre and testing a theory I had developed about the way in which a sense of ensemble is cultivated in a company of actors. I theorized that group training in one or more movement disciplines could generate a sense of ensemble just as easily as games or improvisation while having the added benefit of helping us generate material for the particularly physical piece of theatre which I had envisioned. To test the theory, I wrote an original adaptation of the classical Greek tragedy, Electra by Sophocles. …

Healthy Performance Practice For Male Barbershop Singers, Jacob K. Bartlett

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Barbershop singing is a hobby enjoyed by hundreds of thousands of men and women across the world. We attend conventions, shows, competitions, and educational outreach programs each year at our own expense to preserve a style we truly love.

Most singers of the style are amateur musicians. This constitutes somewhat of a challenge when we consider the need for healthy singing in light of certain assumptions about the vocal technique required of the barbershop style. Most do their best to make a healthy sound but end up doing more harm than good to their own voices after a lengthy rehearsal. …

Playright: A Portfolio And Reflection On The Craft, Christine Baniewicz

Honors Capstones

No abstract provided.

A Tale Of Two Carlos: An Examination Of The Ongoing Battle Between The Marginalized And The Privileged As Exemplified By Carlo Goldoni And Carlo Gozzi During The 18th Century, David Josh Patterson

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

This thesis explores the lives and works of Carlo Gozzi and Carlo Goldoni. Specific emphasis is placed on their feud, positions in society, the motivations behind their theatrical styles, and the ways they used theatre to either attempt to maintain the status quo (Gozzi) or strive for social change (Goldoni). Contrary to previous studies, this study suggests that Goldoni tried to influence the world around him, rather than merely reflect it. This study examines the above through the lens of several twentieth century theories including semiotics, structuralism, and the avante-garde. The contents of this work are essential to anyone seeking …

Selected Projects In Costume Design, Lindsay Anne Beardall

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

I started my collegiate career as an art major in 2-D design with the intent that I would be an art director for an advertising agency. I took a costume construction class two years into my major and I promptly left 2-D design for costume design. Costume design is a wonderful combination of my love of art, history, sewing, drawing, design and creating. I have been fortunate to have had the opportunity to design four different shows during my time at Utah State University. During my time as a costume designer at Utah State University I designed costumes for four …

Los Exilios De Els Joglars, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Quizàs no hay ninguna otra compañía teatral en el Estado español que se haya inspirado tanto en las encrucijadas ambivalentes del mundo del espectáculo con la vida real -especialmente, la vida política catalana- como Els Joglars. A lo largo de SU trayectoria de más de cincuenta años, Albert Boadella y su compañía no han dado nunca la espalda a la política; al contrario, han ido modificando sus valores estéticos de manera gradual, ajustando su punto de ataque según las cuestiones políticas mas apasionantes y ardientes de cualquier momento dado. Els Joglars siempre han dejado que lo político despierte e invada …

Willi Red Buhay Interview, Lauren Todd

Asian American Art Oral History Project

Bio: Willi Red Buhay was a graduate of San Beda College and the University of Sto. Tomas. He was the first artistic director for design of the Cultural Center of the Philippines and the Folk Arts Theater, a position he held for fifteen years. He also held a teaching post at the University of the Philippines and his alma mater.

One of Manila’s celebrated design-artist-painters, Willi had staged over 300 productions from theater and cinema to gallery exhibitions. In 1970, he won the prestigious design competition for the Philippine Center in New York. It was the start of numerous design …

Ensemble Rehearsal Practices: The Evolution And Application Of Rehearsal Technique As Explored In Harold Pinter’S Betrayal, Wilson Kerry Mcgee

Theses and Dissertations

Three years ago, Bonnie Gabel and I started an ensemble theatre company called Night Light Collective (NLC). Our company was inspired by the work of Anne Bogart and the Dah Theatre in Belgrade, Serbia. We used many of their techniques and exercises to develop a rehearsal process that would help our ensemble connect to each other as well as contribute to the artistic direction of our productions. In the fall of 2010, I directed Harold Pinter’s Betrayal. I used the rehearsal practices that we developed with NLC and created a few of my own. This thesis documents the evolution of …

Rebonding Anomic Communities With Theatre Of The Oppressed, Amanda Hauman

Theses and Dissertations

This thesis explores whether Augusto Boal’s Theatre of the Oppressed (TO) can help anomic communities, affected by deindustrialization and globalization, in the U.S. Midwest, specifically looking at Saginaw, MI. After presenting a paper at the American Symposium for Theatre Research (ASTR) conference in 2009, the author attended a Theatre of the Oppressed facilitator training in Port Townsend, WA under the direction of Marc Weinblatt. She then conducted her own Theatre of the Oppressed workshop in Saginaw, MI to analyze the abilities of Theatre of the Oppressed in an anomic community. Each experience is detailed and followed by the author’s conclusions …